A provocative series of portraits of individuals with a range of brain…
Changing Identities: A Story of Traumatic Injury and Art
- Description
- Reviews
- Citation
- Cataloging
- Transcript
Each year, approximately 1.5 million people have their lives suddenly and irrevocably changed by traumatic brain and spinal cord injuries or stroke. Pat Gardner, a New York Banker, was driving to work when she was hit by another car. The accident left her apparently uninjured. The police who responded to the accident put her on a commuter train to the city, but Pat didn't know who she was or where she was going, and wandered around Penn Station for hours before finally asking for help. While current therapies can leave many people like Pat unable to function, or institutionalized indefinitely, this documentary explores a powerful alternative.
In 1999, retired artist Bill Richards founded The Art Studio at the Northeast Center for Special Care, in upstate New York. It was modeled on a similar program he had created for injured young adults in Harlem. Because Richards believes every person has the ability to become an artist, he doesn't consider the participants as 'patients' or 'students,' nor does he suggest themes, give assignments, teach technique, or offer criticism. The unconventional studio is open all day, allowing patients to come and go as they please. The goal is not art as therapy, but the creation of art for its own sake, and as a means for the artists to rediscover who they are or forge new identities. In addition to Pat, they include: Erich Miethner, a musician who became a quadriplegic after a freak accident; he works with the paint brush held in his mouth; Tusay, a carpenter and poet before his debilitating stroke; and Jurgen Blank, who was stricken by brain tumors as a result of agent-orange exposure.
Today Pat has become an accomplished painter, and takes particular pride in the fact that it is not something she had ever done or even thought of doing before. Changing Identities documents the metamorphosis of a number of Art Studio 'neighbors' like Pat, as they redefine who they are through this unique studio art program, and begin to see themselves not as people with disabilities but as artists.
Citation
Main credits
Streep, Meryl (narrator)
Labbato, Daniel (film producer)
Labbato, Daniel (film director)
Other credits
Producer, director, Daniel Labbato.
Distributor subjects
Access, Rights and Realities; Captioned Films; Disabilities; Disabilities and the Arts; Fanlight Collection; Mental Illness, Brain Disorders; Neuroscience and NeurologyKeywords
WEBVTT
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[music]
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What happens to people whose lives
are unexpectedly transformed
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by traumatic injury to the
brain or spinal cord?
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How do they cope with this
confusing life altering change?
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What instincts for survival
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and for self expression can lead
them to a productive new life?
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Art has given me a new lease on
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life.
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This is the story of new
neighbors, struggling to
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recover in a new environment, and of
a remarkable program that provides a
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bridge to a new sense of themselves.
That bridge is art.
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[music]
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It\'s like a dream. I was
heading out to Amagansett.
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I was taking my vacation.
It was July 14th, and I was
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going out to the Hamptons, because my brother has a
home there. And I worked that day. It was a Saturday
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. And you know, the traffic, that\'s the
one thing on the Hamptons. The traffic is
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horrible, so if you get a, you\'re gonna go to the bathroom, you might
as well get off the Southern State, cause once you\'re on that one road,
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you\'re never gonna get off for anything.
So, I got off Malverne exit on the
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Southern State to go to the bathroom.
I went to the, um, gas station,
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and that\'s probably my biggest mistake.
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My car was hit by another car.
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Um, I don\'t remember exactly
the specifics of the accident.
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I knew I was unconscious in the car.
They towed my car. They gave me a yellow
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paper. The police put me on a train to
Penn Station, but I didn\'t even understand
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at that point what a train was. I didn\'t
understand why I was on it. I didn\'t understand
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pretty much anything.
Then I wandered around
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Penn Station a long time. Like,
I just sat on a pole and
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just watched people go by
for a long time. And then
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I went to, I saw, I think I went
to the police, cause I asked
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for help. That I didn\'t
know what to do. You
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just never expect anything. One day
you\'re just thinking, “Wow. You really
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, you\'re okay.” Then now you\'re a before
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and an after. There\'s a before and
an after. That\'s all there is.
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[music]
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[sil.]
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Imagine waking up in a hospital and realizing
that you can\'t move. Maybe you can\'t speak
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or even remember your own name.
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It doesn\'t matter how
it happens, an accident
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, a stroke, a violent crime. Whatever
the cause, the effect is always
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devastating. Each year, one
and a half million Americans
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fall victim to traumatic brain
and spinal cord injury. 50,000
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of them will die. For those
who survive, choosing
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life or death can become a daily struggle.
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[music]
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Their journey to wellness is often a
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grueling and demoralizing experience.
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[music]
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It wasn\'t that
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long ago that people afflicted with brain and spinal
cord injuries were shut away for the rest of their
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days in nursing homes
meant for the very old.
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[music]
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At Northeast Center for Special Care, a
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rehabilitation center in upstate New
York, the mission is to take on patients
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who others do not want.
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While many believe that these people would
live out their lives in an institutionalized
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setting, the center works to help
them get on with their lives.
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[music]
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Nice drawing, George.
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[sil.]
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The eraser? The big eraser.
Okay, you\'ve got it.
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[music]
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In March, 1999, the Northeast
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Center opened an art studio in Lake Katrine,
New York, a program created by artist
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Bill Richards. Richards, a
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celebrated artist in his own right, with work at
the Whitney and in the Guggenheim collections,
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had achieved dramatic results before with
a similar program he started in New York
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City. In 1988 I created the
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Harlem Horizon Art Studio in Harlem Hospital
in New York City. This program was for
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young adults, people that had
been, uh, severely injured.
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It had a profound effect on the
individuals, and they were making great
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works of art, which was
a dynamite combination.
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The Northeast Center now had
a controversial new arts
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program headed up by Richards. His
approach was completely unique.
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[music]
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We did not want, uh, traditional art
therapy. What we wanted was an artist.
