Photographer Corky Lee's epic quest to document Asian American history,…
Photographic Justice: The Corky Lee Story (55 min)
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- Reviews
- Citation
- Cataloging
- Transcript
For 50 years, Chinese American photographer Corky Lee documented the celebrations, struggles, and daily lives of Asian American Pacific Islanders with epic focus. Determined to push mainstream media to include AAPI culture in the visual record of American history, Lee produced an astonishing archive of nearly a million compelling photographs. His work takes on new urgency with the alarming rise in anti-Asian attacks during the Covid pandemic. Jennifer Takaki’s intimate portrait reveals the triumphs and tragedies of the man behind the lens.
Citation
Main credits
Takaki, Jennifer (film director)
Takaki, Jennifer (film producer)
Woo, Linda Lew (film producer)
Other credits
Cinematography, Jennifer Takaki; editing, Linda Hattendorf; music, Joel Goodman.
Distributor subjects
Mainstream vs Ethnic Press; Contributions of AAPI to American History; Photographic Justice; Immigrant Experience In USA; AAPI Activism; Police Brutality; Ethnic Studies Movement; Photography; Art & Politics; Social Change; Diversity of Pan Asian Community; PandemicKeywords
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(gentle music)
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(gentle music continues)
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- [Corky] Where do I begin?
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I generally refer to
myself as an ABC from NYC.
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Now, if you're Chinese,
you know what an ABC is:
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American-Born Chinese.
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NYC, well, that's really very easy.
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(gentle music continues)
(camera clicking)
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I've been photographing Asian Americans
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in New York City for 50 years.
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The last time I estimated the number
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of photographs I've taken, it came out
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to a little over 800,000.
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(camera clicking)
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- [Interviewee] Corky Lee is
one of the main documentarians
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of the Asian American movement.
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Social movements are so hard to capture
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and to put onto paper or put onto film.
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This is a story that
hasn't really been told.
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- [Interviewee 2] The collection he has
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is a testimony of our history,
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and that's why it's very, very important.
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- And with all these
events, and who do you see?
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You see Corky Lee taking pictures.
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- It isn't an Asian
Pacific American event if
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Corky Lee isn't around.
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- [Interviewee 3] We
exchanged business cards
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and I saw the "Undisputed
Unofficial Asian American
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Photographer Laureate."
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I just never heard of one.
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- [Interviewee 4] I don't
think anybody truly knows
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who Corky Lee is.
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They see that he is constantly there,
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and because of his constancy,
he's almost invisible.
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- [Interviewee 2] Where
does he get the energy to do
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all this year in, year out?
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- [Corky] I take photographs
that I think matter.
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Specifically has to do with
Asian Pacific Americans.
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That's something that the
average American does not see,
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and hopefully it opens a dialogue about
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our place in America.
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I don't think people need
to remember who I am.
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It's more important that
they remember the images.
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In all my photographs, I'm
trying to include pages
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that should be in American history books,
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but have been omitted.
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I'm practicing photographic justice.
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(light music)
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(camera clicks)
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(clicking continues)
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(film reel ticking)
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I think I realized I was Chinese
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from the minute I stepped into school.
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Most of the time we were
like the only Chinese family.
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I was born in Queens, 1947.
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My original birth certificate
said Lee Young Quoork.
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But by the time I was going to school,
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the kids were already calling me Corky.
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Other than my brothers,
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I was probably the only
Asian kid in the class.
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There's a lot of bullying
around in elementary schools.
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You don't have to be Asian.
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You could be a skinny kid or an obese kid.
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You know, you get picked on.
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You'd be called names and
getting taunted by kids
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who had no idea what being Chinese was.
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It was a constant.
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Growing up, reading a lot of comic books,
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I guess I wanted to be somewhat like some
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of those comic book heroes
in some form or another.
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I think comic books gave
you kind of a moral compass
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of what you might want to do in life,
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but didn't have any particular
superheroes that were Asian.
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You believe what you see.
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(light music)
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In junior high school,
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I first read about Chinese
building the railroad.
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(train horn blows)
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That was the first thing
in school that I had read
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that the Chinese had
contributed to the country.
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(bell clangs)
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It was like 12,000 of them.
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They toiled long and hard.
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A lot of them died along the way.
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And at the time it was a
major engineering achievement.
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It was like the equivalent
of building the Panama
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or the Suez Canal.
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But when they showed the
photograph of the completion
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of the railroad, with the two
locomotives joining together,
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I didn't see any Chinese.
