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Ways We Live: Community by Design
- Description
- Reviews
- Citation
- Cataloging
- Transcript
This program explores the role that design plays in community and it visits some of the most progressive thinkers on the subject.
It goes to San Francisco to listen to 'new urbanist' planner Peter Calthorpe; to Berkeley for 'Eco-City Berkeley' author Richard Register; to Toronto to meet architect John van Nostrand; and to a Vancouver suburb where an unusual development called Murray's Corner has become an experiment in human-scale design. It has brought together people of different income levels into a new neighborhood--where there are pocket-sized parks, old fashioned front porches, garages discreetly around the back, and rental units actually planned for.
'You can't keep community down. Give people a little encouragement and a few tools, and they'll recreate the sense of community spirit in any available cracks and crannies in our otherwise alienated culture...These stories...are upbeat, encouraging - and replicable.' Communities
'This is not an indulgent journey into nostalgia, but an exploration of the people we have become, touching on our diversity as well as our similarities.' Orion Afield
'What (the producers) found was a growing belief and faith in the community as the cure for social ills like poverty, crime and estrangement from other people...It is precisely because WAYS WE LIVE is politically astute, without being partisan, that it is so compelling.' Alex Strachan, Vancouver Sun
Citation
Main credits
Springbett, David (film producer)
MacAndrew, Heather (film producer)
MacAndrew, Heather (screenwriter)
Simpson, Moira (film director)
Other credits
Photography, Ian Kerr, Peter Walker; editor, Shelly Hamer; original score, Patrick Godfrey.
Distributor subjects
Art/Architecture; Community; Design; Humanities; Multicultural Studies; Science, Technology and Society; Science, Technology, Society; Sociology; Urban Studies; Urban and Regional PlanningKeywords
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(bullfrog croaks)
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(soft music)
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as a kind of global cultural stroke
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where we, you know,
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the world was so traumatized by the event
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that it lost all of its capacity
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for sophisticated language and articulation.
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I look around
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and I look at things prior to World War II,
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and there's a level of sophistication
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in the everyday vernacular world.
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Not in high art,
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not in high culture,
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not downtown urban museums
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but just the everyday craftsmanship of a house.
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And the scale and the fabric of a community
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was so much more mature,
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really than what we did since.
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We became obsessed with specialization
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and mechanization.
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So we mass produced housing,
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we standardized it.
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We mass produced office buildings
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and we standardized them.
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We standardized it for the automobile.
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(soft music)
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I think that there's a really deep unmet need
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for community
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and communities of place,
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not communities of special interest.
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(soft music)
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shop
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and work within a context of place.
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And we are all influenced by its design.
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(soft music)
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Who decides how our neighborhoods,
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suburbs and towns will look
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and feel,
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who's values they will reflect.
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(soft music)
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How can design affect our sense of community?
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you know,
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hundreds of thousands of people live
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in that environment
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and are quite happy.
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And what's the matter with that?
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Well, nothing's the matter with that.
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But we like to think that perhaps,
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part of the problem is that
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there isn't an alternative out there.
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Murray's Corner is an alternative
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and I think the success of it demonstrates
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that people want something different.
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with big front yards
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that are full of cars
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and trucks and boats.
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You have a neighborhood
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that all the cars are hidden at the back.
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and the publicly owned green space right in front
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of our house that we all share,
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and I like watching the kids roller blade.
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and you can't go out.
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and probably the first perfect project
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that crossed our desks
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that we thought,
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here we can really do something special
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in the suburbs.
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Three and a half years later,
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you know, Murray's Corner began to emerge.
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(laughter)
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the development of community
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or it hinders it.
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And I think the good thing here
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is that the neighborhood,
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the way the houses are arranged
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and the parks and so forth
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facilitate the development of the community.
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and there's a recipe
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for designing that site
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and that recipe is subdivision by-laws
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and zoning by-laws.
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So our challenge was to work
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with the planning department
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and the engineering departments
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and to change all those rules.
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Essentially the entire zoning by-law
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to make a custom fit for Murray's Corner.
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the garage suites looked a little peculiar
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when we first looked,
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you know at the neighborhood.
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But we've gotten accustomed to that
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and really,
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really like it.
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to have things like these suites
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and that type of thing above the garage.
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One of those opportunities that we have
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in this neighborhood here.
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in bringing about change
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and there's always fear of difference.
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So the idea that my,
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you know, single family neighborhood
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might actually have stores
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or might actually have places
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for single people rather than families
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is scary to people
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cause they haven't experienced it for a while.
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So the change takes time,
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it takes demonstration projects more than anything else.
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It takes one or two communities
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to step out in front and say,
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create these places. And then other people look in and say,
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yeah,
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that really would work,
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I'm not afraid of that.
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and they hear that at Murray's Corner
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we're gonna do higher density,
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we are going to introduce legal secondary suites
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over the garage.