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Uh, we wanted an artist who was
also a teacher. The combination
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of the two is Bill Richards.
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Okay, good. Can I push you back in?
He\'s the ideal
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person, and his immediate reaction
to the people at Northeast Center
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was very positive. He engaged with them
immediately, and they were able to bond with him
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very quickly. The difference was
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that he would not be challenging
people to be engaged in art
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therapy as an activity or as, uh, busy work
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to occupy them on some level, or
even from an occupational therapy
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point of view, just in terms of being
able to, uh, re-acquire certain skills,
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uh, fine motor skills for example. We
wanted to go beyond that. We wanted the
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individual to not only gain the skills,
but also to put those skills into action
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and to create. And to create
something that was wonderful.
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[music]
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These are folks who were destined
to live out the rest of their
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lives in nursing homes unless we can
find some way of rehabilitating them.
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We take folks who have by
and large been through the
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acute rehabilitation process. And we\'ll
work with them, virtually indefinitely,
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to attempt to produce meaningful change.
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Our mission, uh, is to provide
extended rehabilitation, to really
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provide an opportunity that goes well
beyond most people\'s benefits, uh, out of
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an understanding that people can improve. People can and
do improve for many, many years after an injury. And if we
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give them some help, we believe we can
help a significant number of people.
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The art making process is
one of the really great
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ways of, uh, representing different
choices to someone who has lost,
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uh, a great deal of their freedom.
When you start a painting,
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uh, you choose, uh, the material.
You choose the subject matter. So,
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you\'re constantly doing all these things
that have to do with decision making.
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And this makes the individual
feel, and rightly so, that, that
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they are running the, the show. That
they\'re in a position to be in control
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of something. And this is a way of
regaining it. And, in the process
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of regaining some control, they\'re also
regaining some new sense of who they are.
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[sil.]
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When I went home after my accident,
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I don\'t remember how I made it home, but I made it.
But all I did was sleep. I slept for two days,
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from what I heard. And they figured out that something was
really wrong. They ended up taking me to the hospital.
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They, they took me the next,
the next day or the day after.
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My daughter said, “My mom died in
the accident.” And she got me.
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She got me, meaning, cause
after the accident,
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you look the same, which is in
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a way, all right, I guess you\'re supposed to be
grateful. So people expect you to be the same,
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but, um, you\'re literally
almost another person
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now. You\'re, you just are. And you,
you try to live up to expectations
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of what people want or they need even.
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And you can\'t. You\' can\'t
be that person anymore.
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[sil.]
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What a brain injury does is rob you of your
future and your past and begins to take
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you to more and more and more until
you\'re only awareness, your only concern,
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your only interests, your only
needs, uh, exist in that moment.
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What a process oriented approach, and what the
art program does specifically, uh, is take
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the person out of the moment.
And they do it in a way
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that\'s fun and effortless. And I may
be engaged in something like that in
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art making for hours. Can you imagine
somebody being able to tolerate hours
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of physical therapy or hours of occupational
therapy or speech or cognitive therapy?
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It can\'t happen. It challenges the person.
It keeps pushing them beyond that
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moment. It\'s working on that most
important existential process of, of
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being able to, to, to be a
me, who transcends a moment.
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[sil.] I think it\'s coming, man.
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You\'re doing it Dave.
Keep going with it. Good.
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[sil.]
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What do you think of it? I
think it\'s good. I think
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so too. Some of the works are made by
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painting with, uh, a brush extended from a
helmet. Others are painting by holding the brush
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in their teeth. Some have
a lost control of their
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hands, and, and, uh, brushes have
to be attached to the wrist.
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[music]
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What I was interested in
doing was creating a context
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where people could seriously make art.
Art that
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represents a high achievement.
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[music]
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When you just look at the
art, you\'re not aware
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there was that kind of, uh,
obstacle or difficulty.
00:14:05.000 --> 00:14:09.999
Often the physical difficulty
of, of getting the paint
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on the surface is something
that one would never imagine.
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[music]
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Okay. Look around, and you\'ll see.
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Lot of possibilities there. The
Center feels its Art Studio
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program is successful because it doesn\'t
employ the traditional techniques
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used in art therapy. Richards doesn\'t
take a student teacher approach
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when working with the disabled. Okay,
Scott. Looking good. He provides
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only the environment,
materials and encouragement.
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Then he waits for the artist to emerge.
Hold that up.
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What color are you starting with?
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[music]
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High, Annie. How are you? Good. Come on
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in. We\'re gonna do some
drawing to start out with,
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all right? See if we can,
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see an image in there.
Anything that comes to mind.
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I could, I could see myself peaking
out from underneath something.
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There is a distinctive
difference between art therapy
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and, uh, the work that
Bill Richards is doing.
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Art therapy has a way of
interpreting and decoding
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artwork that\'s made by people who have
mental and physical disabilities,
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more often psychological disabilities.
So, it\'s built on psychotherapy,
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on talk therapy. Art
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therapy uses art as a tool to
understand the, the psychological
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block or, um, neurosis or
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whatever the problem is
that, that the client
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has. That is the treatment. By
making this kind of artwork, the art
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therapist is a guide and is guiding
that, um, that client through
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the process. How many
children were there? Four.
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How does that ring? Does that ring true?
Mmm-hmm. Independent.
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Yes. Kind of hard to have independence.
Bill doesn\'t have an agenda.
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He doesn\'t have these preconceived ideas, and he certainly
doesn\'t interpret the work, so I think that is the
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major difference. It\'s, it\'s a more,
it\'s using the arts for its inherent
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healing properties. So you might
say they actually heal, heal
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themselves, because art itself is healing, and
you don\'t need the overlay of, of psychology
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to make it work.
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The studio is a, a open studio, and anyone
00:17:25.000 --> 00:17:29.999
who lives here who wants to come
can come anytime they wish.
