Being BeBe: The BeBe Zahara Benet Documentary
- Description
- Reviews
- Citation
- Cataloging
- Transcript
BEING BEBE is the story of Marshall Ngwa, a Cameroonian artist whose identity hinges on the complicated success of his drag persona, BeBe Zahara Benet. Grounded by Marshall’s own present-day narration, the film features 15 years of vérité, interviews, and performances. Viewers follow Marshall’s remarkable immigrant journey from the earliest days of his amateur drag performance career in Minneapolis, circa 2006, to becoming the first winner of the now-iconic reality show RuPaul’s Drag Race in 2009. As Marshall fights to maintain the trajectory of his career despite a series of difficult setbacks, the film reveals what it means to celebrate and advance Queer Black Excellence during the 2020s. Alongside Marshall's story, viewers are introduced to LGBTQ+ youth and activists in Cameroon, where Queer identity is criminalized.
The New York Times | Natalia Winkelman
"In the perspicacious documentary Being BeBe, the director Emily Branham seems to have taken a page from Janet Malcolm. Within her profile of Marshall Ngwa, who performs drag as BeBe Zahara Benet, Branham tucks lucid insights about the codes, ethics and art of cinematic biography.”
POV Magazine | Pat Mullen
“Being BeBe illustrates how the mainstream success for queer artists remains a hard won battle and is doubly difficult for artists of colour ... The film is also a telling human rights portrait about the ongoing fight for LGBTQ rights worldwide.”
International Documentary Association | Lauren Wissot
"Emily Branham’s Being BeBe is a revealing walk (uh, sashay) down memory lane with the titular BeBe Zahara Benet."
Movie Marker (UK) | Jasmine Valentine
"Being BeBe is an abundant intersection of cultural issues....the drag documentary that the modern world needs to see."
OutRight Action International | Micheal Ighodaro
“Moving, captivating, inspiring – It’s everything…Millions of people across the globe – especially young black queer people – will be very moved and inspired.”
Hollywood Reporter | David Rooney
"Bottom line: Shantay, you stay."
Minneapolis Star Tribune | Neal Justin and Chris Hewitt
"...the former Gay 90's standout is a natural camera subject, so it's zippy fun to hang in the Benet world."
BFI Flare | Jay Bernard
"Heartfelt and fun...An uproarious, joyous portrait."
Queer Guru | Roger Walker-Dack
“Watching BeBe create his craft as an artist is nothing less than inspiring...a truly refreshingly honest & entertaining up close and personal profile.”
Provincetown Magazine | Steve Desroches
“Lovingly explored....a document of what can happen in America when imagination and diversity are embraced.”
The Spool | B.L. Panther
“Remarkably woven together…puts queer struggle into a global perspective.”
Out Chicago WCPT | Ellen Miller & Scott Duff
“An immigrant success story…entertaining & poignant…the drag version of Rocky!”
MPR Art Hounds | Nick Kouhi
“An intimate, contemplative film that is also a really powerful testament to art and the value of art and how art can express oneself.”
Black Girl Nerds | Stacey Yvonne
“Relatable and triumphant.”
Minneapolis St. Paul Magazine | Dara Moskowitz Grumdahl
“A very Minnesota story full of local stars…This film shows a good, real, and little-seen side of our beloved hometown.”
Alliance of Women Journalists | Valerie Kalfrin
"[Being BeBe is...] a warm profile of an effervescent personality who radiates self-acceptance and encourages others to do the same."
Reel News Daily | Elizabeth Whittemore
"Being BeBe is a heartfelt and honest look at the artist pushing boundaries without pause."
Vague Visages | Joey Keough
“Branham is given unprecedented access into Marshall/Bebe’s world. Despite the challenges of filming during the COVID-19 pandemic, she retains a direct connection to her subject, sensitively teasing everything out even as viewers learn that 'BeBe hates being vulnerable.'”
DrewRosome.com | Drew Rowsome
"The rags to riches to rags saga of an ambitious drag queen is fascinating, fierce and fabulous. And Marshall/Bebe is an engaging and lovable subject who never fails to entertain or have a quip.”
The Washington Blade | John Paul King
“An up-close look at a performer whose emotional journey raises timely concerns at the intersection of LGBTQ, BIPOC, and immigrant lives today.”
RealityYeo.com | Deb Yeo
“It’s easy to get swept up in the glamorous artifice of drag and forget that it’s a hard, and not always lucrative, way to make a living. The documentary “Being BeBe,” which highlights 15 years in the life of drag artist BeBe Zahara Benet, is clear-eyed about this reality.”
Citation
Main credits
Branham, Emily (film director)
Branham, Emily (film producer)
Branham, Emily (editor of moving image work)
Branham, Emily (director of photography)
Smolowitz, Marc (film producer)
Levitt, Jonathan Goodman (film producer)
Other credits
Original score by Hélène Faussart; editor, James Codoyannis; directors of photography, Sinisa Kukic, Jeremy Wilker, Emily Branham.
Distributor subjects
Performing Arts; Media Studies; African Diaspora; LGBTQ+ & Gender Studies; Immigration & Migration Studies; Music Business; Family Acceptance; IntersectionalityKeywords
00:00:09.539 --> 00:00:12.500
[street noise]
00:00:14.890 --> 00:00:17.382
...I think she's giving us
drag superstar realness.
00:00:17.382 --> 00:00:19.166
I think she's an "It Girl."
00:00:19.208 --> 00:00:22.240
- RUPAUL: When I see BeBe,
I don't see a man in a wig.
00:00:22.300 --> 00:00:25.870
I see a graceful,
beautiful creature.
00:00:25.882 --> 00:00:27.426
- There's not a whole lot
of negative
00:00:27.426 --> 00:00:28.772
I have to say about BeBe...
00:00:28.784 --> 00:00:30.439
- And do we think that
BeBe delivers?
00:00:30.439 --> 00:00:32.010
Has she brought it
to the mainstage?
00:01:04.991 --> 00:01:07.438
[♪ "Banjo"
by BeBe Zahara Benet ♪]
00:01:17.854 --> 00:01:20.543
[♪ "Dirty Drums"
by BeBe Zahara Benet ♪]
00:01:37.334 --> 00:01:38.441
Come on!
00:02:00.000 --> 00:02:01.350
BeBe, you got 15 minutes.
00:02:13.890 --> 00:02:14.918
I was like, ok.
00:02:40.067 --> 00:02:41.153
Well, this is it.
00:02:42.630 --> 00:02:46.230
The grand finale of
RuPaul's Drag Race.
00:02:48.030 --> 00:02:53.693
Tonight, we will crown
America's Next Drag Superstar.
00:02:54.303 --> 00:02:55.998
Look at this cute little crowd.
00:02:56.728 --> 00:02:58.096
Let me hear it!
00:02:59.279 --> 00:03:00.457
[cheering]
00:03:02.340 --> 00:03:03.731
Who loves drag?
00:03:16.000 --> 00:03:18.529
The gorgeous BeBe Zahara Benet!
00:03:18.996 --> 00:03:21.183
Cameroon! [cheering]
00:03:32.284 --> 00:03:33.784
The game is so on.
00:03:33.784 --> 00:03:35.595
It's going to be
a battle right now.
00:03:36.581 --> 00:03:38.960
- This is it girls.
00:03:38.960 --> 00:03:41.276
I've made my decision.
00:03:41.668 --> 00:03:43.800
The winner -
00:03:44.330 --> 00:03:46.580
The Next Drag Superstar...
00:03:48.976 --> 00:03:49.931
is BeBe.
00:03:50.648 --> 00:03:53.072
[big cheers]
00:03:53.533 --> 00:03:55.382
BeBe this is your moment.
00:03:55.382 --> 00:03:58.012
I pass the reins
on to you my dear.
00:03:59.375 --> 00:04:01.894
Congratulations lady,
well deserved.
00:04:01.894 --> 00:04:05.119
Clap for your queen,
clap for your queen!
00:04:10.348 --> 00:04:12.687
- Cameroon!
- Can we get a big Cameroon?
00:04:12.687 --> 00:04:14.703
[cheering] CAMEROON!
00:04:29.980 --> 00:04:32.170
BeBe Zahara Benet is
with us, and you know,
00:04:32.171 --> 00:04:35.317
she won the first RuPaul's
Drag Race, Season One.
00:04:35.317 --> 00:04:36.287
BeBe, welcome to our show.
00:04:36.640 --> 00:04:38.915
- Hello, how are you?
00:04:38.915 --> 00:04:41.800
- Good! I've wanted to
meet you for ages now.
00:04:41.830 --> 00:04:44.140
But I want people to be
reacquainted with your story.
00:04:44.141 --> 00:04:46.570
You were born in Cameroon
and got into drag,
00:04:46.600 --> 00:04:48.120
kind of in an accidental
kind of way - remind us -
00:04:48.540 --> 00:04:49.910
- Um, I don't know
if it's accidental.
00:04:49.910 --> 00:04:51.280
I think I was meant to...
00:04:53.230 --> 00:04:54.655
Well, I was, you know, I,
00:04:54.679 --> 00:04:57.160
I grew up, doing
a little bit of modeling,
00:04:57.190 --> 00:05:01.240
male modeling, and I was
doing like a fashion show,
00:05:01.241 --> 00:05:02.751
with one African designer.
00:05:02.751 --> 00:05:05.470
And, some of the female models
did not show up.
00:05:05.471 --> 00:05:08.170
There was a shortage of them.
And, you know, I said,
00:05:08.171 --> 00:05:09.492
"Put me in a dress," you know,
00:05:09.492 --> 00:05:11.380
put me in the look
and I can do it.
00:05:12.100 --> 00:05:14.770
And it's when
I moved to Minnesota,
00:05:15.070 --> 00:05:17.340
that I really got
the opportunity
00:05:17.340 --> 00:05:19.990
of really exploring
the art form of drag
00:05:19.991 --> 00:05:21.937
and really knowing
what it's all about.
00:05:21.937 --> 00:05:23.041
And, you know, years later,
00:05:23.083 --> 00:05:24.040
here's where I am.
00:05:32.857 --> 00:05:34.242
[laughs]
00:05:34.498 --> 00:05:35.821
-I think we're good to go!
00:05:36.882 --> 00:05:37.938
-Alright, well let's do this...
00:05:37.938 --> 00:05:40.239
well, ok so - I think we can -
00:05:40.600 --> 00:05:42.342
- Can we make sure that
when I take it off my f-
00:05:42.670 --> 00:05:44.306
I'm not like -
00:05:45.138 --> 00:05:47.488
like my T-zones,
how is my T-zone?
00:05:49.540 --> 00:05:51.640
Cuz we really need
this face to look young.
00:05:53.230 --> 00:05:54.745
We're going for
the youthfulness, ok?
00:05:54.745 --> 00:05:55.641
- It looks great.
00:06:00.270 --> 00:06:03.720
- When we, uh, rung in 2020,
I was like, "Oh,
00:06:03.990 --> 00:06:06.669
this is the breakthrough year."
00:06:06.811 --> 00:06:09.570
Like, this is the year that is
gonna do it for me.
00:06:09.630 --> 00:06:11.400
- This is so much more
than a makeover.
00:06:11.670 --> 00:06:13.862
- There was all these
amazing things
00:06:13.862 --> 00:06:15.690
that were happening this year.
00:06:15.691 --> 00:06:17.629
I mean, my calendar
was like so booked.
00:06:17.629 --> 00:06:19.811
And then all of a sudden
it just went
00:06:19.811 --> 00:06:21.752
crickets, crickets,
crickets, crickets,
00:06:21.752 --> 00:06:23.694
crickets, crickets,
crickets, crickets,
00:06:23.970 --> 00:06:25.620
and still more
crickets happening
00:06:25.620 --> 00:06:26.610
like crickets, crickets.
00:06:26.620 --> 00:06:28.950
So right now I am unemployed.
How about that?
00:06:42.770 --> 00:06:44.945
Why don't we, um,
go back in time
00:06:44.945 --> 00:06:47.120
and start looking at
some of the clips
00:06:47.660 --> 00:06:49.477
from the film and
just dive right in?
00:06:50.083 --> 00:06:51.416
Go ahead and hit play.
00:06:51.740 --> 00:06:52.573
- Play.
00:07:12.151 --> 00:07:13.766
Oh my sisters!
00:07:13.919 --> 00:07:16.482
- He just brings
a difference to the world.
00:07:16.482 --> 00:07:19.139
- A spice, he spices things up.
- He spices it.
00:07:19.139 --> 00:07:21.320
So I guess, you know,
00:07:21.321 --> 00:07:23.292
he was just
God's gift to the world.
00:07:23.328 --> 00:07:24.955
- God's gift to us first!
00:07:24.990 --> 00:07:27.263
And then, after us,
then the world.
00:07:27.661 --> 00:07:28.255
- Yeah.
00:07:28.734 --> 00:07:30.480
[muffled exchange & laugh]
00:07:40.295 --> 00:07:41.408
- Mm-hmm.
00:07:41.805 --> 00:07:45.220
The legends have gone
through this space, you know?
00:07:45.485 --> 00:07:48.664
This was like really a
chapter in my life.
00:07:50.450 --> 00:07:53.298
This is my baby sister Dimitra.
00:08:13.578 --> 00:08:14.427
- Ladies and gentlemen,
00:08:14.427 --> 00:08:16.660
please welcome to the stage
for the first time tonight
00:08:16.660 --> 00:08:17.925
doing a production number,
00:08:17.925 --> 00:08:19.867
Miss BeBe Benet.
00:08:19.867 --> 00:08:21.091
Give it up for BeBe!
00:08:26.150 --> 00:08:28.940
That used to be
a parking lot over there.
