00:00:00.240 --> 00:00:03.000
OK guys, let's go from the top.

00:00:08.360 --> 00:00:09.720
Action.

00:00:10.480 --> 00:00:13.280
Hey, Quentin? Long time, no see.
Not celebrating with us?

00:00:13.440 --> 00:00:15.480
- Can't you see I've got company?
- Yeah.

00:00:16.200 --> 00:00:17.600
She's a looker!

00:00:19.240 --> 00:00:21.600
- I thought you weren't seeing these guys.
- Sorry?

00:00:21.760 --> 00:00:24.040
- What did she say?
- That's bad talk!

00:00:24.920 --> 00:00:26.440
Say that again.

00:00:27.760 --> 00:00:29.240
Guys, I'm through with you.

00:00:29.400 --> 00:00:30.560
What's with you, Quentin?

00:00:30.720 --> 00:00:32.560
Get lost.

00:00:32.800 --> 00:00:33.920
You stay sitting!

00:00:34.120 --> 00:00:35.320
Wanna get smart with me?

00:00:41.840 --> 00:00:42.960
Go on, do her!

00:00:48.920 --> 00:00:50.040
Where are you going?

00:00:52.080 --> 00:00:54.760
- Watch what we'll do to your chick!
- Leave her alone!

00:00:55.040 --> 00:00:56.200
Look, open your eyes!

00:01:02.640 --> 00:01:04.600
Open your eyes!

00:01:05.120 --> 00:01:08.880
STUNTWOMEN

00:02:48.520 --> 00:02:49.480
Cut!

00:02:50.000 --> 00:02:52.040
... and cut!

00:02:52.880 --> 00:02:54.960
- Much too early.
- Much too early?

00:02:55.160 --> 00:02:58.120
Oh, really? OK.
We'll do it again. I'm fine.

00:02:58.400 --> 00:03:00.400
- Can you go one last time?
- Yes!

00:03:00.640 --> 00:03:04.640
No, it's really good,
it's just to adjust the different angles.

00:03:08.480 --> 00:03:12.560
Be careful because the jump
was right at the edge of frame.

00:03:25.320 --> 00:03:28.760
- How are you, Madame Lépine?
- Great!

00:03:29.960 --> 00:03:32.960
- We've taken some hits!
- We have.

00:03:35.640 --> 00:03:38.000
It was a good fall.
I saw you on the continuity photos.

00:03:38.160 --> 00:03:40.520
You saw!

00:03:40.840 --> 00:03:42.680
But when she's put in the cell,

00:03:42.840 --> 00:03:46.080
maybe she has trouble in prison, you know,

00:03:46.240 --> 00:03:49.000
because she's with the prostitutes
and all that.

00:03:49.280 --> 00:03:52.520
- But we met again on "Profilage".
- Yeah.

00:03:52.760 --> 00:03:54.400
When you played the drowned woman.

00:03:54.560 --> 00:03:57.080
Oh goodness, you saved my life there.

00:03:57.240 --> 00:03:58.560
You covered me up.

00:03:59.760 --> 00:04:02.760
- It was cold.
- Yeah, it was awful that day.

00:04:03.760 --> 00:04:05.520
Yeah, it was fun.

00:04:05.680 --> 00:04:08.840
- Things always come in threes.
- Makes it doubly good.

00:04:10.360 --> 00:04:14.720
- You doing the following season?
- Part of the following season.

00:04:46.480 --> 00:04:48.200
- Cheers!
- Let's toast.

00:04:48.520 --> 00:04:51.520
- Cheers!
- Merry Christmas!

00:05:01.600 --> 00:05:03.320
This is my business card.

00:05:03.480 --> 00:05:10.600
To find a job in Los Angeles,
you have to give it to directors.

00:05:10.960 --> 00:05:12.840
You look weird.

00:05:13.640 --> 00:05:15.600
What? What looks weird?

00:05:18.240 --> 00:05:21.680
- Where? This side or this?
- You always look weird.

00:05:26.160 --> 00:05:28.520
Lea, you are seven now.

00:05:29.600 --> 00:05:33.880
In that case, Petra...
When I was seven, Petra was... 13.

00:05:35.360 --> 00:05:38.960
- How do you say "car hit" in German?
- "Unfall".

00:05:41.040 --> 00:05:45.800
And "hit and run"? When someone
doesn't even stop and just drives on.

00:05:46.280 --> 00:05:48.480
- "Fahrerflucht".
- Yes, exactly.

00:05:48.640 --> 00:05:50.000
That was a dangerous stunt.

00:05:52.480 --> 00:05:54.440
That was one of the worst stunts.

00:05:55.320 --> 00:05:58.440
Most stuntwomen won't even accept
that kind of job.

00:05:59.280 --> 00:06:03.880
- And you did it?
- Yes, because I needed the money then.

00:06:04.480 --> 00:06:07.080
I had to take the job.

00:06:07.480 --> 00:06:12.560
A woman did it before me
and got seriously injured doing the car hit.

00:06:12.720 --> 00:06:15.400
I can show you, godfather.

00:06:16.120 --> 00:06:20.960
That's why they use different stunt people,
they're interchangeable.

00:06:21.120 --> 00:06:26.080
If one gets injured, they call another one.
Our faces are never shown in the film.

00:06:30.000 --> 00:06:34.560
In the stunt business
you are not in the limelight.

00:06:34.720 --> 00:06:37.360
- No!
- Whereas at the circus you were.

00:06:37.520 --> 00:06:39.840
- Yes.
- It's very different.

00:06:44.840 --> 00:06:49.520
- I heard, you'd like to get into acting.
- Yes.

00:06:51.040 --> 00:06:55.840
- That's what you were good at, originally.
- Exactly.

00:06:57.160 --> 00:06:59.080
I think...

00:07:00.760 --> 00:07:03.280
I'm actually something of a...

00:07:04.640 --> 00:07:06.960
show business woman.

00:07:07.840 --> 00:07:10.200
I've never been the mousy type.

00:07:10.360 --> 00:07:15.760
And as a stuntwoman, you have to be
just that, you have to become invisible.

00:07:15.920 --> 00:07:19.240
I didn't know that,
I just wanted to become a stuntwoman.

00:07:19.440 --> 00:07:23.360
I wanted to fly through the air
and do big jumps.

00:07:23.520 --> 00:07:26.640
But it turned out to be very different.

00:08:02.120 --> 00:08:03.520
Have a look.

00:08:17.920 --> 00:08:21.440
It's a shame the photo isn't very good,
I could post in on Instagram.

00:08:22.720 --> 00:08:25.320
Do you remember this?

00:08:28.560 --> 00:08:29.880
Oh my God, my hair!

00:08:30.200 --> 00:08:35.760
Why didn't you make me look girlier?

00:08:37.040 --> 00:08:38.640
I couldn't stand that.

00:08:39.160 --> 00:08:42.680
I wanted to be able to easily comb your hair.

00:08:42.840 --> 00:08:47.920
- But you didn't do that.
- Yes, I did. With a strong brush.

00:08:48.240 --> 00:08:52.760
And as soon as it got a bit long,
I immediately took you to the hairdresser's.

00:08:53.480 --> 00:08:55.120
I couldn't stand that.

00:09:02.960 --> 00:09:05.760
A newspaper article.

00:09:06.920 --> 00:09:10.240
- But you don't know which one is you.
- Yes, I do.

00:09:12.880 --> 00:09:16.280
I think I'm this one, but I'm not sure.

00:09:17.120 --> 00:09:19.320
I'm this one, I think.

00:09:20.320 --> 00:09:23.360
Sometimes there were five of us
and sometimes seven.

00:09:23.840 --> 00:09:27.200
- In 2002, October 3rd.
- Yes.

00:09:29.040 --> 00:09:32.800
- My citizenship.
- In 2011.

00:09:35.040 --> 00:09:37.720
I've been an American citizen
for eight years now.