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It immediately became very popular because
there were no constraints put on the
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individuals. They could do anything they wanted
and find that it was going to be supported and
00:17:40.000 --> 00:17:44.999
encouraged.
00:17:45.000 --> 00:17:49.999
[music]
00:17:50.000 --> 00:17:54.999
The idea was to call it Art Studio
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in order to make a distinction
between what we do and art
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therapy. We recognized the therapeutic
value of all art, but our intention
00:18:05.000 --> 00:18:09.999
is to make something which is different
from the intention of art therapy.
00:18:10.000 --> 00:18:14.999
The Center\'s philosophy encourages
00:18:15.000 --> 00:18:19.999
the participants to look past
their disabilities. They begin
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by losing the label, patient, and
replacing it with the friendlier
00:18:25.000 --> 00:18:29.999
“neighbor”. But getting the neighbors to
embrace a new identity takes ingenuity
00:18:30.000 --> 00:18:34.999
and time.
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[music]
00:18:50.000 --> 00:18:54.999
And, what do you feel like using, Michael?
Pencil? We have markers.
00:18:55.000 --> 00:18:59.999
Bill\'s whole idea when I first started
working here was that anyone, everyone,
00:19:00.000 --> 00:19:04.999
had some type of artistic ability, and
then, that eventually if they kept at it,
00:19:05.000 --> 00:19:09.999
it would, something amazing
would come out. Our art
00:19:10.000 --> 00:19:14.999
in school, and, and, you know, elementary,
high school level and college,
00:19:15.000 --> 00:19:19.999
is, is much more directed. You\'re told what
to do. You\'re given the concept in most
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cases, and you\'re to produce a product.
And with what we do with the,
00:19:25.000 --> 00:19:29.999
with the neighbors here is, we want them to come
up with the concept. We\'re not telling them
00:19:30.000 --> 00:19:34.999
what they should be painting. We
want them to come up with it.
00:19:35.000 --> 00:19:39.999
[music]
00:19:40.000 --> 00:19:44.999
Are you going to finish the drawing?
The one you just drew?
00:19:45.000 --> 00:19:49.999
No, I can\'t. Now, you know, many times in
the past, when you haven\'t been in the
00:19:50.000 --> 00:19:54.999
mood, and you\'ve got started, you felt
so much better. I want to see you
00:19:55.000 --> 00:19:59.999
do an inspired painting.
00:20:00.000 --> 00:20:04.999
We\'re always met with resistance.
00:20:05.000 --> 00:20:09.999
Resistance is the biggest obstacle
that we have to overcome.
00:20:10.000 --> 00:20:14.999
These people have so little belief in
themselves and their own capabilities,
00:20:15.000 --> 00:20:19.999
that, uh, they have no interest,
for the most part, in
00:20:20.000 --> 00:20:24.999
trying something new. They, they
feel they\'re going to fail at it.
00:20:25.000 --> 00:20:29.999
How do you get someone to believe
00:20:30.000 --> 00:20:34.999
in an identity that\'s
somehow different from the
00:20:35.000 --> 00:20:39.999
disabled identity? There\'s nothing
wrong with the idea of being disabled
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, but the identity is disabling.
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Can you do it, David? No. Yes you can.
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When they look in the mirror,
especially after something as, as
00:20:55.000 --> 00:20:59.999
devastating as traumatic brain injury,
they don\'t see the person they once were.
00:21:00.000 --> 00:21:04.999
They don\'t see necessarily anybody they
want to be. They don\'t see anybody worth
00:21:05.000 --> 00:21:09.999
the effort the pain, the risk of failure.
00:21:10.000 --> 00:21:18.000
[music]
00:21:35.000 --> 00:21:39.999
In trying something new, they,
they feel they\'re going to fail at
00:21:40.000 --> 00:21:44.999
it. So, they don\'t want to, to
have to face another failure
00:21:45.000 --> 00:21:49.999
. So, once we can overcome
the barrier of resistance
00:21:50.000 --> 00:21:54.999
and get them involved and just coming
in and enjoying themselves and
00:21:55.000 --> 00:21:59.999
doing something, at some point, if
they continue that, they will make
00:22:00.000 --> 00:22:04.999
some incredible breakthrough.
00:22:05.000 --> 00:22:09.999
[music]
00:22:10.000 --> 00:22:14.999
The, uh, problem that we\'re
00:22:15.000 --> 00:22:19.999
confronted with is convincing them and the
family that, yes, they will not be the
00:22:20.000 --> 00:22:24.999
same person. Uh, they will never
return to who they were before.
00:22:25.000 --> 00:22:29.999
But this is not hopeless. There is
a possibility of their creating a
00:22:30.000 --> 00:22:34.999
new sense of who they are, of
creating a new identity, and it may,
00:22:35.000 --> 00:22:39.999
it could be something very exciting.
Using that area where
00:22:40.000 --> 00:22:44.999
you normally paint... I\'ve seen people who
would not get out of bed, and then once they
00:22:45.000 --> 00:22:49.999
finally did start getting going in here,
and making that connection, it would just
00:22:50.000 --> 00:22:54.999
light a fire under them. It would just,
you could see the excitement and,
00:22:55.000 --> 00:22:59.999
you know, certain neighbors just coming in and just,
“I\'ve been thinking all night about what to do with this
00:23:00.000 --> 00:23:04.999
painting.” Okay, Tim. You\'re ready
to do the finishing touches.
00:23:05.000 --> 00:23:09.999
[music]
00:23:10.000 --> 00:23:14.999
Working with the art program, that
is the best thing that\'s happened
00:23:15.000 --> 00:23:19.999
to me. I was not gonna get
involved in art, so at first
00:23:20.000 --> 00:23:24.999
I was very reluctant. Pat is
a classic example, uh, of,
00:23:25.000 --> 00:23:29.999
of a neighbor who resisted art and
felt that she had no artistic ability.
