Monument
- Description
- Reviews
- Citation
- Cataloging
- Transcript
Filmmaker Michael Turner (The Way We Talk) documents his first visit to a Holocaust memorial created by his grandmother Lici, a Hungarian Jew whose parents and sister were killed in Auschwitz. The resulting personal documentary is a powerful and poetic story of two relatives meeting through time and space to carry their family memory forward.
“A wondrous experience… The power of memory, the power of place, and the bonds that unite families shine throughout the film.” – Judy Margles, Executive Director, Oregon Jewish Museum and Center For Holocaust Education
“An important close-up of the Holocaust's impact on one family's unfolding story.” – Rose Wong, Willamette Week
Citation
Main credits
Turner, Michael (film director)
Turner, Michael (film producer)
Turner, Michael (screenwriter)
Burgé, Alyssa (film producer)
Burgé, Alyssa (screenwriter)
Lee, Alfred (film producer)
Other credits
Cinematography and editing, Michael Turner; music, Bill Roberts.
Distributor subjects
Religion and SpiritualityKeywords
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Hello, I'm Bill Miller
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and you're watching “Conversation Piece.”
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It seems strange, almost unreal,
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that I'm going to introduce you
to a guest today
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who survived one of the worst chapters
in World War II history
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when she was a prisoner
in the Auschwitz camp,
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one of the worst of the Nazi
concentration camps.
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And as you know, the attempt of Hitler
was to exterminate the Jewish race.
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So it's a pleasure to have Alice and talk
about certain phases of her life.
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–Alice, nice to have you.
–Thank you, Bill.
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With what you've been through, you're not
nervous talking to me for a few minutes?
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No, I won’t. I’ll calm down.
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Is it hard for you to talk about
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the really rugged times in your life,
starting when you were a teenager?
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Yes, it is.
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It's getting better
as we’re getting older, I think. And
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think about what happened and where we are now.
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But it's still very difficult.
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Well, my idea when I invited you over
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was to get a few facts so we could know
what did happen to you first.
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And then I want our audience to know
and I want to know
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about your trip
back to your homeland of Hungary
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about eight months ago,
why you went and what you found.
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And if we have any time left,
maybe we can talk about a couple of views
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of the world situation...
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What I remember about my grandma is simple.
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Waking up in PJs and making pancakes...
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her way of winking at us, like
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we were in together on a secret.
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She was a big part of my life
when everything in the world was new.
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When I was first
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learning about its feelings
and sensations.
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I remember the way her skin felt.
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The way she smelled.
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Just the feeling of being around her.
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(Grandma Lici: “Oh, look at that, Michael!”)
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It seemed like she arrived in my life
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fully formed.
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And even looking back,
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it's hard for me
to see how she got to that point.
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How she kept changing
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and growing.
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(Grandma: “What are you going to say?”)
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(”Oh, I remember her.”)
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(”What’re you going to say, Michael?”)
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(”Oh, I remember her.”)
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I wish I could go back and talk to her
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and have her tell me the story herself.
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But when she died,
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something got lost that
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couldn't be retrieved.
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Conversations
I'm not able to have with her
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now that I'm old enough.
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So I've started putting together
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the pieces I have.
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My grandma Lici was born
in a small town in Hungary
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called Sárvár.
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Her father operated
the town's kosher bakery
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in the front of their apartment.
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When she was 16, her family was rounded up
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with the rest of Sárvár’s Jewish,
community,
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interned in a ghetto
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and taken to Auschwitz,
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where her parents and youngest sister
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were killed.
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Probably the Hungarian pronunciation is different,
but your hometown was spelled S-A-R-
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V-A-R, “Sarvar?”
–Sárvár. (Shar-var)
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I could not face going back.
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My husband always asked me every time
he took a trip, business trip to Europe,
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if I wanted to go
and I could not go back to Europe.
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I just couldn't face it.
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And last year I said, okay, I want to go.
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And I did go. And we went to Hungary and
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we went to my hometown
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and I could not remember anything.
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I did not remember the streets.
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There was a castle there.
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I remember the castle being there.
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I couldn't do it.
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I had to leave.
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I spent about an hour,
not even that long in town, and I had
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my husband just drive me out of there.
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But now I want to go back.
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–Oh, you think you'll go again?
–Yes, I want to go.
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I want to make some kind of memorial.
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I have to do it because
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of my daughter, of my grandchildren.
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They have to know.
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You have to tell the story
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(My mom, off camera:
“Well here we all are, walking down the streets in Budapest.”)
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(”There's grandma! Say hi, Grandma.”)
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(”Should we go this way?”)
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I’d like to do something in my hometown,
I don't know what.
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Maybe even just a headstone in the cemetery.
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If nothing else, just have a headstone
for... just one
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for everybody.
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I came to Hungary to see a monument
that my grandma
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had created in her hometown
25 years earlier
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when I was still a kid.
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I told them that I want to have a
monument on the palace grounds
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because I figure
they'll always take care of it.
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So I got permission.
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I raised money and two years ago
we put it down
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and we had a dedication
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and it was incredible.
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After that trip,
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we always had a picture of it on our wall.
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But as a 12 year old,
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I didn't get it.
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It was strange, abstract,
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a reminder of everything
I couldn't access in my grandma.
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What I wanted was for her to
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sit me down and tell me her story.
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But that talk never came.
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It was only after she died
that I began thinking
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that maybe what she left me was enough.
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I wanted to finally see her monument
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to represent our family there
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for its 25th anniversary
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and see what she had left for me to find.
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András?
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–Hey, Mike.
–Hey.
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Hi, nice to meet you.
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There's a protein bar for you, and a water.
And this is something really good
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if you feel like eating it.
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This is coffee.
