Purple Dreams
- Description
- Reviews
- Citation
- Cataloging
- Transcript
Stereotypes about Black youth are turned upside down in this inspirational documentary shadowing six high-school students on an emotionally powerful, three-year journey of transformation in a racially biased city. With access to arts and academic mentors, the film’s teenagers have the potential to break the cycle of poverty, homelessness, and gang-related violence. They are given an opportunity to transcend their circumstances through a triumphant musical production, an experience that ultimately propels them into a world of opportunity they never expected. Purple Dreams bears witness to the need for arts education, especially in underserved communities.
Citation
Main credits
Hock, Joanne (film director)
Grey, Robin (film producer)
Other credits
Cinematography, Joanne Hock; editing, John Disher; music, Kathryn Bostic.
Distributor subjects
Arts Education; Equitable Education; Cycle of Poverty; Black Youth Stereotypes; Youth Homelessness; Public SchoolsKeywords
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(slow music)
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(siren wails)
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♪ Yeah, yeah, yeah ♪
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♪ Murder some beats, if you think I'm playing ♪
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♪ Better listen to what I'm saying, okay ♪
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and a part of the whole adventure
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of this was not exactly knowing what the outcome would be.
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♪ Yeah, yeah, yeah, bring the beat back ♪
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♪ Hey, hey, oh ♪
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♪ Hey, hey, hey, oh, hey ♪
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♪ Oh, oh, oh, oh ♪
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♪ Oh ♪
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(bell rings)
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we're a magnet program.
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We've got gay, straight, Black, white, Hispanic.
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The kids at other schools are
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always striving for assimilation,
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and our kids really do celebrate being different.
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I think that this school should be
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on this huge pedestal across the country.
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called public education is gonna understand
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that engaged students are better performing students,
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and one of the best ways
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to engage students is through the arts.
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to go to a school to do what they really love.
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They want to be here,
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and so our graduation rate is above 97%.
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who work here really are.
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We do it because we love the kids.
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because they told me, "They need a mother," and it's true.
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Some of them have overcome tremendous obstacles
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just to be here, but you'd never know it
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because they have that hunger and that drive.
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but they also experiment and they aren't afraid
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to try something different
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and they're not afraid to work hard.
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there is football, then there's basketball,
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then there's theater.
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five, six, seven eight.
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(upbeat music)
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(singers scat singing)
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(singers continue scat singing)
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(singers continue scat singing)
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It means escape from the harsh reality of life sometimes.
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It means that I can become somebody else,
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become, like, a different person, a different character.
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It just means endless possibilities.
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since they were, like, little,
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and I've just done, like, a few church plays here and there,
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and I'm just absorbing everything,
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taking everything I can
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and trying to be more confident about myself.
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I'm going to have my time, even if it's not now,
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I'm going to have it.
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and I just, I started to fall in love with it.
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Ever since then, it's something that I love now
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and that I can't not do.
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in my voice, I don't just sing just because it's a song,
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but I sing because it's what I was made to do.
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to be able to have a new start,
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and after being baptized and just kind of starting over,
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I needed that real bad. (laughs)
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When I was 12, my sister had a baby,
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so 12, 13, I really had to start learning how
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to be a second mother, so I think some of the things
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that other 13-year-olds worried about,
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I didn't really have the time to worry about.
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for me to express myself,
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and when I'm upset, I just go and dance,
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and it just, all the stress and the anger
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and the emotion that I hide inside just flies out,
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and I don't even open up my mouth.
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It's my life and I want to live it,
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and this is how I'm gonna live it, through dance.
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(slow piano music)
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callbacks on Wednesday.
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So it's blank today, but hopefully by Monday,
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both of these will be full.
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to be the first high school to do it,
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it means a lot, 'cause it's like, why choose us?
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We're in Charlotte, North Carolina.
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It's really an honor for someone
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to even think about us doing it.
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specifically because of the race involved.
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Why couldn't it be "Hello, Dolly"?
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Like, we don't do all white shows."
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And I'm just like, "What is wrong with you?"
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it is so relevant.
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This is carefully crafting a lesson about life
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that simply has to be put out there.
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These kids have to do this.
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we can't bring the same kind of artistic talents
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to the table, we all have something to offer.
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We all have a voice.
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they don't know I do musicals.
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They just see a Black male in a hoodie
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and they're like, "Oh, I don't want
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to walk on the same side of the street as him."
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If you have darker skin,
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you automatically get judged for this.
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about "The Color Purple," this is an example
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of being Black and making an impact.
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It means something positive.
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"Yeah, we'll show you what we can do.
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We're gonna show you what we got, too."
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I know how many of these kids really come
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from single parent homes
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and come from really, really tough situations.
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♪ Ah ♪
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(slow piano music)
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my dad, he wasn't around when I was younger.
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When I was 10 years old,
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the way he passed away, he was shot.
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It's basically me and my mom and my sister,
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and my mom has another one coming on the way.
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I just start thinking about just the things
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that I never got to say to him,
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or the things he never go to say to me,
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'cause, I mean, we never really had
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that father son bonding time.
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He went away when I was two.
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It's become a lot harder to talk to him,
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to reach out to him, you know,
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to almost forgive him for what he's done,
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'cause I just, I mean, one of the things
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that gets to me most is
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that he's never seen a show that I've done.
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Not having my father is what pushed me to work harder.
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I could either cry about it or I could accept
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that that's what my life is,
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those are the cards that I've been dealt.
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There's an inner strength that,
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I can do this without my dad, you know?
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Some of them lived in hotel rooms.
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There are some who, they're still homeless.
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Fortunately, we have children of great spirit.
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and I hate it so much.
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Well, there's two beds.
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Me and my two brothers, we sleep in one bed,
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and then my mom and her boyfriend,
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they sleep in another bed.
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I don't, like, have the advantages
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that some other kids have.
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Like, a lot of kids have parents who have, you know,
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jobs, they live in a house, they have cars.
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I don't know when it's gonna end,
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but I'm not gonna let it stop me
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because people go through worse stuff than I do.
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(slow piano music)
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to beat myself up about it.
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My family's looking at me like, "That's not manly,"
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or doing ballet was gonna make me gay,
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because everyone else did something practical,
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whether that meant working at McDonald's
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for the rest of your life, that was practical for them.
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And I knew that life was so much larger than practical.
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Although I'm different, I'm going to go above
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and beyond of what you guys feel like I was destined to be.
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through so much, and it's what makes you want to keep going,
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'cause it's like, I gotta,
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I can't be going through this for nothing.
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I have to be going through this to get somewhere.
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"Color Purple" is going to be my 44th musical
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that I've worked on since I've been at Northwest,
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and after awhile, it becomes just an ocean of other shows,
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but this one is one that's got to stand out.
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♪ Like a blade of corn ♪
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♪ Like a honeybee ♪
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♪ Like a waterfall ♪
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♪ All a part of me ♪
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(slow music)
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because this is the one that's really open to possibility.
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and it you says Harpo and Phillip Johnson,
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I would, I would probably scream like a girl.
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I always like a challenge,
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I never back away from a challenge.
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like, burns inside of my soul.
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like, I just want to be in it.
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♪ To part with you ♪
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♪ More than I can bear ♪
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I had one or two that walked out
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because it was gonna be too tough.
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and it will ruin everything.
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is gonna be a great opportunity for me.
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I think it's gonna just push me forward so much.
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I'm gonna audition my butt off.
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I have to be in the show. (laughs)
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I can't see myself doing anything else.
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Please make sure you're holding formation.
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You can make some noise if you want to, okay?
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You can smile, but in smiling, get it right.
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(slow jazzy music)
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(slow jazzy music continues)
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Let me see what you got, now.
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(slow jazzy music continues)
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(slow jazzy music continues)
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to one line for me real fast.
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(slow jazzy music continues)
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Thank you all.
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but my dance is a little bit more of a stretch for me,
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so now that that's out of the way,
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I can sort of relax a little bit more.
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(group chattering)
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but I'm gonna get there, I'm gonna get there.
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that's what I'm gonna put into it.
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00:11:40.830 --> 00:11:42.450 line:15%
266
00:11:42.450 --> 00:11:44.190 line:15%
and I'm doing the two Shug monologues,
267
00:11:44.190 --> 00:11:46.939 line:15%
so I'm going for it, so we'll see what happens.
268
00:11:46.939 --> 00:11:49.546
269
00:11:49.546 --> 00:11:52.416
and, (stammers) and you can't be going to all these places.
270
00:11:52.416 --> 00:11:53.249
(slow piano music)
271
00:11:53.249 --> 00:11:56.156
♪ Big eyed, brown legged ♪
272
00:11:56.156 --> 00:12:01.156
♪ Whatever she is, that girl sure is fine ♪
273
00:12:02.300 --> 00:12:06.291
♪ So tell me how ♪
274
00:12:06.291 --> 00:12:09.762
♪ A man do good ♪
275
00:12:09.762 --> 00:12:13.345
♪ When all he knows is bad ♪
276
00:12:15.030 --> 00:12:17.790
277
00:12:17.790 --> 00:12:19.860
but look what he give us,
278
00:12:19.860 --> 00:12:23.250
laughing, and singing, and sex, (laughs)
279
00:12:23.250 --> 00:12:26.370
sky over our heads, birds singing to us.
280
00:12:26.370 --> 00:12:27.630
281
00:12:27.630 --> 00:12:31.650
and I'll be singing "Somebody's Gonna Love"
282
00:12:31.650 --> 00:12:33.117
after my monologue.
283
00:12:37.523 --> 00:12:38.523
Dear Nettie.
284
00:12:42.273 --> 00:12:44.866
(Keston sighs)
285
00:12:44.866 --> 00:12:45.866
Dear Nettie.
286
00:12:47.874 --> 00:12:49.041
Oh, excuse me.
287
00:12:54.931 --> 00:12:57.555
288
00:12:57.555 --> 00:12:59.842 line:15%
Breathe in through you nose,
289
00:12:59.842 --> 00:13:02.342 line:15%
let it out through your mouth.
290
00:13:03.826 --> 00:13:05.076
Okay, go ahead.
291
00:13:06.943 --> 00:13:11.943 line:15%
♪ To part with you, more than I can bear ♪
292
00:13:14.716 --> 00:13:17.853
♪ 'Cause somebody ♪
293
00:13:17.853 --> 00:13:22.853
♪ Gonna love you ♪
294
00:13:23.054 --> 00:13:26.860
♪ Sweet ♪
295
00:13:26.860 --> 00:13:30.828
♪ Baby, sweet ♪
296
00:13:30.828 --> 00:13:33.756
♪ Sweet ♪
297
00:13:33.756 --> 00:13:38.756
♪ Baby, sweet ♪
298
00:13:39.294 --> 00:13:43.496
♪ Yes, I'm always ♪
299
00:13:43.496 --> 00:13:46.246
♪ Gonna love you ♪
300
00:13:48.450 --> 00:13:49.283
Thank you.
301
00:13:51.253 --> 00:13:53.010
302
00:13:53.010 --> 00:13:55.303
303
00:13:56.730 --> 00:13:58.530
She could sing, now, if Celie just
304
00:13:58.530 --> 00:13:59.450
sang the whole show-
305
00:13:59.450 --> 00:14:01.470
306
00:14:01.470 --> 00:14:02.303
307
00:14:02.303 --> 00:14:03.270
(group laughs)
308
00:14:03.270 --> 00:14:04.596
309
00:14:04.596 --> 00:14:05.520
310
00:14:05.520 --> 00:14:07.290
and a maybe no.
311
00:14:07.290 --> 00:14:09.120
Those three girls gotta sing.
312
00:14:09.120 --> 00:14:10.950
She can't, no, no, no.
313
00:14:10.950 --> 00:14:11.783
314
00:14:11.783 --> 00:14:13.140
315
00:14:13.140 --> 00:14:14.550
316
00:14:14.550 --> 00:14:17.100
and I will be singing "Hell No" after my monologue.
317
00:14:18.030 --> 00:14:19.957 line:15%
318
00:14:19.957 --> 00:14:23.067 line:15%
"Britany wants this more than anybody."
319
00:14:24.300 --> 00:14:26.790
320
00:14:26.790 --> 00:14:30.990
I love Harpo, God knows I do, but I'll kill him dead
321
00:14:30.990 --> 00:14:34.151
before I let him or anybody beat me.
322
00:14:34.151 --> 00:14:36.720
All my life I had to fight.
323
00:14:36.720 --> 00:14:40.620
I had to fight my daddy, I had to fight my brothers,
324
00:14:40.620 --> 00:14:43.020
my uncles, and my cousins, too,
325
00:14:43.020 --> 00:14:46.440
but I never, never, never, never thought
326
00:14:46.440 --> 00:14:48.997
I would have to fight in my own house.
327
00:14:48.997 --> 00:14:53.997
♪ If a man raise his hand ♪
328
00:14:54.134 --> 00:14:55.665
♪ Hell, no ♪
329
00:14:55.665 --> 00:14:57.139
(slow piano music)
330
00:14:57.139 --> 00:14:57.972
Hell, no.
331
00:14:59.820 --> 00:15:01.293
332
00:15:05.370 --> 00:15:08.490
She really seems to be determined,
333
00:15:08.490 --> 00:15:12.240
and this is Britany's first year at Northwest.
334
00:15:12.240 --> 00:15:14.040
She's coming in as a 10th grader.
335
00:15:14.040 --> 00:15:18.930
She's 18 years old and is still in the 10th grade,
336
00:15:18.930 --> 00:15:22.080
and she's worried about being able to finish
337
00:15:22.080 --> 00:15:25.503
before they actually tell her she has to leave.
338
00:15:26.370 --> 00:15:28.747
But one of the things that she said is,
339
00:15:28.747 --> 00:15:33.357
"Before I go, I really want to do a show."
