00:00:44.127 --> 00:00:48.214
- [David] We're putting this base
together for Lily Suarez.
00:00:48.214 --> 00:00:50.341
She's 16, which means
she's probably, what,
00:00:50.341 --> 00:00:52.343
a sophomores in high school?
00:00:52.343 --> 00:00:56.431
And we're going down to Havana
tomorrow to deliver this.
00:00:56.431 --> 00:00:58.892
A lot of the kids there don't
have their own instruments.
00:00:58.892 --> 00:01:00.351
They have instruments owned by the school
00:01:00.351 --> 00:01:02.395
or essentially the state.
00:01:02.395 --> 00:01:08.485
- [Judy] This box is full of strings
for violins, violas, bridges,
00:01:08.485 --> 00:01:11.529
sound posts, everything you
need for bases and cello.
00:01:11.529 --> 00:01:14.783
And the rest is assorted
product that we need down there.
00:01:14.783 --> 00:01:18.661
Everything from screws to
probably 15 pounds of sandpaper
00:01:18.661 --> 00:01:20.830
because they can't get
any sandpaper down there.
00:01:23.792 --> 00:01:25.418
- [Receptionist] David Gage.
00:02:49.294 --> 00:02:50.545
- [All] Hey!
00:03:04.684 --> 00:03:05.935
Hey!
00:08:25.838 --> 00:08:29.050
- [David] This was our
eighth trip to Cuba.
00:08:29.050 --> 00:08:31.761
It's always a challenge
going through customs in Cuba
00:08:31.761 --> 00:08:33.471
because all of the supplies
00:08:33.471 --> 00:08:35.765
and instruments we're bringing in.
00:08:37.850 --> 00:08:40.895
All the people we bring
in with us are volunteers,
00:08:40.895 --> 00:08:44.357
and they're all really top-notch artisans.
00:08:57.787 --> 00:09:00.331
We helped to start a workshop to teach
00:09:00.331 --> 00:09:04.293
how to repair instruments
and also repair instruments.
00:09:04.293 --> 00:09:07.129
One of only two workshops
in the entire country.
00:09:14.387 --> 00:09:16.180
- [Judy] So you want your
bridges in there, too?
00:09:16.180 --> 00:09:17.848
- Yeah, put 'em all in there.
00:09:19.392 --> 00:09:22.395
- [Judy] This is the beginning
of the workshop area.
00:09:22.395 --> 00:09:26.065
All of these instruments here
are waiting to be repaired.
00:09:27.900 --> 00:09:31.112
This area is only for strings.
00:09:31.112 --> 00:09:33.864
Bass, cello, and violin.
00:09:33.864 --> 00:09:36.784
And all these violins
all need to be repaired.
00:09:37.743 --> 00:09:40.621
This is our newest area of the workshop.
00:09:40.621 --> 00:09:42.415
This is our “taller de la guitarra.”
00:09:43.374 --> 00:09:45.710
So Manny Salvador is here with Ibrahim,
00:09:45.710 --> 00:09:47.336
and they are setting up
00:09:47.336 --> 00:09:51.048
the first actual guitar workshop here.
00:09:51.924 --> 00:09:54.343
We're gonna go into the
brass and woodwind room.
00:10:02.518 --> 00:10:04.687
- [Luthier] The instruments are
in complete disrepair
00:10:04.687 --> 00:10:07.189
because until this
workshop was established,
00:10:07.189 --> 00:10:09.609
there was really no place on the island
00:10:09.609 --> 00:10:11.902
for instruments to get repaired.
00:10:12.528 --> 00:10:15.865
And the climate is so harsh,
here, on musical instruments
00:10:15.865 --> 00:10:18.284
because of the humidity,
especially on woodwind instruments
00:10:18.284 --> 00:10:19.744
and they get rusted and corroded.
00:10:19.744 --> 00:10:22.246
So, we're in this place
where they, they just,
00:10:22.246 --> 00:10:25.625
they need everything, and we
can't give them everything,
00:10:25.625 --> 00:10:27.168
but we can give something.
00:11:31.482 --> 00:11:33.734
- The bridge, straight and straightened.
00:11:33.734 --> 00:11:37.655
Then pull it back and lower the strings.