00:09:37.880 --> 00:09:43.280
You always wanted me to be very Swiss.
"Heidi" style.

00:09:45.360 --> 00:09:47.480
No, I was disappointed.

00:09:48.440 --> 00:09:53.040
Whenever you had to fill in a form,
it said at the top...

00:09:53.840 --> 00:09:58.520
"I'm white, black, or red"
or whatever...

00:09:58.720 --> 00:10:01.400
And you had to tick "black".

00:10:05.960 --> 00:10:07.960
That's also a nice photo.

00:10:11.920 --> 00:10:13.920
- There, Hollywood.
- Yes.

00:10:14.320 --> 00:10:17.040
Let me see...
I don't have these trousers anymore.

00:10:25.880 --> 00:10:27.440
Did I jump too much?

00:10:37.520 --> 00:10:40.520
- Careful you don't hit your head too hard!
- Oh really?

00:10:41.080 --> 00:10:44.080
- You OK?
- Yes, I didn't feel it.

00:10:45.120 --> 00:10:48.360
You're not usually asked
to do crashes five times.

00:10:48.520 --> 00:10:52.000
They prefer to do one take and then cut
because it's really dangerous.

00:10:52.160 --> 00:10:55.080
And whatever happens, we take a real hit.

00:10:55.360 --> 00:10:58.120
That's why we protect ourselves to the hilt.

00:10:58.280 --> 00:11:02.040
There are full-body motorbike suits.
They usually opt for that.

00:11:02.240 --> 00:11:07.160
Full body from your head to feet,
ankle bones, that way we protect ourselves.

00:11:07.320 --> 00:11:10.320
Unless you're in a T-shirt
and then it's more difficult.

00:11:10.480 --> 00:11:13.800
But they generally avoid that,
they put us in good clothing.

00:11:13.960 --> 00:11:15.400
OK?

00:11:18.680 --> 00:11:21.520
Careful of your head, faster with your legs.

00:11:23.000 --> 00:11:25.440
- You put your head here.
- Ah yes, OK.

00:11:25.600 --> 00:11:28.480
- And obviously your head gets hit there.
- OK.

00:11:28.640 --> 00:11:29.760
Use your shoulder more.

00:11:47.240 --> 00:11:50.200
Cut! Everybody OK?

00:12:02.520 --> 00:12:05.520
If you don't put anything under it,
it won't hold.

00:12:06.080 --> 00:12:09.080
- Is it moto-cross gear?
- Yeah.

00:12:14.440 --> 00:12:17.960
Any news about tomorrow's shoot
with the YouTuber?

00:12:18.120 --> 00:12:21.080
No, I haven't heard anything.

00:12:21.240 --> 00:12:23.280
- No news?
- With Inox?

00:12:24.400 --> 00:12:26.040
No, not with Inox, it's for...

00:12:26.200 --> 00:12:29.400
It's for a YouTube video
but I haven't heard anything.

00:12:31.120 --> 00:12:34.080
And the audition?
Was it the stunt coordinator who called you?

00:12:34.240 --> 00:12:38.240
Auditions for stuntwork are unusual.
There were for "The Three Musketeers".

00:12:39.400 --> 00:12:42.520
And Luc Besson held auditions
for big budget films.

00:12:43.320 --> 00:12:44.760
Does that often happen?

00:12:44.920 --> 00:12:48.200
It wasn't a fencing audition, it was stunts
but they asked for fencers.

00:12:48.360 --> 00:12:51.280
But they need lots of different profiles.
It's good.

00:12:51.440 --> 00:12:54.360
If they need a woman who is 1m 66,
for instance

00:12:54.520 --> 00:12:57.720
and hold an audition
for 1m 66-tall women, it'd be very limited.

00:12:58.120 --> 00:13:00.720
- But are there often auditions like that?
- Never.

00:13:00.880 --> 00:13:03.480
That's the only audition I've seen this year.

00:13:03.640 --> 00:13:06.800
- Yeah, you never have any for stunts.
- Except for stage shows.

00:13:06.960 --> 00:13:11.320
And on "Asterix" they took people
who have already worked together.

00:13:27.440 --> 00:13:29.720
You know what happened to me one time?

00:13:30.600 --> 00:13:32.720
It was an acting job.

00:13:32.880 --> 00:13:38.320
I was on set - it was a love scene.
It was a short - a love scene with a guy.

00:13:38.480 --> 00:13:43.200
So the shot was: he was there,
motionless, and I had to move around him,

00:13:43.920 --> 00:13:46.960
but he was smaller than me.

00:13:47.120 --> 00:13:50.480
So they asked me to play the love scene
with my knees bent.

00:13:50.640 --> 00:13:53.640
And I had to play the love scene like this.

00:13:55.000 --> 00:13:57.320
And I'm in this "poohing" position.

00:13:58.240 --> 00:14:00.000
It's very difficult, you know.

00:14:06.920 --> 00:14:09.840
I grew up in the country,
never thinking I'd be a stuntwoman.

00:14:10.000 --> 00:14:11.920
I thought actors did their own stunts.

00:14:12.080 --> 00:14:15.360
I followed the typical path
of a good student.

00:14:15.520 --> 00:14:17.520
I went to high school,
did my preparatory classes

00:14:17.680 --> 00:14:19.520
for a place at engineering school.

00:14:19.680 --> 00:14:22.640
And five years ago, I discovered parkour.

00:14:22.800 --> 00:14:25.040
And my coach does a bit of stunt work
in film.

00:14:25.280 --> 00:14:28.520
And they were looking for people
to do parkour in "Alice Nevers",

00:14:28.680 --> 00:14:30.520
and he said, "Estelle, you interested?"

00:14:31.560 --> 00:14:35.240
And then friends who did stunts
said to me,

00:14:35.400 --> 00:14:38.400
- "Go to stunt school!"
- How cool.

00:14:39.160 --> 00:14:41.880
It's all very new to me
because I find the artistic world

00:14:42.040 --> 00:14:44.800
and the corporate world
are completely different,

00:14:44.960 --> 00:14:47.080
even when you talk to people.

00:14:47.240 --> 00:14:50.200
In the corporate world
the first question you're asked is:

00:14:50.360 --> 00:14:53.960
"Where do you see yourself
in 3, 5 or 10 years?"

00:14:54.120 --> 00:14:57.400
- Even 20 years, in a job interview.
- Really?

00:14:57.560 --> 00:15:01.800
And in the artistic world,
people don't know about a month ahead.

00:15:01.960 --> 00:15:05.880
And I was like,
"Who are these people?!"

00:15:06.040 --> 00:15:09.560
A lot of people do their jobs
without any passion

00:15:09.720 --> 00:15:11.640
and they do it simply to earn a living,

00:15:11.800 --> 00:15:13.680
but I could never do that.

00:15:14.040 --> 00:15:15.920
Half my friends don't like their jobs.

00:15:16.080 --> 00:15:18.040
They're constantly asking,

00:15:18.200 --> 00:15:20.920
"Why did I pay 20,000 a year
to attend business school?"

00:15:21.080 --> 00:15:23.960
They're paying off their debt,
thinking about their future house

00:15:24.120 --> 00:15:27.360
all the while thinking
"I don't enjoy doing what I'm doing,

00:15:29.520 --> 00:15:32.480
And you've got society
putting pressure on you.

00:15:32.640 --> 00:15:35.600
"You're nearly 30, you're not married,
you have no house.

00:15:35.760 --> 00:15:37.080
"And what about children?

00:15:37.240 --> 00:15:39.800
"When you're pregnant
you won't be able to train."

00:15:39.960 --> 00:15:42.960
And you've got all these problems
that make you think.

00:15:43.120 --> 00:15:45.960
Yeah, there aren't many who have children.

00:15:46.120 --> 00:15:48.720
When I came here I was the only mother.

00:15:50.240 --> 00:15:53.560
It takes time to get back on form
after a pregnancy.

00:15:53.800 --> 00:15:57.800
So you have a long pause in your life.