340
00:15:34.260 --> 00:15:35.443
341
00:15:35.443 --> 00:15:37.138
my gosh, I wanted to-
342
00:15:37.138 --> 00:15:37.971
343
00:15:37.971 --> 00:15:39.000
like, stood-
344
00:15:39.000 --> 00:15:39.833
345
00:15:39.833 --> 00:15:41.190
in a cute little package.
346
00:15:41.190 --> 00:15:43.590
347
00:15:43.590 --> 00:15:45.403
and I just, I want it so bad.
348
00:15:45.403 --> 00:15:46.890
I just want to go for it.
349
00:15:46.890 --> 00:15:48.210
I mean, it took a lot for me,
350
00:15:48.210 --> 00:15:50.250
but I was the best me that I could be,
351
00:15:50.250 --> 00:15:52.170
so I'm happy about that.
352
00:15:52.170 --> 00:15:54.210
353
00:15:54.210 --> 00:15:56.580
so you can either check Facebook
354
00:15:56.580 --> 00:16:00.093
or check before school Wednesday morning, okay?
355
00:16:01.281 --> 00:16:04.170
356
00:16:04.170 --> 00:16:07.920
at about 10:30, and I was kind of disappointed.
357
00:16:07.920 --> 00:16:09.570
I didn't see my name on it.
358
00:16:09.570 --> 00:16:14.040
359
00:16:14.040 --> 00:16:17.460
So this morning when I posted the list,
360
00:16:17.460 --> 00:16:19.500
he seemed very crestfallen.
361
00:16:19.500 --> 00:16:21.202
Where's Mekhai?
362
00:16:21.202 --> 00:16:22.035
Come here.
363
00:16:22.035 --> 00:16:24.180
So I had to tell him personally.
364
00:16:24.180 --> 00:16:28.756
Yes, I do need you, actually I definitely need you at that.
365
00:16:28.756 --> 00:16:31.986
I messed up, okay? (cries out)
366
00:16:31.986 --> 00:16:35.250
All right, don't hug me, you stupid boy, (laughs) okay.
367
00:16:35.250 --> 00:16:36.083
368
00:16:36.083 --> 00:16:37.856
369
00:16:37.856 --> 00:16:39.090
Okay?
370
00:16:39.090 --> 00:16:39.923
371
00:16:39.923 --> 00:16:40.756
372
00:16:40.756 --> 00:16:42.022
373
00:16:42.022 --> 00:16:44.000
374
00:16:44.000 --> 00:16:45.042
Okay, kid.
375
00:16:45.042 --> 00:16:50.042
(upbeat music)
(group chattering)
376
00:16:50.849 --> 00:16:52.548
(Phillip squeals)
377
00:16:52.548 --> 00:16:55.465
(group chattering)
378
00:16:59.617 --> 00:17:03.700 line:15%
379
00:17:05.340 --> 00:17:06.900
I don't know, it kind of reminds me of me,
380
00:17:06.900 --> 00:17:10.950
not so much the husband thing and, you know,
381
00:17:10.950 --> 00:17:13.230
but the fact that, you know, you have people
382
00:17:13.230 --> 00:17:16.387
around you that are good people that are trying to be like,
383
00:17:16.387 --> 00:17:19.500
"You're beautiful, be confident about yourself,
384
00:17:19.500 --> 00:17:22.680
you're awesome," and you not being able to see that,
385
00:17:22.680 --> 00:17:23.850
and they're trying to pull you,
386
00:17:23.850 --> 00:17:25.740
but you don't want to take anybody's hand
387
00:17:25.740 --> 00:17:27.240
because you're afraid to step out
388
00:17:27.240 --> 00:17:29.250
because you don't know, you know,
389
00:17:29.250 --> 00:17:31.140
what to expect when you do get out there,
390
00:17:31.140 --> 00:17:33.060
and I'm still learning who I am,
391
00:17:33.060 --> 00:17:36.030
and I'm kind of scared still.
392
00:17:36.030 --> 00:17:38.220
393
00:17:38.220 --> 00:17:41.550
who was really fantastic, was Britany Bowens.
394
00:17:41.550 --> 00:17:45.480
She really brought her A game to the auditions.
395
00:17:45.480 --> 00:17:48.540
As a matter of fact, a few days ago,
396
00:17:48.540 --> 00:17:51.240
Brianna Cleggett, who I've also called back
397
00:17:51.240 --> 00:17:55.350
to read for Sofia, said, "Mr. Mitchell, I'm worried."
398
00:17:55.350 --> 00:17:57.240
And I said, "Why, what are you worried about?"
399
00:17:57.240 --> 00:18:01.530
She said, "Britany is hungry."
400
00:18:01.530 --> 00:18:06.360
And I said, "Well, then, you need to skip some meals, too."
401
00:18:06.360 --> 00:18:09.600
So I think it's going to be a real battle
402
00:18:09.600 --> 00:18:14.403
between Britany and Brianna this afternoon in callbacks.
403
00:18:16.350 --> 00:18:20.947 line:15%
Reading for Sofia, I would like to hear
404
00:18:22.290 --> 00:18:23.403
Britany,
405
00:18:24.780 --> 00:18:29.780
yes, Britany, and I would also like to hear from Nyla.
406
00:18:31.764 --> 00:18:34.614
♪ Your britches 'til they look brand new ♪
407
00:18:34.614 --> 00:18:38.468
♪ Now is there anything ♪
408
00:18:38.468 --> 00:18:40.406
♪ I can do for you ♪
409
00:18:40.406 --> 00:18:42.776
(audience cheers)
410
00:18:42.776 --> 00:18:44.915
(group chattering)
411
00:18:44.915 --> 00:18:47.512
♪ Any little thing ♪
412
00:18:47.512 --> 00:18:51.466
♪ You might want me to ♪
413
00:18:51.466 --> 00:18:52.324
(background noise drowns out speaker)
414
00:18:52.324 --> 00:18:55.638
415
00:18:55.638 --> 00:19:00.638
♪ Is there anything I can do for you ♪
416
00:19:02.421 --> 00:19:07.421
♪ For you ♪
417
00:19:07.814 --> 00:19:09.990
♪ By early morn then I shucked ♪
418
00:19:09.990 --> 00:19:11.044
419
00:19:11.044 --> 00:19:12.038
Let's try that again.
420
00:19:12.038 --> 00:19:13.976
♪ Now is there any little thing ♪
421
00:19:13.976 --> 00:19:14.998
422
00:19:14.998 --> 00:19:16.650
423
00:19:16.650 --> 00:19:17.846
be ready to come in.
424
00:19:17.846 --> 00:19:18.679
425
00:19:18.679 --> 00:19:19.512
426
00:19:19.512 --> 00:19:21.351
♪ Now is there anything ♪
427
00:19:21.351 --> 00:19:22.261
428
00:19:22.261 --> 00:19:23.160
429
00:19:23.160 --> 00:19:28.160
♪ I can do for you ♪
430
00:19:29.270 --> 00:19:33.447
♪ I milked 12 heifers by the early morn ♪
431
00:19:33.447 --> 00:19:35.542
♪ And then I shucked about 100 ♪
432
00:19:35.542 --> 00:19:37.510
433
00:19:37.510 --> 00:19:38.756
♪ Of corn ♪
434
00:19:38.756 --> 00:19:42.902
♪ I scrubbed all your britches 'til they look brand new ♪
435
00:19:42.902 --> 00:19:47.652
♪ Now is there anything I can do for you ♪
436
00:19:49.150 --> 00:19:52.150
(slow piano music)
437
00:19:53.255 --> 00:19:56.225
♪ Any little thing ♪
438
00:19:56.225 --> 00:20:00.004
♪ You might want me to ♪
439
00:20:00.004 --> 00:20:01.004
440
00:20:03.238 --> 00:20:05.340
Let me get my Celies and Suges.
441
00:20:05.340 --> 00:20:07.023
442
00:20:08.730 --> 00:20:11.310
443
00:20:11.310 --> 00:20:12.483
444
00:20:13.590 --> 00:20:15.510
445
00:20:15.510 --> 00:20:18.409
446
00:20:18.409 --> 00:20:19.242
(slow piano music)
447
00:20:19.242 --> 00:20:20.978
♪ Got my house ♪
448
00:20:20.978 --> 00:20:24.833
♪ It still keep the cold out ♪
449
00:20:24.833 --> 00:20:26.676
♪ Got my chair ♪
450
00:20:26.676 --> 00:20:29.923
♪ When my body can't hold out ♪
451
00:20:29.923 --> 00:20:31.175
452
00:20:31.175 --> 00:20:32.008
453
00:20:32.008 --> 00:20:32.841
454
00:20:32.841 --> 00:20:35.280
455
00:20:35.280 --> 00:20:37.710
Just go ahead and belt, listen.
456
00:20:37.710 --> 00:20:41.910
Don't worry about anything else, just sing for me, okay?
457
00:20:41.910 --> 00:20:42.887
Are you good?
458
00:20:42.887 --> 00:20:43.720
459
00:20:43.720 --> 00:20:45.458
460
00:20:45.458 --> 00:20:50.458
♪ Got my hands doing good like they supposed to ♪
461
00:20:50.885 --> 00:20:55.885
♪ Showing my heart to the folks that I'm close to ♪
462
00:20:56.547 --> 00:21:01.547
♪ I've got my eyes, though they can't see as far now ♪
463
00:21:01.974 --> 00:21:06.974
♪ They see more about how things really are now ♪
464
00:21:10.439 --> 00:21:12.914
465
00:21:12.914 --> 00:21:13.862
Again, like we practiced.
466
00:21:13.862 --> 00:21:14.724
467
00:21:14.724 --> 00:21:19.724
♪ Got my eyes, though they can't see as far now ♪
468
00:21:20.006 --> 00:21:25.006
♪ Shut out the things, how things really are now ♪
469
00:21:29.027 --> 00:21:32.777
(slow piano music continues)
470
00:21:34.620 --> 00:21:38.037
471
00:21:38.037 --> 00:21:41.010
Come here, you are both wonderful,
472
00:21:41.010 --> 00:21:42.900
and it's gonna be really,
473
00:21:42.900 --> 00:21:46.620
really difficult picking a Celie out of this.
474
00:21:46.620 --> 00:21:50.550
What is the most important to me is
475
00:21:50.550 --> 00:21:53.460
that the two of you remain close,
476
00:21:53.460 --> 00:21:57.060
and that the two of you know that I just love you both,
477
00:21:57.060 --> 00:21:59.340
and that I think you're both really,
478
00:21:59.340 --> 00:22:02.674
really phenomenal, okay, thank you,
479
00:22:02.674 --> 00:22:04.405
you're both really great.
480
00:22:04.405 --> 00:22:07.738
(slow orchestral music)
481
00:22:13.525 --> 00:22:17.692
(slow orchestral music continues)
482
00:22:20.693 --> 00:22:23.782
483
00:22:23.782 --> 00:22:28.365
(background noise drowns out speakers)
484
00:22:31.687 --> 00:22:32.696
(group chattering)
485
00:22:32.696 --> 00:22:35.779 line:15%
486
00:22:37.484 --> 00:22:39.313
Here we go, guys. (background noise drowns out speaker)
487
00:22:39.313 --> 00:22:41.400
(group chattering)
488
00:22:41.400 --> 00:22:44.283
489
00:22:45.210 --> 00:22:48.163
I want to tell you a little bit about my childhood.
490
00:22:48.163 --> 00:22:50.245
(group chattering)
491
00:22:50.245 --> 00:22:51.760
(group chattering)
492
00:22:51.760 --> 00:22:53.004
493
00:22:53.004 --> 00:22:54.973
(group chattering)
494
00:22:54.973 --> 00:22:57.556
(group cheers)
495
00:23:01.929 --> 00:23:02.850
496
00:23:02.850 --> 00:23:04.703
497
00:23:04.703 --> 00:23:06.270
and I'm just so happy, like,
498
00:23:06.270 --> 00:23:08.175
I've never been this happy in my life.
499
00:23:08.175 --> 00:23:10.156
(group chattering)
500
00:23:10.156 --> 00:23:13.260
501
00:23:13.260 --> 00:23:15.309
I'm really happy now, oh, my gosh.
502
00:23:15.309 --> 00:23:16.142
(group chattering)
503
00:23:16.142 --> 00:23:18.140
504
00:23:18.140 --> 00:23:19.915
(group chattering)
505
00:23:19.915 --> 00:23:21.084
506
00:23:21.084 --> 00:23:26.084
(group chattering)
(Keston cries)
507
00:23:29.724 --> 00:23:30.974
508
00:23:33.053 --> 00:23:34.061
Oh, my God.
509
00:23:34.061 --> 00:23:37.140
(group chattering)
(Keston cries)
510
00:23:37.140 --> 00:23:42.140
If I died right now, I would be the happiest dead person.
511
00:23:42.180 --> 00:23:44.703
512
00:23:44.703 --> 00:23:45.536
513
00:23:45.536 --> 00:23:46.410
(group chattering)
514
00:23:46.410 --> 00:23:48.874
515
00:23:48.874 --> 00:23:49.807
(group chattering)
516
00:23:49.807 --> 00:23:54.807
(group chattering)
517
00:23:58.268 --> 00:24:01.003
518
00:24:01.003 --> 00:24:04.020
519
00:24:04.020 --> 00:24:07.290
but I got the part that I needed to have.
520
00:24:07.290 --> 00:24:09.780
I'm right where I need to be, and I can't wait.
521
00:24:09.780 --> 00:24:12.063
I'm gonna work my butt off.
522
00:24:15.210 --> 00:24:17.793
523
00:24:18.960 --> 00:24:20.811
we will have learned this whole show.
524
00:24:20.811 --> 00:24:21.690
(group chattering)
525
00:24:21.690 --> 00:24:25.290
Okay, by tomorrow, we will have the first 26 pages
526
00:24:25.290 --> 00:24:26.940
of this show locked.