00:23:30.000 --> 00:23:34.999
Uh, had no interest in art, until finally
one day she broke down for some reason
00:23:35.000 --> 00:23:39.999
and came in and began to, to do something.
And then from that
00:23:40.000 --> 00:23:44.999
day, she never stopped. It
changed her life. It was
00:23:45.000 --> 00:23:49.999
really, really, very fun, just so relaxing.
I was surprised.
00:23:50.000 --> 00:23:54.999
This is okay. This is, like, I can
00:23:55.000 --> 00:23:59.999
do this. And now, the best is
that nobody can say, this is
00:24:00.000 --> 00:24:04.999
what you used to do. I didn\'t ever do this.
There\'s no “used to”. This is just,
00:24:05.000 --> 00:24:09.999
this is it. This is me. Never drew.
Never painted. Never nothing. This is
00:24:10.000 --> 00:24:14.999
something. It\'s all mine.
It\'s just a new me. The idea
00:24:15.000 --> 00:24:19.999
that you can be disabled
and be an artist may seem
00:24:20.000 --> 00:24:24.999
very reasonable to us. The two go together.
But for many of our neighbors,
00:24:25.000 --> 00:24:29.999
the two are complete opposites.
And when the conflict occurs,
00:24:30.000 --> 00:24:34.999
I must tell you, that in every case,
the persona of the artist wins.
00:24:35.000 --> 00:24:39.999
Stories like that of Pat
00:24:40.000 --> 00:24:44.999
Gardner\'s are not unusual.
Before her car accident, Pat was
00:24:45.000 --> 00:24:49.999
a banker and mother to a teenage daughter.
After sustaining a brain injury,
00:24:50.000 --> 00:24:54.999
she was misdiagnosed by doctors and sent to
Bellevue Psychiatric Center in New York City.
00:24:55.000 --> 00:24:59.999
Eventually, she found herself at the
art studio, at the Northeast Center.
00:25:00.000 --> 00:25:04.999
After the first time I was in the
hospital, and I got to go home, when they
00:25:05.000 --> 00:25:09.999
really didn\'t know how extensive the change
00:25:10.000 --> 00:25:14.999
was, um, I was,
00:25:15.000 --> 00:25:19.999
to me, I thought I was doing pretty good.
But, cause, of course, I was throwing my
00:25:20.000 --> 00:25:24.999
vacuum out the window \'cause I couldn\'t figure out how
to turn it on. I\'m on the top floor, so that, that
00:25:25.000 --> 00:25:29.999
was not so smart. Um, I\'m so frustrated
trying to figure things out,
00:25:30.000 --> 00:25:34.999
and still make believe I knew how
to do whatever I was supposed to be
00:25:35.000 --> 00:25:39.999
doing. Unless you\'re at a
place that understands brain
00:25:40.000 --> 00:25:44.999
injuries, they misinterpret
your brain injury for being
00:25:45.000 --> 00:25:49.999
quote, “nuts”, could be. And then you
get to wonder whether you are too.
00:25:50.000 --> 00:25:54.999
So, I had the terrible experience of
00:25:55.000 --> 00:25:59.999
experiencing Bellevue,
knowing I wasn\'t crazy
00:26:00.000 --> 00:26:04.999
like the people talking to trees,
cause I knew that the trees weren\'t
00:26:05.000 --> 00:26:09.999
answering me. And, um, I
just didn\'t understand
00:26:10.000 --> 00:26:14.999
why I was angry.
00:26:15.000 --> 00:26:19.999
I was fighting with people. I\'d end
up in handcuffs, because I would
00:26:20.000 --> 00:26:24.999
be so frustrated with people. I had
00:26:25.000 --> 00:26:29.999
social skill problems.
This is my sketch book.
00:26:30.000 --> 00:26:34.999
Learning how to do these things,
cause I sketch them first.
00:26:35.000 --> 00:26:39.999
I practice a whole lot.
You have to practice to,
00:26:40.000 --> 00:26:44.999
to get it and get ideas.
It\'s just an expression.
00:26:45.000 --> 00:26:49.999
So, you get to express
what you\'re doing. And I
00:26:50.000 --> 00:26:54.999
think that\'s important – to
express to yourself. This
00:26:55.000 --> 00:26:59.999
way, I know what I\'m feeling. I can tell actually what
I\'m feeling just by looking through my book that day.
00:27:00.000 --> 00:27:04.999
Pat is just one
00:27:05.000 --> 00:27:09.999
of many neighbors living at the Center who
has found her way back through the tangled
00:27:10.000 --> 00:27:14.999
maze of her disability.
00:27:15.000 --> 00:27:19.999
Hi, I\'m Erich Miethner. Thanks
00:27:20.000 --> 00:27:24.999
to Bill Richards and the
art program here, I\'ve
00:27:25.000 --> 00:27:29.999
been able to pursue my creative interests.
Erich Miethner is a
00:27:30.000 --> 00:27:34.999
neighbor who was a, uh,
formerly a musician. Um, he
00:27:35.000 --> 00:27:39.999
resisted art for a long time, and then he
finally, uh, came into the Art Studio.
00:27:40.000 --> 00:27:44.999
He\'s a person who had, um, a
freak accident which left
00:27:45.000 --> 00:27:49.999
him quadriplegic. Uh, he cannot
move his upper or lower bodies.
00:27:50.000 --> 00:27:54.999
He does not have a brain
injury, and he has been
00:27:55.000 --> 00:27:59.999
able to do, uh, a great
number of very powerful
00:28:00.000 --> 00:28:04.999
and provocative paintings. It\'s very
interesting to me that I am able to
00:28:05.000 --> 00:28:09.999
do this, having never
painted before ever. Um,
00:28:10.000 --> 00:28:14.999
I\'m enjoying it. It occupies a
good bit of my time, and, uh, hope
00:28:15.000 --> 00:28:19.999
to continue doing it even after I
leave the facility here. Painting has
00:28:20.000 --> 00:28:24.999
become a way for me to
continue to pursue my creative
00:28:25.000 --> 00:28:29.999
outlet. Uh, being a musician,
this time using a brush
00:28:30.000 --> 00:28:34.999
and, uh, using my mouth to paint. And,
00:28:35.000 --> 00:28:39.999
uh, I\'ve enjoyed it very very much.