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Heritage tours
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have a tendency
to take you to a lot of places.
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I mean, you can find some information
here, but most of the information
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is either in Israel
or in some other archives.
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Here, most of the people
just want to actually go to the place
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where their grandparents, great-
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grandparents or ancestors actually lived
and try to, you know,
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they might have a picture, a faded picture
with a number of a house on it.
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So they say, okay, how can we find that
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that house?
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Or do you think we can find the school
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that they went to, or find a photo
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or a class photo from the 1820s?
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In some ways,
they're disappointed at the fact that
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they can't really find anything
there anymore.
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The young people
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they're basically trying to find their way in this.
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András specialized in Jewish heritage tours,
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an industry I hadn’t known existed,
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and we connected over the fragments
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we'd collected of our family stories.
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His parents were Holocaust survivors
00:12:47.475 --> 00:12:51.604
who also never talked to their children
about what happened.
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Before his mom died,
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she left behind a series of cassette tapes
with her story
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that he had only now started to listen to.
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He took me to an old apartment
00:13:10.080 --> 00:13:12.583
that he and his family use as a storage unit.
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On the first set of cassettes,
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she wrote, I guess, stuff:
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‘This is the war and what happened after,’ so–
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Wow. I didn't know she actually wrote stuff on it.
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Wow.
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Well, basically she told us, you know,
I mean,
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she wanted the whole thing
to be in one place.
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I guess.
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For it to be one story.
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So.
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Here goes nothing.
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Andras understood why I was here.
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Whole generations of Jewish
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people came here trying to uncover
what happened to our families.
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But he warned me that memorializing the
Holocaust could be complicated in Hungary.
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Countries don't like being implicated
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in their past mistakes.
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He took me to a new monument
erected by the government
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to show me what he was talking about.
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An angel representing Hungary
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is being attacked by an eagle
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representing Nazi Germany.
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But Hungary wasn't attacked by Germany.
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They were allies
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and it was Hungary that committed
some of the most horrible crimes
00:15:45.402 --> 00:15:47.112
of the Holocaust.
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Many people see this monument
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as the government
trying to rewrite history,
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covering up its role in what happened,
00:16:00.042 --> 00:16:04.088
including a woman we met there
named Maria Heller,
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who had helped organize the
counter memorial in front of it.
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So immediately
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when we heard that the government
had this plan
00:16:17.434 --> 00:16:22.064
of erecting this monument,
we decided to protest against it.
00:16:22.064 --> 00:16:26.902
And our protest was first
that we occupied the place
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where the monument
would have been constructed.
00:16:30.823 --> 00:16:36.161
And we started to put objects there
and told people to come here
00:16:36.161 --> 00:16:41.166
and take with them objects that
reminded them of the Second World War.
00:16:41.375 --> 00:16:45.129
And in this way, we wanted to somehow,
symbolically at least,
00:16:45.379 --> 00:16:50.509
occupy the place, and
not to let the monument be built.
00:16:50.592 --> 00:16:52.136
But what's happened is that
00:16:52.136 --> 00:16:57.057
we continue to have what we call
the living memorial, because the
00:16:57.099 --> 00:17:01.478
falsifying one we call the dead monument,
it doesn't show anything.
00:17:01.478 --> 00:17:03.397
It just tells you lies.
00:17:03.397 --> 00:17:09.028
So what we decided to do
is to put against it or in front of it
00:17:09.111 --> 00:17:14.783
a real monument where people could take
everything that they think is important
00:17:14.783 --> 00:17:18.454
and which reminds them of those
who have been killed
00:17:18.454 --> 00:17:20.706
during the Second World War.
00:17:24.043 --> 00:17:28.255
You also have a lot of small white stones
00:17:28.255 --> 00:17:32.634
because in a way it's also to
00:17:32.718 --> 00:17:35.888
remind about the Jewish custom
00:17:35.888 --> 00:17:40.392
of putting pieces of stone
on a relative’s tombstone.
00:17:40.392 --> 00:17:43.645
And most of these people,
of course, don't have a tombstone
00:17:43.645 --> 00:17:48.442
because they have been killed
in the of concentration camps.
00:17:48.484 --> 00:17:52.196
And as you see now, the living monument
00:17:52.196 --> 00:17:57.034
is rather long
and it's becoming even and even longer,
00:17:57.117 --> 00:17:58.410
depending on the new
00:17:58.410 --> 00:18:01.914
objects that people take here
to remember their
00:18:02.164 --> 00:18:03.665
their people
00:18:14.927 --> 00:18:16.595
This place opened up the idea
00:18:16.595 --> 00:18:18.764
of what a monument could be:
00:18:21.183 --> 00:18:23.018
a letter,
00:18:23.018 --> 00:18:24.978
a photo,
00:18:25.562 --> 00:18:27.481
a pair of shoes,
00:18:35.531 --> 00:18:41.245
Something else that I found, because all of this
I knew by my mother, she always told me
00:18:41.245 --> 00:18:45.374
I saw the numbers on her arm.
00:18:45.374 --> 00:18:49.253
And so it was never a secret in my family.
00:18:49.294 --> 00:18:51.880
So I knew everything about that.
00:18:51.880 --> 00:18:55.425
Just one thing that I found after
00:18:55.509 --> 00:19:00.013
my mother's death,
she died at the age of 92 last year,
00:19:00.097 --> 00:19:04.768
and while I was emptying her cupboards
00:19:04.810 --> 00:19:09.022
and drawers, I found something
that she never told me about.
00:19:09.064 --> 00:19:12.067
And these are three small
00:19:12.317 --> 00:19:16.697
booklets of ‘44, ’45 and ‘46.