527
00:24:26.940 --> 00:24:29.040
This is not a small undertaking,
528
00:24:29.040 --> 00:24:31.020
which means we've gotta come in
529
00:24:31.020 --> 00:24:36.020
with an attitude to work and to push and to just focus.
530
00:24:38.400 --> 00:24:40.590 line:15%
531
00:24:40.590 --> 00:24:43.470 line:15%
It's going to be difficult to put it together,
532
00:24:43.470 --> 00:24:45.300
what I consider probably one of the hardest scores
533
00:24:45.300 --> 00:24:46.920
I've ever worked on, okay?
534
00:24:46.920 --> 00:24:49.140
So coming to rehearsal's not enough.
535
00:24:49.140 --> 00:24:52.170
If you have not started using the Show Ready Kit,
536
00:24:52.170 --> 00:24:55.980
you're behind already, learn your parts.
537
00:24:55.980 --> 00:24:59.640
The hardest parts in this show are the ensemble parts.
538
00:24:59.640 --> 00:25:01.860
Those vocal lines are hard, hard, hard,
539
00:25:01.860 --> 00:25:03.840
and finding your note and following your note is difficult.
540
00:25:03.840 --> 00:25:06.750
So you don't have two months to do that,
541
00:25:06.750 --> 00:25:08.714
you have two and a half weeks to that.
542
00:25:08.714 --> 00:25:09.611
(upbeat rhythmic music)
543
00:25:09.611 --> 00:25:11.575
544
00:25:11.575 --> 00:25:12.690
(upbeat rhythmic music continues)
545
00:25:12.690 --> 00:25:14.940
546
00:25:14.940 --> 00:25:16.410
They're here on Saturdays,
547
00:25:16.410 --> 00:25:18.900
they're here 'til six or seven o'clock at night,
548
00:25:18.900 --> 00:25:20.910
and sometimes I'm just, like, ready to collapse,
549
00:25:20.910 --> 00:25:22.260
and they're ready to keep going,
550
00:25:22.260 --> 00:25:23.940
and they take stuff home at night.
551
00:25:23.940 --> 00:25:25.860
They take stuff home on weekends.
552
00:25:25.860 --> 00:25:29.111
553
00:25:29.111 --> 00:25:29.950
in the morning and night.
554
00:25:29.950 --> 00:25:34.200
555
00:25:34.200 --> 00:25:36.240
556
00:25:36.240 --> 00:25:38.160
that's the foundation of the story.
557
00:25:38.160 --> 00:25:39.783
I mean, we're working from the time we get there
558
00:25:39.783 --> 00:25:41.370
'til the time we leave.
559
00:25:41.370 --> 00:25:42.960
560
00:25:42.960 --> 00:25:44.970
You don't have time to be lazy.
561
00:25:44.970 --> 00:25:46.080
You're just learning, learning, learning,
562
00:25:46.080 --> 00:25:48.480
and every day, all day, just "The Color Purple."
563
00:25:50.167 --> 00:25:52.170
564
00:25:52.170 --> 00:25:55.350
to be able to take a show and showcase
565
00:25:55.350 --> 00:25:57.930
what we do at Thespian Festival.
566
00:25:57.930 --> 00:26:00.960
In order to get invited to the festival,
567
00:26:00.960 --> 00:26:02.220
'cause if you see there,
568
00:26:02.220 --> 00:26:04.440
it's superior, excellent good, fair,
569
00:26:04.440 --> 00:26:08.310
we've got to score superiors in at least 80%
570
00:26:08.310 --> 00:26:10.380
of this entire adjudication sheet.
571
00:26:10.380 --> 00:26:11.242
Boom.
572
00:26:11.242 --> 00:26:13.500
(upbeat music)
573
00:26:13.500 --> 00:26:16.458
You're rushing the hell out of that, slow down.
574
00:26:16.458 --> 00:26:17.730
(upbeat music continues)
575
00:26:17.730 --> 00:26:20.250
They look at every aspect, technical,
576
00:26:20.250 --> 00:26:22.770
costumes, sound design, lighting design,
577
00:26:22.770 --> 00:26:25.290
orchestra, ensemble, leads.
578
00:26:25.290 --> 00:26:28.170
Everything has to set a standard
579
00:26:28.170 --> 00:26:30.960
that is far above what people think
580
00:26:30.960 --> 00:26:33.990
of as being the average high school show.
581
00:26:33.990 --> 00:26:38.490
They invite the best of the best to perform on that stage,
582
00:26:38.490 --> 00:26:41.790
so you'll hear more about it, don't worry about it.
583
00:26:41.790 --> 00:26:44.370
If we get invited, that's a whole bunch of money
584
00:26:44.370 --> 00:26:45.750
we gotta raise 'cause it'll cost
585
00:26:45.750 --> 00:26:50.042
about $120,000 to get there, okay?
586
00:26:50.042 --> 00:26:51.980
(upbeat music continues)
587
00:26:51.980 --> 00:26:55.020
(Matt scat sings)
588
00:26:55.020 --> 00:26:56.910
589
00:26:56.910 --> 00:26:57.743
590
00:26:57.743 --> 00:26:59.400 line:15%
eventually the character becomes you,
591
00:26:59.400 --> 00:27:01.050 line:15%
and I'm trying to not to let that happen.
592
00:27:01.050 --> 00:27:04.490 line:15%
593
00:27:04.490 --> 00:27:07.230
four, five, six, boom.
594
00:27:07.230 --> 00:27:09.780
595
00:27:09.780 --> 00:27:12.780
It needs to be, I don't want to say nasty,
596
00:27:12.780 --> 00:27:15.156
it needs to be tastefully dirty.
597
00:27:15.156 --> 00:27:16.710
(group laughs)
598
00:27:16.710 --> 00:27:19.710
599
00:27:19.710 --> 00:27:21.990
and said she didn't think she could do the show.
600
00:27:21.990 --> 00:27:24.300
She couldn't play Shug, she couldn't do the kiss.
601
00:27:24.300 --> 00:27:26.340
She couldn't do any of those things.
602
00:27:26.340 --> 00:27:28.530
603
00:27:28.530 --> 00:27:30.870
I was nervous that I was gonna upset God.
604
00:27:30.870 --> 00:27:33.090
I thought, you know, what does that say about me,
605
00:27:33.090 --> 00:27:35.610
if I'm willing to put myself onstage in that way?
606
00:27:35.610 --> 00:27:37.050
I don't know, it's been definitely something
607
00:27:37.050 --> 00:27:39.769
that's on my mind constantly, and just, like, this morning,
608
00:27:39.769 --> 00:27:41.760
(indistinct) asking us to just get out of our comfort zone,
609
00:27:41.760 --> 00:27:43.890
like, right away, like, I literally just,
610
00:27:43.890 --> 00:27:45.270
honestly, I sat back and prayed for a minute.
611
00:27:45.270 --> 00:27:46.170
I was like, "God, just help me
612
00:27:46.170 --> 00:27:48.870
to just humble myself right now and not, you know,
613
00:27:48.870 --> 00:27:50.393
to get out of my head for a little bit."
614
00:27:50.393 --> 00:27:52.260
(slow piano music)
615
00:27:52.260 --> 00:27:53.093
It's really hard, though,
616
00:27:53.093 --> 00:27:55.684
because I'm not around that all the time,
617
00:27:55.684 --> 00:27:57.992
and I choose to be that way, I set myself apart.
618
00:27:57.992 --> 00:28:00.168
(group chattering)
619
00:28:00.168 --> 00:28:01.800
(group cheers)
620
00:28:01.800 --> 00:28:04.020
621
00:28:04.020 --> 00:28:06.000
You gotta look at us and smile.
622
00:28:06.000 --> 00:28:08.310
I gotta see that smile (laughs)
623
00:28:08.310 --> 00:28:12.480
that it's like, ooh, I like this, yes?
624
00:28:12.480 --> 00:28:16.650
625
00:28:16.650 --> 00:28:18.750
and being intimate with another girl,
626
00:28:18.750 --> 00:28:21.930
and that's a little weighing on my convictions.
627
00:28:21.930 --> 00:28:23.250
628
00:28:23.250 --> 00:28:24.083
629
00:28:24.083 --> 00:28:25.560
630
00:28:25.560 --> 00:28:30.300
I push a lot, and I mean, I push a lot,
631
00:28:30.300 --> 00:28:32.433
and I'll push their buttons.
632
00:28:33.630 --> 00:28:36.960
I will push their limits and their talent,
633
00:28:36.960 --> 00:28:40.650
and I will push their thresholds
634
00:28:40.650 --> 00:28:44.910
as far as what they think they can do physically.
635
00:28:44.910 --> 00:28:45.930
636
00:28:45.930 --> 00:28:47.470
Wake up, let's go, hey, Lynn.
637
00:28:47.470 --> 00:28:48.332
638
00:28:48.332 --> 00:28:49.838
639
00:28:49.838 --> 00:28:51.480
640
00:28:51.480 --> 00:28:53.130
that didn't get into the show,
641
00:28:53.130 --> 00:28:54.990
so I just feel like I have to do good
642
00:28:54.990 --> 00:28:56.370
because I don't want Mr. Mitchell
643
00:28:56.370 --> 00:28:59.118
to regret putting me in the cast.
644
00:28:59.118 --> 00:29:00.360
645
00:29:00.360 --> 00:29:01.230
You're fading big time,
646
00:29:01.230 --> 00:29:03.420
I gotta have some more energy from you.
647
00:29:03.420 --> 00:29:05.181
Here we go, right on this, gonna be the last-
648
00:29:05.181 --> 00:29:06.014
649
00:29:06.014 --> 00:29:07.440
and I want to do it so well
650
00:29:07.440 --> 00:29:12.440 line:15%
because, I mean, I love doing this, and (sighs)
651
00:29:16.095 --> 00:29:18.210
I just, I don't want to be that person
652
00:29:18.210 --> 00:29:21.120
who brings or slows things down.
653
00:29:21.120 --> 00:29:24.360
I just know I can do better and I have to do better.
654
00:29:24.360 --> 00:29:28.080
655
00:29:28.080 --> 00:29:30.600
There is such a drive,
656
00:29:30.600 --> 00:29:34.470
and she's gotta fight for it more than anyone,
657
00:29:34.470 --> 00:29:38.160
and she's gotta fight for something that is really
658
00:29:38.160 --> 00:29:41.880
and truly foreign to the rest of her family.
659
00:29:41.880 --> 00:29:46.410
Britany is my underdog, Britany is the one
660
00:29:46.410 --> 00:29:50.190
who is going to have to do it against all odds,
661
00:29:50.190 --> 00:29:53.100
but I think that if she can keep the fire,
662
00:29:53.100 --> 00:29:55.173
I think that she can succeed,
663
00:29:56.640 --> 00:29:58.650
but there's a lot to overcome.
664
00:29:58.650 --> 00:30:00.861
There's a lot to overcome with her.
665
00:30:00.861 --> 00:30:03.778
(slow piano music)
666
00:30:04.620 --> 00:30:06.150
667
00:30:06.150 --> 00:30:08.370
really, against the world for a very long time,
668
00:30:08.370 --> 00:30:13.110 line:15%
so my dad wasn't around.
669
00:30:13.110 --> 00:30:16.110 line:15%
I feel like if I didn't have the arts,
670
00:30:16.110 --> 00:30:18.630
I probably would be off doing something,
671
00:30:18.630 --> 00:30:19.890
God knows what, you know?
672
00:30:19.890 --> 00:30:23.610
So I feel like the arts keeps me grounded
673
00:30:23.610 --> 00:30:25.680
and gives me motivation to stay out of trouble,
674
00:30:25.680 --> 00:30:28.110
gives me motivation to do the right thing
675
00:30:28.110 --> 00:30:32.356
and to make sure that college and academics is a priority.
676
00:30:32.356 --> 00:30:36.106
(slow piano music continues)
677
00:30:37.065 --> 00:30:38.482
678
00:30:39.420 --> 00:30:40.290
I don't even know what I would do
679
00:30:40.290 --> 00:30:41.520
if I didn't have Northwest.
680
00:30:41.520 --> 00:30:42.930
Me and Phillip talk about it sometimes
681
00:30:42.930 --> 00:30:44.050
because I don't even know,
682
00:30:44.050 --> 00:30:46.710
would I be going just straight into the workforce?
683
00:30:46.710 --> 00:30:49.710
You know, I mean, like, surviving, but not completely happy.
684
00:30:50.610 --> 00:30:51.600
I know I wouldn't have,
685
00:30:51.600 --> 00:30:53.820
I wouldn't feel like I had a purpose.
686
00:30:53.820 --> 00:30:55.650
It would just be a completely different life
687
00:30:55.650 --> 00:30:56.553
for me right now.
688
00:30:57.906 --> 00:31:01.519
♪ So tell me how ♪
689
00:31:01.519 --> 00:31:05.313
♪ A man do good ♪
690
00:31:05.313 --> 00:31:08.813
♪ When all he know is bad ♪
691
00:31:11.000 --> 00:31:12.750
It was important to show as Mister
692
00:31:12.750 --> 00:31:15.390
that he's not evil, he's been hurt,
693
00:31:15.390 --> 00:31:17.550
and I think that's what I see in my family,
694
00:31:17.550 --> 00:31:21.030
hurt people who have to try harder to give love.
695
00:31:21.030 --> 00:31:23.460
People only lash out or show hatred
696
00:31:23.460 --> 00:31:25.105
when they've been hurt, you know?