00:28:40.000 --> 00:28:44.999
[music]
00:28:45.000 --> 00:28:49.999
Charles “Tusay” Jenulevich,
00:28:50.000 --> 00:28:54.999
um, a pre-eminent artist.
00:28:55.000 --> 00:28:59.999
He had never painted
prior to his paralyzing
00:29:00.000 --> 00:29:04.999
stroke. He was about sixty years
old when the stroke occurred.
00:29:05.000 --> 00:29:09.999
He had aphasia, loss of speech,
as a result of it. Uh,
00:29:10.000 --> 00:29:14.999
he was paralyzed down the right side of his body.
Previously he had been a carpenter and a poet.
00:29:15.000 --> 00:29:19.999
At the Center he became
an artist of astounding
00:29:20.000 --> 00:29:24.999
vitality and originality,
and, and, just, uh, really
00:29:25.000 --> 00:29:29.999
incredible painter.
00:29:30.000 --> 00:29:38.000
[music]
00:29:50.000 --> 00:29:54.999
Jurgen Blank was pronounced
dead on New Year\'s Eve,
00:29:55.000 --> 00:29:59.999
2000, and, uh, was resuscitated.
00:30:00.000 --> 00:30:04.999
And came to the Northeast
Center in early January.
00:30:05.000 --> 00:30:09.999
Uh, he had multiple brain tumors as a
result of Agent Orange that he had
00:30:10.000 --> 00:30:14.999
contracted in, uh, Vietnam. I kind of
found painting as an expression of,
00:30:15.000 --> 00:30:19.999
of what has happened to me. And one
picture is of Vietnam and a, uh,
00:30:20.000 --> 00:30:24.999
fire base. One if an, in 1957, when
00:30:25.000 --> 00:30:29.999
our, our plane caught fire
and we crash landed in
00:30:30.000 --> 00:30:34.999
Iceland. I\'ve
00:30:35.000 --> 00:30:39.999
never had a paint brush in my hand in, uh,
to paint, paint a picture. To paint a house,
00:30:40.000 --> 00:30:44.999
yes, but to paint a picture, no, no way.
I\'m always
00:30:45.000 --> 00:30:49.999
looking for new stuff that I can
incorporate into, into some of the
00:30:50.000 --> 00:30:54.999
pictures. I like to paint because it\'s
something that, uh, that fills up my time.
00:30:55.000 --> 00:30:59.999
I was a little hesitant at first, but, but
00:31:00.000 --> 00:31:04.999
now I kind of like it a lot.
I have 30 or so paintings
00:31:05.000 --> 00:31:09.999
in me right now that I can do. But, I
want to finish this one here first,
00:31:10.000 --> 00:31:14.999
cause this one I think is funny. I, I had
to paint my first painting no matter what.
00:31:15.000 --> 00:31:19.999
It was something deep inside my, urge.
It, it was the day I
00:31:20.000 --> 00:31:24.999
died. This painting has a large
red orange circle in the
00:31:25.000 --> 00:31:29.999
middle, which is what he saw during the
period of time he was considered dead.
00:31:30.000 --> 00:31:34.999
Um, he saw himself at the
bottom on an I.V., himself,
00:31:35.000 --> 00:31:39.999
if he survived as an elderly prophet.
Um, his wife and son
00:31:40.000 --> 00:31:44.999
are down below grieving. The doctor
that saved his life is over here. Uh,
00:31:45.000 --> 00:31:49.999
very intriguing first painting.
00:31:50.000 --> 00:31:58.000
[music] [sil.]
00:32:00.000 --> 00:32:08.000
The Art Studio
00:32:25.000 --> 00:32:29.999
is privately funded by the Northeast
Center\'s President, Tony Solerno.
00:32:30.000 --> 00:32:34.999
Without his support, the
program wouldn\'t exist.
00:32:35.000 --> 00:32:39.999
Art, health care doesn\'t fund art.
It is a system that is
00:32:40.000 --> 00:32:44.999
based on, uh, intervention
and, uh, rehabilitation.
00:32:45.000 --> 00:32:49.999
And it is not a system that
looks at, uh, holistic
00:32:50.000 --> 00:32:54.999
outcomes.
00:32:55.000 --> 00:32:59.999
The health care system, you
lose everything you\'ve
00:33:00.000 --> 00:33:04.999
had, and I don\'t think that you should lose
everything you had so that you can get continued
00:33:05.000 --> 00:33:09.999
health care, because no matter what insurance
you have, you lose, you have to lose
00:33:10.000 --> 00:33:14.999
everything in order for you to get
coverage, which basically if you,
00:33:15.000 --> 00:33:19.999
it sucks because you work your whole
life and, and you end up with nothing.
00:33:20.000 --> 00:33:24.999
Cause you have to have nothing in
order to qualify for something.
00:33:25.000 --> 00:33:29.999
The other one is, oh yeah, they give you
that good psychological, so that you can be
00:33:30.000 --> 00:33:34.999
happy that you had this or you can deal with
it better, but you only get that for half hour
00:33:35.000 --> 00:33:39.999
because that\'s the insurance will cover it.
Here, you have that more
00:33:40.000 --> 00:33:44.999
intensive. You can talk to people, cause
of course you need more than a half hour
00:33:45.000 --> 00:33:49.999
to discuss your whole new life.