00:15:58.240 --> 00:16:00.120
And after that you have to...

00:16:00.280 --> 00:16:04.040
Well, you have to get back your muscles,
your tone.

00:16:04.880 --> 00:16:06.960
And I struggled with that, you know.

00:16:10.240 --> 00:16:11.240
Yeah.

00:16:11.960 --> 00:16:13.960
What about children for you?

00:16:19.120 --> 00:16:22.040
I'll be the only one with children!

00:16:33.160 --> 00:16:33.800
One.

00:16:33.960 --> 00:16:35.880
- What do I do?
- The second one.

00:16:36.040 --> 00:16:38.120
- I do that to you?
- Yes, go ahead.

00:16:39.640 --> 00:16:40.960
Two...

00:16:42.480 --> 00:16:44.040
- Three.
- Oh shit!

00:16:45.280 --> 00:16:47.600
It's your chance to slap your mother!

00:16:48.240 --> 00:16:49.800
And a hard slap!

00:16:51.480 --> 00:16:52.760
It's good training.

00:16:53.520 --> 00:16:55.840
Up, up from here.
Tips of your toes.

00:16:57.520 --> 00:16:58.760
Bring your head in a bit.

00:16:59.000 --> 00:17:01.640
Oh Mum... No, no, help me!

00:17:01.800 --> 00:17:04.320
- I thought you were going into a roll.
- No.

00:17:04.680 --> 00:17:06.400
You set down, push with your leg...

00:17:09.440 --> 00:17:10.720
Push with your leg.

00:17:10.880 --> 00:17:13.240
And you have to bend the other leg
to get up.

00:17:13.440 --> 00:17:15.600
- Want to do the other side?
- No.

00:17:15.760 --> 00:17:18.400
- Pity because it's not bad.
- No, I don't want to.

00:17:19.120 --> 00:17:21.560
- Do you want to do round-offs?
- No.

00:17:25.960 --> 00:17:27.920
Yes, I know.

00:17:30.080 --> 00:17:31.880
You've increased it a bit.

00:17:32.040 --> 00:17:33.320
- You OK?
- Yeah.

00:17:33.640 --> 00:17:34.680
Bearable?

00:17:34.840 --> 00:17:38.120
It will be. Come on, we'll count. 1, 2...

00:17:39.280 --> 00:17:41.960
The dance teacher rode me.

00:17:42.120 --> 00:17:45.440
I promise you, two big feet on my knees.

00:17:47.680 --> 00:17:48.440
OK?

00:17:48.960 --> 00:17:51.360
- You're not going to cry, are you?
- No.

00:17:52.640 --> 00:17:54.080
That's good.

00:17:54.600 --> 00:17:57.200
And then lean forward a bit.

00:17:58.880 --> 00:18:01.120
- No way!
- My darling.

00:18:01.800 --> 00:18:04.600
Have you never been scared, scared?

00:18:04.760 --> 00:18:06.400
- Really scared?
- Yeah.

00:18:07.880 --> 00:18:09.800
I've never been really scared

00:18:09.960 --> 00:18:13.320
because as I'm aware of the risks I'm taking,

00:18:14.240 --> 00:18:17.040
I've never felt my life was in danger
doing stunts.

00:18:18.160 --> 00:18:20.800
But the stunt we did with Gilles Conseil
was magic.

00:18:20.960 --> 00:18:23.800
Gilles Conseil said,
"I have a stunt for you.

00:18:24.200 --> 00:18:27.840
"I'm going to knock you over,
skidding on a motorbike."

00:18:28.000 --> 00:18:33.000
But when the bike skids,
I come along and it touches my leg

00:18:33.720 --> 00:18:36.360
to make me... so I fall over.

00:18:36.840 --> 00:18:39.480
But the bike mustn't go like this,
otherwise...

00:18:39.640 --> 00:18:41.560
- ... the bike hits you.
- The bike hits me.

00:18:41.720 --> 00:18:45.640
And at 60km/h that's huge.
Broken legs...

00:18:45.800 --> 00:18:47.160
Or worse still.

00:18:47.520 --> 00:18:50.000
So when we shot that,
we just did one take.

00:18:50.160 --> 00:18:54.880
And it went extremely well
and it was really violent.

00:18:55.040 --> 00:18:59.440
And I think that on the screen
you don't realise how violent this stunt is.

00:18:59.600 --> 00:19:01.040
You'd think I was on a cable.

00:19:01.200 --> 00:19:04.360
If people knew how violent it is.

00:19:04.520 --> 00:19:06.320
Yes, that was extremely violent.

00:19:06.760 --> 00:19:08.720
And I came home, you were very young.

00:19:09.080 --> 00:19:11.720
And I was pleased to be home in one piece.

00:19:11.960 --> 00:19:14.800
And so in the morning,
your father took you to school

00:19:14.960 --> 00:19:17.360
but you came to give me a kiss
and when you saw me...

00:19:17.640 --> 00:19:21.720
- You had a big bruise?
- I had a huge bruise on my eye.

00:19:22.280 --> 00:19:25.280
Do you remember?
You were three or four.

00:19:25.560 --> 00:19:29.160
You said,
"Oh! Will you stay like that for ever, Mum?"

00:19:30.480 --> 00:19:31.440
Do you remember?

00:19:31.600 --> 00:19:36.240
Yes, and you picked me up from school
for the next few days in sunglasses.

00:19:36.400 --> 00:19:38.200
- In mid-winter!
- Absolutely!

00:19:38.360 --> 00:19:40.880
Anyway, ever since I was little

00:19:41.280 --> 00:19:46.120
I've always seen your work
as something amazing.

00:19:46.680 --> 00:19:50.880
and even when you came back in evening
with bruises.

00:19:51.040 --> 00:19:52.920
Anything could have happened...

00:19:53.440 --> 00:19:56.600
But you'd wake up in the morning,
get me ready, take me to school

00:19:56.760 --> 00:19:58.560
and you'd have such a big smile.

00:19:58.880 --> 00:20:02.440
So I was like, my mother is invincible
because...

00:20:02.800 --> 00:20:06.160
in all the films that she's in,
she nearly always either dies

00:20:06.320 --> 00:20:09.840
or she get badly injured,

00:20:10.000 --> 00:20:12.600
but when I get home
she's always in one piece.

00:20:12.760 --> 00:20:14.880
Because she's so good at what she does.

00:20:15.040 --> 00:20:16.640
Because you're so good.

00:20:53.560 --> 00:20:55.240
Mum!

00:20:56.160 --> 00:20:57.640
Mum!

00:20:57.800 --> 00:20:59.040
Stop.

00:25:37.280 --> 00:25:40.640
The script involves a stunt
with the character falling down the stairs.

00:25:40.800 --> 00:25:44.600
- In her little dress.
- Yes, with bare arms and so on.

00:25:44.800 --> 00:25:49.720
But if I'm asked to do some stunts
without protection, I will do them.

00:25:50.200 --> 00:25:53.040
But I prefer to have some back protection.

00:25:53.200 --> 00:25:55.320
You can tumble much more...

00:25:55.800 --> 00:25:59.000
You can tumble much more violently
down the stairs.

00:25:59.480 --> 00:26:01.520
I was happy to be asked to do it.

00:26:01.680 --> 00:26:05.720
Even if I'm asked to tumble down
some stairs without protection, I'll do it,

00:26:05.880 --> 00:26:07.080
and whole-heartedly!

00:26:18.760 --> 00:26:21.400
OK, let's move on to some serious work.

00:26:21.560 --> 00:26:25.080
- Shall we try with heels?
- We're going to kick in heels, girls!

00:26:26.000 --> 00:26:28.720
We'll play it
like they do in "Sex And The City".

00:26:29.080 --> 00:26:30.400
Get out the heels.

00:26:30.560 --> 00:26:34.560
It's best to take shoes
which fasten round the ankle.

00:26:34.840 --> 00:26:37.560
- Oh yeah.
- Or they might fall off.