00:08:29.180 --> 00:08:30.470
And that's where actually -
00:08:30.470 --> 00:08:33.050
the first time I got into
full drag and I performed
00:08:33.051 --> 00:08:35.265
with Cyndi Lauper,
"Girls Just Wanna Have Fun,"
00:08:35.265 --> 00:08:36.926
for like the Pride Block Party.
00:08:37.610 --> 00:08:40.640
And then from there I started
doing amateur nights here.
00:08:54.729 --> 00:08:56.075
- Why?
00:09:30.537 --> 00:09:32.428
...another lovely,
lovely entertainer...
00:09:39.094 --> 00:09:40.375
- Ahhh!
00:09:40.470 --> 00:09:42.473
- She's got an air about her,
it's not a snotty air, but I -
00:09:42.485 --> 00:09:46.020
she just - she has - onstage,
she's just very comfortable.
00:09:46.050 --> 00:09:47.515
And you can see
that she's comfortable.
00:09:47.515 --> 00:09:48.995
And you know,
even when she's offstage,
00:09:48.995 --> 00:09:50.133
she's kind of onstage.
00:09:50.140 --> 00:09:50.672
- Ugh!
00:09:50.937 --> 00:09:53.430
- She's very extravagant.
She's very dramatic, and -
00:09:53.460 --> 00:09:55.032
Stand up.
00:09:55.032 --> 00:09:56.667
She has a lot of culture
behind her
00:09:56.667 --> 00:09:57.690
because she does come from,
00:09:57.720 --> 00:09:59.520
you know, she has African roots.
00:09:59.520 --> 00:10:01.620
So she's got that
sophistication about her,
00:10:01.621 --> 00:10:03.480
that a lot of the performers
don't have.
00:10:04.051 --> 00:10:05.671
[cheering]
00:10:05.880 --> 00:10:07.365
- I always want to be the best.
00:10:07.365 --> 00:10:08.850
Not only for people,
but for myself,
00:10:09.300 --> 00:10:10.290
I want to be the best.
00:10:16.335 --> 00:10:17.463
[cheering]
00:10:23.009 --> 00:10:25.440
I think here in Minneapolis,
it's so restricting.
00:10:25.740 --> 00:10:28.050
I feel like there's really
no room for growth.
00:10:28.080 --> 00:10:30.502
Like the 90's is the furthest
you can go.
00:10:30.502 --> 00:10:32.040
Time waits for no one.
00:10:32.190 --> 00:10:34.075
It just flies by. You know,
00:10:34.075 --> 00:10:36.720
before you know it,
it's already 2007.
00:10:37.260 --> 00:10:38.982
You know? And then
you kind of ask yourself,
00:10:38.982 --> 00:10:41.070
what have I done all this time?
00:10:41.736 --> 00:10:42.794
How old are you?
00:10:43.038 --> 00:10:45.266
How old do you think I am? 24?
00:10:45.663 --> 00:10:46.386
24.
00:10:49.440 --> 00:10:51.397
Oh my God.
00:10:53.820 --> 00:10:55.681
Wow.
00:10:55.681 --> 00:10:57.060
That's years.
00:10:59.340 --> 00:11:01.225
Em, that is years!
00:11:01.225 --> 00:11:02.160
Isn't it so interesting, like,
00:11:02.401 --> 00:11:04.918
how beautiful I looked
back then,
00:11:04.918 --> 00:11:05.910
and then now,
00:11:05.940 --> 00:11:07.236
even like way more beautiful?
00:11:07.236 --> 00:11:08.330
No I'm just kid -
00:11:09.221 --> 00:11:11.235
[big laugh]
00:11:30.445 --> 00:11:30.974
- Yes.
00:11:31.650 --> 00:11:33.060
- When I started drag,
00:11:33.090 --> 00:11:34.450
the first thing that
came to mind is
00:11:34.450 --> 00:11:35.640
how am I going to
make money?
00:11:35.730 --> 00:11:38.520
How am I going to live?
Is this going to be the job?
00:11:39.450 --> 00:11:41.463
When we immigrants
come to this country,
00:11:41.486 --> 00:11:42.540
it's very different from like,
00:11:42.540 --> 00:11:44.852
"Oh, we're just going
to be the stars..."
00:11:44.852 --> 00:11:47.403
It's no, it's like, how are we
going to better ourselves,
00:11:47.455 --> 00:11:49.920
so that we can take care of
everything that
00:11:49.921 --> 00:11:52.380
we need to take care of, which
is ourselves and our family.
00:12:17.440 --> 00:12:20.290
You know, my parents, they are
very motivated individuals.
00:12:44.875 --> 00:12:46.577
This is nice. Very cute.
00:12:48.340 --> 00:12:50.177
- Good evening,
ladies and gentlemen.
00:12:50.177 --> 00:12:52.750
May I bring you
greetings from Cameroon.
00:12:53.090 --> 00:12:56.512
Actually,
coming to the U.S. is
00:12:56.535 --> 00:12:58.810
something like
a homecoming for me,
00:12:59.789 --> 00:13:01.824
because I did all of my
00:13:01.847 --> 00:13:04.821
undergraduate and graduate
studies in the U.S.,
00:13:04.856 --> 00:13:07.150
then I went back home
where I am teaching.
00:13:07.630 --> 00:13:12.520
Somebody met me in Cameroon
and apparently she liked
00:13:12.790 --> 00:13:14.957
what she saw.
00:13:16.258 --> 00:13:17.950
Elizabeth, would you stand.
00:13:18.089 --> 00:13:20.014
[applause]
00:13:23.380 --> 00:13:25.702
My family would tell you,
I did so well in school.
00:13:25.738 --> 00:13:27.640
Always the A's, or the B+,
00:13:28.000 --> 00:13:29.916
like I was always in the top.
00:13:29.916 --> 00:13:32.380
But I just knew
that it was not for me.
00:13:33.804 --> 00:13:35.282
And I think that
there was a part of them
00:13:35.282 --> 00:13:36.517
that saw that coming.
00:13:36.541 --> 00:13:39.951
Like, "This Marshall,
this very Marshall -
00:13:39.986 --> 00:13:41.244
I don't know!"
You know what I mean?
00:13:41.244 --> 00:13:42.668
"This very Marshall -
I don't know..."
00:14:05.734 --> 00:14:08.327
- Definitely.
00:14:09.220 --> 00:14:10.053
- At that point,
00:14:10.120 --> 00:14:12.288
there was a part of me
that wanted to make sure
00:14:12.311 --> 00:14:15.763
that my path
was successful,
00:14:15.927 --> 00:14:19.031
because I didn't
want to hear, "I told you so."
00:14:23.914 --> 00:14:25.990
Nobody tells their son,
"Oh, go do drag."
00:14:29.668 --> 00:14:31.610
There's no drag artists
in Africa
00:14:31.610 --> 00:14:34.867
doing what I am doing
or doing what I want to do.
00:14:35.429 --> 00:14:36.329
Because I mean,
00:14:36.376 --> 00:14:38.470
you get the typical
traditional men who are like,
00:14:38.830 --> 00:14:42.910
"Oh, is he uh, did he
lose his masculinity?"
00:14:45.850 --> 00:14:49.720
Cause I get up and I dress up,
makes me less of a man?
00:14:51.070 --> 00:14:51.903
Who says?
00:15:27.560 --> 00:15:30.592
If you wanted to really
take your career
00:15:30.592 --> 00:15:32.835
to that level of notoriety
00:15:32.879 --> 00:15:35.088
and really make a name
for yourself,
00:15:35.088 --> 00:15:36.665
you go into the pageants.
00:15:36.830 --> 00:15:38.304
People get to know who you are.
00:15:38.316 --> 00:15:40.700
And from there, other
opportunities come through.
00:15:40.760 --> 00:15:42.290
- Down the nose. Yes.
00:15:42.440 --> 00:15:42.940
- Just funky.
00:15:44.702 --> 00:15:45.720
- I'm sorry.
00:15:45.720 --> 00:15:47.163
- It's a contest.
00:15:56.339 --> 00:15:59.484
[dancers jumping
and chanting]
00:16:03.397 --> 00:16:04.855
This is Contestant Number Two,
00:16:04.855 --> 00:16:07.113
representing Minnesota, USofA -
00:16:07.113 --> 00:16:08.965
this is BeBe Benet.
00:16:08.965 --> 00:16:10.528
Make some noise for BeBe Benet!
00:16:10.612 --> 00:16:12.258
[cheering]
00:16:22.967 --> 00:16:28.583
[♪ cheering & driving,
upbeat music ♪]
00:17:10.795 --> 00:17:12.964
[♪ She is fierce! ♪♪]
00:17:14.041 --> 00:17:18.841
[big applause and cheering]
00:17:29.951 --> 00:17:31.000
Good job guys!
00:17:31.000 --> 00:17:33.175
- Top Twelve! Top Twelve!
00:17:57.940 --> 00:18:00.430
So I'm actually building
my portfolio right now,
00:18:01.660 --> 00:18:03.772
trying to show people
how versatile I am,
00:18:03.772 --> 00:18:05.620
and the different looks
I can give,
00:18:05.621 --> 00:18:10.540
and how passable I can
pull off those looks.
00:18:11.190 --> 00:18:13.260
I want to use that
to send it to places
00:18:13.260 --> 00:18:14.710
so that I can start
booking myself,
00:18:15.220 --> 00:18:16.210
you know,
in different places.
00:18:16.660 --> 00:18:19.122
- We can never just
document a dress. No.
00:18:19.146 --> 00:18:21.988
it becomes, well what's the set
and what's the backdrop?
00:18:22.045 --> 00:18:23.020
They always get bigger.
00:18:23.770 --> 00:18:26.800
This entire book
is nothing but BeBe.
00:18:29.890 --> 00:18:32.290
That's wild. That's really wild.
00:18:35.837 --> 00:18:37.385
Do you have more questions?
00:18:37.409 --> 00:18:39.267
- I feel like I probably do...
00:18:39.321 --> 00:18:41.410
There's one I think you might
get mad at me if I ask.
00:18:41.800 --> 00:18:42.525
- What?
00:18:43.120 --> 00:18:44.345
- Are you a gay man?
00:18:46.124 --> 00:18:49.120
- Am I a gay man.
Why do you ask that?
00:18:49.660 --> 00:18:50.540
- Because I've never -
00:18:50.540 --> 00:18:52.885
I've just realized that
I've never asked you that.
00:18:53.200 --> 00:18:56.443
- I don't place myself into
any category right now.
00:18:57.304 --> 00:18:59.322
If that makes sense.
Sexually.
00:19:00.711 --> 00:19:02.385
When I came here,
00:19:02.385 --> 00:19:05.470
people just assumed that if you
dress up as a girl, you're gay.
00:19:05.950 --> 00:19:09.550
And that's,
that's an issue with me.
00:19:09.850 --> 00:19:12.678
- Do you think your parents or
your family would have a problem
00:19:12.678 --> 00:19:14.932
if you were having
a relationship with a man?
00:19:16.060 --> 00:19:16.893
- Yes.
00:19:17.815 --> 00:19:18.654
- Really?
00:19:18.795 --> 00:19:20.477
- Yeah, definitely. Um,
00:19:36.202 --> 00:19:37.309
- That serious?
00:19:56.277 --> 00:19:59.901
[somber music]
00:20:27.000 --> 00:20:28.575
When it comes to sexuality,
00:20:28.575 --> 00:20:30.780
I feel like
the world has evolved.
00:20:32.370 --> 00:20:34.893
But when it comes to Cameroon
00:20:34.893 --> 00:20:36.510
and just a lot of
African countries,
00:20:36.511 --> 00:20:37.833
I don't feel like
that has changed.
00:20:39.540 --> 00:20:42.660
Cameroon is also going through
a lot of political issues.
00:20:42.810 --> 00:20:43.954
So you feel like
00:20:43.954 --> 00:20:46.528
they're going to try to
face sexuality right now
00:20:46.528 --> 00:20:48.077
when they have all these
other things
00:20:48.137 --> 00:20:50.480
that they're trying to
deal with? Absolutely not.
00:20:50.510 --> 00:20:53.840
That's not happening.
So we still have ways to go.
00:21:29.479 --> 00:21:31.249
[sigh]
00:22:11.851 --> 00:22:14.369
[muffled conversation]
00:22:47.470 --> 00:22:49.076
- It's interesting
to see how far
00:22:49.076 --> 00:22:50.471
you were even able
to get people
00:22:50.471 --> 00:22:51.850
to have conversations
about it.
00:22:51.970 --> 00:22:55.180
Because a lot of times there
wouldn't even be a conversation.
00:22:56.080 --> 00:22:57.783
You don't even
talk about it.
00:22:57.783 --> 00:22:59.770
Like before I even
came to America,
00:22:59.771 --> 00:23:02.440
when I was growing up,
I mean, you,
00:23:04.060 --> 00:23:06.120
I didn't even know
what that was.
00:23:06.120 --> 00:23:08.770
I honestly did not
even know what gay was.
00:23:09.130 --> 00:23:09.903
You know?
00:23:09.949 --> 00:23:11.050
And when I was growing up,
00:23:11.051 --> 00:23:14.176
I was not the most masculine guy
that was walking around.
00:23:14.211 --> 00:23:15.282
I knew that.
00:23:15.760 --> 00:23:17.827
You see, I was already
fashionable there.
00:23:17.827 --> 00:23:19.895
Then this is me
in the choir.
00:23:20.740 --> 00:23:22.642
That's me, singing.
00:23:22.642 --> 00:23:25.180
That's me still singing.
00:23:25.840 --> 00:23:28.390
Yes, I got called names.
Yes, I got bullied.
00:23:28.690 --> 00:23:31.708
But I always found a way
to be the star.