00:33:50.000 --> 00:33:54.999
The reimbursement system
00:33:55.000 --> 00:33:59.999
is not intended, is not designed to help people
achieve their highest capacity. It\'s designed to
00:34:00.000 --> 00:34:04.999
contain cost. And so the, the reimbursement
system alone has really hurt
00:34:05.000 --> 00:34:09.999
the chances of people who, uh, have brain injuries from
getting the services that they need. That that whole
00:34:10.000 --> 00:34:14.999
system of rehabilitation has been
built around speed. You\'re playing
00:34:15.000 --> 00:34:19.999
beat the clock. Uh, folks, benefits are running out
within relatively short period of time, roughly a
00:34:20.000 --> 00:34:24.999
hundred days. You have to be able to,
uh, request reimbursement from a
00:34:25.000 --> 00:34:29.999
Medicare, from Medicaid, from any third
party reimbursement sources. I can make,
00:34:30.000 --> 00:34:34.999
uh, progress with John Doe. I can make
not only progress, but I promise to make
00:34:35.000 --> 00:34:39.999
functional gains within a reasonable and
predictable period of time. What reasonable
00:34:40.000 --> 00:34:44.999
means is days and weeks, not months and
years. And what predictable means is
00:34:45.000 --> 00:34:49.999
I have to be able to put a, a date on the map when
the person\'s gonna be able to do this or that skill.
00:34:50.000 --> 00:34:54.999
That\'s, of course, absurd, but that\'s what
reimbursement systems by and large require.
00:34:55.000 --> 00:34:59.999
It\'s morally reprehensible, uh, to limit
someone to a hundred days of rehabilitation
00:35:00.000 --> 00:35:04.999
, to say that people who are in their, especially,
their thirties and forties and fifties, uh,
00:35:05.000 --> 00:35:09.999
that such people are going to be consigned
without really any meaningful opportunity
00:35:10.000 --> 00:35:14.999
to get better. Uh, to relegate them
to nursing home level care forever,
00:35:15.000 --> 00:35:19.999
uh, is to do a great
disservice to these folks.
00:35:20.000 --> 00:35:24.999
What is the impact to the
system of an individual
00:35:25.000 --> 00:35:29.999
who never makes the breakthrough and doesn\'t
go to the less restrictive setting,
00:35:30.000 --> 00:35:34.999
who winds up being a permanent part of the
00:35:35.000 --> 00:35:39.999
health care infrastructure?
00:35:40.000 --> 00:35:44.999
[music]
00:35:45.000 --> 00:35:49.999
Isn\'t it worth it to have
00:35:50.000 --> 00:35:54.999
the ability to have that individual
make the breakthrough, even if
00:35:55.000 --> 00:35:59.999
it\'s only one in ten of the
individuals who are confronted
00:36:00.000 --> 00:36:04.999
with the possibility of art as an option?
Why don\'t we
00:36:05.000 --> 00:36:09.999
decide that we should spend
that money and try it?
00:36:10.000 --> 00:36:18.000
[music]
00:36:35.000 --> 00:36:39.999
This one\'s called “Sun eating tulips”.
00:36:40.000 --> 00:36:44.999
What\'s this one called? It says,
00:36:45.000 --> 00:36:49.999
“Today the world, tomorrow the universe.”
00:36:50.000 --> 00:36:58.000
[music]
00:37:00.000 --> 00:37:04.999
Erich Miethner\'s discharge from the Center
is an indication of how arts programs,
00:37:05.000 --> 00:37:09.999
used in rehabilitative settings, work.
00:37:10.000 --> 00:37:14.999
Well, I\'ve been in my
apartment now for almost a
00:37:15.000 --> 00:37:19.999
year. I moved out of the Northeast
Center and, um, I feel much
00:37:20.000 --> 00:37:24.999
more independent now that I\'m living alone.
I\'m able to take control
00:37:25.000 --> 00:37:29.999
of my own life. In a space of
his own, Erich continues with
00:37:30.000 --> 00:37:34.999
the creative activities that were so vital
to his recovery and rehabilitation.
00:37:35.000 --> 00:37:39.999
Well, the easel I had,
um, hand made for me,
00:37:40.000 --> 00:37:44.999
um, the same easel I used at
the, uh, Northeast Center.
00:37:45.000 --> 00:37:49.999
It\'s very adjustable. I can roll under
it, move it in and out. Works just
00:37:50.000 --> 00:37:54.999
, uh, works fine for my chair.
You know, I\'m
00:37:55.000 --> 00:37:59.999
disabled. I\'m not sick, which many people
00:38:00.000 --> 00:38:04.999
may not understand. In my case, it\'s, uh,
00:38:05.000 --> 00:38:09.999
I\'m very healthy because of that.
That was one of the reasons I was
00:38:10.000 --> 00:38:14.999
able to transition from
the Center to my own
00:38:15.000 --> 00:38:19.999
apartment. In that respect I was very lucky
00:38:20.000 --> 00:38:24.999
because the waiting list for
housing for, for disabled
00:38:25.000 --> 00:38:29.999
folks like myself can be very,
very long, can be over a year,
00:38:30.000 --> 00:38:34.999
two years long. So I got lucky in
that aspect. I\'m, I\'m happy to be
00:38:35.000 --> 00:38:39.999
here. Playing music all my life
00:38:40.000 --> 00:38:44.999
, and not being able to do
that now is, uh, has really
00:38:45.000 --> 00:38:49.999
hurt me. So, art has become the next
00:38:50.000 --> 00:38:54.999
best thing for me. It\'s given me a purpose
00:38:55.000 --> 00:38:59.999
to live.
00:39:00.000 --> 00:39:04.999
Um,
00:39:05.000 --> 00:39:09.999
knowing that I can get up and
00:39:10.000 --> 00:39:14.999
do something meaningful every day.
00:39:15.000 --> 00:39:19.999
[music]
00:39:20.000 --> 00:39:24.999
Paul Malloy has also
moved out of the Center.