697
00:31:25.105 --> 00:31:25.938
♪ Kill that rat ♪
698
00:31:25.938 --> 00:31:27.510
699
00:31:27.510 --> 00:31:30.870
that our students face, and when we go into theater
700
00:31:30.870 --> 00:31:32.460
and when you talk about emotional memory
701
00:31:32.460 --> 00:31:33.870
and you talk about sense memory,
702
00:31:33.870 --> 00:31:36.450
you talk about all of those elements
703
00:31:36.450 --> 00:31:40.920
of acting that, where you're trying to tap into yourself
704
00:31:40.920 --> 00:31:45.920
and become more of yourself through this other character,
705
00:31:46.860 --> 00:31:48.933
as a director, I walk a tightrope.
706
00:31:49.830 --> 00:31:51.730
I'm trying to get their best
707
00:31:52.650 --> 00:31:54.930
without it tearing them to pieces.
708
00:31:54.930 --> 00:31:57.210
709
00:31:57.210 --> 00:31:59.610
and I really don't like that part.
710
00:31:59.610 --> 00:32:02.354
I don't, when I go offstage, I'm conflicted with myself.
711
00:32:02.354 --> 00:32:03.900
I'm like, you know, Mekhai, you gotta understand,
712
00:32:03.900 --> 00:32:05.400
it's just acting, but I get mad at myself
713
00:32:05.400 --> 00:32:06.990
'cause I hate it when I see, like,
714
00:32:06.990 --> 00:32:08.610
stuff like domestic violence, I don't like that.
715
00:32:08.610 --> 00:32:10.740
So having to do it myself
716
00:32:10.740 --> 00:32:14.752
as a character is definitely a trial and a process.
717
00:32:14.752 --> 00:32:16.413
718
00:32:16.413 --> 00:32:17.759
719
00:32:17.759 --> 00:32:19.681
720
00:32:19.681 --> 00:32:21.630
721
00:32:21.630 --> 00:32:24.900
and it really shows in how he treated the women around him.
722
00:32:24.900 --> 00:32:28.110
So I felt like that's what I drew on it for Mister,
723
00:32:28.110 --> 00:32:29.463
the missing father figure.
724
00:32:30.540 --> 00:32:32.390
Mister and I had something in common.
725
00:32:36.100 --> 00:32:40.200
726
00:32:40.200 --> 00:32:41.700
727
00:32:41.700 --> 00:32:45.150
You do have to dig deeper, you have to find that,
728
00:32:45.150 --> 00:32:47.190
and there is a lot of pressure,
729
00:32:47.190 --> 00:32:51.900
and I do apply a lot of pressure to say, "Dig deeper."
730
00:32:51.900 --> 00:32:55.260
731
00:32:55.260 --> 00:32:57.270
so that we can be affected by what we're doing,
732
00:32:57.270 --> 00:32:59.121
but still be able to withstand it.
733
00:32:59.121 --> 00:33:02.038
(slow piano music)
734
00:33:04.770 --> 00:33:08.940
735
00:33:08.940 --> 00:33:10.090
Like, I started crying.
736
00:33:11.250 --> 00:33:12.930
We don't really have a home right now
737
00:33:12.930 --> 00:33:15.240
because we lived with my auntie for a little bit,
738
00:33:15.240 --> 00:33:17.430
and there was, like, 13 people in that house,
739
00:33:17.430 --> 00:33:20.130
and we would, like, stay in the garage,
740
00:33:20.130 --> 00:33:23.430
and it's me, my stepdad, my mom, and my two sisters,
741
00:33:23.430 --> 00:33:24.870
and it's really hard because, like,
742
00:33:24.870 --> 00:33:29.490 line:15%
I try to, it's hard to sleep on, like, a floor, you know?
743
00:33:29.490 --> 00:33:31.230 line:15%
And, like, that may not be, like, too,
744
00:33:31.230 --> 00:33:32.490
I'm not trying to seem, like, you know,
745
00:33:32.490 --> 00:33:33.960
I'm whining or complaining, but, like,
746
00:33:33.960 --> 00:33:36.240
it's kind of hard to do that and then come to rehearsal,
747
00:33:36.240 --> 00:33:37.890
and then, like, try to have a good attitude,
748
00:33:37.890 --> 00:33:39.210
and then, you know, a whole bunch,
749
00:33:39.210 --> 00:33:41.370
it's a lot going on at home, and, like,
750
00:33:41.370 --> 00:33:43.020
just yesterday, I couldn't handle it anymore.
751
00:33:43.020 --> 00:33:46.413
I couldn't, I broke down, and, yeah.
752
00:33:47.370 --> 00:33:49.140
Even though it may be hard sometimes,
753
00:33:49.140 --> 00:33:51.270
I still believe that with faith in God,
754
00:33:51.270 --> 00:33:53.920
it'll all come through and everything will be better.
755
00:33:56.520 --> 00:33:57.616
756
00:33:57.616 --> 00:33:58.705
♪ It's Sunday ♪
757
00:33:58.705 --> 00:33:59.538
758
00:33:59.538 --> 00:34:00.371
♪ It's ♪
759
00:34:00.371 --> 00:34:02.970
760
00:34:02.970 --> 00:34:05.610
This whole thing's gotta just blow up with energy,
761
00:34:05.610 --> 00:34:07.170
otherwise those people have no reason
762
00:34:07.170 --> 00:34:08.643
to come out onstage and dance.
763
00:34:08.643 --> 00:34:10.517
(upbeat music)
(dancers clapping)
764
00:34:10.517 --> 00:34:12.437
♪ Don't waste your time trying to wrassle ♪
765
00:34:12.437 --> 00:34:14.502
♪ With your worldly woe ♪
766
00:34:14.502 --> 00:34:17.173
♪ The good Lord works in mysterious ways ♪
767
00:34:17.173 --> 00:34:18.006
♪ 'Cause God's watching ♪
768
00:34:18.006 --> 00:34:20.643
769
00:34:21.630 --> 00:34:22.860
Wow.
770
00:34:22.860 --> 00:34:25.710
771
00:34:25.710 --> 00:34:30.210
to put something together, there's no such thing as resting.
772
00:34:30.210 --> 00:34:33.840
You have to work, you have to work, you cannot stop.
773
00:34:33.840 --> 00:34:36.060
You have to keep it up.
774
00:34:36.060 --> 00:34:39.930
One job is over, the next one picks up again.
775
00:34:39.930 --> 00:34:41.850
776
00:34:41.850 --> 00:34:44.700
You're poor, you're Black, you're ugly.
777
00:34:44.700 --> 00:34:47.220
778
00:34:47.220 --> 00:34:50.779
Girl, you move, I will break your legs, you hear me?
779
00:34:50.779 --> 00:34:51.612
(upbeat music)
780
00:34:51.612 --> 00:34:53.220
781
00:34:53.220 --> 00:34:55.301
what the Lord's got planned for us.
782
00:34:55.301 --> 00:34:56.281
783
00:34:56.281 --> 00:34:57.130
784
00:34:57.130 --> 00:34:57.963
785
00:34:57.963 --> 00:35:00.795
786
00:35:00.795 --> 00:35:05.732
quit your groaning, throw away your handkerchiefs.
787
00:35:05.732 --> 00:35:07.497
Put your hand in his.
788
00:35:07.497 --> 00:35:08.868
789
00:35:08.868 --> 00:35:10.331
790
00:35:10.331 --> 00:35:11.164
791
00:35:11.164 --> 00:35:13.380
that way, honey, it's a wig, anyway.
792
00:35:13.380 --> 00:35:14.855
793
00:35:14.855 --> 00:35:16.199
794
00:35:16.199 --> 00:35:19.616
(upbeat music continues)
795
00:35:22.252 --> 00:35:23.823
♪ The good Lord is walking with you, walking ♪
796
00:35:23.823 --> 00:35:28.823
797
00:35:29.400 --> 00:35:32.400
Jordan will say, "Be quiet," and I want you,
798
00:35:32.400 --> 00:35:34.350
it's not even like it's registering
799
00:35:34.350 --> 00:35:36.273
in your eyes to be quiet.
800
00:35:37.470 --> 00:35:39.480
How can you retain anything
801
00:35:39.480 --> 00:35:42.120
when you're so caught up in yourselves?
802
00:35:42.120 --> 00:35:45.030
The Saturdays, the nine to six rehearsals,
803
00:35:45.030 --> 00:35:48.390
the constant after school, the do it again,
804
00:35:48.390 --> 00:35:49.770
even though you're exhausted
805
00:35:49.770 --> 00:35:51.390
and you feel like you're gonna drop,
806
00:35:51.390 --> 00:35:54.000
that is what the business is all about,
807
00:35:54.000 --> 00:35:57.990
especially stage, and the second you say, "I can't,"
808
00:35:57.990 --> 00:36:02.130
there will be someone else behind them saying, "I can."
809
00:36:02.130 --> 00:36:02.963
810
00:36:02.963 --> 00:36:03.796
you'll get from him, you know?
811
00:36:03.796 --> 00:36:06.573
He'll push you to your limits to make you better.
812
00:36:09.059 --> 00:36:11.784
813
00:36:11.784 --> 00:36:12.617
814
00:36:12.617 --> 00:36:14.010
"I can't wait to go to rehearsal."
815
00:36:14.010 --> 00:36:16.350
If I had a bad day, I know I could come to this rehearsal
816
00:36:16.350 --> 00:36:17.300
and I can be happy.
817
00:36:18.215 --> 00:36:20.132
♪ Yeah ♪
818
00:36:22.759 --> 00:36:27.259
(background noise drowns out singers)
819
00:36:28.681 --> 00:36:31.911
♪ Unto ♪
820
00:36:31.911 --> 00:36:33.976
♪ The ♪
821
00:36:33.976 --> 00:36:35.893
♪ Lord ♪
822
00:36:42.856 --> 00:36:45.660 line:15%
(slow music)
823
00:36:45.660 --> 00:36:48.993 line:15%
(slow orchestral music)
824
00:36:54.570 --> 00:36:56.550 line:15%
(slow orchestral music continues)
825
00:36:56.550 --> 00:37:00.420
826
00:37:00.420 --> 00:37:02.130
my brother was the only person there
827
00:37:02.130 --> 00:37:03.960
to make me laugh and to make me forget
828
00:37:03.960 --> 00:37:05.580
about it until today. (cries)
829
00:37:05.580 --> 00:37:06.870
I want to thank my brother
830
00:37:06.870 --> 00:37:09.593
for everything he could ever do for me
831
00:37:09.593 --> 00:37:11.210
because he was the best. (Cries)
832
00:37:11.210 --> 00:37:14.746
I swear, my brother was the best. (cries)
833
00:37:14.746 --> 00:37:16.470
834
00:37:16.470 --> 00:37:18.120
with the wrong people and they convinced him
835
00:37:18.120 --> 00:37:19.590
to do something crazy,
836
00:37:19.590 --> 00:37:23.250
but instead of coming home that night, he lost his life.
837
00:37:23.250 --> 00:37:24.480
838
00:37:24.480 --> 00:37:26.550
It could have so easily have been him had
839
00:37:26.550 --> 00:37:28.110
he not started dancing,
840
00:37:28.110 --> 00:37:30.090
had he not found something that he loved to do.
841
00:37:30.090 --> 00:37:32.580
He could have been the one who got shot.
842
00:37:32.580 --> 00:37:33.720
843
00:37:33.720 --> 00:37:37.170
we pull some kind of strength and drive to keep performing
844
00:37:37.170 --> 00:37:40.050
because we see that it keeps us out of the craziness.
845
00:37:40.050 --> 00:37:42.330
846
00:37:42.330 --> 00:37:45.150
'cause when you have great friends with great decisions
847
00:37:45.150 --> 00:37:47.580
and they're in the same art form as you are,
848
00:37:47.580 --> 00:37:49.200
you guys just share a special bond
849
00:37:49.200 --> 00:37:50.523
that no one can take away.
850
00:37:51.483 --> 00:37:53.910
(slow orchestral music continues)
851
00:37:53.910 --> 00:37:55.020
I'm performing for my brother
852
00:37:55.020 --> 00:37:57.030
because this is what he wants me to do,
853
00:37:57.030 --> 00:37:59.070
and now that I know that it's within me,
854
00:37:59.070 --> 00:38:00.693
I have no choice but to succeed.
855
00:38:04.745 --> 00:38:06.420
(slow piano music)
856
00:38:06.420 --> 00:38:09.330
857
00:38:09.330 --> 00:38:12.060
and that you love to do and that makes you incredibly happy,
858
00:38:12.060 --> 00:38:14.700
and when you find people that make it worthwhile,
859
00:38:14.700 --> 00:38:17.580
you'd do anything to keep it in your life,
860
00:38:17.580 --> 00:38:18.930
and I think that's what we all,
861
00:38:18.930 --> 00:38:20.070
including Phillip and Britany,
862
00:38:20.070 --> 00:38:22.050
I think that that's what keeps them fighting,
863
00:38:22.050 --> 00:38:23.160
it keeps them part of it.
864
00:38:23.160 --> 00:38:26.550
Like, they really, really enjoy what they're doing,
865
00:38:26.550 --> 00:38:29.790
and their testament is what they go,
866
00:38:29.790 --> 00:38:31.290
what they fight and what they struggle with
867
00:38:31.290 --> 00:38:32.610
to continue to be at rehearsals,
868
00:38:32.610 --> 00:38:34.610
or continue to make it to a dance class.
869
00:38:35.700 --> 00:38:36.660
I love that about them,
870
00:38:36.660 --> 00:38:39.663
and I love that they inspire me to do that.
871
00:38:41.970 --> 00:38:43.950
872
00:38:43.950 --> 00:38:46.140
everybody sees that in Britany,
873
00:38:46.140 --> 00:38:50.880
and I think now Britany's starting to see it for herself.
874
00:38:50.880 --> 00:38:53.250
She was so busy trying to catch up with everybody else,
875
00:38:53.250 --> 00:38:56.637
instead of, you know, just being herself.