00:12:23.826 --> 00:12:24.660
- Scalpel.
00:12:51.687 --> 00:12:52.563
- How do you say that?
00:12:52.563 --> 00:12:54.190
- [Darianna] Espalda.
- [David] Espalda.
00:12:54.190 --> 00:12:57.276
So that's an easy word, too, espalda.
00:22:33.018 --> 00:22:33.852
- [Lily] What?
00:22:39.232 --> 00:22:40.359
- [David] It's a special string bass.
00:22:40.359 --> 00:22:42.611
A travel string bass.
- [Lily] For me?
00:22:42.611 --> 00:22:45.864
- [David] So when you travel around
the world in the future,
00:22:45.864 --> 00:22:47.574
you have something to travel with.
00:22:48.617 --> 00:22:49.368
-But...
00:23:24.653 --> 00:23:26.196
- [Spectator] All right, yeah.
00:23:29.282 --> 00:23:34.162
- [Lily] I feel so proud, so, a lucky girl.
00:23:34.162 --> 00:23:35.872
- [Spectator] Yeah, but you deserve it.
00:24:23.962 --> 00:24:25.130
- [Judy] This is triage room,
00:24:25.714 --> 00:24:27.716
although they said to
us there's very little.
00:24:27.716 --> 00:24:29.426
There's always so much to do.
00:24:29.634 --> 00:24:31.052
We were told there was one bass,
00:24:31.052 --> 00:24:32.596
as you can see, there are three.
00:24:33.221 --> 00:24:34.639
Fortunately I didn't believe them,
00:24:34.639 --> 00:24:36.600
and I brought four sets of strings.
00:24:36.600 --> 00:24:39.853
But nonetheless, we're never
gonna be able to do it all.
00:33:26.754 --> 00:33:29.966
- [Darianna] I finally got my visa
to go to the States,
00:33:29.966 --> 00:33:33.094
and I just have a few more days
before I leave for New York City.
00:33:36.764 --> 00:33:39.809
I was in the jazz festival,
00:33:39.809 --> 00:33:43.771
and I met Professor Michael
Goode while I was playing.
00:33:43.771 --> 00:33:46.065
And then he told me about the possibility
00:33:46.065 --> 00:33:49.569
to go to this jazz program
in Michigan University
00:33:49.569 --> 00:33:53.239
and that opened a new door, a new world.
00:33:53.698 --> 00:33:58.119
And, now, I'm in the program
for a masters in jazz.
00:34:00.538 --> 00:34:02.957
I have left Havana City already.
00:34:04.459 --> 00:34:07.920
My grandmother, my aunt, my uncles,
00:34:07.920 --> 00:34:09.422
they all live in Batabano.
00:34:15.011 --> 00:34:17.138
I'm from Guantanamo and I grew up there.
00:34:18.389 --> 00:34:19.807
I am a Guantanamera.
00:34:28.441 --> 00:34:31.861
Now I have to say goodbye to
all my friends and family.
00:34:34.280 --> 00:34:37.700
I will miss everything, all this.
00:34:38.701 --> 00:34:43.081
The music, the air, the noise, the food,
00:34:44.207 --> 00:34:45.792
is everything I know.
00:34:46.292 --> 00:34:47.668
Everything I know is here,
00:34:48.961 --> 00:34:51.255
and I'm not going to be here for a while.
00:38:45.948 --> 00:38:48.492
- [Guide] This building was built in 1817.
00:38:48.492 --> 00:38:50.661
It originally served as a home,
00:38:50.661 --> 00:38:53.581
but where this building really
took shape was in the 1950s
00:38:53.581 --> 00:38:56.125
when it was called the
Associated Artist Gallery,
00:38:56.125 --> 00:38:59.378
and the music that started here
00:38:59.378 --> 00:39:02.715
was the earliest formings
of Preservation Hall.
00:40:42.398 --> 00:40:44.316
- [Musician] There's the rhythm for ya!
00:41:45.085 --> 00:41:46.003
- [Bassist] You know what?
Let’s play them something
00:41:46.003 --> 00:41:47.630
so I can show her a little slap technique.