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We're gonna have the audacity
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to take the garage away
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from the front of the house
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and stick it into a lane.
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What's gonna happen to parking?
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What's gonna happen to the street scape?
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Why are they introducing pocket parks
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in the middle of this community?
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So as it turned out,
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I think we had one of the largest public hearings
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that the township of Langley has ever had.
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And people stood up and said,
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We do not want renters in our neighborhood,
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We don't want people living over secondary suites.
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They're gonna each have an additional two cars
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and this is gonna become a massive parking lot
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and they're gonna downgrade our neighborhood.
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And that was a pretty shocking response.
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And we actually believed,
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and it's come to fruition
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that Murray's Corner has lifted the value
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of the neighborhood and the community
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because of the way it was designed.
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two to two.
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I felt being in neighborhoods
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that were quite distanced,
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that we would at least make an attempt
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to meet those around us
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and try to really encourage family togetherness
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and community togetherness.
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And so one Friday night we delivered jars
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of jam
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to all of our neighbors around us
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and it was just the most delightful evening.
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that there's a stronger sense of neighborhood
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than there is
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in the surrounding conventional suburbs.
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to get to know your neighbors because they are right there.
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And I wasn't sure that that was what I wanted
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when we moved here.
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But I can tell you that I think it's terrific,
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I really do.
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(soft music)
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to integrate a range
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of different household types in one project
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and seems to work very nicely.
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There's small lot,
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single family,
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there are townhouses,
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there are row houses,
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there're gonna be apartments built.
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They're all clustered around transit
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so there's some choice there.
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The details are really simple.
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A lot of people think it's nostalgia and retro,
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but I think a front porch
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is a pretty interesting metaphor
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of a profound shift.
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When we replace that with the garage door
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it was a, you know,
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pretty big statement of,
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you know, what our connection to the world is.
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Our connection to the world is not us
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it's our car,
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it's our mobility.
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And the street scapes suffer of course.
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Knowing neighbors now becomes a more
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and more important thing
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for households.
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A sense of security
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with two people working in households
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that the kids,
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you know, the sense that the neighborhood is strong
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and neighbors will look after each other's kids,
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which used to be the way things always were.
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I had one parent tell me
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in one of these neighborhoods
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where we did the radical thing
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of putting porches back on,
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they said well, you know,
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I don't think that very
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many adults sit out there
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but I feel so much more comfortable
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with my kids playing on the street,
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which kids will always do.
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Cause I know somewhere on the street,
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an adult probably is sitting out front.
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(gentle music)
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after the long weekend,
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October 19th and 20th
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we could place the top soil.
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the best designers,
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and you gotta shift away from reacting
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to the strategies of all the professionals
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and the specialists.
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Yeah.
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I mean, somebody's gotta have a vision
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of what the master plan is.
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of the crew chiefs,
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the week before.
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So that we're all...
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that organizational information
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is filtered down
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first thing that morning,
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you know, we all are on the same start.
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integrating all the different things
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and the community members are the best people to do it.
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They have to have the tools
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because the engineering department
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and the city of Vancouver had an idea
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that streets weren't,
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residential streets weren't quite doing
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what they should.
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Add in an excellent city engineer,
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Sheri Reed,
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who then began working
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with the community right at the beginning
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in terms of the community inviting itself out
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to be part of this activity.
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So it wasn't a City Hall
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come and meet the engineers,
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dah-de-dah-de-dah.
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It was much more,
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let's all get together
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and see what we can do here.
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with City Hall.
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At least that's my perspective
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and it's interesting when we first came
278
00:10:38.380 --> 00:10:39.650 line:15%
into the neighborhood
279
00:10:39.650 --> 00:10:40.840 line:15%
and it was hilarious.
280
00:10:40.840 --> 00:10:41.673 line:15%
We had a meeting,
281
00:10:41.673 --> 00:10:43.160
we sent out a notice to everyone
282
00:10:43.160 --> 00:10:45.500
within a several block radius and,
283
00:10:45.500 --> 00:10:47.810
50 people came to this town hall style meeting,
284
00:10:47.810 --> 00:10:50.460
you know, the traditional us and them people at the front
285
00:10:50.460 --> 00:10:52.870
and they were hopping angry.
286
00:10:52.870 --> 00:10:54.300
I mean, any kind of notice that comes
287
00:10:54.300 --> 00:10:55.960
from City Hall is like,
288
00:10:55.960 --> 00:10:58.150
they're coming to us for taxes, aren't they?
289
00:10:58.150 --> 00:11:01.120
But as the discussion went on
290
00:11:01.120 --> 00:11:02.760
and Moura Quayle gave her slideshow
291
00:11:02.760 --> 00:11:04.330
of what is possible in their streets,
292
00:11:04.330 --> 00:11:05.700
you know how they could make it their own
293
00:11:05.700 --> 00:11:07.680
from as simple as planting wildflowers
294
00:11:07.680 --> 00:11:08.513
in the boulevards
295
00:11:08.513 --> 00:11:10.560
to totally re-looking
296
00:11:10.560 --> 00:11:12.970
at how we lay the bones of a street,
297
00:11:12.970 --> 00:11:15.328
they were just totally turned on.