00:26:39.640 --> 00:26:42.560
I think that if it supports the ankle, you...

00:26:42.760 --> 00:26:43.720
Yeah, that too.

00:26:43.880 --> 00:26:45.400
It's a good thing!

00:26:45.880 --> 00:26:48.480
Oh my, that's really difficult!

00:26:48.920 --> 00:26:49.800
Oh heavens.

00:26:49.960 --> 00:26:52.120
Hell, I can't even walk in them.

00:26:52.320 --> 00:26:54.560
I'd like to fight in shoes like these.
Classy.

00:26:54.720 --> 00:26:55.840
And they're nice.

00:26:56.000 --> 00:26:58.160
- Yeah, very nice.
- But just use your fists.

00:26:59.440 --> 00:27:00.960
Oh, it's so hard!

00:27:01.280 --> 00:27:03.480
- Actually it's OK.
- But not too fast.

00:27:04.040 --> 00:27:08.560
- That's...
- And one, two, three...

00:27:09.840 --> 00:27:10.600
... four.

00:27:10.760 --> 00:27:12.920
- And then...
- And then you go...

00:27:13.560 --> 00:27:15.320
Go again. So that's...

00:27:15.640 --> 00:27:16.480
One.

00:27:17.160 --> 00:27:18.000
Two.

00:27:18.560 --> 00:27:19.400
Three.

00:27:20.120 --> 00:27:20.960
Four.

00:27:21.440 --> 00:27:22.280
Five.

00:27:22.640 --> 00:27:24.200
And with the punch!

00:27:26.800 --> 00:27:28.440
And you come back

00:27:28.720 --> 00:27:30.600
and maybe kick her in the ankles

00:27:30.760 --> 00:27:33.760
That could even knock you off balance
so you rock forwards.

00:27:34.200 --> 00:27:35.640
And I finish you off.

00:27:36.040 --> 00:27:37.000
Yes, absolutely.

00:27:49.840 --> 00:27:52.280
- Why are you looking at me like that?
- How?

00:27:52.800 --> 00:27:53.960
Stop it.

00:27:55.320 --> 00:27:56.840
- There's no problem.
- There is.

00:27:57.000 --> 00:27:59.360
- No, there's no problem.
- Calm down.

00:28:03.560 --> 00:28:07.080
Am I annoyed? Think I'm annoyed?

00:28:49.200 --> 00:28:51.080
I'm not done!

00:29:10.600 --> 00:29:15.000
I'd only just mounted the horse
when it took off.

00:29:15.600 --> 00:29:19.280
It headed towards the exit
and I could see my leg wouldn't fit through

00:29:19.440 --> 00:29:22.640
because he hugged the barrier
and so I ejected

00:29:22.800 --> 00:29:24.800
so that my leg didn't get crushed.

00:29:25.040 --> 00:29:26.400
And that was quite a fall.

00:29:26.560 --> 00:29:28.640
When I got up I saw stars.

00:29:28.800 --> 00:29:32.200
A horse that has decided to take you with it,
it weighs 450 kg.

00:29:32.360 --> 00:29:34.000
- So it takes you with it.
- Yeah.

00:29:34.160 --> 00:29:36.000
And I can take a blow

00:29:36.160 --> 00:29:39.280
but for the first time
I found it hard to get back on my feet.

00:29:39.480 --> 00:29:42.920
My head was spinning, it was...
Yeah.

00:29:48.360 --> 00:29:50.000
Get a bit closer... That's it.

00:29:50.160 --> 00:29:52.240
- A bit more?
- 1, 2, 3, up!

00:29:52.400 --> 00:29:54.040
No, damn it!

00:29:54.320 --> 00:29:57.520
You need to be as close as possible
to the horse.

00:30:01.880 --> 00:30:05.480
- That's it, you're good.
- Cool, yeah. Yeah, I'm good.

00:30:07.520 --> 00:30:11.120
"For more than three decades"
I love that, it's great.

00:30:12.160 --> 00:30:13.600
You look great on it.

00:30:13.840 --> 00:30:16.840
"She is a stunt double
for cinema's biggest stars"

00:30:17.520 --> 00:30:19.200
Oh my goodness!

00:30:19.800 --> 00:30:23.600
One time on the ring road, I came out
of a psychiatric hospital, barefoot,

00:30:23.760 --> 00:30:26.280
in a night-gown with minimal protection.

00:30:26.920 --> 00:30:30.360
- Barefoot...?
- Yep, barefoot. She wanted to kill herself.

00:30:30.520 --> 00:30:32.720
- And she gets run over by a car?
- Yeah.

00:30:32.880 --> 00:30:35.960
And I played another mad woman.

00:30:36.120 --> 00:30:38.680
There are lots of mad female parts
in this job.

00:30:38.840 --> 00:30:42.400
And I had to spit
in Catherine Deneuve's face.

00:30:42.600 --> 00:30:47.000
And I can't spit.
My parents always said, "Don't spit!"

00:30:47.160 --> 00:30:48.760
So I didn't manage to spit.

00:30:48.920 --> 00:30:51.240
She's a stuntwoman, but she can't spit!

00:30:53.360 --> 00:30:55.760
No, but it was incredible

00:30:55.920 --> 00:30:58.000
because at some point I heard that

00:30:58.160 --> 00:31:02.240
"Joëlle Baland has done a 36 metres jump
into an airbag."

00:31:02.400 --> 00:31:05.560
And when I heard that
I wanted to see what you'd done.

00:31:05.720 --> 00:31:10.200
And so I watched the films you were in
and spoke to stuntmen about what you did.

00:31:10.360 --> 00:31:13.360
because you were my benchmark
as a stuntwoman.

00:31:13.520 --> 00:31:16.680
When I started out
there were just three or four of us.

00:31:17.880 --> 00:31:20.120
So it was quite magical.

00:31:20.400 --> 00:31:23.320
It was the era
when men were stunt doubles for women.

00:31:23.480 --> 00:31:25.440
Yes, men were the doubles.

00:31:25.600 --> 00:31:27.880
Yes, I remember, at the start.

00:31:28.040 --> 00:31:31.960
And now when you see old films,
you see the wigs, you see it's a man.

00:31:34.080 --> 00:31:35.800
I mean you were one of the first.

00:31:35.960 --> 00:31:39.320
I remember you doing flips
and amazing things.

00:31:39.480 --> 00:31:41.280
- Which film?
- Oh, I don't remember.

00:31:42.600 --> 00:31:46.320
Initially I wanted to be an acrobat,
to do circus acts.

00:31:46.840 --> 00:31:50.400
So I began by studying it,
and put on a little act.

00:31:50.560 --> 00:31:54.160
I had an audition for the Lido de Paris
who were looking for an acrobat.

00:31:54.680 --> 00:31:57.320
I'd no idea, I'd never been to a cabaret.

00:31:57.480 --> 00:31:59.640
I mean, I came up from Marseilles.

00:32:00.680 --> 00:32:02.720
And I had the audition...

00:32:03.560 --> 00:32:06.760
They got me to do fencing
and I was taken on

00:32:06.920 --> 00:32:10.360
and so I worked at the Lido de Paris
where I met stuntmen.

00:32:10.840 --> 00:32:13.000
That's how I got started as a stuntwoman.

00:32:13.160 --> 00:32:17.840
But I didn't know if I would...
Well, I didn't think it would become my job.

00:32:18.040 --> 00:32:21.680
- Of course
- You see, and then it just kept going.

00:32:22.320 --> 00:32:25.440
And then you discover what you can do.

00:32:26.040 --> 00:32:29.280
I mean, that's magical too.
Knowing if you can.

00:33:06.680 --> 00:33:07.680
Hello?

00:33:09.280 --> 00:33:10.240
Mommy.

00:33:10.400 --> 00:33:13.400
You need to turn the sound on.

00:33:17.440 --> 00:33:19.760
I can hear you very well.

00:33:20.720 --> 00:33:23.120
- Can you hear me?
- Yes, I can hear you.