00:19:16.780 --> 00:19:23.954
And I can't understand
how she was able to keep this little
00:19:24.037 --> 00:19:26.331
notebook with her in Auschwitz,
00:19:26.331 --> 00:19:30.502
because there are also inscriptions
that were made in Auschwitz.
00:19:30.544 --> 00:19:33.130
So I can't understand that.
00:19:33.130 --> 00:19:36.216
And now I cannot ask her
because she is not there anymore, but
00:19:36.216 --> 00:19:41.346
she never told me about this.
Where did she hide it,
00:19:41.346 --> 00:19:42.848
and how did she hide it?
00:19:42.848 --> 00:19:44.558
I don't know.
00:19:56.069 --> 00:19:59.156
The next morning
we drove 3 hours west of Budapest
00:19:59.156 --> 00:20:01.533
into the countryside.
00:20:04.828 --> 00:20:09.541
There weren't any Jews left in Sárvár,
my grandmother's hometown,
00:20:09.625 --> 00:20:11.501
so we made a stop on our way
00:20:11.501 --> 00:20:15.589
at the bigger city
nearby, called Szombathely,
00:20:15.672 --> 00:20:18.592
where my grandma’s mother came from.
00:20:59.091 --> 00:21:03.136
We met the president of the
local Jewish community here
00:21:03.136 --> 00:21:05.389
named Sándor Márkus,
00:21:06.473 --> 00:21:07.808
whose parents, like
00:21:07.808 --> 00:21:14.231
András’, had been Holocaust survivors.
00:21:23.824 --> 00:21:27.828
It felt like we were three
versions of the same story–
00:21:28.578 --> 00:21:31.581
children who were piecing together
a family conversation
00:21:31.748 --> 00:21:33.583
we'd only overheard.
00:22:03.655 --> 00:22:07.576
Do you know the exact date
when your grandma was born?
00:22:08.410 --> 00:22:10.746
April 6th, 1928.
00:22:33.810 --> 00:22:37.189
I don’t know if you know what happened to the the birth
00:22:37.272 --> 00:22:40.150
records and death records of the Jews.
00:22:40.150 --> 00:22:43.945
The Germans systematically burned
all of them.
00:22:44.029 --> 00:22:46.948
So whatever is left is really a
00:22:47.032 --> 00:22:48.367
a treasure.
00:25:23.522 --> 00:25:25.398
There is an exhibit here
00:25:25.398 --> 00:25:31.446
made in anticipation of the day
when no Jews will be left in Szombathely.
00:25:35.200 --> 00:25:38.745
The everyday things I had grown up with,
00:25:38.828 --> 00:25:41.289
that were so familiar to me,
00:25:41.289 --> 00:25:43.166
were here behind glass.
00:25:45.001 --> 00:25:48.463
A museum exhibit to a lost culture.
00:25:54.636 --> 00:25:55.720
It reminded me of learning
00:25:55.720 --> 00:25:59.933
about the Native Americans
when I was in school,
00:26:00.016 --> 00:26:04.020
as if they didn't still exist,
00:26:04.104 --> 00:26:07.065
as if no one was alive to tell the story.
00:26:11.194 --> 00:26:12.612
And here,
00:26:12.612 --> 00:26:16.908
after Sándor and the few others are gone,
00:26:16.992 --> 00:26:20.537
there might not be.
00:27:34.069 --> 00:27:35.445
Sándor introduced us to
00:27:35.445 --> 00:27:38.406
a historian named Krisztína Kelbert,
00:27:38.531 --> 00:27:43.161
who worked at a local museum.
00:27:43.244 --> 00:27:44.746
She'd spent the last few years
00:27:44.746 --> 00:27:47.749
investigating an archive of photographs
00:27:47.832 --> 00:27:50.794
she'd found in the basement.
00:27:50.919 --> 00:27:56.633
Hundreds of pictures taken of Jewish
people before the Holocaust.
00:31:07.532 --> 00:31:10.118
Krisztína was not Jewish
00:31:10.118 --> 00:31:13.621
but these stories began to sink into her
00:31:13.705 --> 00:31:17.500
and effect the way she saw her hometown.
00:32:06.257 --> 00:32:09.761
She took us back to the Jewish Community Center
00:32:09.969 --> 00:32:11.471
to show us what she'd been working on
00:32:11.471 --> 00:32:13.431
with the photographs.
00:32:49.092 --> 00:32:51.260
She'd created a kind of shrine
00:32:51.260 --> 00:32:54.681
to the Jewish people of Szombathely
00:32:54.764 --> 00:32:57.976
whose photos she found in that basement
00:32:58.059 --> 00:33:23.042
and whose stories she had uncovered.
00:33:23.126 --> 00:33:28.464
It was like looking at a family album.
00:33:28.548 --> 00:33:31.009
A giant family album.
00:34:08.296 --> 00:34:11.924
I’d found this one picture of my great-grandmother
00:34:12.008 --> 00:34:14.802
as a young woman in Szombathely
00:34:14.802 --> 00:34:18.389
in my grandma's photo album.
00:34:19.348 --> 00:34:23.061
Was she a model? An actress?
00:34:23.144 --> 00:34:26.522
The story behind
that picture was long gone.
00:34:29.233 --> 00:34:30.318
But seeing this exhibit
00:34:30.318 --> 00:34:34.072
put her right with her people.
00:34:34.155 --> 00:34:37.033
It was what they did for fun,
00:34:37.033 --> 00:34:40.036
dress up and take pictures.
00:34:48.044 --> 00:34:50.379
And it's beautiful in a way
00:34:50.379 --> 00:34:53.341
that these were
the pictures that were saved.
00:35:34.507 --> 00:35:38.928
It felt like we were getting
closer to my grandma,
00:35:39.011 --> 00:35:43.808
to this part of her that she'd buried.