00:23:31.708 --> 00:23:33.520
Because I felt as a child,
00:23:33.660 --> 00:23:36.428
that being the star
protects you.
00:23:36.499 --> 00:23:38.200
"Oh, Marshall? Marshall?
00:23:38.350 --> 00:23:39.820
The one who does this?"
00:23:39.820 --> 00:23:41.290
Like everybody
knew about Marshall...
00:23:41.530 --> 00:23:45.160
This can come across
as very like, grand -
00:23:45.370 --> 00:23:49.200
but I always knew how to make
people be subjects to me.
00:23:49.590 --> 00:23:51.690
And I say that
with the most love.
00:23:52.500 --> 00:23:53.487
The girls loved Marshall
00:23:53.487 --> 00:23:55.369
and I made sure that
the girls were my army.
00:23:55.404 --> 00:23:56.874
Don't play with me.
00:23:57.210 --> 00:23:59.128
And then this is me doing
Food & Nutrition.
00:23:59.152 --> 00:24:00.796
I was the only boy.
00:24:02.190 --> 00:24:04.367
I knew that there was
something about me
00:24:04.367 --> 00:24:06.000
that was not like
everybody else.
00:24:06.060 --> 00:24:07.800
And so what would I do?
00:24:07.801 --> 00:24:10.946
Would I be that person that
would walk in the room
00:24:10.946 --> 00:24:12.375
and hide in the corner?
00:24:12.480 --> 00:24:15.570
Or would I be the person that
will get everybody together?
00:24:20.510 --> 00:24:23.769
- I know this guy.
I remember the frame too.
00:24:23.793 --> 00:24:24.455
- Mm-hmm.
00:24:24.466 --> 00:24:26.458
You remember you got this
for my birthday?
00:24:26.510 --> 00:24:29.900
- Sure did. Sure did.
00:24:30.313 --> 00:24:32.783
- The first time I decided that
I was going to develop BeBe
00:24:32.830 --> 00:24:34.914
and actually put BeBe
out on stage,
00:24:34.969 --> 00:24:36.000
the first person,
00:24:36.013 --> 00:24:38.540
the very, very first person
I talked to was Azah Tabah.
00:24:39.770 --> 00:24:40.603
Mami -
00:24:42.844 --> 00:24:44.085
- I was looking good.
00:24:50.660 --> 00:24:52.131
- No Mami,
don't open my oil -
00:24:56.450 --> 00:24:57.283
For real though.
00:25:01.062 --> 00:25:02.304
- This will be dramatic
on you girl -
00:25:57.170 --> 00:25:57.772
Let's do that.
00:26:11.581 --> 00:26:13.667
- Oh good! You needed
a little pick-me-up.
00:26:22.075 --> 00:26:24.742
My week has been a living hell.
00:26:35.060 --> 00:26:37.640
Prior to me being in America
and looking at drag,
00:26:37.880 --> 00:26:40.551
everything I had seen was
people laughing at people.
00:26:40.799 --> 00:26:43.182
You know, they're laughing
at the art form,
00:26:43.182 --> 00:26:45.250
or making a mockery
of the art form.
00:26:45.550 --> 00:26:47.020
And so I was like
very suspicious.
00:26:47.020 --> 00:26:48.910
I was like, should I
even be doing this?
00:26:48.911 --> 00:26:51.040
Because it's like, are you
going to put me on television,
00:26:51.041 --> 00:26:52.438
and are you going to
laugh at me?
00:26:52.438 --> 00:26:54.010
You know what I mean?
What is it gonna be?
00:27:08.557 --> 00:27:09.251
I know...
00:27:15.758 --> 00:27:16.747
Exactly.
00:27:22.451 --> 00:27:23.723
That's it.
00:27:25.508 --> 00:27:30.224
I deserve it and I have
absolutely nothing to lose.
00:27:39.167 --> 00:27:42.529
♪ RuPaul's Drag Race
Gentlemen! Start your engines ♪
00:27:42.529 --> 00:27:47.121
♪ RuPaul's Drag Race
May the best woman win ♪
00:27:47.517 --> 00:27:48.717
BeBe, nice to meet you...
00:27:49.320 --> 00:27:51.313
My name is
Nea Marshall Kudi Ngwa,
00:27:51.348 --> 00:27:53.438
and I'm from West Africa,
precisely Cameroon.
00:27:53.849 --> 00:27:55.378
BeBe, nice to meet you.
00:27:55.973 --> 00:27:57.089
RUPAUL: Cameroon!
00:27:57.300 --> 00:27:58.804
- What Drag Race did
00:27:58.804 --> 00:28:02.190
is bring the art form
to the houses of people,
00:28:02.191 --> 00:28:04.890
like people that would
never go to the clubs.
00:28:04.890 --> 00:28:06.089
People were discovering it,
00:28:06.113 --> 00:28:08.175
where you get to
know about us
00:28:08.175 --> 00:28:10.530
not just as artists,
but as human beings.
00:28:10.830 --> 00:28:13.080
I'm just going crazy.
I'm like, wow.
00:28:13.204 --> 00:28:14.660
But do you know
how difficult it is
00:28:14.660 --> 00:28:15.996
to be six foot two
and you have to
00:28:15.996 --> 00:28:17.440
work with two yards
of fabric?
00:28:17.440 --> 00:28:20.400
- Well, life is not fair, BeBe!
I have two words for you.
00:28:20.400 --> 00:28:21.132
- What?
00:28:21.400 --> 00:28:24.003
- Extravaganza, eleganza!
00:28:26.940 --> 00:28:31.000
♪ Face, face, face. I give face,
beauty, face. You can take, ♪
00:28:31.000 --> 00:28:34.162
♪ it's okay,
watch my body go insane. ♪♪
00:28:35.749 --> 00:28:36.877
You're a fierce bitch, man.
00:28:36.877 --> 00:28:38.250
I'm scared of you.
00:28:40.337 --> 00:28:42.857
[cheering]
00:28:55.748 --> 00:28:57.537
RUPAUL: I've made my decision.
00:28:57.537 --> 00:29:00.619
The next drag superstar...
00:29:03.065 --> 00:29:03.896
...is BeBe.
00:29:03.966 --> 00:29:06.382
[BeBe gasps, crowd cheers]
00:29:07.335 --> 00:29:09.452
BeBe this is your moment.
00:29:09.452 --> 00:29:12.064
I pass the reins
on to you my dear.
00:29:13.410 --> 00:29:15.240
- It was just such
a proud moment for me.
00:29:15.690 --> 00:29:19.950
It's like having an A+ in class.
00:29:19.950 --> 00:29:21.174
And then you can take it
to Mom and Dad
00:29:21.197 --> 00:29:22.631
and say, "Guess what?"
00:29:22.642 --> 00:29:24.262
- Cameroon!
- Can we get a big Cameroon?
00:29:24.262 --> 00:29:27.760
- CAMEROON!
00:29:32.068 --> 00:29:33.930
- Happy Gay Pride everybody!
00:29:55.819 --> 00:29:57.604
- Oh my God!
00:29:58.265 --> 00:30:00.117
- I love BeBe!
00:30:00.117 --> 00:30:02.735
I want a nickname
like "Cameroon"!
00:30:03.800 --> 00:30:05.423
- I cannot imagine how much
00:30:05.446 --> 00:30:08.650
of an inspiration people say
I've been to them.
00:30:08.920 --> 00:30:11.609
It's like, Oh my God,
it was just drag.
00:30:11.621 --> 00:30:12.700
You know what I'm saying?
00:30:12.701 --> 00:30:13.859
It's like, how amazing.
00:30:47.084 --> 00:30:48.948
[cheering]
00:30:52.147 --> 00:30:56.431
[triumphant music]
00:31:07.630 --> 00:31:11.710
I won't lie and say it was okay.
It was a process of adapting.
00:31:12.700 --> 00:31:13.846
This is who he is.
00:31:13.893 --> 00:31:15.789
This is what he's
he's comfortable with.
00:31:15.847 --> 00:31:16.850
This is his life.
00:31:18.190 --> 00:31:20.804
I struggled
to understand him
00:31:20.840 --> 00:31:22.300
and the other people
in his world
00:31:23.110 --> 00:31:27.790
who live that life and who
do what they do, you know,
00:31:28.390 --> 00:31:30.940
and to, to learn, to
make room for them too,
00:31:31.030 --> 00:31:34.600
because they too are part of
society, they're a part of us.
00:31:34.601 --> 00:31:39.100
And just like, I struggle
to find room for myself,
00:31:39.130 --> 00:31:40.300
I understand other people too
00:31:40.300 --> 00:31:42.924
struggle to find room
for their own selves.
00:31:46.000 --> 00:31:47.716
I don't even know
if you are useful,
00:31:47.716 --> 00:31:48.790
as you are standing there.
00:31:48.910 --> 00:31:50.171
- What am I supposed
to be doing?
00:31:50.171 --> 00:31:51.580
- Just leave this place and–
00:31:53.650 --> 00:31:54.483
- Just move!
00:31:55.450 --> 00:31:57.580
These portraits of yourself
sure are very heavy...
00:32:00.400 --> 00:32:01.870
- So where're you gonna
be living in New York?
00:32:01.871 --> 00:32:03.338
- Brooklyn.
00:32:03.338 --> 00:32:07.086
- You will be - you'll love it.
It's you. You'll fit right in.
00:32:08.012 --> 00:32:09.640
- This is our workout
for the day.
00:32:09.640 --> 00:32:10.209
- Girl...
00:32:11.200 --> 00:32:13.648
- I think that
if I won the show now,
00:32:13.648 --> 00:32:15.280
it might be a little different,
00:32:15.310 --> 00:32:17.740
because now there's just
such a blueprint.
00:32:18.100 --> 00:32:21.173
The platform comes with
so many opportunities, right?
00:32:21.173 --> 00:32:22.660
So you get to plan.
00:32:22.738 --> 00:32:23.866
You get to do all of this.
00:32:23.866 --> 00:32:24.995
I think back then
it was just like,
00:32:25.780 --> 00:32:28.562
we were just taking it
as it comes.
00:32:28.686 --> 00:32:31.671
It's like, how are you going to
take this to the next level?
00:32:31.741 --> 00:32:33.277
Because you have a platform,
00:32:33.460 --> 00:32:35.770
but you don't necessarily
have been given a career.
00:32:35.920 --> 00:32:38.380
So how are you really
gonna make this a career?
00:32:39.057 --> 00:32:40.434
Ma Ngwa!
Sorry for calling -
00:32:40.434 --> 00:32:42.727
it's so late now, I know
it's late in Cameroon, but.
00:32:43.220 --> 00:32:45.480
We just got done packing now.
00:32:45.481 --> 00:32:48.396
So we'll be getting ready
to hit the road and stuff.
00:32:48.773 --> 00:32:52.201
- Lord we call upon you as
we see our brother, Nea,
00:32:52.201 --> 00:32:53.750
as he travels to New York.
00:32:55.653 --> 00:32:57.710
This is a new beginning for him.
00:32:58.955 --> 00:33:03.359
Lord, know that you are
everything to us and that
00:33:03.597 --> 00:33:07.471
you will fulfill his dreams.
Amen.
00:33:07.535 --> 00:33:08.921
- Amen.
00:33:31.000 --> 00:33:33.803
Ok. This is the front door key,
this is for downstairs.
00:33:38.312 --> 00:33:41.027
Oh my gosh. Emily,
what are you thinking?
00:33:41.027 --> 00:33:41.930
- It's really nice.
00:33:41.930 --> 00:33:42.715
- I love it.
00:33:42.715 --> 00:33:44.330
♪ Can you feel me now? ♪
00:33:44.330 --> 00:33:46.495
♪ When you wake up
in the morning ♪
00:33:46.495 --> 00:33:48.970
♪ and you look in the mirror,
tell her: ♪
00:33:49.631 --> 00:33:51.367
♪ I'm the shit. ♪
00:33:52.623 --> 00:33:56.347
♪ I'm the shit.
I'm the one. ♪
00:33:56.347 --> 00:33:59.559
♪ Get you off.
Turn you on. ♪
00:34:13.313 --> 00:34:14.390
♪ Can you feel me now? ♪
00:34:15.500 --> 00:34:17.930
When I moved to New York,
I was traveling and working.
00:34:17.990 --> 00:34:19.517
I was still getting booked
00:34:19.517 --> 00:34:21.350
in different places
to go and perform.
00:34:21.350 --> 00:34:23.251
Hello everybody!
00:34:24.045 --> 00:34:25.430
They were just bars and clubs.
00:34:25.490 --> 00:34:27.768
You get booked,
you do a meet and greet
00:34:27.768 --> 00:34:29.540
and do two numbers
and you're done.
00:34:29.541 --> 00:34:33.140
You know, the Pride festivals
were really big for me.
00:34:33.890 --> 00:34:36.800
So that's how
I was making money.
00:34:36.830 --> 00:34:38.910
And then also I was
making sure that
00:34:38.910 --> 00:34:40.730
I just didn't just spend,
you know,
00:34:40.731 --> 00:34:42.350
I would put it all back
in my craft.
00:34:46.820 --> 00:34:48.761
I find myself in a city
where it's like,
00:34:48.796 --> 00:34:50.150
I really don't know anybody.
00:34:50.570 --> 00:34:53.030
And I'm now more in music
00:34:53.030 --> 00:34:55.900
as opposed to
lip-syncing at a bar
00:34:55.900 --> 00:35:00.032
because I was actually pursuing
live music and the live side
00:35:00.032 --> 00:35:02.416
of my career.
00:35:02.416 --> 00:35:05.233
- Our plan is to get BeBe
on one of these walls,
00:35:05.233 --> 00:35:05.968
or, a few of them.