00:33:25.320 --> 00:33:27.920
Mommy, listen...

00:33:28.840 --> 00:33:31.480
There was this horse ranch...

00:33:31.760 --> 00:33:34.320
What do you call a horse ranch?

00:33:35.800 --> 00:33:39.840
Reputable, reputable...
serious...

00:33:40.400 --> 00:33:43.640
I'm talking about a horse ranch.

00:33:44.600 --> 00:33:46.920
Horses, where the horses are.

00:33:47.080 --> 00:33:49.080
Yes, a ranch.

00:33:51.040 --> 00:33:55.920
The costumes were amazing.
From the 1920s.

00:33:56.200 --> 00:33:59.760
Very nice.
And what did you have to do?

00:34:00.440 --> 00:34:03.000
I was shot down.

00:34:04.440 --> 00:34:07.280
Oh dear.
So you were lying on the ground.

00:34:07.440 --> 00:34:11.480
I was that close to the actors.

00:34:12.040 --> 00:34:14.280
And you know, they were saying their lines.

00:34:15.640 --> 00:34:18.000
That's how it is,
you have to be very close to them.

00:34:18.160 --> 00:34:22.480
And they talk and talk,
sometimes you get spit in your face.

00:34:22.640 --> 00:34:24.440
That's not very funny.

00:34:24.960 --> 00:34:26.680
And Mommy, I must say,

00:34:26.840 --> 00:34:31.560
in this job it's very useful
that I'm taking acting lessons.

00:34:31.840 --> 00:34:36.960
And I was so glad
because there was a marble floor,

00:34:37.400 --> 00:34:41.680
and they have so much money
on this "Westworld",

00:34:41.840 --> 00:34:44.720
that they made a mat, a gym mat

00:34:44.880 --> 00:34:48.000
which looks exactly
like the expensive marble floor.

00:34:50.920 --> 00:34:53.160
That's still cheaper,

00:34:54.360 --> 00:34:57.880
what they have copied is cheaper
than real marble floor.

00:34:58.040 --> 00:35:00.840
No, there was a real marble floor!

00:35:01.400 --> 00:35:05.600
That was just...
That was just for the stunt!

00:35:08.640 --> 00:35:11.640
No one else does this.

00:35:12.800 --> 00:35:16.920
As a stuntwoman
you have to fall on the floor.

00:35:17.760 --> 00:35:19.480
On the concrete floor.

00:35:21.080 --> 00:35:22.280
Very nice.

00:35:22.760 --> 00:35:27.200
What is it called?
West World or Best World?

00:35:28.760 --> 00:35:31.320
West, as in "west".

00:35:32.680 --> 00:35:34.600
West world, I see.

00:39:27.480 --> 00:39:30.240
- So watch this!
- Make us dream, baby!

00:39:31.920 --> 00:39:34.280
The music works well.

00:39:36.200 --> 00:39:37.520
Oh, I recognise that!

00:39:37.680 --> 00:39:40.960
That's good at the start of the demo reel
It's dynamic.

00:39:41.120 --> 00:39:44.200
- I wanted a good fall at the start.
- You're right to do that.

00:39:44.440 --> 00:39:46.360
And wearing different clothes.

00:39:47.680 --> 00:39:50.000
You've got good outfits and hair.

00:39:50.160 --> 00:39:51.520
The aerial shot.

00:39:51.800 --> 00:39:52.880
It's good.

00:39:53.040 --> 00:39:57.080
Anyway there's no point
doing crazy things for your first demo.

00:39:57.240 --> 00:39:59.800
A coordinator needs to see
you move well in a fight,

00:39:59.960 --> 00:40:03.160
that you're not afraid to fall,
and your reactions.

00:40:04.040 --> 00:40:09.240
To be honest, I wanted to be
a stunt coordinator originally.

00:40:09.400 --> 00:40:13.160
I think preparing the stunt is great,
to work out how to do it.

00:40:13.320 --> 00:40:17.600
I think it's as rewarding to learn that
as doing the stunt itself.

00:40:17.880 --> 00:40:19.160
But it's very stressful.

00:40:19.320 --> 00:40:22.200
It's a massive responsibility.

00:40:22.680 --> 00:40:25.840
You are in charge of everyone,
of everyone's safety.

00:40:26.000 --> 00:40:29.160
You have to have an overall vision,
to choreograph...

00:40:29.440 --> 00:40:33.440
Like you said, it gives you something else
because you know what they want.

00:40:34.320 --> 00:40:37.760
I mean, it has to be both realistic and safe.

00:40:37.920 --> 00:40:40.760
And combining the two things isn't easy.

00:40:41.040 --> 00:40:43.320
A lot of responsibility,
but it's so interesting.

00:40:43.480 --> 00:40:44.640
It's not for me.

00:40:45.400 --> 00:40:46.480
Not your thing?

00:40:46.640 --> 00:40:48.960
I like to obey... Well, not exactly obey!

00:40:50.240 --> 00:40:54.320
I don't like organising, being responsible
for loads of people. It freaks me out.

00:40:54.480 --> 00:40:56.240
- Maybe now, but...
- I'm a good little soldier.

00:40:56.400 --> 00:40:58.640
We're young stuntwomen now
but maybe in 20 years.

00:40:58.800 --> 00:41:00.920
Maybe you'll see it differently.

00:41:01.200 --> 00:41:03.800
You need experience.
First you're assistant coordinator...

00:41:03.960 --> 00:41:05.040
Harder as a woman too.

00:41:05.200 --> 00:41:09.320
I think by the time our bodies are worn out
and we want to become coordinators,

00:41:09.480 --> 00:41:11.640
lots of women will have led the way.

00:41:11.960 --> 00:41:14.640
But right now, it's not so easy.
It's still a man's world.

00:41:14.800 --> 00:41:16.800
- We'll see later.
- Yes!

00:41:18.560 --> 00:41:21.080
First off, we'll block out the scene

00:41:21.240 --> 00:41:24.680
and come back to them
when they're kitted out with a walkie-talkie.

00:41:26.760 --> 00:41:27.920
Can you tell Kevin?

00:41:28.080 --> 00:41:30.120
We'll block out the moves now.

00:42:06.040 --> 00:42:10.600
If we're in two lanes, we'll shoot.
So the guy sets off.

00:42:10.800 --> 00:42:13.640
He sets off and goes to his first position.
OK?

00:42:50.360 --> 00:42:53.480
Maybe he could be on the bike like this...
when he comes off.

00:42:54.520 --> 00:42:56.440
That's not how we rehearsed it.

00:42:58.240 --> 00:42:59.320
OK, guys?

00:44:46.400 --> 00:44:47.880
- Yeah.
- OK?

00:44:48.560 --> 00:44:51.720
- It should stay on.
- Yeah, I think so.

00:44:51.960 --> 00:44:53.240
- Cool!
- Great, thanks!

00:44:53.400 --> 00:44:55.240
I didn't promise to be faithful!

00:44:55.400 --> 00:44:57.280
- You said you loved me.
- So what?

00:44:57.440 --> 00:44:58.880
No one controls me!

00:44:59.120 --> 00:45:00.760
No one! Stop it.

00:45:00.920 --> 00:45:02.240
Stop it!

00:45:06.320 --> 00:45:08.560
- You see she hits him
- OK. With one hand.

00:45:08.720 --> 00:45:12.400
- Because he is holding her other hand.
- On his shoulder.

00:45:12.560 --> 00:45:13.960
- Exactly.
- She grabs him...

00:45:14.120 --> 00:45:15.680
And does this.

00:45:16.640 --> 00:45:17.760
Roll camera.

00:45:17.920 --> 00:45:20.120
- Clapperboard.
- Clapperboard on camera B.

00:45:20.320 --> 00:45:23.280
Three, two, one, action.

00:45:23.520 --> 00:45:24.400
No one controls me.

00:45:24.560 --> 00:45:26.400
No one, you hear? No one!