00:35:43.891 --> 00:35:45.393
It was somewhere in the burned
00:35:45.393 --> 00:35:49.355
records, the objects behind glass
00:35:49.438 --> 00:35:54.610
and the picture of her mom.
00:35:54.694 --> 00:35:58.489
We took a walk to process
everything we'd seen
00:35:58.573 --> 00:36:02.118
and to look for something
that Sándor told us about.
00:36:05.121 --> 00:36:06.747
And there
00:36:06.747 --> 00:36:09.250
in the middle of a shopping center
00:36:09.250 --> 00:36:12.545
we saw it– a monument
00:36:12.545 --> 00:36:14.881
I would have walked right by.
00:36:24.307 --> 00:36:26.851
A child's jacket
00:36:26.851 --> 00:36:28.603
for the 613 children
00:36:28.603 --> 00:36:32.190
that were sent from Szombathely to Auschwitz,
00:36:32.273 --> 00:36:34.525
hanging on a door
00:36:34.525 --> 00:36:37.862
as if she was coming back for it.
00:36:41.866 --> 00:36:46.162
The door marked the entrance of the
Szombathely ghetto
00:36:46.204 --> 00:36:49.373
where the Jews of this town
had been interned.
00:36:57.882 --> 00:37:02.929
I saw my daughter in that jacket.
00:37:03.012 --> 00:37:05.306
I saw Anna, too,
00:37:05.306 --> 00:37:07.475
my grandmother's little sister,
who never came back
00:37:07.475 --> 00:37:09.477
from Auschwitz.
00:37:12.605 --> 00:37:14.774
And thinking of her,
00:37:14.774 --> 00:37:16.776
I felt like I got to know
my great-grandparents
00:37:16.776 --> 00:37:18.611
for the first time.
00:37:22.114 --> 00:37:26.452
They'd always been dusty, black-and-white
pictures on my grandma's wall.
00:37:26.535 --> 00:37:29.038
But really, they were young parents
00:37:29.038 --> 00:37:31.916
only few years older than I am now,
00:37:33.251 --> 00:37:36.420
trying to keep their kids safe.
00:37:48.808 --> 00:37:54.063
I remember walking in with
my wife for an ultrasound,
00:37:54.146 --> 00:37:57.108
seeing our baby moving her tiny arms
and legs on the screen
00:37:57.108 --> 00:37:59.026
for the first time,
00:38:01.946 --> 00:38:06.158
and it hitting me that there was
a real human being in there.
00:38:09.954 --> 00:38:11.998
I'd crossed a line into a world
00:38:11.998 --> 00:38:15.001
in which someone else would be in my care
00:38:15.126 --> 00:38:17.378
for as long as we both lived.
00:38:27.555 --> 00:38:29.598
After she was born,
00:38:29.682 --> 00:38:30.975
I started having nightmares
00:38:30.975 --> 00:38:33.311
about something coming for us.
00:38:35.771 --> 00:38:36.772
I would go on walks
00:38:36.772 --> 00:38:39.025
and suddenly feel claustrophobic.
00:38:42.069 --> 00:38:43.738
A man walked into a synagogue
00:38:43.738 --> 00:38:45.656
and killed 11 people.
00:38:46.449 --> 00:38:49.785
[Radio coverage of Tree of Life shooting]
00:38:50.036 --> 00:38:55.374
[Audio of “Unite The Right” rally in Charlottesville]
00:38:56.167 --> 00:38:59.920
A leftover childhood
fear gripped me–
00:39:00.004 --> 00:39:03.799
that my family would be targeted for being
00:39:03.883 --> 00:39:05.926
different.
00:39:05.926 --> 00:39:08.971
Like my grandma's family was.
00:39:10.973 --> 00:39:13.726
That the same thing could happen again.
00:39:17.563 --> 00:39:20.816
I started to think that being
in my grandma's presence
00:39:20.900 --> 00:39:22.985
and in the presence of her story
00:39:22.985 --> 00:39:26.447
would be some kind of guidance.
00:39:28.282 --> 00:39:32.703
She had taken all these feelings
that I'd been too young to understand
00:39:32.787 --> 00:39:35.790
and put them into a memorial
00:39:35.873 --> 00:39:39.043
that would be waiting for me
when I was ready.
00:39:43.506 --> 00:39:46.217
I knew it might be irrational,
00:39:46.300 --> 00:39:49.261
but I was looking for some kind of message
00:39:49.261 --> 00:39:53.349
about how to live with this fear,
00:39:53.432 --> 00:39:57.311
about how to explain this world
00:39:57.395 --> 00:39:59.355
to my daughter.
00:40:11.242 --> 00:40:14.328
I'd like to begin
with talking about Sárvár.
00:40:14.453 --> 00:40:17.289
What kind of a town is it,
00:40:17.289 --> 00:40:19.083
was it when you were small?
00:40:19.083 --> 00:40:24.630
It was about 10,000 people
and it was a very mixed area
00:40:24.713 --> 00:40:27.633
with about a thousand Jewish people there.
00:40:27.675 --> 00:40:30.636
And we had a temple, a couple of them,
00:40:30.678 --> 00:40:35.641
and it was a very nice community,
very quiet, very nice.
00:40:35.724 --> 00:40:37.893
We had a bakery
00:40:37.893 --> 00:40:43.065
and that's where my father made his living
00:40:43.149 --> 00:40:46.652
and my mother was there to raise us.
00:40:46.735 --> 00:40:49.738
Never thought we were going to leave it.
00:40:49.738 --> 00:40:53.451
We went to school there and we lived there
00:40:53.534 --> 00:40:57.663
until we were forced to move out of there.