00:35:06.268 --> 00:35:07.547
- Yes. All of them.
00:35:08.605 --> 00:35:09.740
- At the end of the day
it comes down to money,
00:35:10.130 --> 00:35:11.960
whether we like it or not.
It's not easy.
00:35:11.961 --> 00:35:13.490
And the struggles
with New York is that
00:35:13.490 --> 00:35:16.191
there are just so many
people here with big talk.
00:35:16.550 --> 00:35:18.350
- Are you willing to do
unpaid shows?
00:35:18.890 --> 00:35:21.500
- I'm willing to do unpaid shows
if it makes sense to do it.
00:35:21.535 --> 00:35:22.942
- No, abso- we're not gonna
have you doing
00:35:22.966 --> 00:35:24.250
unpaid shows just because...
00:35:24.276 --> 00:35:26.541
- Yeah, well, because
some people have asked that...
00:35:26.541 --> 00:35:29.540
I am living in New York and
I'm living from dime to dime.
00:35:29.750 --> 00:35:31.370
I'm investing my money
in music.
00:35:31.370 --> 00:35:32.990
I'm investing my money
in producers.
00:35:33.230 --> 00:35:34.859
I'm investing my money
in singers.
00:35:34.882 --> 00:35:37.520
I'm investing my money
in everything.
00:35:38.770 --> 00:35:41.860
♪ Boys, let me hear it.
Shimmy shimmy sha... ♪
00:35:41.860 --> 00:35:43.266
♪ Shimmy shimmy shu ♪
00:35:43.266 --> 00:35:46.465
♪ Girls, let me hear it,
Shimmy shimmy sha... ♪
00:35:46.950 --> 00:35:48.585
What all these girls
are singing -
00:35:48.824 --> 00:35:50.111
Three, two, three, go.
00:35:50.135 --> 00:35:51.304
I taught all of that.
00:35:51.316 --> 00:35:52.842
Five, three, two, one...
00:35:52.899 --> 00:35:54.767
♪ Ahhhhh... ♪
00:35:54.804 --> 00:35:56.940
Everybody -
three, two, three, go.
00:35:56.988 --> 00:35:59.398
♪ Ahhhhh... ♪
00:35:59.718 --> 00:36:00.837
[laughter]
00:36:01.000 --> 00:36:01.916
- I don't know...
00:36:01.926 --> 00:36:02.913
- That's ok, Shirley.
00:36:05.756 --> 00:36:07.997
- Do you have to grab
me so rough, BeBe?
00:36:07.997 --> 00:36:09.035
- Get used to it.
00:36:09.696 --> 00:36:11.790
I found such a connection
with these singers...
00:36:12.391 --> 00:36:14.640
- Oh, this shit teaches you
posture, that's for damn sure.
00:36:16.000 --> 00:36:17.280
- African women don't - yeah -
00:36:17.280 --> 00:36:19.587
...And the more I'm with them,
the more we've connected,
00:36:19.587 --> 00:36:20.250
and the more we've,
00:36:20.250 --> 00:36:22.710
we've become like such
a, like a family now.
00:36:23.490 --> 00:36:25.470
- And we have to remember when
we do our free dancing now,
00:36:25.507 --> 00:36:27.943
we can't be all,
booty-booty,
00:36:28.736 --> 00:36:30.669
booty-boo whoop, ah!
00:36:31.500 --> 00:36:35.040
I'd always dreamt of
having a show where,
00:36:35.250 --> 00:36:36.796
the best way
to describe it would be
00:36:36.831 --> 00:36:38.940
"Cirque du Soleil
meets Lion King."
00:36:40.710 --> 00:36:43.689
Now I know there was no way
that I could create
00:36:43.713 --> 00:36:46.601
a big show like that just,
right off the bat.
00:36:46.648 --> 00:36:48.692
So I was like, okay,
what I need to do
00:36:48.727 --> 00:36:51.571
is start small, intimate,
and then let it build itself.
00:36:51.878 --> 00:36:54.360
So birth it, and let it grow.
00:36:54.860 --> 00:36:59.059
♪ I'm a She Hunter,
hunting for your love. ♪
00:36:59.094 --> 00:37:02.146
♪ And no matter where you are,
I'm gonna find your heart... ♪♪
00:37:02.411 --> 00:37:06.108
I'm at a point where I'm over
being the first winner of,
00:37:06.108 --> 00:37:07.322
you know RuPaul's Drag Race.
00:37:07.322 --> 00:37:09.750
I just want to be BeBe.
You know what I'm saying?
00:37:13.200 --> 00:37:16.502
I'm working on a song
for her show "Creature."
00:37:16.834 --> 00:37:19.560
There's a - the show goes into
different worlds and themes...
00:37:19.910 --> 00:37:23.838
[♪ whimsical music ♪]
00:37:26.190 --> 00:37:28.305
I'm meeting people
to talk about Creature,
00:37:28.305 --> 00:37:30.420
which needs to be
bigger than life,
00:37:30.450 --> 00:37:32.498
which in five years
needs to be like
00:37:32.498 --> 00:37:34.290
the biggest show
that is out there,
00:37:34.291 --> 00:37:35.567
like the biggest spectacle
00:37:35.567 --> 00:37:37.800
and possibly having it
find itself in Vegas.
00:37:46.453 --> 00:37:49.185
[muffled awards show
acceptance speech on TV]
00:37:49.742 --> 00:37:51.420
Do you think we would ever
00:37:53.340 --> 00:37:54.780
get an Emmy for something?
00:37:59.940 --> 00:38:01.920
We all strive for greatness.
00:38:01.921 --> 00:38:05.070
We all strive for the -
to be the top of the top.
00:38:05.160 --> 00:38:08.010
What I aspire to be is
to be very successful,
00:38:08.100 --> 00:38:12.780
to be a household name and
to be a ver- like, and to be,
00:38:13.860 --> 00:38:16.080
um, like a business mogul.
00:38:16.140 --> 00:38:18.540
- What's your product, just you?
00:38:18.540 --> 00:38:20.130
- My aim is - what do you mean?
00:38:31.410 --> 00:38:34.110
My mom and my dad
are very supportive.
00:38:35.550 --> 00:38:38.017
They're warming up to the idea
00:38:38.017 --> 00:38:41.308
of what I have chosen
for a career.
00:38:43.292 --> 00:38:45.297
They want me
to be successful.
00:38:45.410 --> 00:38:48.800
They really do.
All they ask for is success.
00:38:53.770 --> 00:38:55.590
People are aware
of what I do.
00:38:55.590 --> 00:38:57.670
It's not a secret.
Of course it's not.
00:38:58.870 --> 00:39:02.320
I think that because I made it
to a certain status,
00:39:02.500 --> 00:39:04.841
I think the way I am looked at
is different.
00:39:04.866 --> 00:39:06.912
You know, because
I am on television
00:39:06.912 --> 00:39:09.250
and because I've created
such a brand for myself.
00:39:09.460 --> 00:39:12.760
But I do feel like if
I was not the "BeBe," now,
00:39:13.660 --> 00:39:15.400
it would be a different
kind of conversation.
00:39:25.561 --> 00:39:27.764
[street sounds]
00:39:29.911 --> 00:39:31.939
[pop music plays in kitchen]
00:40:28.730 --> 00:40:29.737
[muffled chatter in French]
00:40:51.808 --> 00:40:53.976
[chatter in French and pop music
in kitchen]
00:41:08.241 --> 00:41:09.354
[singing along to pop music]
00:41:21.042 --> 00:41:22.320
Delicious!
00:41:23.171 --> 00:41:25.214
- Mama like to cook!
00:41:26.737 --> 00:41:28.955
[conversation in French]
00:42:24.861 --> 00:42:26.360
It's really disheartening.
00:42:28.280 --> 00:42:32.780
There're so many Cameroonians
that are queer, that might,
00:42:32.930 --> 00:42:37.130
unfortunately might never ever
even live out loud or be,
00:42:37.190 --> 00:42:38.966
be who they need to be,
00:42:38.966 --> 00:42:41.630
just because of what the
society and the culture is.
00:42:41.631 --> 00:42:43.573
And it's not supposed
to be that way,
00:42:43.573 --> 00:42:45.396
but it's just that way.
00:42:49.160 --> 00:42:50.797
While I would want
to take a stand
00:42:50.797 --> 00:42:52.640
and say, this is how
it needs to be,
00:42:52.940 --> 00:42:54.340
I have to be careful.
00:42:54.340 --> 00:42:56.300
I have to approach
certain things with caution.
00:42:58.130 --> 00:43:00.565
If I could take a stand
and expose just myself
00:43:00.589 --> 00:43:02.881
and no other person
is going to be involved?
00:43:02.916 --> 00:43:03.530
Yes.
00:43:04.550 --> 00:43:07.910
It all needs to be
handled with care,
00:43:08.090 --> 00:43:12.860
because you put
people's lives at risk
00:43:12.861 --> 00:43:14.540
and you put families at risk.
00:43:28.370 --> 00:43:31.000
♪ Take my hand, don't shy away ♪
00:43:31.490 --> 00:43:34.717
♪ Take my hand, don't shy away ♪
00:43:35.048 --> 00:43:37.665
♪ Take my hand, don't shy away ♪
00:43:37.665 --> 00:43:39.734
Really hit the
"I" in the "shy"
00:43:39.734 --> 00:43:42.710
♪ Take my hand, don't shy away ♪
00:43:42.920 --> 00:43:45.200
Try and sing it
without using your tongue.
00:43:45.290 --> 00:43:46.626
I've noticed
that your language
00:43:46.626 --> 00:43:48.230
requires a lot more
tongue usage.
00:43:48.470 --> 00:43:50.002
And when you don't
use your tongue as much -
00:43:50.002 --> 00:43:51.494
♪ Shy away. ♪
00:43:51.494 --> 00:43:52.760
That's it. There you go.
00:43:53.090 --> 00:43:55.790
I think what would make
an enormous difference,
00:43:55.790 --> 00:43:58.250
is if you took diction lessons.
00:43:59.630 --> 00:44:00.463
- Okay...
00:44:00.500 --> 00:44:02.357
- Sorta like
if you were an actor
00:44:02.357 --> 00:44:03.950
and you took on a role
00:44:03.951 --> 00:44:05.510
and you had to learn
an Irish accent?
00:44:06.560 --> 00:44:08.371
I think you should go
00:44:08.371 --> 00:44:11.270
and find somebody that
can teach you to speak
00:44:11.510 --> 00:44:13.370
with an American accent.
00:44:14.570 --> 00:44:18.082
♪ Take my hand,
don't shy away, ♪
00:44:18.082 --> 00:44:21.222
♪ I will be the answer... ♪♪
00:44:22.190 --> 00:44:25.250
When it comes to this whole
accent thing or whatever,
00:44:25.310 --> 00:44:27.050
it is frustrating because okay,
00:44:27.051 --> 00:44:30.620
now I have to change who I am
or change where I come from,
00:44:30.621 --> 00:44:31.820
or what's part of my heritage,
00:44:31.821 --> 00:44:36.490
because I want to make myself
accessible to the American - or
00:44:36.491 --> 00:44:39.220
those who are going
to be buying my music.
00:44:39.280 --> 00:44:43.180
I personally don't think
it is fair.
00:44:46.293 --> 00:44:48.697
[♪ chanting ♪]
00:44:49.065 --> 00:44:51.006
Gather round...
00:44:53.058 --> 00:44:54.449
Come gather round...
00:44:58.483 --> 00:45:00.065
- This is the video.
00:45:01.453 --> 00:45:02.911
Gather round...
00:45:03.305 --> 00:45:07.137
I love it! I love it.
00:45:08.010 --> 00:45:11.670
I was open to trying,
but if you notice,
00:45:11.700 --> 00:45:16.290
I kept going back to global
and the world and my culture.
00:45:16.291 --> 00:45:20.190
I kept going back.
I would try a little here,
00:45:20.430 --> 00:45:21.570
but I will go back.
00:45:22.061 --> 00:45:23.490
♪ Sunset...♪
00:45:23.888 --> 00:45:25.294
♪ spirits high...♪
00:45:26.088 --> 00:45:27.384
♪ voices...♪
00:45:28.244 --> 00:45:29.688
♪ laughter...♪
00:45:31.000 --> 00:45:32.127
♪ the magic ♪
00:45:32.127 --> 00:45:35.112
♪ of the sunset. ♪
00:45:49.131 --> 00:45:52.120
Marsh - this is gorgeous.
00:45:52.290 --> 00:45:55.143
[♪ "Cameroon" by BeBe
playing on stereo ♪]
00:46:11.462 --> 00:46:14.213
You've got bags
under your eyes, child.
00:46:14.250 --> 00:46:16.980
You've been working the
candle on both ends.
00:46:27.001 --> 00:46:32.959
♪ BeBe Zahara, BeBe Zahara,
BeBe Zahara Benet. ♪
00:46:33.624 --> 00:46:36.358
Hello, New York, hello!
00:46:42.471 --> 00:46:44.518
Oh now, I love
an audience like this.
00:46:44.530 --> 00:46:45.831
We're about to rock this house.
00:46:49.737 --> 00:46:53.513
- I just want to let you know,
Cameroon is a country.
00:46:53.572 --> 00:46:55.371
And Africa is a continent.
00:46:56.035 --> 00:46:57.330
And just to let you know,
00:46:57.600 --> 00:47:00.800
we don't just live in huts
and hunt lions.
00:47:01.924 --> 00:47:02.875
Just saying.
00:47:04.110 --> 00:47:05.631
Are you nervous?
00:47:06.491 --> 00:47:08.143
Oh. You're not nervous?
00:47:08.672 --> 00:47:10.723
You should be nervous.