298
00:11:15.328 --> 00:11:16.161
299
00:11:16.161 --> 00:11:17.510
I said great, I'm still looking for plants.
300
00:11:17.510 --> 00:11:19.390
You got any plants?(laughing)
301
00:11:19.390 --> 00:11:20.370
And she said, wow,
302
00:11:20.370 --> 00:11:22.140
she loved the idea, so.
303
00:11:22.140 --> 00:11:25.630
The whole design is as unique as this neighborhood.
304
00:11:25.630 --> 00:11:27.440
Some people wanna be more traditional
305
00:11:27.440 --> 00:11:28.490
and other people don't.
306
00:11:28.490 --> 00:11:29.570
In our block,
307
00:11:29.570 --> 00:11:31.750
we have a high dirt curb
308
00:11:31.750 --> 00:11:33.450
and frankly we like it
309
00:11:33.450 --> 00:11:34.840
but it's hard to utilize.
310
00:11:34.840 --> 00:11:37.030
So we thought hey, wood.
311
00:11:37.030 --> 00:11:38.543
Wood used to be used a lot,
312
00:11:39.480 --> 00:11:40.650
let's try it.
313
00:11:40.650 --> 00:11:41.750
And the city said,
314
00:11:41.750 --> 00:11:43.020
yeah okay, we'll do it.
315
00:11:43.020 --> 00:11:44.480
And we went, yes,
316
00:11:44.480 --> 00:11:45.610
something new.
317
00:11:45.610 --> 00:11:47.770
You're really taking us seriously.
318
00:11:47.770 --> 00:11:49.780
319
00:11:49.780 --> 00:11:52.080
it's not an artist giving us a design.
320
00:11:52.080 --> 00:11:54.770
It is an artist giving us a process
321
00:11:54.770 --> 00:11:56.850
to work with the neighborhood
322
00:11:56.850 --> 00:11:58.463
to come up with the design.
323
00:11:58.463 --> 00:11:59.350
(mumbling)
324
00:11:59.350 --> 00:12:00.450
325
00:12:01.470 --> 00:12:03.310
normally the road would be the road.
326
00:12:03.310 --> 00:12:05.375
327
00:12:05.375 --> 00:12:07.530
328
00:12:07.530 --> 00:12:08.363
its wider here
329
00:12:08.363 --> 00:12:09.560
and narrows to there.
330
00:12:09.560 --> 00:12:10.393
331
00:12:10.393 --> 00:12:12.210
332
00:12:12.210 --> 00:12:14.810
333
00:12:14.810 --> 00:12:15.650
as a city,
334
00:12:15.650 --> 00:12:18.140
one third of the land area is streets.
335
00:12:18.140 --> 00:12:19.660
You gotta look at that land area
336
00:12:19.660 --> 00:12:22.060
and say it has to perform better.
337
00:12:22.060 --> 00:12:24.000
So I mean,
338
00:12:24.000 --> 00:12:26.380
it has to be a community builder,
339
00:12:26.380 --> 00:12:29.060
it has to contribute to the urban ecology
340
00:12:29.060 --> 00:12:30.570
of the neighborhood,
341
00:12:30.570 --> 00:12:33.410
it has to be more beautiful
342
00:12:33.410 --> 00:12:34.860
because in fact,
343
00:12:34.860 --> 00:12:36.920
we are out on our streets every day.
344
00:12:36.920 --> 00:12:39.080
345
00:12:39.080 --> 00:12:40.140
and sun blocks,
346
00:12:40.140 --> 00:12:42.280
more formalized landscapes in others
347
00:12:42.280 --> 00:12:43.113
because again,
348
00:12:43.113 --> 00:12:44.590
just like the street work itself,
349
00:12:44.590 --> 00:12:45.800
we're individual.
350
00:12:45.800 --> 00:12:47.140
I want herbs myself.
351
00:12:47.140 --> 00:12:48.540
I wanna have some things
352
00:12:48.540 --> 00:12:49.800
that I can go out and clip
353
00:12:49.800 --> 00:12:51.900
and throw into my soup pot.
354
00:12:51.900 --> 00:12:53.510
355
00:12:54.400 --> 00:12:55.233
356
00:12:56.640 --> 00:12:58.830
357
00:12:58.830 --> 00:12:59.663
358
00:12:59.663 --> 00:13:03.790
359
00:13:03.790 --> 00:13:05.210
on the sidewalk.
360
00:13:05.210 --> 00:13:06.740
361
00:13:06.740 --> 00:13:08.470
from a community building point of view
362
00:13:08.470 --> 00:13:10.990
is bringing people out on the street.