00:41:06.672 --> 00:41:09.675
The location of the old synagogue
00:41:09.758 --> 00:41:13.304
of the old Orthodox
synagogue in Sárvár
00:41:13.387 --> 00:41:19.935
it was converted into a storage house
or whatever
00:41:20.019 --> 00:41:21.979
and...
00:41:21.979 --> 00:41:23.314
a fabric warehouse,
00:41:23.314 --> 00:41:26.817
if I if I remember correctly.
00:41:26.901 --> 00:41:29.528
Whatever happened to it, I don't know.
00:41:48.130 --> 00:41:51.675
Using my grandma's interviews as a sort of map,
00:41:51.759 --> 00:41:55.179
we packed up to head into Sárvár
00:41:55.262 --> 00:41:58.098
to find the places she talked about
00:42:01.310 --> 00:42:04.313
to stand there
and mark them with my camera
00:42:04.313 --> 00:42:06.607
if nothing else.
00:42:13.781 --> 00:42:17.826
So what were some of the signs
of antisemitism you experienced?
00:42:17.826 --> 00:42:21.747
Well, the first thing that I remember is
00:42:21.830 --> 00:42:24.708
in school, in high school,
00:42:24.708 --> 00:42:27.127
we had to sit in the back
00:42:27.127 --> 00:42:28.420
of the class
00:42:29.755 --> 00:42:31.382
because we were Jewish.
00:42:31.382 --> 00:42:35.970
That’s first time I really remember
00:42:36.053 --> 00:42:38.639
people say we were Jewish
and we were different.
00:42:38.639 --> 00:42:41.934
I never felt I was different.
00:42:41.976 --> 00:42:43.811
And then
00:42:43.811 --> 00:42:47.064
we couldn't go to the high school anymore.
00:42:47.147 --> 00:42:52.194
We had to... we just went to our Jewish school.
00:42:52.278 --> 00:42:57.074
And I remember my father
said, ‘That's okay, it'll be alright.’
00:42:57.157 --> 00:43:00.119
‘They'll change their mind.’
00:43:00.119 --> 00:43:04.915
And then we had to wear a yellow star.
00:43:04.999 --> 00:43:06.875
So everybody knew we were Jewish.
00:43:06.875 --> 00:43:09.753
Not that we ever denied it,
00:43:09.753 --> 00:43:12.965
but there was like a stigma
that you had to have that
00:43:12.965 --> 00:43:17.303
and people would look at you
and the kids started to throw rocks.
00:43:17.386 --> 00:43:22.099
And then it came time that we couldn't
even go to school anymore.
00:43:22.182 --> 00:43:25.936
Can you describe what you remember
how the Germans came in?
00:43:26.020 --> 00:43:29.273
Yes, I remember we were all at home
00:43:29.356 --> 00:43:32.359
and all of a sudden we just heard
00:43:32.443 --> 00:43:36.238
gunshots and a lot of people
just running and screaming.
00:43:36.238 --> 00:43:40.326
And they just walked
into the city, to the town.
00:43:40.409 --> 00:43:43.787
We could still stay in the house, but
00:43:43.871 --> 00:43:46.832
my father said, ‘Oh,
they just going through the town.’
00:43:46.832 --> 00:43:51.295
I think my father knew
they weren't just going through the town.
00:43:51.378 --> 00:43:55.132
And then I remember
the next thing we had to do
00:43:55.132 --> 00:44:01.555
is we all had to gather a suitcase
and we went into
00:44:01.555 --> 00:44:04.642
they made us go into a certain house,
a building.
00:44:04.642 --> 00:44:06.644
It was like a factory.
00:44:06.644 --> 00:44:12.274
And we could not leave
unless with their permission.
00:44:31.752 --> 00:44:35.422
So probably the ghetto sort of started from here
00:44:35.547 --> 00:44:37.675
and went all the way to the other end.
00:44:56.860 --> 00:45:01.156
I knew there wouldn't be markers
or memorials or plaques,
00:45:01.240 --> 00:45:04.368
but it was still jarring to see
that there wasn't anything.
00:45:08.455 --> 00:45:12.584
This yellow house beside the factory lot,
00:45:12.668 --> 00:45:15.587
which had been
seized from a Jewish family,
00:45:15.671 --> 00:45:18.340
was where the town's Jews had to register
00:45:18.340 --> 00:45:20.801
before they were taken to Auschwitz.
00:45:24.054 --> 00:45:26.932
Now it was being turned into a hotel.
00:45:30.519 --> 00:45:33.147
And like
00:45:33.147 --> 00:45:36.942
people who are going to be at the hotel
at some point are going to be
00:45:36.942 --> 00:45:40.154
sitting there sipping their drinks
or drinking their coffee
00:45:40.237 --> 00:45:44.408
and probably not knowing that the place
that they're doing
00:45:44.408 --> 00:45:47.661
all these things was originally a ghetto.
00:45:49.121 --> 00:45:51.248
So it's like
00:45:52.082 --> 00:45:55.502
like totally no remembrance
in this respect.
00:46:02.259 --> 00:46:02.843
And like,
00:46:02.843 --> 00:46:07.765
I guess ten, 15 years from now, nobody's
00:46:07.806 --> 00:46:09.183
unless they do the research,
00:46:09.183 --> 00:46:12.561
nobody's going to remember anything.
00:46:14.313 --> 00:46:17.566
It's just going to be a fancy house.
00:46:24.072 --> 00:46:25.908
I remember going to Auschwitz.
00:46:25.908 --> 00:46:31.163
I think it took about three or four days
and with no water, no food.
00:46:31.205 --> 00:46:35.042
By the time we got there,
half the train, half the people were dead.
00:46:35.042 --> 00:46:37.085
By the time we arrived.