00:41:47.630 --> 00:41:49.465
- [Pianist] Oh yeah.
- [Bassist] You know?
00:42:16.242 --> 00:42:17.660
- [Pianist] Why don't you try, try?
00:42:17.660 --> 00:42:19.245
We play something very slow.
00:42:19.828 --> 00:42:20.996
- Well, I try it.
00:42:21.372 --> 00:42:22.373
- Come on, come on.
- [Bassist] Okay.
00:42:22.373 --> 00:42:23.415
You wanna play this bass?
00:42:23.415 --> 00:42:24.750
- Yeah, sure.
00:44:01.639 --> 00:44:05.142
- [Bassist] I grew up here at Preservation Hall.
00:44:05.142 --> 00:44:07.436
This was our, our living
room where we're sitting.
00:44:07.436 --> 00:44:11.523
You know, my parents lived
up on the loft back here.
00:44:14.109 --> 00:44:16.195
My father was a tuba player
00:44:16.195 --> 00:44:19.865
and discovered this magical universe.
00:44:22.868 --> 00:44:25.913
This is kind of what I remember
growing up was, you know,
00:44:25.913 --> 00:44:28.791
being around this incredible
group of musicians.
00:44:36.715 --> 00:44:38.842
I've traveled my whole life,
00:44:38.842 --> 00:44:41.220
and the only other
place that I've traveled
00:44:41.220 --> 00:44:45.933
where you felt people
making music every day,
00:44:45.933 --> 00:44:48.769
all day, was Cuba.
00:46:13.228 --> 00:46:15.355
- [Tuba Player] Man, oh man.
00:46:15.355 --> 00:46:17.149
Those kids are so talented.
00:46:19.151 --> 00:46:21.320
If they moved to New Orleans,
I'd hire 'em on the spot.
00:46:21.320 --> 00:46:22.654
I ain't gon' lie.
00:46:22.654 --> 00:46:23.280
Every one of 'em.
00:46:23.280 --> 00:46:24.114
Yeah, you in my band.
00:46:24.114 --> 00:46:24.948
Yeah, you too.
00:46:24.948 --> 00:46:26.533
Yeah, my band.
00:47:55.581 --> 00:47:59.334
- [Musician] Yeah, beautiful, beautiful.
- Get down, man.
00:47:59.334 --> 00:48:00.836
- [Tuba Player] Wonderful job, all you guys!
00:48:00.836 --> 00:48:04.172
It's like being with
all my nieces and nephews
00:48:04.172 --> 00:48:07.301
when we have family gatherings
at the Johnson House,
00:48:07.301 --> 00:48:08.427
and we have a good time.
00:48:08.427 --> 00:48:11.179
We all, the nephews, nieces, cousins,
00:48:11.179 --> 00:48:13.682
and it's the same, it's the same feeling.
00:48:13.682 --> 00:48:16.059
We all just happy, even when it's over,
00:48:16.059 --> 00:48:17.227
somebody gonna start playing.
00:48:17.227 --> 00:48:18.812
Say, "Oh yeah, yeah!"
00:48:18.812 --> 00:48:20.564
Oh, now I gotta break my horn back out.
00:49:11.031 --> 00:49:14.534
- [Radio Host] And you are listening to WWOZ, 90.7 fm.
00:49:14.534 --> 00:49:16.620
We have a large group of guests
00:49:16.620 --> 00:49:18.747
that are in the WWOZ studios.
00:49:18.747 --> 00:49:21.875
Good, I should say, good afternoon, Jana.
00:49:21.875 --> 00:49:23.085
- [Jana] Hello, Sandra.
00:49:23.085 --> 00:49:24.503
We're really happy to be here.
00:49:24.836 --> 00:49:26.546
We're here in New Orleans right now
00:49:26.546 --> 00:49:29.383
for our program called Jazz, Jazz Amistad.
00:49:29.383 --> 00:49:31.802
Amistad means friendship in Spanish.
00:49:31.802 --> 00:49:33.345
So Jazz Amistad is a program
00:49:33.345 --> 00:49:36.390
where we build these
exchanges with partners,
00:49:36.390 --> 00:49:38.392
and the truth is we learn from each other.