363
00:13:10.990 --> 00:13:13.957
And it's the old Jane Jacobs quote,
364
00:13:13.957 --> 00:13:15.940
"eyes on the street".
365
00:13:15.940 --> 00:13:19.060
And I think that's gonna help the street
366
00:13:19.060 --> 00:13:21.640
become a place in the community
367
00:13:21.640 --> 00:13:23.363
not just a leftover.
368
00:13:27.450 --> 00:13:29.470
Obviously we're still gonna have cars.
369
00:13:29.470 --> 00:13:30.810
Maybe they're gonna be electric,
370
00:13:30.810 --> 00:13:33.340
we hope and that's gonna help air quality
371
00:13:33.340 --> 00:13:35.380
but we're still going to be planning
372
00:13:35.380 --> 00:13:37.650
with that vehicle in mind.
373
00:13:37.650 --> 00:13:39.890
And I think we need to bring balance
374
00:13:39.890 --> 00:13:43.610
to how that vehicle interacts with communities.
375
00:13:43.610 --> 00:13:46.027
(soft music)
376
00:13:47.220 --> 00:13:48.450
377
00:13:48.450 --> 00:13:49.663
we call a slow street.
378
00:13:50.721 --> 00:13:51.830 line:15%
The street's name is Milview.
379
00:13:51.830 --> 00:13:54.149 line:15%
We call it Milview Slow Street.
380
00:13:54.149 --> 00:13:55.520 line:15%
In about 1980,
381
00:13:55.520 --> 00:13:57.040 line:15%
a number of us who were working
382
00:13:57.040 --> 00:13:59.240
in a environmental group at the time decided
383
00:13:59.240 --> 00:14:02.150
that we wanted to redesign this street.
384
00:14:02.150 --> 00:14:05.650
And so what we did with Milview was move the parking
385
00:14:05.650 --> 00:14:07.860
from one side of the street to the other
386
00:14:07.860 --> 00:14:09.200
halfway down the block
387
00:14:09.200 --> 00:14:10.390
and then take the center line
388
00:14:10.390 --> 00:14:13.100
so it wiggled from one side to the other somewhat.
389
00:14:13.100 --> 00:14:13.933
So the traffic
390
00:14:13.933 --> 00:14:15.680
would have to wind as it went down the street
391
00:14:15.680 --> 00:14:17.270
and it would wind back again later on
392
00:14:17.270 --> 00:14:18.380
and so on.
393
00:14:18.380 --> 00:14:20.440
And we planted trees out towards the center
394
00:14:20.440 --> 00:14:22.390
and studies have demonstrated
395
00:14:22.390 --> 00:14:24.180
that simply the presence of trees closer
396
00:14:24.180 --> 00:14:27.790
to the car flow actually slows everybody down.
397
00:14:27.790 --> 00:14:29.330
And we actually had a winner there
398
00:14:29.330 --> 00:14:31.660
because we had not only the ecological element
399
00:14:31.660 --> 00:14:33.710
but everybody in the neighborhood loved it.
400
00:14:33.710 --> 00:14:35.940
Now their kids were safer out in the front yards.
401
00:14:35.940 --> 00:14:37.030
People were going slower
402
00:14:37.030 --> 00:14:39.780
so you could talk to one another more easily
403
00:14:39.780 --> 00:14:41.400
and it encouraged bicyclists.
404
00:14:41.400 --> 00:14:43.400
And of course, if you're bicycling you can stop
405
00:14:43.400 --> 00:14:45.250
and say hello to someone very easily.
406
00:14:49.685 --> 00:14:54.357
(milk pouring into a cup)
(soft music)
407
00:14:54.357 --> 00:14:57.070
408
00:14:57.070 --> 00:14:58.141
I thought that,
409
00:14:58.141 --> 00:14:59.082
that's the only one.
410
00:14:59.082 --> 00:15:01.280
411
00:15:01.280 --> 00:15:03.780
412
00:15:03.780 --> 00:15:05.980
about having public lives
413
00:15:05.980 --> 00:15:08.010
because I think there's been a real swing
414
00:15:08.010 --> 00:15:10.440
over the last couple of decades to,
415
00:15:10.440 --> 00:15:12.200
well the cocooning idea,
416
00:15:12.200 --> 00:15:14.040
you know staying home.
417
00:15:14.040 --> 00:15:15.760
And I think that we're,
418
00:15:15.760 --> 00:15:17.860
the pendulum's swinging back now
419
00:15:17.860 --> 00:15:21.120
and the whole coffee shop boom,
420
00:15:21.120 --> 00:15:22.600
if you wanna call it that,
421
00:15:22.600 --> 00:15:23.850
I think is indicative
422
00:15:23.850 --> 00:15:27.200
of people wanting to be in a place,
423
00:15:27.200 --> 00:15:28.470
in a city,
424
00:15:28.470 --> 00:15:32.640
where it's comfortable to be in public
425
00:15:32.640 --> 00:15:34.600
but you don't have to know anybody.