00:46:39.379 --> 00:46:41.340
They starved or they didn't have water.
00:46:41.340 --> 00:46:45.594
And I remember it was raining one day
and I had a little teaspoon
00:46:45.594 --> 00:46:47.304
and I put it through the window.
00:46:47.304 --> 00:46:49.932
I would get water to put it in my father’s mouth
00:46:49.932 --> 00:46:53.769
because he was getting very sick
and I figured he's going to die, too.
00:46:53.852 --> 00:46:59.233
And that's how I gave him water to live.
00:46:59.316 --> 00:47:01.735
And we got there.
00:47:01.735 --> 00:47:05.948
And my mother and my little sister
00:47:06.031 --> 00:47:08.659
disappeared the first day.
00:47:08.659 --> 00:47:14.915
My mother,
who was holding my sister's hand
00:47:14.998 --> 00:47:18.627
and I never saw them again.
00:47:39.982 --> 00:47:42.401
This was the last place in Sárvár
00:47:42.401 --> 00:47:49.533
that my grandma's family
had all been together.
00:47:49.616 --> 00:47:54.746
It was probably the same
for all the town’s Jewish families.
00:47:56.290 --> 00:47:58.125
There's no sign,
00:47:58.125 --> 00:48:01.753
no place to collect
flowers or leave stones.
00:48:01.837 --> 00:48:04.423
Nothing special about it at all.
00:48:07.175 --> 00:48:10.679
It's just a train station now.
00:48:12.639 --> 00:48:14.766
People come and go
00:48:14.766 --> 00:48:16.852
looking at their phones.
00:48:48.091 --> 00:48:52.554
Most of the people that survived from Sárvár
00:48:52.638 --> 00:48:56.808
would come back to Sárvár, most of them
00:48:56.892 --> 00:49:01.688
after the war, because we all thought
that everybody's going to come back.
00:49:01.772 --> 00:49:06.902
And we were there for months
and we realized that this is it.
00:49:06.985 --> 00:49:09.821
I don't remember people ever asking,
Do you need anything?
00:49:09.821 --> 00:49:11.406
You want to go home, You want this?
00:49:11.406 --> 00:49:12.574
You want that?
00:49:15.702 --> 00:49:20.374
I just remember, you know, we had a place
I don't know, one of the cousins
00:49:20.582 --> 00:49:23.418
or one of the boys
that we knew, they had a apartment.
00:49:23.418 --> 00:49:26.421
I don't know how they got it
or whose place it was.
00:49:26.505 --> 00:49:29.549
– And we all kind of slept there.
– What about your old house?
00:49:29.549 --> 00:49:31.510
What happened to your old house?
00:49:31.510 --> 00:49:33.679
The baker lived there.
00:49:33.762 --> 00:49:35.347
Never even thought of going back.
00:49:35.347 --> 00:49:38.308
I don't remember ever thinking
about going back there.
00:49:44.982 --> 00:49:46.274
Yeah,
00:49:46.274 --> 00:49:48.819
that's the house.
00:49:48.819 --> 00:49:52.155
Yep, that's the house. Mike!
00:49:52.239 --> 00:49:55.492
It's right over there.
00:49:58.912 --> 00:50:01.748
[Counting in Hungarian]
00:50:01.748 --> 00:50:02.749
Oh, my gosh.
00:50:02.749 --> 00:50:05.961
I counted the windows.
00:50:06.044 --> 00:50:08.005
It has 9 windows.
00:50:17.097 --> 00:50:20.934
The house where my grandma grew up
had been a bakery
00:50:20.976 --> 00:50:24.271
with a small apartment attached.
00:50:27.232 --> 00:50:30.902
We didn't know if anyone would
be home who could talk to us.
00:50:33.739 --> 00:50:37.576
I half expected to find it like
the room in the museum
00:50:37.784 --> 00:50:40.203
with the dinner table still set.
00:50:44.750 --> 00:50:46.960
But now, of course,
00:50:46.960 --> 00:50:50.255
it was someone else's home.
00:50:51.048 --> 00:50:59.014
[Dog barking.]
00:51:11.318 --> 00:51:13.403
It was strange
00:51:13.403 --> 00:51:17.074
being in a place that lived in my mind
for so long.
00:51:18.909 --> 00:51:20.702
This was where my grandma
00:51:20.702 --> 00:51:27.084
slept in a bread basket
as a baby while her father worked,
00:51:27.125 --> 00:51:28.752
where the Jewish community
00:51:28.752 --> 00:51:34.549
brought their Shabbat meals
to stay warm overnight in the big oven.
00:51:38.220 --> 00:51:43.475
[Dog barking. Apartment occupant calling her back in.]
00:51:44.309 --> 00:51:48.021
After András told them a little
about my family history,
00:51:48.105 --> 00:51:50.023
the people here were kind
enough to talk to us.
00:51:53.276 --> 00:51:54.528
You have the picture of them?
00:51:54.528 --> 00:51:55.946
Oh, yeah.
00:51:57.364 --> 00:52:02.285
I’d brought a photo of my grandma's sister
with the man
00:52:02.285 --> 00:52:06.832
my great-grandfather had entrusted
the bakery to
00:52:06.915 --> 00:52:10.460
when Sárvár’s Jews were taken away.
00:52:11.878 --> 00:52:16.007
I didn't know if anyone here
would have remembered him,
00:52:16.091 --> 00:52:19.094
but it turned out
the same family had lived here ever since.
00:53:58.777 --> 00:54:02.656
Part of me wanted to see the
inside of the house
00:54:02.739 --> 00:54:07.369
to go inside where the bakery was.
00:54:07.452 --> 00:54:09.204
But when I wasn't invited,
00:54:09.204 --> 00:54:10.622
I didn't press it.