00:39:25.000 --> 00:39:29.999
This is, uh, the best place
00:39:30.000 --> 00:39:34.999
I\'ve ever been, and I want to make it work.
00:39:35.000 --> 00:39:39.999
Without the Art Studio, I
don\'t know what, what I would
00:39:40.000 --> 00:39:44.999
have done. Now I\'m, not only do I have a
00:39:45.000 --> 00:39:49.999
new lease on life, but I think
00:39:50.000 --> 00:39:54.999
of myself as an artist. My interest in art
00:39:55.000 --> 00:39:59.999
is abstract art. I see
things that probably other
00:40:00.000 --> 00:40:04.999
people don\'t see. Some people
00:40:05.000 --> 00:40:09.999
just see paint on a canvas.
That\'s not all that\'s there.
00:40:10.000 --> 00:40:14.999
It\'s just a feeling that
it\'s freedom to me.
00:40:15.000 --> 00:40:19.999
Sometimes I have a feeling,
00:40:20.000 --> 00:40:24.999
but most times I do it with my eyes closed
00:40:25.000 --> 00:40:29.999
and my heart open. I just let my heart
00:40:30.000 --> 00:40:34.999
flow, whatever I feel like painting.
00:40:35.000 --> 00:40:39.999
[music]
00:40:40.000 --> 00:40:44.999
For Charles “Tusay”
00:40:45.000 --> 00:40:49.999
Jenulevich, a stroke has
stolen his voice. Today,
00:40:50.000 --> 00:40:54.999
painting has given it back.
Yes, before I did
00:40:55.000 --> 00:40:59.999
poetry, and, uh, I used to work with
00:41:00.000 --> 00:41:04.999
words. I can say
00:41:05.000 --> 00:41:09.999
not too much, really. I\'m sorry but it does
00:41:10.000 --> 00:41:14.999
not bag(ph). And that didn\'t matter.
Uh, I can
00:41:15.000 --> 00:41:19.999
paint. .Uh, Charles became
an obsessive painter.
00:41:20.000 --> 00:41:24.999
Um, it has become his life.
It\'s transformed his life,
00:41:25.000 --> 00:41:29.999
and it gave him, uh, a
new identity and, and,
00:41:30.000 --> 00:41:34.999
uh, it has made his life meaningful. If,
00:41:35.000 --> 00:41:39.999
if get the urge to paint, that\'s all.
That\'s all I
00:41:40.000 --> 00:41:44.999
really want. I never did before, and that\'s
00:41:45.000 --> 00:41:49.999
really good, good for me. I
00:41:50.000 --> 00:41:54.999
can express myself much better
00:41:55.000 --> 00:41:59.999
than words. So, I don\'t need
00:42:00.000 --> 00:42:04.999
to say anything. Painting,
00:42:05.000 --> 00:42:09.999
that\'s my new
00:42:10.000 --> 00:42:14.999
poetry. It\'s pure poetry.
00:42:15.000 --> 00:42:19.999
So, I waited.
00:42:20.000 --> 00:42:24.999
I\'m waiting for, for my
00:42:25.000 --> 00:42:29.999
words to come back. And they\'ll be back.
00:42:30.000 --> 00:42:34.999
Today, Tusay is
00:42:35.000 --> 00:42:39.999
leaving. Um, it\'s going to be a monumental
day in the history of our facility,
00:42:40.000 --> 00:42:44.999
and, um, I\'m very happy for him. I, uh,
00:42:45.000 --> 00:42:49.999
I\'m very proud of him, of
his accomplishments, and,
00:42:50.000 --> 00:42:54.999
like his determination to,
um, to get better, and his
00:42:55.000 --> 00:42:59.999
determination to become an outstanding
artist. And I\'m going to miss him very much.
00:43:00.000 --> 00:43:08.000
[sil.]
00:43:10.000 --> 00:43:14.999
Charles. Are these for you right here?
The canes?
00:43:15.000 --> 00:43:19.999
That should go downstairs(ph).
00:43:20.000 --> 00:43:24.999
I have to run to do all my stuff I\'ve
00:43:25.000 --> 00:43:29.999
been doing all week, but I didn\'t want to
leave without saying goodbye to you. It\'s
00:43:30.000 --> 00:43:34.999
been an absolute honor. All right. Behave.
00:43:35.000 --> 00:43:39.999
Don\'t come back. Good. Very good. I get it.
Except to paint. Except to paint!
00:43:40.000 --> 00:43:48.000
[music]
00:44:10.000 --> 00:44:14.999
Bye. Bye.
00:44:15.000 --> 00:44:23.000
[sil.]
00:44:25.000 --> 00:44:29.999
Okay. Good job.
00:44:30.000 --> 00:44:34.999
[music]
00:44:35.000 --> 00:44:43.000
[sil.]
00:45:30.000 --> 00:45:34.999
Good. Very good.
00:45:35.000 --> 00:45:43.000
[sil.]
00:45:55.000 --> 00:45:59.999
But not everyone gets
00:46:00.000 --> 00:46:04.999
to go home. After many years of suffering
from the affects of Agent Orange,
00:46:05.000 --> 00:46:09.999
Jurgen Blank has died. His final
days were spent at the Studio,
00:46:10.000 --> 00:46:14.999
a happy and productive painter who
found reason to celebrate his life.
00:46:15.000 --> 00:46:19.999
My name is Jean Blank, and I\'m the wife of
00:46:20.000 --> 00:46:24.999
Jurgen Blank, who passed away last year.
This kind
00:46:25.000 --> 00:46:29.999
of art kept his, kept him alive. It gave him
something to live for, and he really, it made
00:46:30.000 --> 00:46:34.999
his life worth living to him. He enjoyed it. It
brought him a lot of pleasure and satisfaction,
00:46:35.000 --> 00:46:39.999
and he was able to get through a lot of traumas that he\'d
had in his life that he was never really able to do much
00:46:40.000 --> 00:46:44.999
talking about. He put them on canvas.