426
00:15:34.600 --> 00:15:35.433
427
00:15:35.433 --> 00:15:36.757
because I can actually start to think
428
00:15:36.757 --> 00:15:37.817
about what I want to do
429
00:15:37.817 --> 00:15:39.310
and I can write
430
00:15:39.310 --> 00:15:42.290
because it just feels really alive.
431
00:15:42.290 --> 00:15:44.530
432
00:15:44.530 --> 00:15:48.030
433
00:15:48.030 --> 00:15:48.983
434
00:15:50.040 --> 00:15:52.181
And you know like you said, there's people going by,
435
00:15:52.181 --> 00:15:54.110
you talk to other people at other tables.
436
00:15:54.110 --> 00:15:56.200
It's just a friendly environment.
437
00:15:56.200 --> 00:15:58.390
438
00:15:58.390 --> 00:16:00.630
except that I'm with other people.
439
00:16:00.630 --> 00:16:03.190
440
00:16:04.160 --> 00:16:07.920
and you are alone in a big city.
441
00:16:07.920 --> 00:16:10.230
But if you're sitting outside a lot
442
00:16:10.230 --> 00:16:12.730
of acquaintances will go by
443
00:16:12.730 --> 00:16:13.960
and there's just a nod
444
00:16:13.960 --> 00:16:15.920
and you're here all together
445
00:16:15.920 --> 00:16:17.160
in the world together.
446
00:16:17.160 --> 00:16:18.180
447
00:16:18.180 --> 00:16:19.280
the leaves are out,
448
00:16:19.280 --> 00:16:20.450
It smells nice.
449
00:16:20.450 --> 00:16:21.710
You come out for a cup of coffee,
450
00:16:21.710 --> 00:16:22.800
you sit outside.
451
00:16:22.800 --> 00:16:24.170
You meet friends walking by.
452
00:16:24.170 --> 00:16:25.380
Hello , how are you?
453
00:16:25.380 --> 00:16:26.960
It's a neighborhood feeling.
454
00:16:26.960 --> 00:16:28.010
That's why I like it.
455
00:16:29.780 --> 00:16:31.710
456
00:16:31.710 --> 00:16:34.030
but we don't know where it's gonna go.
457
00:16:34.030 --> 00:16:36.320
And so I think it's really exciting to think
458
00:16:36.320 --> 00:16:39.340
about all of us coming to grips
459
00:16:39.340 --> 00:16:42.970
with the fact that we do own the streets,
460
00:16:42.970 --> 00:16:45.120
that they are public.
461
00:16:45.120 --> 00:16:47.030
And that we own sidewalks.
462
00:16:47.030 --> 00:16:48.330
They are public.
463
00:16:48.330 --> 00:16:51.580
And it's okay for us to sit out there 24 hours a day.
464
00:16:51.580 --> 00:16:53.543
I mean, it has to do with democracy.
465
00:16:54.470 --> 00:16:57.520
And that has something to say about community,
466
00:16:57.520 --> 00:16:59.780
it also has something to say about designers
467
00:16:59.780 --> 00:17:00.920
and planners.
468
00:17:00.920 --> 00:17:04.250
They have to listen a lot more to people
469
00:17:04.250 --> 00:17:07.130
about what it takes to make community
470
00:17:07.130 --> 00:17:09.880
and what the places and spaces are
471
00:17:09.880 --> 00:17:11.815
that people wanna be in.
472
00:17:11.815 --> 00:17:14.488
(laughter)
473
00:17:14.488 --> 00:17:16.905
(soft music)
474
00:17:23.490 --> 00:17:26.370
How nature finds its way into the city,
475
00:17:26.370 --> 00:17:28.300
I find exciting.
476
00:17:28.300 --> 00:17:30.110
And I think that part
477
00:17:30.110 --> 00:17:32.800
of the way we're gonna find communities,
478
00:17:32.800 --> 00:17:35.280
I hope we're gonna find communities growing
479
00:17:35.280 --> 00:17:36.230
in the future,
480
00:17:36.230 --> 00:17:39.340
is that nature is gonna be invited more
481
00:17:39.340 --> 00:17:41.043
and more into our cities.
482
00:17:42.617 --> 00:17:45.988
(soft music)
(water streaming)
483
00:17:45.988 --> 00:17:47.420
484
00:17:47.420 --> 00:17:50.300
there was a movement to defend creeks in Berkeley,
485
00:17:50.300 --> 00:17:52.110
to try to bring them back.
486
00:17:52.110 --> 00:17:53.960
And this creek here,
487
00:17:53.960 --> 00:17:55.450
at Strawberry Creek Park,
488
00:17:55.450 --> 00:17:57.570
was brought back from being underground
489
00:17:57.570 --> 00:17:59.303
for about 80 years at that point.