00:54:15.710 --> 00:54:20.924
It felt momentous
being there in that courtyard.
00:54:21.007 --> 00:54:22.592
But there was something bothering me
00:54:22.592 --> 00:54:25.262
I couldn't articulate at the time.
00:54:28.306 --> 00:54:30.934
That apartment was sacred to me
00:54:30.934 --> 00:54:34.521
in some distant way,
00:54:34.604 --> 00:54:37.565
but it was full of other people's
private lives now,
00:54:37.732 --> 00:54:40.151
and it didn't feel right
to point a camera at it.
00:54:43.321 --> 00:54:44.864
What made it special to our family
00:54:44.864 --> 00:54:47.075
have been gone for years.
00:54:51.871 --> 00:54:56.334
I wondered if they ever thought
about the story of that house,
00:54:56.376 --> 00:54:59.045
the family that grew up there
00:54:59.129 --> 00:55:01.339
and who were taken away.
00:55:11.599 --> 00:55:13.727
But on the other hand,
00:55:13.727 --> 00:55:16.521
who was I to insist that they remember?
00:55:18.690 --> 00:55:22.485
I also lived on land back in the U.S.
00:55:22.569 --> 00:55:25.238
that was forcibly evacuated generations
00:55:25.238 --> 00:55:27.365
before my time.
00:55:29.784 --> 00:55:32.037
How often do I think
00:55:32.037 --> 00:55:35.332
about the families, friends,
00:55:35.415 --> 00:55:37.292
communities
00:55:37.292 --> 00:55:39.419
that are no longer there?
00:55:43.673 --> 00:55:45.091
At home
00:55:45.091 --> 00:55:47.552
there are no pictures of them,
00:55:47.552 --> 00:55:49.304
no memorials.
00:55:53.767 --> 00:55:56.269
It was all very unsettling.
00:56:17.165 --> 00:56:22.420
But we were on our way to the one place
in Sárvár that remembered.
00:56:31.596 --> 00:56:34.099
For a little while
00:56:34.099 --> 00:56:36.601
the past met up with us.
00:56:55.203 --> 00:56:59.290
Well, here we are
at the Sárvár castle
00:57:00.542 --> 00:57:02.752
on our day when the
00:57:02.752 --> 00:57:04.963
monument will be dedicated.
00:57:04.963 --> 00:57:07.465
It’s a beautiful, sunny day.
00:57:07.549 --> 00:57:10.093
Here's a pathway leading down
00:57:10.093 --> 00:57:13.721
to the park on the castle grounds.
00:57:13.805 --> 00:57:17.767
It’s really very beautiful.
00:57:21.146 --> 00:57:24.774
We used to go around the park and
00:57:24.858 --> 00:57:27.193
around the castle,
00:57:27.193 --> 00:57:29.654
and that park
was open to the public.
00:57:29.654 --> 00:57:31.573
And that's what
we used to do on Saturdays.
00:57:31.573 --> 00:57:35.243
We walked around after lunch,
after the temple...
00:57:46.296 --> 00:57:48.465
And here we are approaching a memorial.
00:57:48.465 --> 00:57:51.968
Some people are already starting
to gather.
00:57:52.051 --> 00:57:56.473
They are testing
the sound system now.
00:57:56.556 --> 00:58:00.727
This is a big deal for Sárvár.
00:58:00.810 --> 00:58:03.688
A very important occasion.
00:59:17.845 --> 00:59:21.349
To me, it's like a casket.
00:59:22.725 --> 00:59:24.310
And the other piece, to me,
00:59:24.310 --> 00:59:28.606
it looks like a headstone.
00:59:28.690 --> 00:59:32.902
And that's the way I feel about it.
00:59:32.902 --> 00:59:35.113
It's kind of a
00:59:35.113 --> 00:59:38.116
something I feel I owed
to the people that died.
00:59:38.324 --> 00:59:42.245
I owed it to the people that are alive
and they should see it.
00:59:46.541 --> 00:59:48.668
We weren't at anybody's funeral, you know.
00:59:48.668 --> 00:59:53.715
We couldn't
put them away and pray for them.
00:59:53.798 --> 00:59:56.259
I thought, this is– this is my funeral.
00:59:56.259 --> 00:59:58.636
This is the funeral for everybody.
01:00:55.902 --> 01:00:58.071
It was like a dream.
01:01:00.615 --> 01:01:02.367
I was there
01:01:02.367 --> 01:01:04.744
up close
01:01:04.744 --> 01:01:06.704
inside these images that I'd watched
01:01:06.704 --> 01:01:08.373
100 times.
01:01:18.257 --> 01:01:22.095
It was like being at a family cemetery
01:01:22.178 --> 01:01:25.431
as if our ancestors were buried here
01:01:25.515 --> 01:01:28.976
or their spirits were lingering here.
01:01:37.068 --> 01:01:40.988
It was like being in synagogue as a kid,
01:01:41.072 --> 01:01:45.243
listening to a song in a language
I couldn't understand.
01:02:00.425 --> 01:02:03.594
I stayed around the monument
until into the evening.
01:02:07.181 --> 01:02:09.851
I could tell that part of me
was waiting for something
01:02:09.851 --> 01:02:12.228
miraculous to happen here,
01:02:15.773 --> 01:02:19.861
but it just couldn't do so many things
that somewhere in my heart,
01:02:19.944 --> 01:02:25.992
I had secretly, naively wanted it to do.
01:02:27.994 --> 01:02:30.997
It couldn't bring people back.
01:02:30.997 --> 01:02:33.541
It couldn't change the past.
01:02:34.625 --> 01:02:38.171
It couldn't tell me what my grandma was thinking.