00:47:12.111 --> 00:47:14.178
Do you want to know why?
00:47:15.390 --> 00:47:17.497
It's because I look like
your mother.
00:47:18.555 --> 00:47:21.230
But I'm built like
your father.
00:47:21.957 --> 00:47:23.478
Just saying.
00:47:28.680 --> 00:47:31.430
After it was all done,
I was like, Oh my gosh,
00:47:31.580 --> 00:47:32.921
it's one of my
biggest achievements
00:47:32.921 --> 00:47:34.040
when it comes to drag.
00:47:34.690 --> 00:47:37.706
♪ Cameroon, she is Cameroon ♪
00:47:38.103 --> 00:47:41.538
♪ Cameroon,
they call her Cameroon ♪
00:47:48.945 --> 00:47:52.739
♪ I found my way
back home, home ♪
00:47:56.200 --> 00:47:58.239
Thank you everybody, goodnight!
00:48:01.000 --> 00:48:02.800
And we got to the point,
00:48:02.800 --> 00:48:06.100
where we were about to
take this to the next level -
00:48:08.470 --> 00:48:09.419
And all of a sudden,
00:48:09.419 --> 00:48:11.319
poof, there's nothing.
00:48:15.376 --> 00:48:18.723
[subway noise]
00:48:25.420 --> 00:48:27.407
Producers' meetings kept
dwindling down,
00:48:27.419 --> 00:48:29.527
"Oh, we'll meet tomorrow,
or we'll meet this day..."
00:48:29.566 --> 00:48:31.299
And then all of a sudden
we hear that
00:48:31.299 --> 00:48:33.183
their investors pulled out.
00:48:38.440 --> 00:48:39.880
I'd taken all my savings,
00:48:40.300 --> 00:48:44.260
all my money - everything -
and put it in that show.
00:48:50.870 --> 00:48:53.110
I was like, I don't think
I can even do this anymore.
00:48:53.111 --> 00:48:54.295
So I got really
really frustrated
00:48:54.295 --> 00:48:55.480
and I'm like,
you know what?
00:48:55.770 --> 00:48:57.202
I had to take those feelings,
00:48:57.202 --> 00:48:59.350
I had to regroup.
I had to find my purpose.
00:48:59.710 --> 00:49:01.285
You know, go back
to those reasons
00:49:01.285 --> 00:49:03.310
that made me move
to come to New York City.
00:49:03.520 --> 00:49:06.820
What were those reasons that
I believed so strongly in?
00:49:09.280 --> 00:49:12.334
I cannot just come and try to
live this bougie lifestyle.
00:49:12.394 --> 00:49:15.178
You know? I have to come back -
00:49:15.178 --> 00:49:16.570
down to Earth honey.
00:49:18.318 --> 00:49:19.932
New York is very trying
00:49:19.932 --> 00:49:21.700
because you have to create
your own opportunities.
00:49:23.320 --> 00:49:25.288
Everybody here is fighting
for the same thing.
00:49:25.288 --> 00:49:27.820
I'm a small fish
in a very big pond.
00:49:27.880 --> 00:49:32.260
And I had to catch that
real fast, you know?
00:49:35.908 --> 00:49:37.098
It fell apart.
00:49:38.230 --> 00:49:43.157
It just seems like everything
at that moment was, a "No."
00:49:44.890 --> 00:49:46.990
It's great if you're
open and receptive
00:49:46.990 --> 00:49:49.818
to all the colors
of the human expression...
00:49:51.585 --> 00:49:54.290
...but it's important
to understand that it's all you.
00:49:55.270 --> 00:49:57.910
It's all you. Just
different sides of you.
00:49:59.230 --> 00:50:01.930
Now there are reasons why
actors don't access them.
00:50:02.290 --> 00:50:03.970
Tell me what
some of the reasons are.
00:50:04.780 --> 00:50:05.942
- They're ashamed.
00:50:05.942 --> 00:50:07.807
- Shame of what?
- Being exposed.
00:50:08.733 --> 00:50:10.327
- Fear of rejection.
00:50:10.327 --> 00:50:11.770
- How about fear of mockery?
00:50:13.180 --> 00:50:14.074
- Fear of failing.
00:50:14.074 --> 00:50:14.839
- Fear of judgment.
00:50:15.730 --> 00:50:17.222
- Fear of being exploited.
00:50:17.234 --> 00:50:18.157
- Exploited, ah.
00:50:18.180 --> 00:50:20.267
Why should I be vulnerable,
if it will be used against me,
00:50:20.981 --> 00:50:22.257
if you will mock me?
00:50:22.257 --> 00:50:24.555
I don't need to expose myself
in front of you.
00:50:24.821 --> 00:50:26.061
Well, guess what?
00:50:27.081 --> 00:50:28.956
We all, at times,
need to protect ourselves,
00:50:29.400 --> 00:50:32.687
but we're not
showing the world who we are.
00:50:33.216 --> 00:50:35.937
Your job is
to sell experiences.
00:50:36.995 --> 00:50:38.010
To sell life.
00:50:39.798 --> 00:50:42.380
- I can't...this is too hot.
00:50:45.590 --> 00:50:48.177
- All right, everyone.
Everyone relax.
00:50:48.435 --> 00:50:49.820
Suck in the air deep,
on the sound,
00:50:49.821 --> 00:50:51.080
let out an exhale.
00:50:51.714 --> 00:50:56.547
[audible exhales]
00:50:57.267 --> 00:50:58.782
Ugh...
[laughs]
00:51:18.298 --> 00:51:18.954
- Go.
00:51:18.954 --> 00:51:20.678
[screams]
00:51:20.802 --> 00:51:23.789
- Punch! On your feet!
00:51:24.450 --> 00:51:25.468
I'm fucking great.
00:51:25.733 --> 00:51:27.026
- I'm fucking great.
00:51:29.341 --> 00:51:32.986
- I've put so much weight.
That's for sure.
00:51:33.170 --> 00:51:36.712
When I did Drag Race,
I was so small.
00:51:37.373 --> 00:51:38.631
Now...
00:51:39.560 --> 00:51:41.785
Bitch is a big cookie,
honey.
00:51:41.785 --> 00:51:44.034
I'm an emotional eater,
you know what I mean?
00:51:44.810 --> 00:51:45.643
So like -
00:51:49.880 --> 00:51:51.410
So I just eat, you know?
00:51:57.514 --> 00:51:58.480
[low murmurs:
How do I feel... I feel...]
00:52:05.687 --> 00:52:08.315
How do I feel,
I feel stressed.
00:52:11.280 --> 00:52:12.588
How am I going to
push the boundaries
00:52:12.588 --> 00:52:13.720
and how am I going to
get the people
00:52:13.731 --> 00:52:15.710
who are supposed to notice me,
to notice me,
00:52:15.920 --> 00:52:17.865
if I'm not trying to
take a little bit more risk
00:52:17.877 --> 00:52:19.312
than I'm taking right now?
00:52:20.451 --> 00:52:21.876
Finally!
00:52:24.890 --> 00:52:26.716
That's how you get a bitch!
00:52:26.716 --> 00:52:28.828
- How are you?
- What's up darling?
00:52:28.828 --> 00:52:30.346
- Hi gorgeous!
00:52:32.278 --> 00:52:34.193
- Nappy-headed hoes,
I never liked...
00:52:35.317 --> 00:52:37.939
- Oh my gosh.
Put your hands togeth -
00:52:37.939 --> 00:52:39.262
- But what about [other singer]
00:52:39.262 --> 00:52:41.390
- Oh. Okay guys.
00:52:41.391 --> 00:52:43.206
So we are gonna talk -
a couple things -
00:52:43.206 --> 00:52:44.840
I want to thank you all
for being here.
00:52:44.841 --> 00:52:46.131
I know it's been a minute.
00:52:46.178 --> 00:52:49.607
We haven't like, had any
rehearsals or anything.
00:52:49.790 --> 00:52:51.470
One of the main reasons was,
00:52:51.800 --> 00:52:54.620
I thought it was very
important for me to step back.
00:52:54.890 --> 00:52:58.100
What about me
makes people very excited?
00:52:58.160 --> 00:53:00.350
When people come to
watch BeBe Zahara Benet,
00:53:00.350 --> 00:53:02.210
what are the things
that they really like?
00:53:02.660 --> 00:53:05.453
People find a
sense of belonging.
00:53:05.456 --> 00:53:07.736
Like, they feel like
they're part of something,
00:53:07.736 --> 00:53:09.290
and we've always
done that very well.
00:53:09.500 --> 00:53:11.575
So why not give people
the opportunity
00:53:11.587 --> 00:53:13.217
to see me
up close and personal?
00:53:13.287 --> 00:53:13.935
- Right.
00:53:13.982 --> 00:53:15.661
- So that brought me
to the point where I decided
00:53:15.661 --> 00:53:17.840
that I wanted to do a new show,
00:53:18.260 --> 00:53:21.230
where people are going to
come and experience us.
00:53:21.350 --> 00:53:23.540
People are going to come
and experience the music.
00:53:23.780 --> 00:53:25.640
They're going to come
and experience stories.
00:53:25.730 --> 00:53:28.870
They're going to experience
different facets of us, of me,
00:53:28.871 --> 00:53:30.070
of what I want to talk about.
00:53:30.280 --> 00:53:32.414
And that's why the show
will be called "Reveal."
00:53:32.446 --> 00:53:34.010
It will be a little bit
uncomfortable for me -
00:53:34.133 --> 00:53:35.080
- Yeah, I understand that
00:53:35.081 --> 00:53:37.154
- Because it's new for me.
I don't do that.
00:53:47.939 --> 00:53:49.328
- Wow. That's big.
00:53:49.328 --> 00:53:50.551
- It was a big decision.
00:53:50.551 --> 00:53:52.510
Because I'm not going to
just sit here,
00:53:52.510 --> 00:53:54.046
and just be here,
just to be here.
00:53:54.573 --> 00:53:57.335
We will create a buzz!
You know?
00:53:57.401 --> 00:53:58.546
We'll create a buzz.
00:53:58.686 --> 00:54:01.496
Whether you like it or not,
we'll create a buzz.
00:54:08.040 --> 00:54:09.455
I stood by the mirror one day
and I said,
00:54:09.490 --> 00:54:10.900
you know, this time around,
00:54:10.920 --> 00:54:13.860
I am not going to let
anybody define who I am.
00:54:14.220 --> 00:54:17.163
I'm not going to let anybody
tell me what to do,
00:54:17.199 --> 00:54:18.792
or what not to do.
00:54:18.810 --> 00:54:20.557
How to dress,
and how not to dress.
00:54:20.581 --> 00:54:23.243
Who to love,
and who not to love.
00:54:23.580 --> 00:54:24.730
- When we met with BeBe,
00:54:24.730 --> 00:54:27.030
one of the big things
that we talked about, you know,
00:54:27.120 --> 00:54:30.510
she was like "Reveal," and
we all were like, "Okay, great,
00:54:31.230 --> 00:54:32.640
let's go deeper."
00:54:32.760 --> 00:54:35.727
- Do people really want to see
me sit here and tell you about
00:54:35.739 --> 00:54:38.367
a little boy
growing up in Africa?
00:54:38.385 --> 00:54:40.327
A lot of times I would
hold back a little bit,
00:54:40.327 --> 00:54:42.087
because I'm like, no,
I'm supposed to be fantasy.
00:54:42.120 --> 00:54:43.365
- Sure, sure.
00:54:43.365 --> 00:54:45.476
- You know, people don't need
to know anything else.
00:54:45.476 --> 00:54:46.166
We want to come.
00:54:46.200 --> 00:54:48.016
We want to watch you perform,
and do your thing -
00:54:48.016 --> 00:54:48.770
- Keep the feathers on.
00:54:48.945 --> 00:54:49.945
- Keep the feathers on.
00:54:49.980 --> 00:54:54.515
Now, what's important is that we
start to surrender to not
00:54:54.515 --> 00:54:59.400
what we want the audience to
see, but to who we are.
00:55:00.540 --> 00:55:03.840
I mean like, I'm going to, I'm
going to take it one -
00:55:04.227 --> 00:55:07.201
one step at a time.
00:55:08.457 --> 00:55:09.519
- I'm just curious -
00:55:09.519 --> 00:55:12.987
I call you, "sir." You know,
I call you "him."
00:55:12.990 --> 00:55:14.640
And a lot of people
call you "her," do you have -
00:55:15.691 --> 00:55:17.278
- Yeah, because they refer
to BeBe.
00:55:17.278 --> 00:55:19.320
So they usually see
that image of BeBe first.
00:55:19.320 --> 00:55:22.035
- Right. How do you feel
about one over the other?
00:55:22.035 --> 00:55:22.770
- I don't care.
00:55:22.860 --> 00:55:23.975
- It doesn't even matter.
00:55:23.975 --> 00:55:25.680
- Yeah. It's -
it needs to be fluid.
00:55:25.680 --> 00:55:27.690
Whatever's rocking your
boat at that moment.
00:55:28.440 --> 00:55:30.390
- Okay.
Let me speak to BeBe.
00:55:31.320 --> 00:55:32.153
- Okay.
00:55:38.970 --> 00:55:41.140
- Hi there.
- Hi.
00:55:41.140 --> 00:55:42.675
- I'm working with Marshall.
00:55:42.675 --> 00:55:43.786
- Mm-kay.
00:55:43.786 --> 00:55:47.640
- And how powerful
are you in his life?
00:55:48.330 --> 00:55:52.890
- I think Marshall, um,
cannot live without me.
00:55:53.100 --> 00:55:55.925
- Do you recall when
you were developed,
00:55:55.925 --> 00:55:57.943
or were you always there?
00:55:57.960 --> 00:56:02.490
- Oh, I was always there. Right
from when he, he was birthed.