00:45:40.600 --> 00:45:42.560
- And cut!
- Clapperboard on camera B.

00:45:44.280 --> 00:45:46.320
- Estelle, how are you feeling?
- Fine.

00:45:46.480 --> 00:45:48.760
- We were scared.
- Really? Great.

00:45:49.160 --> 00:45:50.360
And action.

00:45:58.480 --> 00:45:59.760
Let me see.

00:46:03.520 --> 00:46:05.600
It's all right. Come on.

00:46:07.800 --> 00:46:09.120
Go on, go home.

00:46:09.360 --> 00:46:11.840
No, don't chase me away. I want to stay.

00:46:12.600 --> 00:46:15.360
Stop it. I need to be alone.

00:46:16.000 --> 00:46:17.560
If you leave me, I'll die!

00:46:19.480 --> 00:46:22.840
Originally I wanted to do stunts to fight.

00:46:24.360 --> 00:46:28.360
And I've been working a bit now
for a year

00:46:29.080 --> 00:46:30.080
and...

00:46:30.760 --> 00:46:35.200
But that's not how it is.
All I do is die and get hit and fall.

00:46:35.440 --> 00:46:38.960
We should tattoo a little cross here
each time we die.

00:46:40.640 --> 00:46:42.360
Like bomber planes.

00:46:42.880 --> 00:46:45.400
- We'll be like Dalmatians.
- You're the bomb.

00:46:45.640 --> 00:46:46.800
On the sole of the foot.

00:46:47.080 --> 00:46:50.200
I've never been called to...

00:46:50.600 --> 00:46:53.520
...to hit people. I want to do that.

00:46:55.000 --> 00:46:57.560
Things may change in time, we'll...

00:46:57.840 --> 00:47:03.400
But I get the feeling we're often
going to get our faces smashed in.

00:47:04.080 --> 00:47:06.720
Yeah, there's a lot of that.
You fall, you get hit.

00:47:06.880 --> 00:47:10.240
I think life is generally harder for women
than for men

00:47:10.400 --> 00:47:12.880
and that's reflected in films.

00:47:14.560 --> 00:47:15.920
I don't see it like that.

00:47:16.240 --> 00:47:22.400
I don't necessarily put what I'm asked to do
in the current context.

00:47:23.840 --> 00:47:26.080
I know that men are violent towards women

00:47:26.240 --> 00:47:29.120
but when I do it in a film,
I see it as fiction.

00:47:29.400 --> 00:47:35.960
Yeah, you're not behind the camera,
but behind the actor and it's not the same.

00:47:39.160 --> 00:47:43.040
Sometimes I think we're a bit like soldiers
who go to war.

00:47:43.200 --> 00:47:45.320
They have to go and fight

00:47:45.920 --> 00:47:47.200
but they don't know why.

00:47:47.440 --> 00:47:51.320
I had a long talk with a mate like that
and I said, "But how can you...?"

00:47:51.800 --> 00:47:54.200
"How can you go and shoot people

00:47:54.440 --> 00:47:57.560
without even knowing why?"
I don't understand that.

00:47:58.040 --> 00:48:01.280
And I think we're a bit like that.

00:48:01.440 --> 00:48:03.960
You go to a shoot,
you get your face smashed in.

00:48:04.120 --> 00:48:06.760
You don't know why,
but you know it has to happen.

00:48:06.920 --> 00:48:09.040
It's more about the performance for me.

00:48:09.560 --> 00:48:11.200
Like the high fall on campus,

00:48:11.520 --> 00:48:15.040
you're scared, but if you don't do it,
it's really frustrating.

00:48:15.200 --> 00:48:16.480
You'd be so disappointed.

00:48:16.640 --> 00:48:21.320
Yes, you've got the stress
but once you've done it and not hurt yourself

00:48:21.600 --> 00:48:24.200
and everyone's happy,
you're so relieved.

00:48:24.360 --> 00:48:26.680
That's my favourite moment,
when you go "Phew".

00:48:27.120 --> 00:48:29.800
- You overcome your fears, your phobias!
- It's like...

00:48:30.000 --> 00:48:32.280
like being carefree, a life in which...

00:48:33.200 --> 00:48:35.120
you just do it and enjoy it.

00:48:36.240 --> 00:48:39.760
It's not carefree in the sense
that we don't care, but in the sense...

00:48:40.240 --> 00:48:45.880
that it's of no use to us,
jumping 70 metres.

00:48:46.320 --> 00:48:49.480
But inside us, we really love it.

00:48:50.440 --> 00:48:51.520
I think that's it.

00:48:51.680 --> 00:48:55.280
There's something very liberating
about jumping from a height.

00:48:55.960 --> 00:48:58.680
I think it's great
to be able to jump into the void

00:48:58.840 --> 00:48:59.960
and not die.

00:49:00.120 --> 00:49:01.800
No, but it's true!

00:49:47.520 --> 00:49:50.880
Get lost! I don't want to see you!
Leave me alone!

00:49:51.960 --> 00:49:53.280
You whore!

00:49:54.520 --> 00:49:57.560
Are you mad? Get out of here!
Get out of here, you bitch!

00:50:08.320 --> 00:50:09.920
Fucking hell!

00:50:12.840 --> 00:50:14.840
Shut your face and get lost!

00:50:21.200 --> 00:50:22.360
Got that?

00:50:27.640 --> 00:50:28.840
Police!

00:52:33.120 --> 00:52:39.120
There is no like or dislike in me,
no greed or delusion,

00:52:41.040 --> 00:52:45.040
I know not pride or jealousy,

00:52:45.200 --> 00:52:50.480
I am not space, not earth,

00:52:50.760 --> 00:52:54.920
not fire, water or wind,

00:52:55.120 --> 00:53:04.000
I am the form
of consciousness and bliss,

00:53:04.560 --> 00:53:06.840
I am the eternal Shiva...

00:53:32.880 --> 00:53:36.400
This is our real nature talking here.

00:53:36.560 --> 00:53:38.000
I mean we are singing.

00:53:38.160 --> 00:53:42.800
We are not a mind,
we are not a physical body.

00:53:43.400 --> 00:53:47.400
Everything we are attached to,

00:53:47.560 --> 00:53:51.080
liking, disliking, hatred,

00:53:52.000 --> 00:53:54.720
all this is not us.

00:53:55.320 --> 00:53:56.360
And one thing...

00:53:57.640 --> 00:54:00.400
About Petra's issue, theme.

00:54:00.560 --> 00:54:03.520
She is a stuntwoman, so...

00:54:03.680 --> 00:54:08.240
I think a stunt person
needs this hymn actually.

00:54:10.680 --> 00:54:12.200
Being a stunt person means what?

00:54:12.360 --> 00:54:18.200
You renounce your name, fame
because they don't show your name or face.

00:54:19.200 --> 00:54:25.320
And you only do the dangerous portion.

00:54:25.480 --> 00:54:26.640
Sometimes I'm amazed

00:54:26.920 --> 00:54:31.480
and I couldn't open my eyes
to watch her in the film.

00:54:31.640 --> 00:54:33.440
It's so dangerous. Oh my gosh!

00:54:34.560 --> 00:54:36.600
And why does she do that?

00:54:37.400 --> 00:54:40.760
Not a body, not a mind.

00:54:40.920 --> 00:54:44.360
You also say, how can it be?
No one can do that!

00:54:45.400 --> 00:54:49.040
And no one shows her name in the film.

00:54:49.880 --> 00:54:51.080
It's really... so...

00:54:51.360 --> 00:54:54.400
This chant is really for her.

00:54:55.280 --> 00:54:59.080
Her job, the theme of her job.

00:55:01.040 --> 00:55:03.880
She is always practising.

00:55:04.680 --> 00:55:05.840
That is not easy.

00:55:06.800 --> 00:55:08.760
- ...because...
- You're making me cry now.

00:55:09.320 --> 00:55:15.000
So really she has to insert this hymn
into her life.