876
00:38:56.637 --> 00:38:57.900
(group chattering)
877
00:38:57.900 --> 00:38:59.573 line:15%
878
00:39:01.380 --> 00:39:02.604 line:15%
879
00:39:02.604 --> 00:39:06.330 line:15%
that this would be our biggest audience yet, so, oh, God.
880
00:39:06.330 --> 00:39:08.940
881
00:39:08.940 --> 00:39:09.867
(group chattering)
882
00:39:09.867 --> 00:39:11.019
We'll see how it goes.
883
00:39:11.019 --> 00:39:13.788
884
00:39:13.788 --> 00:39:15.627
'cause it's all gonna work out, you know?
885
00:39:15.627 --> 00:39:17.207
886
00:39:17.207 --> 00:39:20.457
(singers scat singing)
887
00:39:26.542 --> 00:39:30.542
(singers continue scat singing)
888
00:39:35.610 --> 00:39:38.446
(singers continue scat singing)
889
00:39:38.446 --> 00:39:43.446
890
00:39:43.609 --> 00:39:47.609
(singers continue scat singing)
891
00:39:48.729 --> 00:39:50.764 line:15%
(group chattering)
892
00:39:50.764 --> 00:39:52.039 line:15%
893
00:39:52.039 --> 00:39:55.080 line:15%
Shh, listen.
(group chattering)
894
00:39:55.080 --> 00:39:57.873
895
00:39:59.550 --> 00:40:01.200
Today is the day.
896
00:40:01.200 --> 00:40:03.633
All of you, I am grateful to,
897
00:40:04.680 --> 00:40:07.863
and I want you to be grateful towards each other.
898
00:40:09.000 --> 00:40:12.057
Tonight's word is "shine."
899
00:40:15.630 --> 00:40:20.630
I want you guys to go out and give them a big gift, okay?
900
00:40:23.760 --> 00:40:24.663
Shine.
901
00:40:25.530 --> 00:40:29.133
Be your full wonderful selves.
902
00:40:30.540 --> 00:40:31.747
Okay, break a leg.
903
00:40:31.747 --> 00:40:32.788
(group laughs)
904
00:40:32.788 --> 00:40:37.788
(group cheers)
(group chattering)
905
00:40:41.262 --> 00:40:45.669
(group continues chattering)
906
00:40:45.669 --> 00:40:48.243
♪ Ah ♪
907
00:40:48.243 --> 00:40:52.028
♪ Ooh ♪
908
00:40:52.028 --> 00:40:54.320
♪ Ah ♪
909
00:40:54.320 --> 00:40:55.746
♪ Ah ♪
910
00:40:55.746 --> 00:40:57.184
(group chattering)
911
00:40:57.184 --> 00:41:01.378
♪ Ooh, ah ♪
912
00:41:01.378 --> 00:41:03.695
♪ Ah ♪
913
00:41:03.695 --> 00:41:04.620
♪ Ah ♪
914
00:41:04.620 --> 00:41:08.465
915
00:41:08.465 --> 00:41:10.965
♪ Ooh, ah, ah ♪
916
00:41:12.750 --> 00:41:14.050
917
00:41:15.441 --> 00:41:17.327
918
00:41:17.327 --> 00:41:18.160
919
00:41:18.160 --> 00:41:19.770
Amen.
920
00:41:19.770 --> 00:41:21.990
921
00:41:21.990 --> 00:41:24.660
This is my first full musical ever,
922
00:41:24.660 --> 00:41:27.420
and this is one of the biggest stages I've ever been on,
923
00:41:27.420 --> 00:41:28.962
but I'm gonna do good.
924
00:41:28.962 --> 00:41:31.260
925
00:41:31.260 --> 00:41:34.125
as far as you can.
(group chattering)
926
00:41:34.125 --> 00:41:37.458
(slow orchestral music)
927
00:41:42.675 --> 00:41:44.932
(slow music)
928
00:41:44.932 --> 00:41:46.963
929
00:41:46.963 --> 00:41:47.963
930
00:41:49.249 --> 00:41:51.809
♪ Gonna make you holler like a wildcat do ♪
931
00:41:51.809 --> 00:41:54.082
♪ Oh, brown Betty ♪
932
00:41:54.082 --> 00:41:58.280
♪ When I throw my mojo down on you ♪
933
00:41:58.280 --> 00:42:01.197
(group chattering)
934
00:42:03.217 --> 00:42:05.034
♪ Brown Betty, brown Betty ♪
935
00:42:05.034 --> 00:42:10.009
♪ Whatever she is, that girl sure is fine ♪
936
00:42:10.009 --> 00:42:14.842
♪ Whatever she is, that girl sure is fine ♪
937
00:42:16.554 --> 00:42:18.555
(audience laughs)
938
00:42:18.555 --> 00:42:21.752
(group chattering)
939
00:42:21.752 --> 00:42:23.340
940
00:42:23.340 --> 00:42:24.173
941
00:42:24.173 --> 00:42:25.080
942
00:42:25.080 --> 00:42:26.610
she accidentally punched her for real.
943
00:42:26.610 --> 00:42:28.633
944
00:42:28.633 --> 00:42:31.321
945
00:42:31.321 --> 00:42:33.977
Is it? (background noise drowns out speaker)
946
00:42:33.977 --> 00:42:36.120
947
00:42:36.120 --> 00:42:39.760
that fight, that punch doesn't look real. (laughs)
948
00:42:41.190 --> 00:42:44.860
(slow orchestral music)
949
00:42:44.860 --> 00:42:47.127
Okay, there was the lesbian kiss.
950
00:42:47.127 --> 00:42:50.133
We shall see what the principal has to say about that.
951
00:42:52.023 --> 00:42:53.270
952
00:42:53.270 --> 00:42:55.560
953
00:42:55.560 --> 00:42:57.753
or the audience is gonna walk out.
954
00:42:58.777 --> 00:43:00.761
Wait, what's going on?
955
00:43:00.761 --> 00:43:02.024
956
00:43:02.024 --> 00:43:03.490
957
00:43:03.490 --> 00:43:04.931
958
00:43:04.931 --> 00:43:07.395
(slow music)
959
00:43:07.395 --> 00:43:09.010
(audience cheers)
960
00:43:09.010 --> 00:43:11.220
961
00:43:11.220 --> 00:43:13.891
(slow music continues)
(group chattering)
962
00:43:13.891 --> 00:43:16.485
Okay, I need to fix this.
963
00:43:16.485 --> 00:43:18.373
(slow music continues)
964
00:43:18.373 --> 00:43:19.909
(group chattering)
965
00:43:19.909 --> 00:43:21.062
This needs.
966
00:43:21.062 --> 00:43:23.054
(slow music)
967
00:43:23.054 --> 00:43:26.422
Oh, this is a mess, this is a mess.
968
00:43:26.422 --> 00:43:29.527
(slow jazzy music)
969
00:43:29.527 --> 00:43:34.277
Oh, my God, (laughs) this is killing me.
970
00:43:35.160 --> 00:43:36.903
971
00:43:38.023 --> 00:43:40.583
972
00:43:40.583 --> 00:43:44.376
I don't know, I don't know how to feel about it yet.
973
00:43:44.376 --> 00:43:46.453
974
00:43:46.453 --> 00:43:49.140
But it's okay, it's just not our best.
975
00:43:50.149 --> 00:43:52.278
976
00:43:52.278 --> 00:43:55.926
put myself in the right mood, I guess.
977
00:43:55.926 --> 00:43:58.564
I'm gonna go get my mic set up.
978
00:43:58.564 --> 00:44:02.148
(distant chattering)
979
00:44:02.148 --> 00:44:04.580
♪ I'm gonna hold my head up ♪
980
00:44:04.580 --> 00:44:07.908
♪ I'm gonna put my shoulders back ♪
981
00:44:07.908 --> 00:44:11.351
♪ And look you straight in the eye ♪
982
00:44:11.351 --> 00:44:15.173
♪ I'm gonna flirt with somebody ♪
983
00:44:15.173 --> 00:44:17.175
♪ When they walk by ♪
984
00:44:17.175 --> 00:44:21.282
♪ I'm gonna sing out ♪
985
00:44:21.282 --> 00:44:23.532
♪ Sing out ♪
986
00:44:27.542 --> 00:44:29.510
(audience cheers)
987
00:44:29.510 --> 00:44:31.683
♪ I believe that ♪
988
00:44:31.683 --> 00:44:34.520
♪ I have inside of me ♪
(Corey groans)
989
00:44:34.520 --> 00:44:37.520
♪ What God has done ♪
990
00:44:39.512 --> 00:44:42.179
991
00:44:43.092 --> 00:44:43.925
♪ Amen ♪
992
00:44:43.925 --> 00:44:47.256
993
00:44:47.256 --> 00:44:48.463
they need to move.
994
00:44:48.463 --> 00:44:50.380
♪ Amen ♪
995
00:44:53.120 --> 00:44:56.754
996
00:44:56.754 --> 00:44:59.539
(students exclaiming)
997
00:44:59.539 --> 00:45:02.117
Okay, I need to fix this.
998
00:45:02.117 --> 00:45:03.060 line:15%
(group chattering)
999
00:45:03.060 --> 00:45:03.893 line:15%
Let's talk.
1000
00:45:06.360 --> 00:45:11.360
It was really tough going in and literally working
1001
00:45:11.940 --> 00:45:16.740
until the very last second in which we had the opportunity
1002
00:45:16.740 --> 00:45:21.120
to stop and appreciate the space that we were in
1003
00:45:21.120 --> 00:45:23.760
and the accomplishments that we've made.
1004
00:45:23.760 --> 00:45:26.790
I took that upon myself, and there are things
1005
00:45:26.790 --> 00:45:31.140
that we will do to make that better, okay?
1006
00:45:31.140 --> 00:45:31.977
1007
00:45:31.977 --> 00:45:33.300
and we were just so frazzled
1008
00:45:33.300 --> 00:45:35.370
'cause everything was just all over the place,
1009
00:45:35.370 --> 00:45:36.720
but it wasn't its best.
1010
00:45:36.720 --> 00:45:38.160
And so how can we hold each other accountable
1011
00:45:38.160 --> 00:45:39.090
and hold ourselves accountable
1012
00:45:39.090 --> 00:45:41.070
to make sure we're constantly putting our hearts
1013
00:45:41.070 --> 00:45:42.570
in this show 100%.
1014
00:45:42.570 --> 00:45:45.630
1015
00:45:45.630 --> 00:45:49.410
of this week feeling like we are less than,
1016
00:45:49.410 --> 00:45:52.410
like we are not quite a family.
1017
00:45:52.410 --> 00:45:57.410
We are, but as with all families, there is dysfunction.
1018
00:45:58.410 --> 00:46:01.620
But everything that we're doing is in preparation
1019
00:46:01.620 --> 00:46:04.413
for us to be the best, okay?
1020
00:46:05.820 --> 00:46:08.070 line:15%
We need absolute focus.
1021
00:46:08.070 --> 00:46:11.748 line:15%
The legacy of this show happens in tonight's performance.
1022
00:46:11.748 --> 00:46:12.870 line:15%
(slow piano music)
1023
00:46:12.870 --> 00:46:16.443
The adjudicators who are coming are here tonight.
1024
00:46:17.640 --> 00:46:20.613
The theater critics who are coming are here tonight.
1025
00:46:21.569 --> 00:46:25.170
(slow orchestral music)
1026
00:46:25.170 --> 00:46:26.003
This is it.
1027
00:46:28.440 --> 00:46:32.430
Okay, everything, but it doesn't happen
1028
00:46:32.430 --> 00:46:34.233
if you're not focused,
1029
00:46:35.580 --> 00:46:39.393
if you're not alive and you're not absolutely energized.
1030
00:46:40.920 --> 00:46:43.893
You guys have the ability to move people.
1031
00:46:47.220 --> 00:46:51.023
Don't take it lightly, guys, please don't.
1032
00:46:52.692 --> 00:46:53.525
(group chattering)
1033
00:46:53.525 --> 00:46:55.907
♪ Ooh, ooh ♪
1034
00:46:55.907 --> 00:46:56.740
♪ Yeah ♪
1035
00:46:56.740 --> 00:46:58.260
1036
00:46:58.260 --> 00:47:00.900 line:15%
and if we say yes to a show
1037
00:47:00.900 --> 00:47:03.960 line:15%
and it ends up on that main stage at International,
1038
00:47:03.960 --> 00:47:05.040 line:15%
it better be good.
1039
00:47:05.040 --> 00:47:06.508
If it bombs,
1040
00:47:06.508 --> 00:47:08.360
the harshest bomb-
1041
00:47:08.360 --> 00:47:11.280 line:15%
1042
00:47:11.280 --> 00:47:13.860 line:15%
you cannot believe the energy in that theater.
1043
00:47:13.860 --> 00:47:15.510 line:15%
It's a high like you've never seen.
1044
00:47:15.510 --> 00:47:18.121 line:15%
(slow piano music)
1045
00:47:18.121 --> 00:47:21.454
(slow orchestral music)
1046
00:47:27.529 --> 00:47:31.696
(slow orchestral music continues)
1047
00:47:36.583 --> 00:47:40.750
(slow orchestral music continues)
1048
00:47:44.438 --> 00:47:46.770
1049
00:47:46.770 --> 00:47:50.550
because they are just as much as at risk,
1050
00:47:50.550 --> 00:47:52.590
but they figured something out
1051
00:47:52.590 --> 00:47:56.103
and they've tuned into something that they really love.