00:49:38.392 --> 00:49:41.228
So, we're here in New Orleans
with Preservation Hall Jazz
00:49:41.228 --> 00:49:43.063
uh, to learn from them.
00:49:43.063 --> 00:49:43.939
- That's beautiful.
00:49:43.939 --> 00:49:47.150
- And you gotta come
see us tomorrow night.
00:49:47.150 --> 00:49:49.194
We're in concert at The Wein Center.
00:53:52.020 --> 00:53:52.896
- [David] You're here.
00:53:52.896 --> 00:53:54.064
- [Darianna] Oh my God.
- [David] Safe and sound.
00:53:54.064 --> 00:53:55.982
- [Darianna] I can't believe it.
- [David] Can't believe it either.
00:53:55.982 --> 00:53:57.734
Tomorrow we'll go to the shop.
00:53:57.734 --> 00:53:59.069
- [Darianna] I can't wait.
- We'll see you.
00:53:59.069 --> 00:54:00.737
- [Darianna] I can't wait to be in your shop.
00:54:08.119 --> 00:54:09.204
- We have to twist it.
00:54:10.455 --> 00:54:12.040
- This side?
- Yeah.
00:54:13.416 --> 00:54:14.501
- [Darianna] Okay.
00:54:15.377 --> 00:54:16.211
- Okay, good.
00:54:17.295 --> 00:54:18.713
Good job of packing this up.
00:54:26.972 --> 00:54:28.139
Good, not a crack on it.
00:54:28.139 --> 00:54:28.974
It's beautiful.
00:54:32.227 --> 00:54:33.520
- [David] You know, if you take out of tension,
00:54:33.520 --> 00:54:35.939
and it gets shipped and moved,
00:54:35.939 --> 00:54:37.774
it's very likely the sound post moved.
00:54:38.441 --> 00:54:40.026
Let's take a look at it, all right?
00:54:40.026 --> 00:54:40.902
- Okay.
00:54:47.325 --> 00:54:49.286
- [David] That rosin's really sticky in there.
00:54:49.286 --> 00:54:50.829
There we go, I almost broke it.
00:54:51.121 --> 00:54:52.163
That little click.
00:54:53.331 --> 00:54:55.667
- [Darianna] I remember in
Havana I was very anxious.
00:54:56.459 --> 00:54:58.795
- [David] Right in there.
- [Darianna] But this just disappear.
00:54:59.129 --> 00:55:01.673
But I think I'm not conscious still.
00:55:01.673 --> 00:55:03.883
I'm not conscious, yet.
00:55:05.969 --> 00:55:07.470
- [Luthier] Oh my God.
- [Darianna] Hi.
00:55:07.470 --> 00:55:08.805
- [Emma] Oh my God, hi.
00:55:10.515 --> 00:55:11.850
- Hello.
00:55:11.850 --> 00:55:14.269
- Welcome, welcome to New York.
00:55:14.269 --> 00:55:15.687
- [Darianna] Thank you so much.
- [Emma] How are you?
00:55:15.687 --> 00:55:18.940
- [Darianna] Emma Dayhoff is
an extraordinary bassist.
00:55:18.940 --> 00:55:20.191
Thank you, you look great.
00:55:22.986 --> 00:55:24.070
- [Darianna] I met her in Cuba.
00:55:24.070 --> 00:55:27.907
She was giving workshops,
and I was in the class.
00:55:31.828 --> 00:55:34.372
I didn't know anything about jazz.
00:55:35.123 --> 00:55:39.252
I hadn't yet had any jazz as
part of my musical education.
00:55:41.296 --> 00:55:44.007
So Emma was
showing me super basic things
00:55:44.007 --> 00:55:45.342
that I didn't know yet.
00:55:46.885 --> 00:55:49.554
Even how she held her hand was new to me.
00:56:21.378 --> 00:56:22.212
- Cool.
00:56:24.547 --> 00:56:28.134
- [Darianna] I'm thinking about next
week when I get to Michigan,
00:56:29.344 --> 00:56:31.888
but I'm here now enjoying this moment
00:56:31.888 --> 00:56:33.723
with these wonderful people.
00:56:34.891 --> 00:56:36.684
I'm waiting to see what's next.