00:55:16.080 --> 00:55:19.840
I can really understand
why she likes this one.

00:55:21.760 --> 00:55:27.160
- Now what is next?
- Isn't Shiva next?

00:56:04.480 --> 00:56:05.360
Hello?

00:56:05.520 --> 00:56:07.560
Hello, Sonia, it's Virginie.

00:56:07.960 --> 00:56:09.840
Hi, Virginie, how are you?

00:56:10.000 --> 00:56:13.600
Good. You left me a message,
but I haven't had time to listen to it.

00:56:14.080 --> 00:56:15.480
Yes, thanks for calling back.

00:56:15.640 --> 00:56:20.640
I wanted to see if you were available
next Wednesday to do a stunt.

00:56:20.800 --> 00:56:22.080
Falling from a bike.

00:56:22.240 --> 00:56:26.080
Falling from a bike.
Do you have a stunt coordinator?

00:56:26.240 --> 00:56:29.080
- I wanted to see if you can do the stunt.
- OK.

00:56:29.240 --> 00:56:30.880
And then see about that afterwards.

00:56:31.040 --> 00:56:36.400
I can coordinate it, if you want.

00:56:36.560 --> 00:56:41.640
Oh, I didn't know that. That's great to hear.
I'm delighted to hear you coordinate.

00:56:41.800 --> 00:56:43.960
Yeah, it's my main activity now.

00:56:44.120 --> 00:56:46.720
I do a bit of stuntwork, but..

00:56:46.880 --> 00:56:49.120
I do more coordination work now.

00:56:49.280 --> 00:56:50.960
It's nicer. Well, nicer...

00:56:51.120 --> 00:56:52.600
No wonder.

00:56:52.760 --> 00:56:55.160
OK. I'm delighted.

00:56:55.320 --> 00:56:58.120
- I'm delighted to hear that.
- Me too.

00:56:58.280 --> 00:57:01.680
Right, lots of love, Sonia.
Thank you.

00:57:01.840 --> 00:57:04.680
Well, thank you. See you soon!
I'll email you everything.

00:57:04.840 --> 00:57:06.600
- Great, thank you.
- Take care. See you soon.

00:57:06.760 --> 00:57:08.080
- Bye.
- Bye.

00:57:10.280 --> 00:57:11.480
That's so great.

00:57:14.600 --> 00:57:18.440
Do you all know that three stuntmen
will fall from the stage?

00:57:19.400 --> 00:57:21.440
So, be careful not to block their path.

00:57:21.840 --> 00:57:24.200
Stay alert,
don't climb up without looking.

00:57:24.360 --> 00:57:26.800
- And then?
- They'll get up on stage then.

00:57:28.400 --> 00:57:32.000
That's it. But I'd like to break it down.
I'll send them.

00:57:32.440 --> 00:57:34.480
What I want to say is...

00:57:35.000 --> 00:57:37.960
you do the stunt, but we're not here
to get hurt.

00:57:38.120 --> 00:57:39.200
Intentions count!

00:57:39.360 --> 00:57:42.640
You see I come here, but I'm gentle with you.
I'm very gentle.

00:57:42.800 --> 00:57:44.280
And I'm careful.

00:57:44.440 --> 00:57:47.320
It's really important
because it can happen quickly.

00:57:47.480 --> 00:57:49.240
You know, an elbow you don't see.

00:57:49.480 --> 00:57:50.360
So you have to...

00:57:50.560 --> 00:57:54.360
We'll do a rehearsal, stay alert.
Even if it's not to the max.

00:57:54.600 --> 00:57:59.000
You'll take your positions, get up on stage,
see what you can do without getting hurt.

00:57:59.160 --> 00:58:02.960
without tripping anyone over,
without surprising anyone. OK?

00:58:04.400 --> 00:58:06.880
Arnaud? He'll come up on stage...

00:58:07.080 --> 00:58:09.280
What's your name again?

00:58:09.440 --> 00:58:10.640
Moussa.

00:58:10.800 --> 00:58:14.680
Moussa will take Mehdi's place.

00:58:14.840 --> 00:58:15.840
He's a stuntman.

00:58:16.000 --> 00:58:18.400
Come up here.

00:58:18.560 --> 00:58:20.880
- So I release Mehdi?
- You've released Mehdi.

00:58:21.520 --> 00:58:23.040
We'll do that.

00:58:23.560 --> 00:58:26.040
Mehdi you leave, you wait for a bit.

00:58:27.200 --> 00:58:29.800
He grabs you and lets go of Mehdi.

00:58:30.080 --> 00:58:30.800
Yeah.

00:58:30.960 --> 00:58:33.400
I don't know if you grab his arm?
Like this.

00:58:33.560 --> 00:58:35.440
That's it, you grab him and pull him back.

00:58:35.880 --> 00:58:38.240
Or alternatively, you really grab him.

00:58:38.600 --> 00:58:40.880
The camera is there,
we really have to see him.

00:58:41.160 --> 00:58:43.800
- He said. I push him and he'll push me back.
- Exactly.

00:58:43.960 --> 00:58:46.920
I suggest you take the mic
and tell them "We'll keep that".

00:58:47.080 --> 00:58:49.360
But we maintain the same rhythm
throughout the takes.

00:58:49.520 --> 00:58:52.000
Yes, of course.
The same thing each time.

00:58:52.360 --> 00:58:55.040
And so I fall and Antoine falls.

00:58:55.400 --> 00:58:58.400
You have to warn the guys behind
so no one gets hurt.

00:58:58.560 --> 00:58:59.480
I have warned them.

00:59:45.160 --> 00:59:47.280
That little sequence went well.

00:59:47.440 --> 00:59:50.200
And on Monday we do the stair fall.
I come with you on Monday.

00:59:50.360 --> 00:59:52.720
- Oh the stairs at the station?
- Yeah.

00:59:52.880 --> 00:59:56.760
- And I'm with you on Friday for the car.
- It's annoying, I wanted a big staircase.

00:59:56.920 --> 00:59:58.520
- Who falls?
- Mehdi.

00:59:58.680 --> 01:00:00.760
With one of the guys who did the stunt?

01:00:00.920 --> 01:00:04.520
By the way, on Friday,
you know the car that smashes the gate?

01:00:04.680 --> 01:00:08.280
- Yeah. Are you doing that?
- Yeah. It'll be me there.

01:00:08.520 --> 01:00:09.840
That's great.

01:00:10.240 --> 01:00:13.080
- I'll tell you about the shots.
- That'd be good.

01:00:13.240 --> 01:00:15.760
I'll show you the inserts, you take...
you touch a tyre...

01:00:15.920 --> 01:00:18.840
We'll move forward,
there'll be smoke, screeching tyres.

01:00:19.000 --> 01:00:20.760
OK, that's great.

01:04:36.000 --> 01:04:37.400
That's fun.

01:04:44.960 --> 01:04:47.200
Those are the forest rangers' things there.

01:04:47.360 --> 01:04:49.360
Yeah, that's forest rangers.

01:04:53.280 --> 01:04:56.840
Imagine if I have to put that on
instead of forensics.

01:04:58.200 --> 01:05:00.600
I mean, that's better.

01:05:01.160 --> 01:05:03.600
- Oh this one is nice.
- Yeah.

01:05:04.480 --> 01:05:05.800
Epaulettes.

01:05:19.120 --> 01:05:20.760
They're heavy.

01:05:33.560 --> 01:05:35.120
That's what's blocking it.

01:05:36.440 --> 01:05:38.480
They're viewfinders.

01:05:39.360 --> 01:05:41.640
I don't know which way you look into it.

01:05:47.000 --> 01:05:49.360
- Does it work?
- It's the other way round!

01:05:49.520 --> 01:05:50.760
I thought so.

01:05:50.920 --> 01:05:54.080
But we're in an enclosed space.

01:05:55.840 --> 01:06:00.600
Since August I've more or less...

01:06:00.760 --> 01:06:03.520
I was training and so on.
But it's getting difficult.