1052
00:47:57.317 --> 00:48:01.484
(slow orchestral music continues)
1053
00:48:06.076 --> 00:48:08.520
(slow orchestral music continues)
1054
00:48:08.520 --> 00:48:10.198
1055
00:48:10.198 --> 00:48:12.391
1056
00:48:12.391 --> 00:48:14.130
Ooh, yeah, I was like-
(Danielle laughs)
1057
00:48:14.130 --> 00:48:16.890
1058
00:48:16.890 --> 00:48:19.020
and for the first time,
1059
00:48:19.020 --> 00:48:20.520
I think that she was really beginning
1060
00:48:20.520 --> 00:48:24.824
to feel triumphant in what it is that she could do.
1061
00:48:24.824 --> 00:48:25.657
1062
00:48:25.657 --> 00:48:26.520
1063
00:48:26.520 --> 00:48:27.412
1064
00:48:27.412 --> 00:48:28.566
1065
00:48:28.566 --> 00:48:29.399
1066
00:48:29.399 --> 00:48:32.970
1067
00:48:32.970 --> 00:48:36.600
1068
00:48:36.600 --> 00:48:40.860
She looked Keston in the eyes and started to feel that love,
1069
00:48:40.860 --> 00:48:43.920
and I really think that Danielle,
1070
00:48:43.920 --> 00:48:46.380
who talks so much about her faith,
1071
00:48:46.380 --> 00:48:49.863
was finally beginning to embrace the love.
1072
00:48:50.910 --> 00:48:51.840
1073
00:48:51.840 --> 00:48:53.220
on the physical aspects of it,
1074
00:48:53.220 --> 00:48:54.810
and Mitchell helped me to focus
1075
00:48:54.810 --> 00:48:57.210
on the aspects of it that are more inward,
1076
00:48:57.210 --> 00:48:59.730
about the fact that this is a musical about love,
1077
00:48:59.730 --> 00:49:02.520
and he's like, "What is God, God is love."
1078
00:49:02.520 --> 00:49:04.077
And that really sat with me,
1079
00:49:04.077 --> 00:49:06.597
and I was like, "That's what I want to give."
1080
00:49:06.597 --> 00:49:11.597
(audience cheers)
(audience applauds)
1081
00:49:15.541 --> 00:49:16.437
(audience continues applauding)
1082
00:49:16.437 --> 00:49:20.021
1083
00:49:20.021 --> 00:49:20.854
We're going to Nebraska,
1084
00:49:20.854 --> 00:49:22.440
there's no doubt about it in my mind,
1085
00:49:22.440 --> 00:49:23.730
we're going to Nebraska.
1086
00:49:23.730 --> 00:49:26.580
I'm so excited, like, I can't stop talking right now,
1087
00:49:26.580 --> 00:49:28.020
so somebody needs to shut me up
1088
00:49:28.020 --> 00:49:30.180
'cause I'm gonna keep talking. (laughs)
1089
00:49:30.180 --> 00:49:32.774
I'm so excited, y'all, this show is so good.
1090
00:49:32.774 --> 00:49:35.864
I'm so excited. (shrieks)
1091
00:49:35.864 --> 00:49:37.650
(group chattering)
1092
00:49:37.650 --> 00:49:39.720 line:15%
1093
00:49:39.720 --> 00:49:44.100 line:15%
I would love to show the country what we can do.
1094
00:49:44.100 --> 00:49:45.900
We've got such a stellar program here
1095
00:49:45.900 --> 00:49:48.420
with some fantastic kids.
1096
00:49:48.420 --> 00:49:50.160
1097
00:49:50.160 --> 00:49:52.023
but now we can say, "Look at what we're doing here,"
1098
00:49:52.023 --> 00:49:54.030
that we have something really, really special
1099
00:49:54.030 --> 00:49:56.460
that we hope will inspire other places
1100
00:49:56.460 --> 00:49:58.023
to start putting together schools like Northwest,
1101
00:49:58.023 --> 00:50:01.380
that you bring in great educators like Corey, Bonnie, Matt.
1102
00:50:01.380 --> 00:50:03.960
If you make that investment in your school,
1103
00:50:03.960 --> 00:50:07.110 line:15%
the talent from the students will come and it will grow,
1104
00:50:07.110 --> 00:50:08.442 line:15%
and it's something that,
1105
00:50:08.442 --> 00:50:09.900 line:15%
I've never seen anything like it before.
1106
00:50:09.900 --> 00:50:11.220 line:15%
It's pretty amazing.
1107
00:50:11.220 --> 00:50:12.840 line:15%
1108
00:50:12.840 --> 00:50:15.210 line:15%
they're more motivated, so their attendance is higher,
1109
00:50:15.210 --> 00:50:17.430
their graduation rates are higher,
1110
00:50:17.430 --> 00:50:19.050
and then we also see correlations
1111
00:50:19.050 --> 00:50:21.690
with English and math and SAT scores.
1112
00:50:21.690 --> 00:50:25.050 line:15%
1113
00:50:25.050 --> 00:50:29.070 line:15%
On time, organized, focused, it gives you work ethic.
1114
00:50:29.070 --> 00:50:31.710
All this stuff can lead to so many things in life.
1115
00:50:31.710 --> 00:50:34.860
1116
00:50:34.860 --> 00:50:36.450
if you want good results,
1117
00:50:36.450 --> 00:50:39.360
then you need a strong arts program in your school.
1118
00:50:39.360 --> 00:50:41.850 line:15%
You want strong academic children?
1119
00:50:41.850 --> 00:50:44.580 line:15%
Then you need an arts program for them to enter.
1120
00:50:44.580 --> 00:50:46.857
1121
00:50:46.857 --> 00:50:48.780
and how creativity is the best thing
1122
00:50:48.780 --> 00:50:52.200
that anybody who's trying to learn can have.
1123
00:50:52.200 --> 00:50:54.450
At our school, we really do have great teachers
1124
00:50:54.450 --> 00:50:56.190
that nourish our creativity,
1125
00:50:56.190 --> 00:50:59.373
and it allows us all to be really good kids, you know?
1126
00:51:00.330 --> 00:51:02.880
1127
00:51:02.880 --> 00:51:05.280
we had the show adjudicated
1128
00:51:05.280 --> 00:51:07.950
for the International Thespian Festival.
1129
00:51:07.950 --> 00:51:11.820
The last time there was a show from North Carolina
1130
00:51:11.820 --> 00:51:14.460
to perform on the main stage was-
1131
00:51:14.460 --> 00:51:15.540
1132
00:51:15.540 --> 00:51:18.660
1133
00:51:18.660 --> 00:51:21.450
So the other part of it is
1134
00:51:21.450 --> 00:51:25.350
that only 11 shows get invited to go.
1135
00:51:25.350 --> 00:51:29.107
Well, they called me from the office and they said,
1136
00:51:29.107 --> 00:51:31.650
"There's really no need to wait to tell you,"
1137
00:51:31.650 --> 00:51:33.854
that we got straight superiors.
1138
00:51:33.854 --> 00:51:36.437
(group cheers)
1139
00:51:42.558 --> 00:51:45.180
(group continues cheering)
1140
00:51:45.180 --> 00:51:47.640
All right, everybody take a collective deep breath.
1141
00:51:47.640 --> 00:51:50.970
Breathe in through your nose, let it out, okay.
1142
00:51:50.970 --> 00:51:54.540
Listen up, there is, so there is a lot
1143
00:51:54.540 --> 00:51:57.929
of work to be done, okay?
1144
00:51:57.929 --> 00:51:59.130
1145
00:51:59.130 --> 00:52:00.384
1146
00:52:00.384 --> 00:52:02.967
(group cheers)
1147
00:52:06.970 --> 00:52:08.760
1148
00:52:08.760 --> 00:52:10.740
and then have all these theater workshops all
1149
00:52:10.740 --> 00:52:12.060
around the campus and college,
1150
00:52:12.060 --> 00:52:14.010
and it would just be a great opportunity,
1151
00:52:14.010 --> 00:52:16.830 line:15%
and I'd love to take my family with me.
1152
00:52:16.830 --> 00:52:20.340 line:15%
1153
00:52:20.340 --> 00:52:24.990 line:15%
that you know it is just under $5,000 just
1154
00:52:24.990 --> 00:52:26.703
for the rights to do the show,
1155
00:52:27.660 --> 00:52:31.680 line:15%
and we are renting some of the Broadway costumes
1156
00:52:31.680 --> 00:52:33.450 line:15%
and some of the sets.
1157
00:52:33.450 --> 00:52:36.060 line:15%
The costumes for "Africa Homeland" are coming
1158
00:52:36.060 --> 00:52:38.189
directly from the Broadway show.
1159
00:52:38.189 --> 00:52:39.106
1160
00:52:39.106 --> 00:52:43.470
1161
00:52:43.470 --> 00:52:45.840 line:15%
1162
00:52:45.840 --> 00:52:47.610 line:15%
I thought my mom was gonna get mad at me,
1163
00:52:47.610 --> 00:52:49.950 line:15%
she's like, "I'm not gonna pay $400."
1164
00:52:49.950 --> 00:52:51.630
But I think she just, she felt
1165
00:52:51.630 --> 00:52:53.610
that this was something that she wanted to do for me,
1166
00:52:53.610 --> 00:52:55.380
so she just said, "You know, I'll do it.
1167
00:52:55.380 --> 00:52:56.850
I'll just take it on," and she did.
1168
00:52:56.850 --> 00:52:59.566 line:15%
1169
00:52:59.566 --> 00:53:02.160 line:15%
I work for Interstate Contract Cleaning Service.
1170
00:53:02.160 --> 00:53:04.830
I worked seven days straight.
1171
00:53:04.830 --> 00:53:07.200
I kept working and counting my hours, counting them up
1172
00:53:07.200 --> 00:53:10.470
to make sure I came up with $400. (laughs)
1173
00:53:10.470 --> 00:53:13.620
1174
00:53:13.620 --> 00:53:15.840
and having to raise that must money,
1175
00:53:15.840 --> 00:53:19.440 line:15%
Mr. Mitchell is going up to almost every door asking.
1176
00:53:19.440 --> 00:53:22.500 line:15%
1177
00:53:22.500 --> 00:53:23.760 line:15%
it's all of those things,
1178
00:53:23.760 --> 00:53:26.670 line:15%
but the word is getting out slowly but surely.
1179
00:53:26.670 --> 00:53:29.340 line:15%
Sell, sell, sell, sell, sell, sell everywhere
1180
00:53:29.340 --> 00:53:30.783 line:15%
and talk to everyone.
1181
00:53:32.250 --> 00:53:34.890
1182
00:53:34.890 --> 00:53:35.970
to educate a child."
1183
00:53:35.970 --> 00:53:38.790 line:15%
It does take partnerships, and we have one
1184
00:53:38.790 --> 00:53:41.777 line:15%
of the best educational partners here today with us.
1185
00:53:41.777 --> 00:53:45.822
1186
00:53:45.822 --> 00:53:48.655
(audience cheers)
1187
00:53:51.450 --> 00:53:53.250
1188
00:53:53.250 --> 00:53:54.750
just to let us go to Nebraska.
1189
00:53:56.263 --> 00:53:58.680
(slow music)
1190
00:54:05.030 --> 00:54:05.863
1191
00:54:05.863 --> 00:54:06.696
1192
00:54:06.696 --> 00:54:08.297
1193
00:54:08.297 --> 00:54:13.297
(group chattering)
(slow music continues)
1194
00:54:17.466 --> 00:54:20.716
(slow music continues)
1195
00:54:24.990 --> 00:54:26.550
1196
00:54:26.550 --> 00:54:28.260
and here they've had an opportunity
1197
00:54:28.260 --> 00:54:30.480
to travel halfway across the country
1198
00:54:30.480 --> 00:54:31.770
to be part of an institution
1199
00:54:31.770 --> 00:54:33.810
that is international in scope,
1200
00:54:33.810 --> 00:54:36.450
and they never would have made it if they'd had small ideas.
1201
00:54:36.450 --> 00:54:37.830
Now, that's a tribute to Corey
1202
00:54:37.830 --> 00:54:40.968
because Corey had this plan, like the invasion of Normandy.
1203
00:54:40.968 --> 00:54:42.690
(group chattering)
(slow music continues)
1204
00:54:42.690 --> 00:54:43.710
1205
00:54:43.710 --> 00:54:45.420
everybody's head was turning.
1206
00:54:45.420 --> 00:54:47.310
1207
00:54:47.310 --> 00:54:50.610
the population of Black people doubled.
1208
00:54:50.610 --> 00:54:52.410
1209
00:54:52.410 --> 00:54:55.323
about Black teens wrong, like, we shut that down.
1210
00:54:56.519 --> 00:55:01.519
♪ And make a joyful noise ♪
1211
00:55:01.817 --> 00:55:05.081
♪ Unto ♪
1212
00:55:05.081 --> 00:55:07.160
♪ The ♪
1213
00:55:07.160 --> 00:55:09.077
♪ Lord ♪
1214
00:55:12.010 --> 00:55:13.078
(Mekhai claps)
1215
00:55:13.078 --> 00:55:15.689
1216
00:55:15.689 --> 00:55:16.763
(group chattering)
1217
00:55:16.763 --> 00:55:18.450
1218
00:55:18.450 --> 00:55:21.030
to audition for some of the great performing arts schools
1219
00:55:21.030 --> 00:55:24.480
in this country, like, Cincinnati Conservatory of Music is
1220
00:55:24.480 --> 00:55:27.660 line:15%
probably the best musical theater program in the country,
1221
00:55:27.660 --> 00:55:29.100 line:15%
and they're here.
1222
00:55:29.100 --> 00:55:30.510
1223
00:55:30.510 --> 00:55:31.920
I mean, they have a great audition,
1224
00:55:31.920 --> 00:55:34.920
and it could mean scholarship money or financial aid,
1225
00:55:34.920 --> 00:55:37.260
and for some of them, this may be the only chance
1226
00:55:37.260 --> 00:55:39.330
they have to go to college.
1227
00:55:39.330 --> 00:55:40.950
1228
00:55:40.950 --> 00:55:43.140
as far as knowing what your future's gonna be.