490
00:18:00.390 --> 00:18:03.510
Most parks are designed by people
491
00:18:03.510 --> 00:18:06.680
and have brought into particular park preconceptions
492
00:18:06.680 --> 00:18:07.780
from somewhere else.
493
00:18:07.780 --> 00:18:08.820
In fact,
494
00:18:08.820 --> 00:18:11.220
we're sitting in a landscape that's really
495
00:18:11.220 --> 00:18:12.053
from England,
496
00:18:12.053 --> 00:18:14.670
not from Western United States.
497
00:18:14.670 --> 00:18:16.190
So this is a contrivance.
498
00:18:16.190 --> 00:18:17.290
It's okay.
499
00:18:17.290 --> 00:18:18.610
It's green, it's nice to be here.
500
00:18:18.610 --> 00:18:20.210
You can play on it and so on.
501
00:18:20.210 --> 00:18:22.543
But a creek is something far richer than that.
502
00:18:24.046 --> 00:18:25.780
(water streaming)
503
00:18:25.780 --> 00:18:27.520
Creeks bring an enormous amount
504
00:18:27.520 --> 00:18:29.370
to community tells you where you are.
505
00:18:29.370 --> 00:18:30.380
It tells you your history.
506
00:18:30.380 --> 00:18:32.300
It tells you how biology works.
507
00:18:32.300 --> 00:18:33.270
It speaks to the kids,
508
00:18:33.270 --> 00:18:34.970
it speaks to the old people.
509
00:18:34.970 --> 00:18:36.940
It adds a kind of a murmuring sound,
510
00:18:36.940 --> 00:18:38.130
a very soothing,
511
00:18:38.130 --> 00:18:39.730
pleasant sound of the water moving
512
00:18:39.730 --> 00:18:41.740
over the rocks to environments.
513
00:18:41.740 --> 00:18:46.620
It's just something that's unreproducible.
514
00:18:46.620 --> 00:18:48.110
Now you can reproduce elements of it,
515
00:18:48.110 --> 00:18:48.943
which is wonderful.
516
00:18:48.943 --> 00:18:50.040
You can do waterfalls,
517
00:18:50.040 --> 00:18:52.460
artificial waterfalls and fountains in cities
518
00:18:52.460 --> 00:18:54.040
and things like this.
519
00:18:54.040 --> 00:18:56.280
And I encourage people to actually build
520
00:18:56.280 --> 00:18:57.460
those sorts of sculptures
521
00:18:57.460 --> 00:18:59.670
and monuments and so on.
522
00:18:59.670 --> 00:19:02.227
But the creek has something else going for it.
523
00:19:02.227 --> 00:19:04.910
And I think something extremely important,
524
00:19:04.910 --> 00:19:07.490
especially because now the human community
525
00:19:07.490 --> 00:19:09.853
is so much out of sync with the natural community
526
00:19:09.853 --> 00:19:12.480
that we need every reminder we can get,
527
00:19:12.480 --> 00:19:13.830
that we are part of nature.
528
00:19:18.040 --> 00:19:20.370
529
00:19:20.370 --> 00:19:22.053
for commuting back and forth.
530
00:19:22.920 --> 00:19:23.780
But you know,
531
00:19:23.780 --> 00:19:25.120
when you have an opportunity to live
532
00:19:25.120 --> 00:19:26.470
in a neighborhood like this
533
00:19:26.470 --> 00:19:28.650
and the the rural setting
534
00:19:28.650 --> 00:19:29.510
and the city setting
535
00:19:29.510 --> 00:19:32.460
and all the kind of amenities being close to you,
536
00:19:32.460 --> 00:19:34.140
it worth the trade off.
537
00:19:34.140 --> 00:19:38.220
538
00:19:38.220 --> 00:19:39.793
you can get fresh apples.
539
00:19:40.730 --> 00:19:43.460
You can take your friends for walks.
540
00:19:43.460 --> 00:19:46.500
541
00:19:46.500 --> 00:19:48.350
in most people to have both culture
542
00:19:48.350 --> 00:19:50.150
and nature simultaneously,
543
00:19:50.150 --> 00:19:52.790
to have their community in nature.
544
00:19:52.790 --> 00:19:54.250
And I think actually
545
00:19:54.250 --> 00:19:55.810
if you look at the suburbs,
546
00:19:55.810 --> 00:19:57.910
which we see as an ecological problem
547
00:19:57.910 --> 00:19:59.867
because of the smog from the cars going out there
548
00:19:59.867 --> 00:20:02.017
and the energy that's squandered and so on,
549
00:20:03.110 --> 00:20:05.130
the impulse is actually a very good impulse
550
00:20:05.130 --> 00:20:07.510
because people are trying to have both nature
551
00:20:07.510 --> 00:20:11.043
and a place to be with their idea of community.