00:56:03.060 --> 00:56:06.244
You know, whenever he wanted
to wear those high heels,
00:56:06.244 --> 00:56:07.250
when he was young.
00:56:07.290 --> 00:56:09.390
Whenever he wanted to put that
00:56:09.390 --> 00:56:11.490
lipstick from
the mom's dressing area,
00:56:11.730 --> 00:56:12.840
I was always there.
00:56:13.140 --> 00:56:18.030
- What would you do if you can
just always take over his life?
00:56:18.390 --> 00:56:19.440
- How will I take over hi-....?
00:56:22.350 --> 00:56:25.580
I would let him just
always express himself.
00:56:25.610 --> 00:56:27.867
Like however he wants
to express himself,
00:56:27.867 --> 00:56:29.802
and flaunt it and own it,
00:56:29.844 --> 00:56:34.070
and not feel like some other
person is looking at you and
00:56:34.071 --> 00:56:36.620
pointing fingers and wanting to
judge you. You know,
00:56:36.621 --> 00:56:38.879
you can just walk down
and own it and say,
00:56:38.879 --> 00:56:40.460
you know,
you can't take me, honey.
00:56:40.760 --> 00:56:42.646
You know? You can't take me,
00:56:42.646 --> 00:56:45.161
but here I am.
And I'm going nowhere.
00:56:49.240 --> 00:56:51.820
The biggest thing that we're
launching off of is the title.
00:56:52.120 --> 00:56:53.848
This idea of "Reveal,"
00:56:53.848 --> 00:56:56.009
framing it with this
behind-the-scenes video,
00:56:56.009 --> 00:56:59.680
that's of BeBe as a boy,
and us getting to know like,
00:56:59.860 --> 00:57:03.280
who is that? And how is she
contextualizing the like,
00:57:03.280 --> 00:57:06.944
opulent grand - the opulent
this - the boom, boom, boom -
00:57:16.603 --> 00:57:17.959
- Just stay right there.
00:57:17.959 --> 00:57:19.574
[BeBe laughs]
00:57:20.170 --> 00:57:24.730
- Okay. So, um, I actually don't
know how you identify sexually.
00:57:24.820 --> 00:57:27.515
So I don't want to put like
labels on top of you -
00:57:27.515 --> 00:57:28.270
- Right.
00:57:28.540 --> 00:57:29.640
- So, tell us about love.
00:57:29.640 --> 00:57:31.840
Have you ever been in love?
When was your first love?
00:57:32.380 --> 00:57:36.760
- Have I been in love?
Yes. I've been in love.
00:57:38.020 --> 00:57:41.086
I definitely -
I've been in love. Um -
00:57:41.086 --> 00:57:45.531
Oh my gosh,
I hate talking about...
00:57:46.655 --> 00:57:48.340
It's so stupid!
00:57:48.413 --> 00:57:49.195
- It's not!
00:57:49.242 --> 00:57:50.588
- Yes it is.
00:57:50.588 --> 00:57:52.002
It sounds so -
"have you been in love" -
00:57:52.026 --> 00:57:53.584
it just sounds so cheesy -
00:57:53.627 --> 00:57:57.850
yes, I've been in love...
No but I have been. And it's,
00:57:57.880 --> 00:58:01.988
you know, it's been -
it's been very bittersweet.
00:58:01.988 --> 00:58:02.488
- Why?
00:58:03.280 --> 00:58:05.562
- Because of - just in terms of,
00:58:05.562 --> 00:58:08.170
the idea of
being able to just love,
00:58:09.100 --> 00:58:13.420
you know. What happened to love?
What happened to -
00:58:15.340 --> 00:58:17.080
just loving
who you want to love?
00:58:18.970 --> 00:58:20.305
It almost feels like
that freedom
00:58:20.305 --> 00:58:21.640
has been taken away from us.
00:58:22.880 --> 00:58:25.204
And it's destroying
a lot of people.
00:58:25.204 --> 00:58:28.055
Even if you love,
you should not be able to.
00:58:28.064 --> 00:58:30.010
So that freedom is even
taken away from us,
00:58:30.011 --> 00:58:33.019
so why do we even love? Why?
00:58:33.019 --> 00:58:35.320
Why is there even the word love?
00:58:40.660 --> 00:58:43.870
Wow, that was from the
Reveal stuff, Em, right?
00:58:44.576 --> 00:58:47.503
Yeah, that was the Reveal
shoot for the show.
00:58:47.503 --> 00:58:50.105
And I guess
I wanted to ask you,
00:58:50.260 --> 00:58:51.820
how do you identify now?
00:58:52.360 --> 00:58:54.640
I identify myself as Marshall.
00:58:56.290 --> 00:58:58.930
I still don't say I'm gay or
straight, because I feel like,
00:58:58.960 --> 00:59:01.426
why should I have to still
say I'm gay or straight?
00:59:01.449 --> 00:59:02.740
I am Marshall.
00:59:03.010 --> 00:59:05.690
And if I happen to love a man,
I happen to love a man.
00:59:05.710 --> 00:59:07.960
If I happen to love a woman,
I happen to love a woman.
00:59:08.140 --> 00:59:10.466
I identify myself
as a human being
00:59:10.466 --> 00:59:12.460
and I identify myself
as Marshall.
00:59:15.160 --> 00:59:18.310
There's this thing of,
"I'm gonna be me," you know?
00:59:18.311 --> 00:59:20.517
And sometimes that
comes with risks
00:59:20.540 --> 00:59:23.070
when you're in a place
that can be very dangerous.
01:00:07.213 --> 01:00:09.885
[concert sound check]
01:00:18.127 --> 01:00:21.672
[♪ plaintive music in French ♪]
01:00:48.740 --> 01:00:49.573
♪ Thank you! ♪♪
01:01:04.698 --> 01:01:07.978
I am the best
01:01:08.930 --> 01:01:12.620
drag entertainer
that you have ever
01:01:13.850 --> 01:01:16.040
met, or even seen.
01:01:17.510 --> 01:01:19.940
When I walk
down the street,
01:01:19.940 --> 01:01:22.370
I mean, people like,
would throw petals,
01:01:22.400 --> 01:01:23.526
like rose petals literally
01:01:23.526 --> 01:01:25.778
for me to walk through
because the ground -
01:01:25.778 --> 01:01:27.957
like that floor
is tainted, literally.
01:01:31.206 --> 01:01:31.795
Shoop!
01:01:32.002 --> 01:01:33.470
Oh my gosh.
I've got to lose weight.
01:01:33.560 --> 01:01:34.785
I'm very talented guys.
01:01:34.785 --> 01:01:36.623
I'm very, very -
I'm very talented.
01:01:36.623 --> 01:01:37.520
Zip it up - it's like -
01:01:37.520 --> 01:01:40.270
Ugh!
01:01:40.430 --> 01:01:41.350
Isn't that cute?
01:01:41.390 --> 01:01:42.827
Like literally,
I don't even know
01:01:42.827 --> 01:01:46.387
if there's anybody in this room
as talented as me.
01:01:47.379 --> 01:01:48.180
I don't.
01:01:48.740 --> 01:01:50.039
- Are you a diva?
01:01:51.097 --> 01:01:53.090
I have a problem
from here to here,
01:01:53.150 --> 01:01:54.610
and the bottom
needs to be bigger.
01:01:54.875 --> 01:01:56.696
What's your definition
of diva?
01:01:57.680 --> 01:02:00.505
I'm not wearing that stuff
with this. Oh, hell no.
01:02:00.540 --> 01:02:01.537
Well let me
tell you something -
01:02:01.561 --> 01:02:02.651
if you go
with this dress -
01:02:02.674 --> 01:02:03.377
- Just put it on!
01:02:03.377 --> 01:02:05.062
- You're gonna do
the adjustments on the top
01:02:05.203 --> 01:02:06.200
I'm telling you that right now -
01:02:06.230 --> 01:02:09.853
Because your definition of diva
is everything that I...
01:02:10.382 --> 01:02:11.454
- Yeah?
01:02:12.350 --> 01:02:14.540
- I can sit here and
be like, "That's pretty, BeBe.
01:02:14.541 --> 01:02:16.220
That's pretty,"
and lie to you...
01:02:16.280 --> 01:02:17.646
- You want to know
what's wrong?
01:02:17.646 --> 01:02:19.468
- This thing is
right in the middle.
01:02:19.468 --> 01:02:20.090
- That is wrong.
01:02:20.680 --> 01:02:21.790
- It's just right in the middle.
01:02:21.790 --> 01:02:22.623
- It's so wrong.
01:02:22.690 --> 01:02:24.910
I need to end with
something signature "BeBe."
01:02:24.910 --> 01:02:29.950
This is very, Queen of
Zamunda, has showed up....
01:02:50.189 --> 01:02:51.944
BeBe, I want to
give you an update.
01:02:51.944 --> 01:02:53.700
None of our industry people
are here yet.
01:02:53.701 --> 01:02:55.817
People thought the doors
opened at seven,
01:02:55.817 --> 01:02:57.375
that's, I think
a little issue.
01:02:57.390 --> 01:02:58.571
Is there anything else
I can do for you?
01:02:58.571 --> 01:02:59.520
- No I'm good.
01:02:59.544 --> 01:03:00.536
- Ok. You look beautiful.
01:03:00.559 --> 01:03:01.859
- So, but why would
they think...?
01:03:01.883 --> 01:03:03.364
Ok. Got it.
01:03:08.569 --> 01:03:11.104
ANNOUNCER: BeBe Zahara Benet...
01:03:15.811 --> 01:03:17.829
[♪ rhythmic intro ♪]
01:03:19.402 --> 01:03:21.060
I was ready give it up.
01:03:21.420 --> 01:03:26.370
I kept being disappointed over
and over and over by people
01:03:26.371 --> 01:03:29.220
who had promised me so many
things with my career.
01:03:30.060 --> 01:03:33.521
And I felt I had to
end up doing it
01:03:33.521 --> 01:03:35.544
all by myself.
01:03:36.277 --> 01:03:38.834
♪ Face... ♪
01:03:40.421 --> 01:03:41.559
♪ face... ♪
01:03:43.742 --> 01:03:46.641
♪ Hi there, I think you know
exactly who I am - ♪
01:03:46.641 --> 01:03:48.362
♪ But in case you don't know
where to find me, ♪
01:03:48.362 --> 01:03:50.336
♪ ah, check me out. ♪
01:03:50.336 --> 01:03:52.582
♪ If you look for fashion
in blogs and magazines ♪
01:03:52.710 --> 01:03:54.760
Take off my shoes.
Take, take my shoes off.
01:03:54.760 --> 01:03:57.782
♪ Don't be surprised
if Google gives you BeBe ♪
01:03:57.849 --> 01:04:00.269
♪ if you look for curves,
you're in the right place ♪
01:04:00.269 --> 01:04:00.841
♪ Really? ♪
01:04:01.000 --> 01:04:03.926
♪ Yes, I got that too -
but nothing beats the face! ♪
01:04:11.835 --> 01:04:13.478
[applause]
01:04:16.312 --> 01:04:17.078
Guys I got kind -
01:04:17.078 --> 01:04:17.848
You know this -
01:04:17.871 --> 01:04:20.001
when I got up this morning
I was very emotional.
01:04:20.048 --> 01:04:20.768
I really was.
01:04:21.120 --> 01:04:22.695
And I kind of looked
at myself in the mirror
01:04:22.730 --> 01:04:24.500
and I just really
was about to
01:04:24.541 --> 01:04:27.420
really start crying.
I really did. And um,
01:04:28.500 --> 01:04:31.350
I just didn't understand why
God has to do what he does.
01:04:31.920 --> 01:04:34.680
Sometimes I ask these questions,
like, "Father, why me?
01:04:35.040 --> 01:04:38.030
Why do you have to make me
look so flawless?"
01:04:38.648 --> 01:04:41.557
[big laughs]
01:04:41.601 --> 01:04:44.033
- You had the entire room.
01:04:44.033 --> 01:04:48.398
- I was like, wait for it...
here we go.
01:04:48.398 --> 01:04:49.965
I took you through
a moment -
01:04:51.578 --> 01:04:52.505
C'mon!
01:04:52.505 --> 01:04:54.694
[♪ upbeat dance music
with chanting ♪]
01:04:55.651 --> 01:04:59.901
Get on your feet!
There you go - ladies!
01:05:32.888 --> 01:05:33.745
Thank you everybody,
01:05:33.745 --> 01:05:35.461
thank you for
coming out tonight.
01:05:35.461 --> 01:05:39.551
I love you all. I love you
up there, I love you.
01:05:39.551 --> 01:05:41.971
Have a wonderful
night, I love you.
01:05:41.982 --> 01:05:43.878
Good night everybody!
01:05:44.026 --> 01:05:45.739
[applause and cheers]
01:06:35.011 --> 01:06:35.873
[loud exhale]
01:06:37.401 --> 01:06:39.150
People think that
because you're on stage,
01:06:39.150 --> 01:06:40.900
then all of a sudden,
you're rich.
01:06:41.440 --> 01:06:42.838
But what people
fail to understand
01:06:42.838 --> 01:06:44.470
is that you're paying
for the venue.
01:06:44.471 --> 01:06:46.480
You're paying everybody
that's part of the show.
01:06:46.690 --> 01:06:48.919
You're paying for
all of these things.
01:06:48.919 --> 01:06:50.830
By the time you are done,
01:06:50.920 --> 01:06:53.010
we were barely making even.
01:06:54.790 --> 01:06:56.913
I'm going to go into
another part now.
01:06:56.913 --> 01:06:58.240
Relax yourself,
stand up straight,
01:06:58.241 --> 01:06:59.110
hands down please.