He would, uh,
00:46:45.000 --> 00:46:49.999
come most every day, even though
he was in great pain. He had this
00:46:50.000 --> 00:46:54.999
great sense of expressing the
00:46:55.000 --> 00:46:59.999
great traumatic events of his life,
to transcend the lack of training,
00:47:00.000 --> 00:47:04.999
the lack of know how, and
go directly to the art.
00:47:05.000 --> 00:47:09.999
It was like he bloomed.
00:47:10.000 --> 00:47:14.999
I mean, he, it was like he made
a complete circle again. When I
00:47:15.000 --> 00:47:19.999
first met him he was a fairly happy person, and
he went through a period of time where he was
00:47:20.000 --> 00:47:24.999
just not outgoing, pretty closed
and pretty difficult to get to
00:47:25.000 --> 00:47:29.999
know. And, he got sick, and he went
there and started feeling, you know
00:47:30.000 --> 00:47:34.999
, a little better. He got in the art program.
He just, he opened up. He turned around. He
00:47:35.000 --> 00:47:39.999
became friendly and happy and, you know.
He enjoyed life. He really
00:47:40.000 --> 00:47:44.999
learned how to live finally. And I think it was just
great that he was given the opportunity. It really
00:47:45.000 --> 00:47:49.999
made him happy, and, you know, when
you know someone is as ill as he was,
00:47:50.000 --> 00:47:54.999
and you can see him actually find
satisfaction and happiness and laugh and
00:47:55.000 --> 00:47:59.999
smile, it\'s really wonderful.
And, you can\'t
00:48:00.000 --> 00:48:04.999
replace that. That\'s something that nobody
can do for you. That\'s something that just,
00:48:05.000 --> 00:48:09.999
if the opportunity is there, and you can take
advantage of it, it\'s wonderful. I really,
00:48:10.000 --> 00:48:14.999
really believe in this kind of a program,
because it gives you a way not to be forgotten.
00:48:15.000 --> 00:48:19.999
The artwork remains.
00:48:20.000 --> 00:48:24.999
[sil.]
00:48:25.000 --> 00:48:29.999
All right. Go for it.
00:48:30.000 --> 00:48:34.999
Now Phillip, I need a little
smile from you. Today
00:48:35.000 --> 00:48:39.999
, the artists prepare to show their work
to the world, and the studio is abuzz with
00:48:40.000 --> 00:48:44.999
excitement. We\'re gonna be having the show in, in
Saugerties. We\'re gonna be putting up the show tomorrow
00:48:45.000 --> 00:48:49.999
at a gallery in Saugerties. And
if you wish, we can put this,
00:48:50.000 --> 00:48:54.999
this painting in the exhibition,
and you can also have it for sale
00:48:55.000 --> 00:48:59.999
if you like. Would you like that? Okay.
00:49:00.000 --> 00:49:04.999
And I\'m just wondering if you\'re
00:49:05.000 --> 00:49:09.999
interested in showing it and if
so, do you want to sell it? Sure.
00:49:10.000 --> 00:49:14.999
My mom will be proud of
me when she sees this.
00:49:15.000 --> 00:49:19.999
Right? My mom\'s gonna be proud
when she sees this portrait
00:49:20.000 --> 00:49:24.999
. She might wanna buy it.
00:49:25.000 --> 00:49:29.999
When\'s the show supposed to be?
00:49:30.000 --> 00:49:34.999
Yeah, that\'s the idea. Just, yeah.
00:49:35.000 --> 00:49:43.000
[sil.]
00:49:50.000 --> 00:49:54.999
You, you got me laughing now Dan.
00:49:55.000 --> 00:49:59.999
I\'m happy.
00:50:00.000 --> 00:50:08.000
[sil.]
00:50:15.000 --> 00:50:19.999
thought when Bill gave me this
he was losing, he lost his mind.
00:50:20.000 --> 00:50:24.999
And I had an idea in my mind, but I didn\'t
really know where I would go with it. And,
00:50:25.000 --> 00:50:29.999
I loved the city. But, now I will never
paint another bridge as long as I live.
00:50:30.000 --> 00:50:34.999
I couldn\'t get it. I just kept stepping
back and saying, “ You know, this bridge
00:50:35.000 --> 00:50:39.999
gotta come out.” I love the city.
00:50:40.000 --> 00:50:44.999
I love the view. I love the whole
thing, but I love the, um,
00:50:45.000 --> 00:50:49.999
the Fourth of July. You always see
00:50:50.000 --> 00:50:54.999
from that end up on 59th
Street, is all fireworks.
00:50:55.000 --> 00:50:59.999
And this is one I, my daughter
drew of fishes, and I painted them
00:51:00.000 --> 00:51:04.999
for her. But, you see, I have to
have a dark side. I drew the,
00:51:05.000 --> 00:51:09.999
the boat in with the, um, hook, cause
you can\'t have too many happy fish
00:51:10.000 --> 00:51:14.999
, you know.
00:51:15.000 --> 00:51:23.000
[music]
00:52:10.000 --> 00:52:14.999
By returning the neighbors to a world
of productivity and displaying their
00:52:15.000 --> 00:52:19.999
work in the marketplace, their
status in society is elevated.
00:52:20.000 --> 00:52:24.999
The promise of restoring people to
productive new lives is fulfilled
00:52:25.000 --> 00:52:29.999
with the sale of each painting. Today
they are artists at their own gallery
00:52:30.000 --> 00:52:34.999
show. The change in identity is complete.
Life is full
00:52:35.000 --> 00:52:39.999
of possibilities.
00:52:40.000 --> 00:52:45.000
[music]
Distributor: The Fanlight Collection
Length: 57 minutes
Date: 2006
Genre: Expository
Language: English
Color/BW:
Closed Captioning: Available
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