552
00:20:14.990 --> 00:20:17.970
553
00:20:17.970 --> 00:20:19.930
it's not just they have a bigger lot.
554
00:20:19.930 --> 00:20:23.160 line:15%
It's the whole sense of,
555
00:20:23.160 --> 00:20:25.460 line:15%
stronger sense of nature you get there
556
00:20:25.460 --> 00:20:27.453 line:15%
than in most inner city neighborhoods.
557
00:20:29.650 --> 00:20:31.210
I think we're on the edge of a period
558
00:20:31.210 --> 00:20:34.640
where people are identifying the lessons of both
559
00:20:34.640 --> 00:20:36.400
and trying to combine them
560
00:20:36.400 --> 00:20:40.070
into places which are denser,
561
00:20:40.070 --> 00:20:42.420
are less controlling,
562
00:20:42.420 --> 00:20:45.080
allow for a greater mix of uses.
563
00:20:45.080 --> 00:20:48.563
Same time accommodate car to a certain degree,
564
00:20:50.080 --> 00:20:52.810
have a closer relationship with nature
565
00:20:52.810 --> 00:20:56.063
and work with landscape not against it,
566
00:20:57.120 --> 00:20:58.663
work with public transit.
567
00:21:00.600 --> 00:21:03.450
I live in a early planned suburb called Summerhill Gardens.
568
00:21:03.450 --> 00:21:05.200
It's absolutely fascinating.
569
00:21:05.200 --> 00:21:07.950
It has quite a density of housing.
570
00:21:07.950 --> 00:21:10.470
It's got curvilinear streets,
571
00:21:10.470 --> 00:21:11.303
believe it or not,
572
00:21:11.303 --> 00:21:12.393
that actually work,
573
00:21:13.390 --> 00:21:15.400
have parking on them.
574
00:21:15.400 --> 00:21:16.233
Work for cars,
575
00:21:16.233 --> 00:21:17.730
work for people.
576
00:21:17.730 --> 00:21:19.450
We live in a small apartment building,
577
00:21:19.450 --> 00:21:20.920
there are single family homes
578
00:21:20.920 --> 00:21:22.540
or duplexes
579
00:21:22.540 --> 00:21:25.960
and this incredible reservoir,
580
00:21:25.960 --> 00:21:26.960
which is another big part
581
00:21:26.960 --> 00:21:28.310
of where the neighborhood gathers
582
00:21:28.310 --> 00:21:30.010
and people walk their dogs.
583
00:21:30.010 --> 00:21:32.263
It's got an incredible mix of things.
584
00:21:33.480 --> 00:21:35.930
We're taking lessons from both sides of history
585
00:21:35.930 --> 00:21:38.253
and combining them into new solutions.
586
00:21:40.913 --> 00:21:41.980
A lot of people would like to think,
587
00:21:41.980 --> 00:21:44.000
we don't have to extend the city anymore.
588
00:21:44.000 --> 00:21:47.900
We can draw a line around it and just intensify inside.
589
00:21:47.900 --> 00:21:49.690
I don't happen to think that's possible.
590
00:21:49.690 --> 00:21:52.450
I mean, it's historically never happened.
591
00:21:52.450 --> 00:21:53.920
I think it's sticking your head
592
00:21:53.920 --> 00:21:55.704
in another kind of sand.
593
00:21:55.704 --> 00:21:58.121
(soft music)
594
00:22:00.754 --> 00:22:02.910
It's gonna be a major extension
595
00:22:02.910 --> 00:22:05.298
to Toronto build in this area.
596
00:22:05.298 --> 00:22:06.450
It's gonna accommodate something
597
00:22:06.450 --> 00:22:08.000
like a hundred thousand people.
598
00:22:09.260 --> 00:22:10.260
Rather than this being treated
599
00:22:10.260 --> 00:22:11.800
as a blank piece of paper
600
00:22:11.800 --> 00:22:14.320
that we're going to build this new town on,
601
00:22:14.320 --> 00:22:16.550
all that you see here will be incorporated
602
00:22:16.550 --> 00:22:17.593
within the town.
603
00:22:18.860 --> 00:22:20.960
Whitevale and other existing hamlets
604
00:22:20.960 --> 00:22:22.590
will remain as they are.
605
00:22:22.590 --> 00:22:24.570
In fact, they'll be on the edges
606
00:22:24.570 --> 00:22:25.720
of the new development.
607
00:22:26.880 --> 00:22:30.150
These people are so used to developers coming in
608
00:22:30.150 --> 00:22:31.350
and obliterating their towns,
609
00:22:31.350 --> 00:22:32.440
they've argued vehemently
610
00:22:32.440 --> 00:22:35.030
for 20 years to be left on the edge
611
00:22:35.030 --> 00:22:35.870
and left alone,
612
00:22:35.870 --> 00:22:36.703
left as they are
613
00:22:36.703 --> 00:22:37.536
and they will be.