01:06:59.290 --> 01:07:01.105
Now look at someone
in the eyes
01:07:01.105 --> 01:07:02.920
in the house
and lock into them.
01:07:03.220 --> 01:07:05.561
Who are you looking at? Polo?
Alright.
01:07:05.561 --> 01:07:08.533
Now, Polo sees you.
01:07:08.980 --> 01:07:12.700
She sees the side of you
that is feminine.
01:07:13.810 --> 01:07:15.730
And the side of you
that is masculine.
01:07:24.410 --> 01:07:28.780
She sees the side of you
that is extremely talented.
01:07:28.780 --> 01:07:31.540
And the side of you
that is void of talent.
01:07:47.497 --> 01:07:52.616
- She sees the side of you
that is a freakin' warrior,
01:07:52.900 --> 01:07:57.790
that gets up every morning
and battles the good fight
01:07:58.234 --> 01:08:00.104
of what's right.
01:08:00.104 --> 01:08:00.970
She sees that.
01:08:04.690 --> 01:08:08.861
And she sees the coward,
where you stay small,
01:08:08.861 --> 01:08:11.178
and don't put yourself out.
01:08:15.181 --> 01:08:16.000
Sound.
01:08:19.664 --> 01:08:21.066
[quiet exhale]
01:08:27.068 --> 01:08:27.978
Sound.
01:08:28.300 --> 01:08:29.728
[slightly louder
exhale]
01:08:30.304 --> 01:08:30.980
-Yeah.
01:08:40.945 --> 01:08:42.281
[vocalized exhale]
01:09:23.507 --> 01:09:24.456
[baby cries]
01:09:24.502 --> 01:09:27.169
Let's go, let's go.
Bye -
01:09:27.169 --> 01:09:28.664
Oh my God.
01:09:29.027 --> 01:09:31.062
[baby cries in distance]
01:10:12.436 --> 01:10:14.804
[muffled laughter]
01:10:21.247 --> 01:10:22.642
[muffled reality TV show]
01:10:23.720 --> 01:10:27.200
I'm glad to be home. I'm glad
to be by my family. You know.
01:10:28.820 --> 01:10:31.430
I don't know what's next for me,
in terms of where I will go,
01:10:31.460 --> 01:10:34.070
if I'm gonna stay here, if I'm
going to move back to New York,
01:10:34.070 --> 01:10:36.650
if I'm going to go to LA...
I don't know.
01:10:37.245 --> 01:10:38.994
FROM TV: When people say
things aren't possible,
01:10:38.994 --> 01:10:41.036
let me tell you
they really are.
01:10:41.565 --> 01:10:42.408
- Aw!
01:10:46.820 --> 01:10:49.476
To be very honest with you,
the 90's has not changed.
01:10:50.865 --> 01:10:53.319
There's a part of me, that,
like the ego part of me,
01:10:53.319 --> 01:10:54.860
where it's like,
okay, I won Drag Race,
01:10:54.890 --> 01:10:56.180
I've done so much
for myself,
01:10:56.450 --> 01:10:57.974
I'm gonna be going
back to this place
01:10:57.974 --> 01:10:59.690
to be making the same
kind of money that
01:10:59.691 --> 01:11:01.578
all the girls
who have not achieved
01:11:01.602 --> 01:11:03.763
half of what
I have achieved...
01:11:03.763 --> 01:11:05.614
You know,
like square one.
01:11:16.606 --> 01:11:18.180
- But then, okay.
01:11:18.660 --> 01:11:21.570
I gotta put my ego aside.
It's a job.
01:11:22.350 --> 01:11:24.780
I have my fans there,
to see me.
01:11:25.080 --> 01:11:27.847
I have money that I
can be making there.
01:11:27.847 --> 01:11:29.310
I have opportunity.
01:11:30.240 --> 01:11:31.867
And it's what I do with it.
01:11:33.789 --> 01:11:35.916
Something - Is it this
that smells burnt?
01:11:35.916 --> 01:11:37.620
- It's probably the steamer.
01:11:37.621 --> 01:11:39.000
- No it's not the st-,
girl, really?
01:11:40.290 --> 01:11:40.771
- It's the steam,
smell the steam -
01:11:40.771 --> 01:11:42.750
- Well it probably hasn't
been heated up in forever...
01:11:42.750 --> 01:11:44.398
- It's - the water in there's
probably really old.
01:11:44.398 --> 01:11:46.458
- Oh really?
01:11:47.781 --> 01:11:48.646
Bitch.
01:11:55.380 --> 01:11:58.320
- Um, actually October
was 19 years.
01:12:00.570 --> 01:12:02.970
- October will make you 19,
19 years?
01:12:02.970 --> 01:12:03.594
- Yeah.
01:12:03.744 --> 01:12:04.950
- That's crazy.
01:12:08.381 --> 01:12:10.634
- Yeah, hopefully
not be here...
01:12:20.880 --> 01:12:24.142
There are times where you
have to take steps behind
01:12:24.142 --> 01:12:26.287
to make many steps forward.
01:12:26.607 --> 01:12:29.025
EMCEE: BeBe Zahara Benet...
01:12:44.133 --> 01:12:45.636
You don't want to
look at yourself -
01:12:45.660 --> 01:12:47.100
You want to look
behind the car -
01:12:47.431 --> 01:12:49.664
- Calm down.
That's what I'm doing.
01:12:49.664 --> 01:12:51.083
This is too scary!
01:12:51.943 --> 01:12:53.040
For some crazy reason,
01:12:53.130 --> 01:12:54.712
I keep taking lefts.
01:12:54.796 --> 01:12:55.410
Oof!
01:12:56.776 --> 01:12:58.031
[they laugh]
01:12:58.967 --> 01:13:01.696
Oh, that was better, right, K?
- That was better.
01:13:01.696 --> 01:13:03.000
- Yes, that was better.
01:13:03.001 --> 01:13:04.260
That was smoother.
01:13:10.309 --> 01:13:11.879
Oh, look at Grandma!
01:13:22.166 --> 01:13:28.154
We are here together now
because Vanjelis earned his PhD
01:13:28.601 --> 01:13:30.780
and we came to join together,
01:13:31.230 --> 01:13:32.430
to celebrate the event.
01:13:35.685 --> 01:13:37.007
Over there...
01:13:37.338 --> 01:13:39.807
My younger brother
wanted me to help
01:13:39.866 --> 01:13:41.767
plan his graduation party.
01:13:44.117 --> 01:13:45.624
Please don't mix them.
01:13:45.624 --> 01:13:48.570
I need those lanterns up,
like, in the next 20 minutes.
01:13:51.840 --> 01:13:52.886
Em, what do you think?
01:13:54.202 --> 01:13:54.905
- It looks right?
01:14:06.270 --> 01:14:08.310
As much as I am very close
with my mom and dad,
01:14:08.311 --> 01:14:11.250
I feel like there's still that
pink elephant in the room?
01:14:11.340 --> 01:14:12.440
That, in the sense, like
01:14:12.464 --> 01:14:15.050
we haven't really talked
about the BeBe thing.
01:14:15.080 --> 01:14:17.600
We don't really have
conversations about it.
01:14:17.840 --> 01:14:18.673
Ma, I don't know how,
01:14:18.736 --> 01:14:20.348
how did you guys -
how did you guys feel
01:14:20.395 --> 01:14:21.993
the first time
when I told you about
01:14:22.041 --> 01:14:23.771
the whole -
being on television
01:14:23.771 --> 01:14:25.790
and doing drag
and stuff like that?
01:14:25.791 --> 01:14:27.320
Like how were -
01:14:28.310 --> 01:14:29.729
- Well, we were not -
01:14:29.729 --> 01:14:32.372
we were not surprised
because we knew that
01:14:33.039 --> 01:14:36.320
from childhood
you loved such things.
01:15:00.990 --> 01:15:02.398
So I'm hoping that,
by God's grace,
01:15:02.398 --> 01:15:04.210
by the time they
go to Cameroon, you know,
01:15:04.240 --> 01:15:07.351
they will get an opportunity
to come to one of my shows
01:15:07.351 --> 01:15:09.573
and get the live
experience of it.
01:15:33.640 --> 01:15:34.937
EMCEE: BeBe Zahara Benet.
01:15:34.937 --> 01:15:36.237
How many of y'all
know who that is?
01:15:37.560 --> 01:15:40.971
She made us feel so wonderful
here in the Twin Cities.
01:15:40.971 --> 01:15:43.553
That was our own BeBe,
look, that's our girl,
01:15:43.553 --> 01:15:45.512
that's our BeBe! Yeah.
01:15:49.336 --> 01:15:50.383
- Let's pray.
01:15:50.831 --> 01:15:52.987
- Yeah we have to pray. Hold on.
01:15:57.370 --> 01:16:00.206
- We're just gonna - no, we're
just gonna pray without her,
01:16:00.206 --> 01:16:01.919
cuz we're running late.
01:16:02.620 --> 01:16:04.029
-Thank you for this moment, God.
01:16:04.075 --> 01:16:06.186
We thank you for
everybody that has worked -
01:16:06.244 --> 01:16:08.469
we just ask you to bless
each and every body
01:16:08.503 --> 01:16:10.149
as they travel back
to their homes.
01:16:10.149 --> 01:16:12.626
And we just thank you God,
for this fellowship.
01:16:12.650 --> 01:16:14.200
Thank you for our sister, God,
01:16:14.290 --> 01:16:15.400
that just came
into the middle
01:16:15.400 --> 01:16:16.510
and she got something to say -
01:16:17.780 --> 01:16:18.790
- Most gracious
and loving father,
01:16:18.791 --> 01:16:21.550
we just bless and give you
all the honor and the glory.
01:16:22.060 --> 01:16:25.842
And through the music and
the drums and the voices, Lord,
01:16:25.870 --> 01:16:28.343
you will be able to touch
each and every one of us
01:16:28.367 --> 01:16:30.709
who has come to support this.
01:16:30.730 --> 01:16:34.421
We just bless you and give you
all the glory. In Jesus' name.
01:16:34.421 --> 01:16:35.644
Amen.
01:16:35.644 --> 01:16:37.451
- Sis you look good,
you are sure dressed, honey!
01:16:37.451 --> 01:16:40.822
Mami I love you -
- Love you. You guys -
01:16:40.822 --> 01:16:42.446
do your thing!
01:16:43.699 --> 01:16:45.404
[♪ upbeat music ♪]
01:16:45.427 --> 01:16:48.932
Ladies and gentlemen,
welcome to -
01:16:49.858 --> 01:16:54.933
Two Queens, One Stage:
Tribal Fever!
01:16:58.812 --> 01:17:01.368
Hold on - hold on guys -
hold on, hold on -
01:17:01.368 --> 01:17:03.680
let me have my moment,
thank you.
01:17:04.240 --> 01:17:06.610
I just have to say
today is amazing to me.
01:17:06.610 --> 01:17:08.770
And I'm going to try
not to be so emotional,
01:17:08.771 --> 01:17:10.650
I know we want to try
to get the party going,
01:17:10.890 --> 01:17:12.685
but tonight is the night
01:17:12.685 --> 01:17:16.294
that my mom and my dad
all the way from Cameroon
01:17:16.352 --> 01:17:19.262
are here, and the first time
they've ever seen me perform.
01:17:19.262 --> 01:17:22.196
Up there.
That's my mom over there,
01:17:22.196 --> 01:17:24.595
that's my daddy over there,
01:17:24.595 --> 01:17:26.567
that's my grandma over there,
01:17:26.595 --> 01:17:28.958
and all my sisters
and brothers,
01:17:28.958 --> 01:17:32.504
thank you so much for -
all of you...
01:17:32.981 --> 01:17:34.973
Oh my God...
01:17:37.317 --> 01:17:40.315
[♪ upbeat music ♪]
01:17:42.551 --> 01:17:44.641
Yeah!
01:17:46.321 --> 01:17:47.097
C'mon.
01:17:47.097 --> 01:17:49.285
Everybody put those
hands together.
01:17:49.285 --> 01:17:51.036
Put those hands together.
01:17:51.036 --> 01:17:53.036
Put those hands together!
01:17:53.562 --> 01:17:57.113
♪
01:18:17.630 --> 01:18:19.779
I just really wanted them
to be proud.
01:18:21.297 --> 01:18:22.171
This is my work.
01:18:22.191 --> 01:18:23.510
This is what I do for a living.
01:18:25.310 --> 01:18:27.297
My mom called me on the phone
the following day,
01:18:27.297 --> 01:18:28.456
and she's like, "How are you?
Are you okay?"
01:18:28.456 --> 01:18:29.821
I'm like, "Yes, I'm okay."
01:18:29.821 --> 01:18:32.690
And she said, it was really,
really a great show.
01:18:32.714 --> 01:18:35.450
And she was like, the show
needs to be in a bigger space,
01:18:35.451 --> 01:18:36.800
you know, because it
was just, you know,
01:18:36.801 --> 01:18:38.157
she was already
giving her feedback
01:18:38.157 --> 01:18:39.740
on what she thought
the show was.
01:18:40.100 --> 01:18:42.920
My dad loved it too. My dad
really, really had a great time.
01:18:42.921 --> 01:18:45.080
"It was very artistic,"
is what he would say.
01:18:46.850 --> 01:18:50.720
He did. "It was very
artistic," Dad would say,
01:18:50.721 --> 01:18:52.730
it was very artistic honey.
01:18:56.960 --> 01:18:58.685
If that was what
ended my career,
01:18:58.685 --> 01:19:00.410
I would have been
A-okay with that.
01:19:00.740 --> 01:19:04.940
That was a way for them to,
to get it.
01:19:05.990 --> 01:19:09.583
I would have been devastated
if my dad passed
01:19:09.583 --> 01:19:11.772
without having seen me.