1229
00:55:43.140 --> 00:55:45.090
The college that I go to might be a college
1230
00:55:45.090 --> 00:55:46.320
I audition for in Nebraska,
1231
00:55:46.320 --> 00:55:49.020
so that's a really turning point in my life right now.
1232
00:55:51.504 --> 00:55:53.970
(Mekhai sighs)
1233
00:55:53.970 --> 00:55:54.990
Good afternoon, everyone,
1234
00:55:54.990 --> 00:55:59.990
my name is Mekhai Lee, M-E-K-H-A-I L-E-E.
1235
00:56:00.240 --> 00:56:02.790
1236
00:56:02.790 --> 00:56:03.870
I'd just like to say a few words
1237
00:56:03.870 --> 00:56:06.180
because I think this idea scares a lot of people.
1238
00:56:06.180 --> 00:56:08.580
It shouldn't, see, from the oldest of times,
1239
00:56:08.580 --> 00:56:10.200
people danced for many reasons.
1240
00:56:10.200 --> 00:56:12.120
They danced so that their crops would be plentiful,
1241
00:56:12.120 --> 00:56:13.560
or so that their hunt would be good.
1242
00:56:13.560 --> 00:56:15.300
They danced into the community spirit
1243
00:56:15.300 --> 00:56:17.040
and they danced to celebrate,
1244
00:56:17.040 --> 00:56:19.320
and that's the kind of dance we're talking about.
1245
00:56:19.320 --> 00:56:20.880
1246
00:56:20.880 --> 00:56:23.850
because I wouldn't be doing what I know I've got to do.
1247
00:56:23.850 --> 00:56:26.850
I mean, I've seen your life, and now I see Daddy,
1248
00:56:26.850 --> 00:56:30.513
and look, look, I love you both, I do,
1249
00:56:31.350 --> 00:56:32.943
but I've got my work to do.
1250
00:56:33.986 --> 00:56:36.569
(upbeat music)
1251
00:56:42.288 --> 00:56:45.705
(upbeat music continues)
1252
00:56:52.065 --> 00:56:52.898
(upbeat music continues)
1253
00:56:52.898 --> 00:56:54.660
1254
00:56:54.660 --> 00:56:57.690
that they're not going to allow you to audition."
1255
00:56:57.690 --> 00:57:01.350
But I said, "You go and you talk to the schools anyway."
1256
00:57:01.350 --> 00:57:02.450
1257
00:57:02.450 --> 00:57:03.690
and I have to make out for myself,
1258
00:57:03.690 --> 00:57:06.570
and I'm trying harder and harder to just, you know,
1259
00:57:06.570 --> 00:57:08.460
not be so scared to just get out there
1260
00:57:08.460 --> 00:57:10.715
and, you know, just do it, so.
1261
00:57:10.715 --> 00:57:14.132
(upbeat music continues)
1262
00:57:19.313 --> 00:57:21.990
1263
00:57:21.990 --> 00:57:23.940
that some of the students were auditioning,
1264
00:57:23.940 --> 00:57:26.820
and she says, "I don't know if I can go to college."
1265
00:57:26.820 --> 00:57:27.990 line:15%
I says, "Why not?"
1266
00:57:27.990 --> 00:57:30.330 line:15%
You know, and so she told me a little bit about herself.
1267
00:57:30.330 --> 00:57:32.070 line:15%
I says, "Well, of course you can."
1268
00:57:32.070 --> 00:57:35.100
1269
00:57:35.100 --> 00:57:37.380
and that's exactly what she did.
1270
00:57:37.380 --> 00:57:39.907 line:15%
1271
00:57:39.907 --> 00:57:42.480 line:15%
"Okay, we're gonna count this as your audition.
1272
00:57:42.480 --> 00:57:45.120 line:15%
We're gonna be able to offer you a callback scholarship,"
1273
00:57:45.120 --> 00:57:47.220
and talked to her about the theater scholarship,
1274
00:57:47.220 --> 00:57:50.067
and she kept asking me, "Okay, are you sure?"
1275
00:57:50.067 --> 00:57:52.620
And I said, "Of course, that's what I'm telling you."
1276
00:57:52.620 --> 00:57:54.960
So she hugged me, I started crying.
1277
00:57:54.960 --> 00:57:58.500
I mean, it was just, it was one of the experiences you live
1278
00:57:58.500 --> 00:57:59.654
for when you do this.
1279
00:57:59.654 --> 00:58:01.335
for her if I can.
1280
00:58:01.335 --> 00:58:03.918
(upbeat music)
1281
00:58:10.341 --> 00:58:13.758
(upbeat music continues)
1282
00:58:19.349 --> 00:58:22.766
(upbeat music continues)
1283
00:58:26.807 --> 00:58:28.062
1284
00:58:28.062 --> 00:58:29.070
1285
00:58:29.070 --> 00:58:30.930
1286
00:58:30.930 --> 00:58:33.963
to go talk to these colleges, oh, my God.
1287
00:58:37.529 --> 00:58:38.940 line:15%
(group chattering)
1288
00:58:38.940 --> 00:58:40.413 line:15%
1289
00:58:42.840 --> 00:58:44.580
1290
00:58:44.580 --> 00:58:49.087
I went to Thespian Festival 10 years ago and said,
1291
00:58:49.087 --> 00:58:51.810
"Someday I'm gonna bring a show here."
1292
00:58:51.810 --> 00:58:54.793
All right, guys, they're about to let us in.
1293
00:58:56.370 --> 00:58:58.920
1294
00:58:58.920 --> 00:59:00.630
and enduring what they endured,
1295
00:59:00.630 --> 00:59:03.030
to be able to do this for the largest
1296
00:59:03.030 --> 00:59:04.590 line:15%
and perhaps the most critical audience
1297
00:59:04.590 --> 00:59:06.003 line:15%
they're ever gonna face,
1298
00:59:07.290 --> 00:59:10.513
once they've done this, there's nothing they can't do.
1299
00:59:10.513 --> 00:59:11.370
1300
00:59:11.370 --> 00:59:12.470
1301
00:59:13.728 --> 00:59:17.040
(group chattering)
1302
00:59:17.040 --> 00:59:19.729
1303
00:59:19.729 --> 00:59:21.169
(group chattering)
1304
00:59:21.169 --> 00:59:22.002
1305
00:59:22.002 --> 00:59:22.835
1306
00:59:22.835 --> 00:59:24.990
(group cheers)
(group applauds)
1307
00:59:24.990 --> 00:59:27.840
Everybody that I have walked by has talked
1308
00:59:27.840 --> 00:59:29.772
about how excited they are to see you.
1309
00:59:29.772 --> 00:59:30.605
1310
00:59:30.605 --> 00:59:35.329
1311
00:59:35.329 --> 00:59:38.348
(group cheers)
1312
00:59:38.348 --> 00:59:43.348
Here we go, I've said this before.
1313
00:59:43.549 --> 00:59:45.090
I've said this before,
1314
00:59:45.090 --> 00:59:47.090
but I don't know if I've said it to you.
1315
00:59:47.985 --> 00:59:49.532
1316
00:59:49.532 --> 00:59:51.369
(group chattering)
1317
00:59:51.369 --> 00:59:54.960
(group laughs)
(group chattering)
1318
00:59:54.960 --> 00:59:57.660
1319
00:59:57.660 --> 01:00:01.233
that mountain to see the view from the top of the world.
1320
01:00:02.880 --> 01:00:04.484
This is that view.
1321
01:00:04.484 --> 01:00:07.483
(group chattering)
1322
01:00:07.483 --> 01:00:08.874
1323
01:00:08.874 --> 01:00:09.707
(group cheers)
1324
01:00:09.707 --> 01:00:13.363
Go get ready, okay.
(group chattering)
1325
01:00:17.061 --> 01:00:17.894
1326
01:00:17.894 --> 01:00:19.080
Y'all, we in the mountains for real,
1327
01:00:19.080 --> 01:00:20.611
like, we in the mountains.
1328
01:00:20.611 --> 01:00:21.444
(group chattering)
1329
01:00:21.444 --> 01:00:22.438
Look at the stage!
1330
01:00:22.438 --> 01:00:23.550
(slow music)
1331
01:00:23.550 --> 01:00:24.873
1332
01:00:26.850 --> 01:00:28.998
Let me get some hands on here.
1333
01:00:28.998 --> 01:00:32.248
(singers scat singing)
1334
01:00:37.436 --> 01:00:38.269
Go straight back.
1335
01:00:38.269 --> 01:00:40.873
1336
01:00:40.873 --> 01:00:42.935
1337
01:00:42.935 --> 01:00:44.747
(singers scat singing)
1338
01:00:44.747 --> 01:00:47.593
1339
01:00:47.593 --> 01:00:48.426
'cause if you don't,
1340
01:00:48.426 --> 01:00:50.653
this is gonna rip all the way down there, okay?
1341
01:00:50.653 --> 01:00:52.679
1342
01:00:52.679 --> 01:00:55.335
(singers scat singing)
1343
01:00:55.335 --> 01:00:57.336
♪ Ooh ♪
1344
01:00:57.336 --> 01:00:58.558
1345
01:00:58.558 --> 01:01:00.474
♪ Ooh ♪
1346
01:01:00.474 --> 01:01:02.008
1347
01:01:02.008 --> 01:01:03.523
nice and open, nice and open, calm.
1348
01:01:05.227 --> 01:01:06.268
Up.
1349
01:01:06.268 --> 01:01:08.101
♪ Ooh ♪
1350
01:01:09.259 --> 01:01:10.475
1351
01:01:10.475 --> 01:01:11.593
Down.
1352
01:01:11.593 --> 01:01:12.553
Up.
1353
01:01:12.553 --> 01:01:13.641
Down.
1354
01:01:13.641 --> 01:01:14.808
Two and a one.
1355
01:01:16.492 --> 01:01:17.658
♪ Yeah ♪
1356
01:01:17.658 --> 01:01:19.946
1357
01:01:19.946 --> 01:01:24.378
(group chattering)
(slow music continues)
1358
01:01:24.378 --> 01:01:26.891
1359
01:01:26.891 --> 01:01:29.580
This is, like, I'm Broadway bound right now, you know?
1360
01:01:29.580 --> 01:01:32.637
Broadway bound, baby, Broadway bound.
1361
01:01:32.637 --> 01:01:36.750
1362
01:01:36.750 --> 01:01:38.155
Go ahead and take those down.
1363
01:01:38.155 --> 01:01:41.238
(tambourine rattles)
1364
01:01:42.586 --> 01:01:45.705
♪ Lord ♪
1365
01:01:45.705 --> 01:01:48.676
♪ Hallelujah ♪
1366
01:01:48.676 --> 01:01:50.670
♪ Today ♪
1367
01:01:50.670 --> 01:01:53.280
1368
01:01:53.280 --> 01:01:55.410
I couldn't have done this show three years ago.
1369
01:01:55.410 --> 01:01:58.980
I wasn't ready, I don't think that our team was ready,
1370
01:01:58.980 --> 01:02:01.770
and we put together the right team,
1371
01:02:01.770 --> 01:02:03.690
the right tools to make sure
1372
01:02:03.690 --> 01:02:06.690
that we could make this climb up the mountain the right way.
1373
01:02:08.903 --> 01:02:10.885
1374
01:02:10.885 --> 01:02:12.245
1375
01:02:12.245 --> 01:02:13.080
1376
01:02:13.080 --> 01:02:15.464
1377
01:02:15.464 --> 01:02:17.577
(slow rhythmic music)
1378
01:02:17.577 --> 01:02:19.322
(singer scat sings)
1379
01:02:19.322 --> 01:02:20.155
1380
01:02:20.155 --> 01:02:22.080
1381
01:02:22.080 --> 01:02:23.730
1382
01:02:23.730 --> 01:02:24.563
1383
01:02:24.563 --> 01:02:26.070
1384
01:02:26.070 --> 01:02:28.857
and the opportunity to share it with this festival
1385
01:02:28.857 --> 01:02:30.360
and the rest of the world.
1386
01:02:30.360 --> 01:02:31.380
This is a much bigger deal
1387
01:02:31.380 --> 01:02:33.238
than any of us thought it was going to be.
1388
01:02:33.238 --> 01:02:36.360
(slow music)
(group chattering)
1389
01:02:36.360 --> 01:02:38.850
1390
01:02:38.850 --> 01:02:41.820
We got a whole set done in, like, less than six hours.
1391
01:02:41.820 --> 01:02:43.257
It was pretty fantastic.
1392
01:02:43.257 --> 01:02:44.090
(group chattering)
1393
01:02:44.090 --> 01:02:46.757
(Keston laughs)
1394
01:02:48.174 --> 01:02:50.674
1395
01:02:50.674 --> 01:02:52.591
♪ Yeah ♪
1396
01:02:54.661 --> 01:02:55.494
(group chattering)
1397
01:02:55.494 --> 01:02:56.983
1398
01:02:56.983 --> 01:02:58.403
Is the prop box back here?
1399
01:02:58.403 --> 01:03:00.916
(blow drier roars)
1400
01:03:00.916 --> 01:03:02.106
1401
01:03:02.106 --> 01:03:02.983
Where's the shoes?
1402
01:03:02.983 --> 01:03:04.291
1403
01:03:04.291 --> 01:03:09.291
(group chattering)
(slow music)
1404
01:03:12.821 --> 01:03:14.785
(audience chattering)
1405
01:03:14.785 --> 01:03:17.844
1406
01:03:17.844 --> 01:03:18.844
It's packed.