614
00:22:38.630 --> 00:22:40.430
Leaving the landscape
615
00:22:40.430 --> 00:22:42.150
and working with the existing trees means
616
00:22:42.150 --> 00:22:44.260
there is a nature here already
617
00:22:45.650 --> 00:22:47.190
and hopefully the birds
618
00:22:47.190 --> 00:22:48.710
and many of the insects
619
00:22:48.710 --> 00:22:50.920
and animals that live here will also be part
620
00:22:50.920 --> 00:22:51.753
of the town.
621
00:22:51.753 --> 00:22:53.010
Why not?
622
00:22:53.010 --> 00:22:54.460
One of the other lessons that we're bringing
623
00:22:54.460 --> 00:22:57.140
from the older part of the city is that,
624
00:22:57.140 --> 00:22:59.240
it's acknowledged that it will develop incrementally
625
00:22:59.240 --> 00:23:00.770
over time.
626
00:23:00.770 --> 00:23:03.640
It won't be a place that's built as a product,
627
00:23:03.640 --> 00:23:04.850
finished, complete.
628
00:23:04.850 --> 00:23:07.160
It will be built out as a start
629
00:23:07.160 --> 00:23:08.730
and it'll try and acknowledge
630
00:23:08.730 --> 00:23:09.990
the fact that people will continue
631
00:23:09.990 --> 00:23:12.630
to layer on additional buildings,
632
00:23:12.630 --> 00:23:13.790
expand what they have
633
00:23:13.790 --> 00:23:17.410
and then it'll gradually grow denser over time
634
00:23:17.410 --> 00:23:18.800
as the older cities did,
635
00:23:18.800 --> 00:23:22.230
as opposed to being built all as a,
636
00:23:22.230 --> 00:23:25.533
one product that you either accept or reject.
637
00:23:26.496 --> 00:23:28.913
(soft music)
638
00:23:30.330 --> 00:23:31.590
639
00:23:31.590 --> 00:23:33.330
and places that we all love
640
00:23:33.330 --> 00:23:35.710
are ones that grow incrementally,
641
00:23:35.710 --> 00:23:39.170
that begin with a kind of framework
642
00:23:39.170 --> 00:23:42.600
and then are actually built upon
643
00:23:42.600 --> 00:23:45.000
almost like barnacles grow
644
00:23:45.000 --> 00:23:48.823
or just a much more incremental approach.
645
00:23:55.800 --> 00:23:57.150
Right now we're just beginning
646
00:23:57.150 --> 00:23:58.940
the construction process,
647
00:23:58.940 --> 00:24:00.380
to work on the street.
648
00:24:00.380 --> 00:24:02.090
There's gonna be parts of the street
649
00:24:02.090 --> 00:24:04.440
that are going to be totally ripped up.
650
00:24:04.440 --> 00:24:06.150
Other parts will be preserved
651
00:24:06.150 --> 00:24:09.153
and begun to be just worked with.
652
00:24:11.000 --> 00:24:13.670
The goal is that it should be
653
00:24:13.670 --> 00:24:15.110
never finished
654
00:24:15.110 --> 00:24:17.190
but always complete.
655
00:24:17.190 --> 00:24:20.810
So there's some sense that it's always together
656
00:24:20.810 --> 00:24:23.323
but that people can always be adding to it.
657
00:24:25.430 --> 00:24:28.283
I hope there's always gonna be changes on Garden Drive.
658
00:24:29.630 --> 00:24:31.153
659
00:24:31.153 --> 00:24:32.240
You know that's,
660
00:24:32.240 --> 00:24:33.073
that really is based
661
00:24:33.073 --> 00:24:34.413
on the discussions we had.
662
00:24:35.473 --> 00:24:37.870
(crosstalk)
663
00:24:37.870 --> 00:24:39.570
664
00:24:39.570 --> 00:24:40.810
what was important to them
665
00:24:40.810 --> 00:24:42.640
about the urban landscape.
666
00:24:42.640 --> 00:24:45.560
People really value their neighborhoods,
667
00:24:45.560 --> 00:24:47.660
you know slash community.
668
00:24:47.660 --> 00:24:50.350
That that's an important part of their lives
669
00:24:50.350 --> 00:24:53.200
and they identify with their community.
670
00:24:53.200 --> 00:24:55.970
And so part of what we have to do
671
00:24:55.970 --> 00:24:58.890
is strengthen those ties
672
00:24:58.890 --> 00:25:01.510
and make those communities work even better.
673
00:25:01.510 --> 00:25:03.610
And where there aren't communities,
674
00:25:03.610 --> 00:25:05.593
begin to help people create them.
675
00:25:08.223 --> 00:25:10.640
(soft music)
Distributor: Bullfrog Films
Length: 26 minutes
Date: 1997
Genre: Expository
Language: English
Grade: 7-12, College, Adult
Color/BW:
Closed Captioning: Not available
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