01:02:43.342 --> 01:02:45.845
I expected that coming here,
01:02:45.845 --> 01:02:48.765
I'd feel a sense of completion
01:02:48.765 --> 01:02:51.976
of closure.
01:02:52.059 --> 01:02:55.062
But after traveling all this way,
01:02:55.104 --> 01:02:57.774
that feeling seemed to elude me.
01:03:05.406 --> 01:03:10.453
Did she feel that, too?
01:03:10.536 --> 01:03:13.122
After the monument was done,
01:03:13.122 --> 01:03:16.042
she must have still felt what was missing.
01:03:19.462 --> 01:03:23.049
As much as I wanted
to see all these places,
01:03:23.132 --> 01:03:26.761
what I really wanted to see
01:03:26.844 --> 01:03:31.557
was my great-grandfather in the bakery.
01:03:31.641 --> 01:03:36.229
The girls playing in the courtyard,
01:03:36.312 --> 01:03:39.232
my grandma looking through family photos,
01:03:39.232 --> 01:03:43.319
telling me stories,
01:03:43.402 --> 01:03:45.071
things that were really,
01:03:45.071 --> 01:03:46.781
truly gone.
01:04:10.930 --> 01:04:13.182
When I was in high school,
01:04:13.182 --> 01:04:16.185
my grandma got me my first camera.
01:04:18.229 --> 01:04:19.689
Since then,
01:04:19.689 --> 01:04:24.527
I filmed thousands of hours of footage,
01:04:24.610 --> 01:04:29.365
some combination of a film
diary and a home movie archive
01:04:29.448 --> 01:04:31.784
with no end product in mind.
01:04:50.636 --> 01:04:52.513
With that camera,
01:04:52.597 --> 01:04:57.435
she gave me a way of processing my life,
01:04:57.476 --> 01:04:58.978
a way to create something
01:04:58.978 --> 01:05:03.107
from my feelings and my experiences.
01:05:07.778 --> 01:05:10.364
When I feel anxious about the world,
01:05:10.448 --> 01:05:13.034
I can make something out of it.
01:05:23.169 --> 01:05:28.674
This film was created out of that process.
01:05:28.758 --> 01:05:33.471
It was something I saw her do.
01:05:33.554 --> 01:05:37.850
She took her feelings and memories
01:05:37.934 --> 01:05:39.852
and made a monument.
01:05:44.774 --> 01:05:46.609
Well, here we are
01:05:46.609 --> 01:05:50.905
at Grandma and Grandpa Craig’s house.
01:05:50.947 --> 01:05:54.992
Grandma’s been very busy gardening.
01:05:58.871 --> 01:06:02.208
I remember a summer morning
01:06:02.291 --> 01:06:06.379
when the Shoah Foundation came to her
house to film an interview with her.
01:06:13.177 --> 01:06:15.054
[”Speed.”]
01:06:15.137 --> 01:06:17.056
it was my first time seeing a real camera
01:06:17.056 --> 01:06:20.810
setup with microphones and lights.
01:06:20.893 --> 01:06:23.896
Today is August 20th, 1998.
01:06:24.063 --> 01:06:27.775
I'm conducting an interview
with Alice Craig.
01:06:27.817 --> 01:06:31.153
Her name at birth was Alice Lichtenstein.
01:06:31.237 --> 01:06:33.781
The language is English.
01:06:38.119 --> 01:06:41.205
It wasn't lost on me
that the camera was allowing her to say
01:06:41.205 --> 01:06:45.001
something that she didn't feel comfortable
talking openly with us about.
01:06:45.084 --> 01:06:47.461
And, you know,
people wanted to know why I did it.
01:06:47.461 --> 01:06:50.381
And I did it because
01:06:50.381 --> 01:06:53.384
I wanted people to know in Sárvár
01:06:53.592 --> 01:06:55.761
and in the whole area
01:06:57.638 --> 01:06:59.140
that we were there once.
01:06:59.140 --> 01:07:02.518
Children in school,
they don't even know we ever lived there.
01:07:02.601 --> 01:07:04.311
It's so hard for me to understand.
01:07:04.311 --> 01:07:06.397
There was a whole
01:07:06.397 --> 01:07:10.401
society,
you know, families that nobody knows
01:07:10.401 --> 01:07:12.028
we were there.
01:07:16.323 --> 01:07:20.536
My grandma had said her
monument was a funeral,
01:07:20.619 --> 01:07:23.372
a headstone,
01:07:23.372 --> 01:07:25.249
but when I was there,
01:07:25.249 --> 01:07:28.002
her family
and her friends and neighbors were alive
01:07:28.002 --> 01:07:29.545
in my mind.
01:07:59.366 --> 01:08:01.118
Talk to the birds.
01:08:01.118 --> 01:08:03.579
Can you talk to them?
01:08:10.127 --> 01:08:15.966
Maybe it's the most we can hope for
when we put our stories into a vessel
01:08:16.050 --> 01:08:18.636
that it brings something to life
01:08:18.636 --> 01:08:25.309
in the imagination of whoever receives it.
01:08:30.189 --> 01:08:32.316
It's like an act of faith.
01:09:14.692 --> 01:09:19.905
On our last morning in Sárvár,
András and Sándor had organized a service
01:09:19.989 --> 01:09:23.409
for the monument's 25th anniversary.
01:09:23.492 --> 01:09:28.998
And a few of the remaining Jews from
Szombathely gathered with us.
01:09:33.586 --> 01:09:37.464
It was a lot smaller than the first ceremony,
01:09:37.548 --> 01:09:40.384
but we were here now
01:09:40.384 --> 01:09:43.095
trying to hear something
before it gets lost
01:09:43.095 --> 01:09:48.058
and remember it for the next person.