1407
01:03:21.184 --> 01:03:24.101
(slow piano music)
1408
01:03:30.324 --> 01:03:34.074
(slow piano music continues)
1409
01:03:38.563 --> 01:03:41.896
(slow orchestral music)
1410
01:03:47.668 --> 01:03:52.667
(slow orchestral music continues)
1411
01:03:52.667 --> 01:03:55.323
1412
01:03:56.691 --> 01:04:00.540
I've had my fair share of colossal fails.
1413
01:04:00.540 --> 01:04:04.350
But sometimes the biggest risks are the ones
1414
01:04:04.350 --> 01:04:09.160
that yield the biggest rewards, and I'm so grateful
1415
01:04:10.260 --> 01:04:14.190
that the kids did exactly
1416
01:04:14.190 --> 01:04:17.493
what I knew they were capable of doing.
1417
01:04:18.501 --> 01:04:21.812
♪ Ooh ♪
1418
01:04:21.812 --> 01:04:24.885
♪ Oh, oh, oh ♪
1419
01:04:24.885 --> 01:04:27.766
♪ Oh, oh, oh ♪
1420
01:04:27.766 --> 01:04:31.013
♪ Oh, oh, oh ♪
1421
01:04:31.013 --> 01:04:36.013
♪ Oh, oh, oh, oh, oh, oh, oh ♪
1422
01:04:36.199 --> 01:04:39.963
♪ Oh, oh, oh, oh, oh ♪
1423
01:04:39.963 --> 01:04:42.720
1424
01:04:42.720 --> 01:04:44.122
When you're doing a show with them
1425
01:04:44.122 --> 01:04:45.720
and you're with them 24/7,
1426
01:04:45.720 --> 01:04:48.030
it's, like, the most amazing thing.
1427
01:04:48.030 --> 01:04:50.190
1428
01:04:50.190 --> 01:04:53.100
or outside of school, I think the arts
1429
01:04:53.100 --> 01:04:55.800
and the stage is an escape, it's an outlet.
1430
01:04:55.800 --> 01:04:57.810
It allows us to express ourselves.
1431
01:04:57.810 --> 01:04:59.910
I feel like if we didn't have that, you know,
1432
01:04:59.910 --> 01:05:01.980
God knows what we would be doing.
1433
01:05:01.980 --> 01:05:04.110
If I didn't have this outlet,
1434
01:05:04.110 --> 01:05:07.260
I can't even think of how I would be coping.
1435
01:05:07.260 --> 01:05:09.240
This is how I cope.
1436
01:05:09.240 --> 01:05:12.600
1437
01:05:12.600 --> 01:05:14.000
but it helps me get through.
1438
01:05:16.873 --> 01:05:21.208
♪ But most of all ♪
1439
01:05:21.208 --> 01:05:24.731
♪ I'm thankful for ♪
1440
01:05:24.731 --> 01:05:27.503
♪ Loving who I ♪
1441
01:05:27.503 --> 01:05:32.503
♪ Really am ♪
1442
01:05:37.039 --> 01:05:42.039
♪ I'm beautiful ♪
1443
01:05:42.526 --> 01:05:45.022
♪ Yes, I'm ♪
1444
01:05:45.022 --> 01:05:50.022
♪ Beautiful ♪
1445
01:05:50.142 --> 01:05:52.190
♪ And ♪
1446
01:05:52.190 --> 01:05:54.124
♪ I'm ♪
1447
01:05:54.124 --> 01:05:56.041
♪ Here ♪
1448
01:06:00.399 --> 01:06:03.231
(audience applauds)
1449
01:06:03.231 --> 01:06:06.064
(audience cheers)
1450
01:06:12.478 --> 01:06:16.311
(audience continues cheering)
1451
01:06:21.360 --> 01:06:23.700
1452
01:06:23.700 --> 01:06:25.500
of dreams that have come true.
1453
01:06:25.500 --> 01:06:29.760
I just hope that they're able to access the euphoria
1454
01:06:29.760 --> 01:06:32.580
that they're feeling when they're in their dark spaces
1455
01:06:32.580 --> 01:06:35.100
because dark times will come.
1456
01:06:35.100 --> 01:06:37.380
There are some who are living through them right now,
1457
01:06:37.380 --> 01:06:39.720
but this is one of those times
1458
01:06:39.720 --> 01:06:43.757
that when I ask them to think of a time
1459
01:06:43.757 --> 01:06:47.292
that is just joy, (cries)
1460
01:06:47.292 --> 01:06:49.278
that this is one of those moments.
1461
01:06:49.278 --> 01:06:52.195
(group chattering)
1462
01:06:55.311 --> 01:06:57.894
(upbeat music)
1463
01:06:58.733 --> 01:07:01.566
♪ This is the day the Lord has made ♪
1464
01:07:01.566 --> 01:07:04.796
♪ He calls the hours his own, the Lord has made ♪
1465
01:07:04.796 --> 01:07:08.052 line:15%
♪ This is the day the Lord has made, his own ♪
1466
01:07:08.052 --> 01:07:11.365 line:15%
♪ And praise surround the throne, this is the day ♪
1467
01:07:11.365 --> 01:07:14.410
♪ This is the day the Lord has made ♪
1468
01:07:14.410 --> 01:07:17.785
♪ He calls the hours his own, this is the day ♪
1469
01:07:17.785 --> 01:07:21.002 line:15%
♪ This is the day the Lord has made, yes, it is ♪
1470
01:07:21.002 --> 01:07:24.520 line:15%
♪ And praise around the throne, this is the day ♪
1471
01:07:24.520 --> 01:07:27.483 line:15%
♪ I will rejoice every day ♪
1472
01:07:27.483 --> 01:07:30.918 line:15%
♪ I will rejoice, I will rejoice every day ♪
1473
01:07:30.918 --> 01:07:35.918 line:15%
♪ I will rejoice, this is the day that the Lord has made ♪
1474
01:07:37.565 --> 01:07:40.565
♪ The Lord has made ♪
1475
01:07:42.360 --> 01:07:44.550
1476
01:07:44.550 --> 01:07:46.110
at Radio City Music Hall,
1477
01:07:46.110 --> 01:07:49.609
and I'm about to walk into the 69th annual Tony Awards.
1478
01:07:49.609 --> 01:07:50.442
(audience applauds)
1479
01:07:50.442 --> 01:07:52.290
1480
01:07:52.290 --> 01:07:55.530
of the Excellence in Theater Education Award,
1481
01:07:55.530 --> 01:08:00.060
presented by Carnegie Mellon University and the Tony Awards,
1482
01:08:00.060 --> 01:08:01.980
from Charlotte, North Carolina's
1483
01:08:01.980 --> 01:08:06.089
Northwest School of the Arts, teacher Corey Mitchell.
1484
01:08:06.089 --> 01:08:09.089
(audience applauds)
1485
01:08:15.608 --> 01:08:19.608 line:15%
(audience continues applauding)
1486
01:08:22.874 --> 01:08:25.680
1487
01:08:25.680 --> 01:08:28.170
I don't accept this just for me.
1488
01:08:28.170 --> 01:08:31.950
I accept this on the behalf of every theater teacher
1489
01:08:31.950 --> 01:08:34.020
and every young student out there
1490
01:08:34.020 --> 01:08:38.190
who aspires to this stage and to Broadway.
1491
01:08:38.190 --> 01:08:41.520
Thank you for legitimizing us.
1492
01:08:41.520 --> 01:08:45.960
Theater education matters and art matters
1493
01:08:45.960 --> 01:08:49.452
and we thank you, good night.
(audience cheers)
1494
01:08:49.452 --> 01:08:52.413 line:15%
♪ I'm gonna rejoice every day, this is the day ♪
1495
01:08:52.413 --> 01:08:55.709 line:15%
♪ I will rejoice every day, this is the day ♪
1496
01:08:55.709 --> 01:08:58.333 line:15%
♪ I will rejoice, this is the day ♪
1497
01:08:58.333 --> 01:09:02.183 line:15%
♪ Rejoice every day, that the Lord has made ♪
1498
01:09:02.183 --> 01:09:07.183
♪ Hey ♪
1499
01:09:07.485 --> 01:09:12.485
♪ Hear my song tonight ♪
1500
01:09:13.019 --> 01:09:17.533
♪ It says all the things I want to say ♪
1501
01:09:17.533 --> 01:09:22.124
♪ And tells the story right ♪
1502
01:09:22.124 --> 01:09:25.691
♪ Life hasn't been perfect ♪
1503
01:09:25.691 --> 01:09:29.851
♪ And that's just the surface ♪
1504
01:09:29.851 --> 01:09:33.994
♪ Celebrate tonight ♪
1505
01:09:33.994 --> 01:09:36.488
♪ For the chance of a lifetime ♪
1506
01:09:36.488 --> 01:09:39.705 line:15%
♪ Your never stopped me from being myself ♪
1507
01:09:39.705 --> 01:09:43.434 line:15%
♪ You picked me back up whenever I fell ♪
1508
01:09:43.434 --> 01:09:47.497 line:15%
♪ And you always write my name in the sky ♪
1509
01:09:47.497 --> 01:09:52.497 line:15%
♪ So thank you for the chance of a lifetime ♪
1510
01:09:53.260 --> 01:09:56.473 line:15%
♪ I've been a little restless ♪
1511
01:09:56.473 --> 01:10:00.183 line:15%
♪ Always looking for a breakthrough ♪
1512
01:10:00.183 --> 01:10:03.867 line:15%
♪ You know I always want to impress ♪
1513
01:10:03.867 --> 01:10:07.849 line:15%
♪ You helped me more than you had to ♪
1514
01:10:07.849 --> 01:10:11.641 line:15%
♪ Now I want you to know ♪
1515
01:10:11.641 --> 01:10:15.131 line:15%
♪ From the bottom of my heart ♪
1516
01:10:15.131 --> 01:10:18.907 line:15%
♪ This is a song that I wrote ♪
1517
01:10:18.907 --> 01:10:21.484 line:15%
♪ It's like a little thank you note ♪
1518
01:10:21.484 --> 01:10:24.650 line:15%
♪ You never stopped me from being myself ♪
1519
01:10:24.650 --> 01:10:28.396 line:15%
♪ You picked me back up whenever I fell ♪
1520
01:10:28.396 --> 01:10:32.445 line:15%
♪ And you always write my name in the sky ♪
1521
01:10:32.445 --> 01:10:36.460 line:15%
♪ So thank you for the chance of a lifetime ♪
1522
01:10:36.460 --> 01:10:38.235 line:15%
♪ One chance, one life to live ♪
1523
01:10:38.235 --> 01:10:40.923 line:15%
♪ Let's dance, let's make the most of this future ♪
1524
01:10:40.923 --> 01:10:42.813 line:15%
♪ One day at a time, it's super ♪
1525
01:10:42.813 --> 01:10:44.891 line:15%
♪ We are the realest troopers ♪
1526
01:10:44.891 --> 01:10:46.555 line:15%
♪ Standing tall, fought the war ♪
1527
01:10:46.555 --> 01:10:49.388 line:15%
♪ We beat the odds, with your support, we showed them all ♪
1528
01:10:49.388 --> 01:10:51.483 line:15%
♪ And then we threw up deuces ♪
1529
01:10:51.483 --> 01:10:54.060 line:15%
♪ Boom, now recognize what we do ♪
1530
01:10:54.060 --> 01:10:55.946 line:15%
♪ We overcame and we grew ♪
1531
01:10:55.946 --> 01:10:57.708 line:15%
♪ Those obstacles not stopping us ♪
1532
01:10:57.708 --> 01:10:59.645 line:15%
♪ They focusing, do you ♪
1533
01:10:59.645 --> 01:11:01.578 line:15%
♪ Keep chasing on in that dream ♪
1534
01:11:01.578 --> 01:11:03.431 line:15%
♪ As warped as it may seem ♪
1535
01:11:03.431 --> 01:11:05.341 line:15%
♪ There will always be a way ♪
1536
01:11:05.341 --> 01:11:07.628 line:15%
♪ All you have to do is believe ♪
1537
01:11:07.628 --> 01:11:12.628 line:15%
♪ Hear my song tonight ♪
1538
01:11:13.213 --> 01:11:17.117 line:15%
♪ It says all the things I want to say ♪
1539
01:11:17.117 --> 01:11:21.866 line:15%
♪ And tells the story right ♪
1540
01:11:21.866 --> 01:11:25.627 line:15%
♪ Life hasn't been perfect ♪
1541
01:11:25.627 --> 01:11:30.089 line:15%
♪ And that's just the surface ♪
1542
01:11:30.089 --> 01:11:33.996 line:15%
♪ Celebrate tonight ♪
1543
01:11:33.996 --> 01:11:38.348 line:15%
♪ For the chance of a lifetime ♪
1544
01:11:38.348 --> 01:11:40.103 line:15%
♪ One chance ♪
1545
01:11:40.103 --> 01:11:41.976 line:15%
♪ One chance ♪
1546
01:11:41.976 --> 01:11:43.724 line:15%
♪ One chance of a lifetime ♪
1547
01:11:43.724 --> 01:11:47.146 line:15%
♪ You never stopped me from being myself ♪
1548
01:11:47.146 --> 01:11:50.909 line:15%
♪ You picked me back up whenever I fell ♪
1549
01:11:50.909 --> 01:11:54.939 line:15%
♪ And you always write my name in the sky ♪
1550
01:11:54.939 --> 01:11:58.683 line:15%
♪ So thank you, thank you tonight ♪
1551
01:11:58.683 --> 01:12:02.154 line:15%
♪ You never stopped me from being myself ♪
1552
01:12:02.154 --> 01:12:05.898 line:15%
♪ You picked me back up whenever I fell ♪
1553
01:12:05.898 --> 01:12:09.883 line:15%
♪ And you always write my name in the sky ♪
1554
01:12:09.883 --> 01:12:14.683 line:15%
♪ So thank you, thank you for the chance of a lifetime ♪
1555
01:12:14.683 --> 01:12:17.266 line:15%
(group cheers)