01:06:03.680 --> 01:06:07.480
Because I had a match
against a big Parisian wrestler

01:06:07.640 --> 01:06:11.160
and I had to turn my head
and I got hit in fact.

01:06:11.880 --> 01:06:15.480
And that brought back some bad memories.

01:06:16.600 --> 01:06:22.440
The thing is five or six years ago,

01:06:22.720 --> 01:06:25.520
I was in a relationship with a guy
who put me down

01:06:25.680 --> 01:06:28.800
and was verbally quite violent and so on.

01:06:29.760 --> 01:06:32.680
And he told me I wouldn't be a stuntwoman.

01:06:33.200 --> 01:06:35.160
So he smoked a lot.

01:06:35.320 --> 01:06:38.480
He smoked for two weeks
while I was away at the campus.

01:06:38.640 --> 01:06:42.200
When I came back, he was totally paranoid,
saying I'd cheated on him etc.

01:06:43.080 --> 01:06:45.760
I felt totally under attack from him.

01:06:46.120 --> 01:06:50.720
At a certain point, you explode
and then you're an "hysterical woman".

01:06:50.880 --> 01:06:54.680
And then he got annoyed
and wanted to shut me up.

01:06:54.840 --> 01:06:57.400
So then he strangled me
and put his hand on my mouth.

01:06:57.560 --> 01:06:59.640
So I couldn't breathe

01:06:59.800 --> 01:07:01.760
and it lasted several minutes.

01:07:01.920 --> 01:07:06.080
It must have been much less
but in my mind it went on a long time.

01:07:06.800 --> 01:07:11.840
And since then
my body has really reacted

01:07:12.000 --> 01:07:16.040
and I now find wrestling training
very hard.

01:07:16.200 --> 01:07:18.480
I find it really hard to be in fights.

01:07:18.640 --> 01:07:23.400
If there's someone opposite me
who hits me,

01:07:23.560 --> 01:07:25.720
if he protects me, I don't have a problem,

01:07:25.880 --> 01:07:28.000
but if I have to protect myself,

01:07:28.160 --> 01:07:31.800
a kick to the head, for instance,
where you have to use your arm,

01:07:31.960 --> 01:07:35.880
then I burst into tears,
I can't handle the situation.

01:07:36.440 --> 01:07:38.400
At the campus we did this boxing session

01:07:38.560 --> 01:07:41.520
and I remember
there were girls in my group,

01:07:41.680 --> 01:07:43.920
even though their experience
wasn't like yours,

01:07:44.080 --> 01:07:49.200
they also felt confined in the headgear

01:07:49.360 --> 01:07:51.880
and couldn't bear to be hit.

01:07:52.120 --> 01:07:55.640
And they began to cry,
not from pain,

01:07:55.800 --> 01:08:00.680
but because there was this feeling
of oppression.

01:08:00.840 --> 01:08:04.640
I can imagine it must be even harder for you.

01:08:04.800 --> 01:08:07.480
I went to the campus with the attitude

01:08:07.640 --> 01:08:10.640
that doing stunts would help me.

01:08:10.800 --> 01:08:12.800
I'm strong.

01:08:13.360 --> 01:08:15.880
Nothing stopping me,
even as a woman, I'll do it.

01:08:16.080 --> 01:08:20.920
And I realise that four years on
I haven't made any progress.

01:08:21.200 --> 01:08:24.480
And there are things
I haven't been able to heal, that don't heal.

01:08:24.640 --> 01:08:26.160
So it's...

01:08:26.600 --> 01:08:27.560
It's difficult

01:08:27.720 --> 01:08:31.600
because in film
you sometimes have to shoot rape scenes

01:08:31.760 --> 01:08:34.040
or scenes where you're abused.

01:08:34.200 --> 01:08:36.320
I don't know how I'd feel about that.

01:08:36.480 --> 01:08:39.440
I haven't filmed that so far

01:08:39.600 --> 01:08:42.320
and I really can't say how I would react.

01:08:42.760 --> 01:08:44.360
It's hard in a professional context

01:08:44.520 --> 01:08:46.920
because you have no choice
but to film the scene.

01:09:02.320 --> 01:09:05.720
AA, I think you convey the resentment well.

01:09:15.240 --> 01:09:18.600
I think what would be good is
if when I kill Estelle,

01:09:19.120 --> 01:09:21.960
from the start he'll be like "Kill her"
and I'll say, "What?!"

01:09:22.120 --> 01:09:23.840
"Kill her or it's you who'll die!"

01:09:24.000 --> 01:09:26.240
So I'm already like
"Yeah, OK, I'll kill her"

01:09:26.400 --> 01:09:28.720
and when he picks him up
and says "Give me the knife"

01:09:28.880 --> 01:09:30.000
it's already too much.

01:09:30.160 --> 01:09:32.000
Jules and me are already like,
"You're crazy!"

01:09:32.160 --> 01:09:35.320
- You're the only one still doing your thing.
- But you've just stabbed me.

01:09:38.040 --> 01:09:39.840
Shall we go again to work on the acting?

01:09:42.920 --> 01:09:44.280
Leave her alone!

01:09:49.320 --> 01:09:50.600
Get out of my sight!

01:09:57.280 --> 01:09:58.600
Go on, kill her!

01:10:00.200 --> 01:10:01.280
Go on!

01:10:01.800 --> 01:10:03.360
- Open your eyes!
- Leave her alone!

01:10:07.240 --> 01:10:08.280
Kill her!

01:10:12.880 --> 01:10:14.280
Open your eyes!

01:10:16.040 --> 01:10:17.320
Hurts, doesn't it?

01:11:43.360 --> 01:11:46.560
Yeah, relationships with people
aren't always healthy ones.

01:11:46.720 --> 01:11:48.880
Yeah, you can come to blows.

01:11:49.040 --> 01:11:53.760
When you've had some experiences like that,
you're better placed to act them.

01:11:57.920 --> 01:11:59.360
And it's certainly the case

01:11:59.680 --> 01:12:02.800
that when your partner says
that he's very uncomfortable doing it,

01:12:02.960 --> 01:12:05.520
it's reassuring
because you say you're all really...

01:12:05.680 --> 01:12:09.960
I mean, it's a job we're doing
and that makes it easier for everyone.

01:12:16.760 --> 01:12:21.120
But we try to do make it
as realistic as possible

01:12:21.280 --> 01:12:22.680
and sometimes you find

01:12:22.840 --> 01:12:25.840
yourself in a delicate situation.

01:12:26.320 --> 01:12:28.240
Like being raped and...

01:12:28.520 --> 01:12:31.440
Like being beaten to death.

01:12:31.640 --> 01:12:33.680
But you dig deep inside

01:12:33.840 --> 01:12:36.480
and you try and make the scene
as realistic as possible,

01:12:36.640 --> 01:12:38.360
by shouting, screaming, crying.

01:12:38.840 --> 01:12:41.240
There aren't many thrillers

01:12:41.400 --> 01:12:45.000
with women who are sporty,
who fight,

01:12:45.560 --> 01:12:47.120
who climb everywhere.

01:12:47.600 --> 01:12:50.360
Who have the roles that the men do.

01:12:50.520 --> 01:12:52.360
I'm not angry,
but you do wonder

01:12:52.520 --> 01:12:56.280
when they are going to give us
nice roles like that.

01:19:41.600 --> 01:19:43.920
The fear is what helps you to focus,

01:19:44.080 --> 01:19:47.760
to know the steps to take in the fall
to be safe.

01:19:47.920 --> 01:19:50.160
This is the start that you know how to do

01:19:50.480 --> 01:19:54.360
the diagonal push that you've just done,
and then it's the look.

01:19:54.640 --> 01:19:57.240
The others were really well positioned.
There's no reason...

01:19:57.400 --> 01:19:59.720
At worst you'll feel that it's a bit late

01:19:59.880 --> 01:20:02.400
so you can thrust your shoulders
to remedy that.