01:19:13.359 --> 01:19:15.628
Ugh, seeing my dad...
01:19:28.537 --> 01:19:30.164
That's a hard one.
01:19:33.290 --> 01:19:35.540
I called him the calm giant,
01:19:35.570 --> 01:19:39.320
because he was just this man who
had this presence about himself,
01:19:39.470 --> 01:19:41.390
but was also just so strong,
you know?
01:19:43.580 --> 01:19:46.627
That he's no longer
here with us, it's -
01:19:47.224 --> 01:19:48.917
that's a hard one.
01:19:55.460 --> 01:19:56.930
Of course,
we went to Cameroon.
01:20:06.110 --> 01:20:07.980
My family wanted
that to be
01:20:07.980 --> 01:20:09.850
my dad's private moment,
you know?
01:20:09.851 --> 01:20:12.941
And I felt so bad because
we've grown so super close -
01:20:12.978 --> 01:20:15.542
I mean, if you'd said you
were going to come,
01:20:15.542 --> 01:20:17.530
just to come there
without the cameras,
01:20:17.830 --> 01:20:19.862
that would have been a
different kind of story, right?
01:20:19.909 --> 01:20:21.344
Because you're,
you're close to us.
01:20:21.430 --> 01:20:22.960
They would've loved
to have seen you,
01:20:23.260 --> 01:20:25.756
but it was such a time for us
01:20:25.756 --> 01:20:27.628
where even talking about
filming or whatever
01:20:27.941 --> 01:20:29.602
would have been
so disrespectful.
01:20:29.602 --> 01:20:32.260
You know, like you
coming in as this,
01:20:32.770 --> 01:20:35.080
you know, Caucasian
woman with your camera,
01:20:35.080 --> 01:20:37.630
and your little people and
you guys are shooting -
01:20:37.870 --> 01:20:40.090
It just pulls
a lot of attention.
01:20:40.090 --> 01:20:42.484
[yelling]
01:20:43.440 --> 01:20:45.403
There's also the
fear of foreigners
01:20:45.403 --> 01:20:47.040
who come and take culture,
01:20:47.520 --> 01:20:50.204
they come and take stories,
they come and take fashion,
01:20:50.204 --> 01:20:51.259
they come and take music
01:20:51.259 --> 01:20:53.370
and then you bring it here,
and then you exploit it.
01:20:53.580 --> 01:20:56.040
I think a lot of Africans
are aware of that now.
01:20:57.630 --> 01:20:59.287
Why are you here?
What is your reason?
01:20:59.310 --> 01:21:01.109
What are you going
to do with this?
01:21:05.820 --> 01:21:08.250
The last time
I went to Cameroon
01:21:08.250 --> 01:21:10.680
was the time
I left Cameroon.
01:21:10.681 --> 01:21:12.600
I mean, there was anxiety.
I had anxiety.
01:21:13.110 --> 01:21:16.770
I don't even know
how I would be received or,
01:21:16.890 --> 01:21:19.260
how would people
react to me, you know?
01:21:22.620 --> 01:21:25.710
I think it was important
just for you, even without me,
01:21:25.711 --> 01:21:30.330
to just go and be
part of that energy.
01:21:35.950 --> 01:21:36.979
Goodbye!
01:21:41.010 --> 01:21:42.360
Whoa!
01:21:49.495 --> 01:21:51.072
Ahhh!
01:21:57.798 --> 01:21:59.584
[silence, somber score]
01:22:51.542 --> 01:22:53.057
[sounds from computer]
01:22:59.434 --> 01:23:01.409
- How are you my loves?
01:23:03.210 --> 01:23:06.060
- Can you guys hear me?
I keep hearing another noise.
01:23:08.000 --> 01:23:08.833
Is somebody back there?
01:23:09.919 --> 01:23:11.194
Was somebody cooking -
01:23:12.459 --> 01:23:13.822
-Somebody was cooking something.
01:23:13.846 --> 01:23:16.124
I heard the -
were they pounding?
01:23:16.124 --> 01:23:17.660
What are they making,
fufu?
01:23:18.171 --> 01:23:19.171
What are they making?
01:23:23.420 --> 01:23:24.590
- Oh, and eru?
01:23:28.040 --> 01:23:30.483
- Um, you know - I cook,
I cook very good eru.
01:23:32.070 --> 01:23:32.810
- Oh yes, in America.
01:23:32.840 --> 01:23:37.884
Oh, I cook all of that stuff.
Eru, okra, fufu, Ogbono soup...
01:23:38.617 --> 01:23:40.268
Look at you!
01:23:40.341 --> 01:23:42.455
But listen,
what I would like to say, like -
01:23:42.455 --> 01:23:45.786
you guys are such,
you are such an inspiration,
01:23:45.839 --> 01:23:48.626
because of the simple fact
that you are living your truth.
01:24:25.060 --> 01:24:26.641
-You're such in the right space.
01:24:26.641 --> 01:24:28.486
And you know, with family
or without family,
01:24:28.657 --> 01:24:30.393
you know that
you have to keep doing
01:24:30.405 --> 01:24:31.549
what you're doing right now
01:24:31.573 --> 01:24:33.407
so that you can
better your life.
01:24:33.430 --> 01:24:35.189
And better your situation.
01:24:35.260 --> 01:24:36.726
You know what I'm saying?
01:24:48.310 --> 01:24:51.949
RUPAUL: Welcome our queen,
BeBe Zahara Benet.
01:25:01.526 --> 01:25:03.827
[♪ "Cameroon/Dirty Drums"
by BeBe Zahara Benet ♪]
01:25:10.689 --> 01:25:14.764
♪ Rrrrr-ra-ka-ta-ti-ti-ta-ta,
yeah I'm pussy bitch. ♪
01:25:16.570 --> 01:25:17.525
What did she say?
01:25:17.525 --> 01:25:21.253
♪ Rrrrr-ra-ta-ta-ti-ti-ta-ta,
yeah I'm pussy bitch. ♪
01:25:21.253 --> 01:25:25.120
♪ Oo la la la la la la
c'est bon, c'est bon... ♪
01:25:25.120 --> 01:25:27.686
Being on All-Stars 3
was a great resurgence
01:25:27.686 --> 01:25:30.759
when it came to my, uh,
to my platform or whatever.
01:25:30.779 --> 01:25:32.800
Of course the bookings,
you know,
01:25:32.801 --> 01:25:35.230
being able to travel,
and work.
01:25:35.230 --> 01:25:37.750
- You still look the same
from Season One. You do.
01:25:37.750 --> 01:25:40.380
- Especially from the back row,
right? - Yeah.
01:25:40.380 --> 01:25:42.266
No that's not shade!
01:25:43.570 --> 01:25:45.490
Even with the recognition
that was given,
01:25:45.880 --> 01:25:48.430
it did not stop what
the hustle had to be.
01:25:49.000 --> 01:25:51.100
You have to keep working.
01:25:54.160 --> 01:25:56.350
Today,
she is the only queen!
01:25:58.180 --> 01:25:59.013
Do you like?
01:25:59.440 --> 01:26:00.580
I love it.
01:26:00.640 --> 01:26:03.760
Isn't these unique features that
we have what makes us special,
01:26:04.740 --> 01:26:07.623
because we are not all created
the same?
01:26:07.623 --> 01:26:09.120
- But it's like so hard.
01:26:09.150 --> 01:26:11.223
What I loved so much
about Dragnificent
01:26:11.223 --> 01:26:13.890
is the whole idea
of being in a show
01:26:14.070 --> 01:26:16.990
where you are helping people
01:26:17.119 --> 01:26:19.713
and you're moving people
forward in their lives
01:26:19.785 --> 01:26:22.680
and creating a situation where
you're bringing them some light.
01:26:23.550 --> 01:26:24.923
To me that is rewarding,
01:26:24.923 --> 01:26:27.120
because if it's not,
then what is it?
01:26:27.150 --> 01:26:29.736
Is it just making money
and just being famous?
01:26:29.759 --> 01:26:30.875
At the end of the day,
01:26:30.901 --> 01:26:32.790
what does - oof - okay?
01:26:36.380 --> 01:26:38.930
I want to sit and feel like
I've done something.
01:26:38.990 --> 01:26:40.679
I want to feel
when I go to bed,
01:26:40.679 --> 01:26:42.620
I am moving something
forward, you know?
01:26:52.550 --> 01:26:57.380
I remember being
in my apartment and then
01:26:57.440 --> 01:27:00.170
one of my friends called me
and was like, "Hey, have you,
01:27:00.260 --> 01:27:03.908
did you hear somebody got,
you know, killed, murdered,
01:27:03.908 --> 01:27:05.310
in Minneapolis?"
I was like, "What?
01:27:05.310 --> 01:27:07.525
You know, turn on the news,
turn on the news."
01:27:11.450 --> 01:27:13.484
I just had to
shut everything off
01:27:13.484 --> 01:27:17.025
and just take a moment
because I felt so cold.
01:27:20.630 --> 01:27:24.260
I felt disgusted. Like, I mean,
this is a place that I claim,
01:27:24.261 --> 01:27:25.100
you know what I mean?
01:27:40.130 --> 01:27:41.660
There are different forms
of racism, right?
01:27:42.260 --> 01:27:45.296
And I feel like I can only
speak on my industry.
01:27:45.436 --> 01:27:48.386
You know, where it's like,
I am too African.
01:27:48.524 --> 01:27:52.865
The masses will not understand.
I'm too worldly, right?
01:27:52.865 --> 01:27:55.760
I'm not the Pop Princess,
or the this, or the that,
01:27:55.761 --> 01:27:57.500
of what everybody's
accustomed to.
01:27:57.581 --> 01:28:00.483
Even though she won Drag Race
and she's this and she's that
01:28:00.530 --> 01:28:01.493
and I love her -
01:28:01.522 --> 01:28:03.493
But guess what? She might not
be able to sell tickets.
01:28:03.980 --> 01:28:05.840
Why might she not
be able to sell tickets?
01:28:06.290 --> 01:28:09.077
Because she presents herself
in the global way,
01:28:09.077 --> 01:28:10.875
and people would not get it?
01:28:10.880 --> 01:28:13.310
Maybe not.
Let's go with what's safe.
01:28:13.310 --> 01:28:15.620
Okay well if you're not
going to give that to me,
01:28:15.620 --> 01:28:17.090
then I'm going to
keep creating it.
01:28:20.251 --> 01:28:23.377
Creating that situation
and being able to get
01:28:23.424 --> 01:28:25.700
the other artists of color
and saying that -
01:28:25.701 --> 01:28:28.490
let's put our money,
let's put our resources,
01:28:28.670 --> 01:28:30.241
let's put our
connections together
01:28:30.241 --> 01:28:31.813
and let us
create something where
01:28:31.813 --> 01:28:34.640
we are all producers
of this project.
01:28:36.469 --> 01:28:39.308
Nubia was - like that showcase
we did in New York -
01:28:39.331 --> 01:28:41.706
having three sold-out shows -
01:28:44.660 --> 01:28:49.141
Every kind of person
was in that space.
01:28:49.141 --> 01:28:51.620
Black, white, straight, gay...
01:28:55.920 --> 01:28:59.180
Just goes to say that yes,
black entertainment does sell,
01:28:59.181 --> 01:29:00.380
black entertainment makes money,
01:29:00.381 --> 01:29:04.150
and black entertainment
is also very entertaining.
01:29:09.543 --> 01:29:11.408
May I present to you,
01:29:11.408 --> 01:29:13.110
Black Excellence.
01:29:21.640 --> 01:29:23.837
And to every single one of you,
01:29:23.837 --> 01:29:27.292
do not let anybody
take your gifts away.
01:29:31.560 --> 01:29:33.840
I don't know what
the future of my career is.
01:29:33.930 --> 01:29:37.098
I still feel like there's
still a lot left to do.
01:29:37.098 --> 01:29:39.172
It's not about the fame,
01:29:39.172 --> 01:29:42.240
and you know, oh, I'm a star,
I'm a this, I mean,
01:29:43.290 --> 01:29:44.123
I am...
01:29:52.222 --> 01:29:54.150
I'm not the makeup artist,
I'm only the manager...
01:29:54.150 --> 01:29:56.041
- How do I look?
- You're beautiful.
01:29:56.041 --> 01:29:57.980
Rewind, rewind, rewind...
01:29:58.470 --> 01:30:00.437
Lights, camera, 1-2-3...
01:30:07.991 --> 01:30:10.718
My name is
Nea Marshall Kudi,
01:30:10.741 --> 01:30:13.410
and my business name is
BeBe Zahara Benet.
01:30:15.180 --> 01:30:17.950
I was born in West Africa,
precisely Cameroon.
01:30:25.380 --> 01:30:29.700
My story of my life and
experiences, my journey,
01:30:29.700 --> 01:30:34.671
is one that anyone with a drive
and a strong will needs to hear.
01:30:35.861 --> 01:30:38.842
I traveled many many miles
01:30:39.220 --> 01:30:42.450
away from my family and
friends to pursue a dream,
01:30:42.450 --> 01:30:45.375
and I will not stop until I have
reached the end of my journey.
01:30:48.301 --> 01:30:53.480
[♪ "Banjo"/"Jungle Kitty" by
Bebe Zahara Benet ♪]
01:31:42.375 --> 01:31:44.125
♪
01:32:44.041 --> 01:32:46.125
♪
01:32:59.800 --> 01:33:02.620
I didn't know how much naked
I was in the documentary.
01:33:05.680 --> 01:33:09.820
I'm very conservative, like
- and then I'm like dang,
01:33:09.820 --> 01:33:13.210
she was naked quite a bit,
like what's going on?