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I thought maybe it's because
my eyesight was poor.
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I took off my glasses
and looked really close,
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I didn't see any,
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so I got a magnifying
glass and then looked.
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I said, "Dammit, there
aren't any Chinese here!"
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The audacity, they didn't want the Chinese
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to be photographed as
part of the celebration.
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And I think it sort of
worked in the back of my head
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for a really long, long time.
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(parade music)
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(parade music continues)
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(parade music continues)
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(drumming music)
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(drumming continues)
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When you photograph these
parades and cultural events,
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I'm also networking.
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This is one way of maintaining contact
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within your community.
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On an annual basis,
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I'll photograph Lunar New Year
for the Chinese community,
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but there's also a Lunar New
Year that Koreans observe.
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(festive music)
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March is Holi, or Phaghwah,
if you're from the Caribbean,
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and that's basically for Indians.
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April is Thai New Year,
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and there's a Sikh
observance of the beginning
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of their religion.
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May is Santacruzan, which
is a Filipino festival
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that has Roman Catholic roots.
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But there's also the Asian
Pacific Heritage Festival
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that got started beginning in 1979.
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July, you have the Japanese Obon Festival
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to honor the deceased.
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By August, you have
Pakistan Independence Day
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and Indian Independence Day.
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September you have the annual
Muslim Unity Day parade.
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By October, November,
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you have a Korean Harvest
parade that takes place.
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And then there was
Diwali, an Indian festival
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generally towards October
going into November.
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For most of the festivals, I try to get
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the context in which these immigrants are
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in this country, in New York City.
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So the juxtaposition of the
photographs will show something
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of their culture and something
about New York culture
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or American culture.
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Asian Pacific Islanders are
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part and parcel of the fabric of America.
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(traffic humming)
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I didn't pick up photography until
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after I got out of college.
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When you graduate with American History,
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you could probably become a teacher,
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but I don't think I was
cut out for teaching.
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I really didn't know what I was gonna do.
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I happened to get a job at Two
Bridges Neighborhood Council
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as a community organizer in
Chinatown, probably 1970.
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I took a series of photographs
of violations in buildings.
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There was exposed wiring,
the lack of proper mailboxes,
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heat and hot water and
all this sort of stuff.
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I would organize the tenants
to withhold their rent.
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Eventually, the landlord would
agree to make the repairs,
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so then you could show the
tenant in the next building
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or down the block, you
can get this stuff done!
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That sort of set my course.
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(light music)
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♪ We are the children
of the migrant worker ♪
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♪ We are the offspring of
the concentration camps ♪
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♪ Sons and daughters of
the railroad builder ♪
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♪ Who leave their stamp on America ♪
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- Chinatown in the seventies
was a really happening place.
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I lived in sort of a commune
with about eight people.
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We formed something called
Asian Media Collective, AMC.
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The purpose of Asian Media
Collective pretty much was
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to document and disseminate
what was taking place
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within the Asian American
Movement as it pertains
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to New York or the East Coast.
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♪ Sing a song for ourselves ♪
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- [Corky] The Asian American
Movement got started
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in direct response
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to the Black Civil Rights
Movement of the sixties
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- how to organize, how to
rally people - fighting for
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identity, equality,
equal pay, equal rights.
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♪ We got the right to choose ♪
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- What Asian Americans realized,
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along with other people of
color in the late sixties,
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was that what was called
history at that point
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was not everyone's history.
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- Minority communities were
not getting an even break
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in the newspapers or on television.
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Corky was always there.
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He knew when to go, when to get
out, when to leave the house
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and go down and see what
was happening in the street.
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He learned to recognize, okay,
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I may not have an assignment on this,
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but this is gonna be a story.
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- [Corky] 1975, all the
businesses closed in Chinatown
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at the height of this civil rights protest
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against police brutality.
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♪ Protest chanting ♪
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♪ Protest chanting ♪
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- The policemen wanted to
move a certain section,
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and people weren't willing to move.
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So the police started to push
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and then eventually one
of them swung a billy club
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and hit this individual.
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I had actually been pretty
close, probably within six feet,
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and there was no cause to hit the guy.
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Immediately, I called
up The New York Times
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and they said they had
their photographer there,
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but they didn't know of
any outbreak of violence.
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I called The Daily News,
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they didn't wanna see the photograph.
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And then The New York Post said they
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had their photographer there.
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I said, well, my photographs show
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that somebody got beaten up
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and the police are taking him away!
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And then there was a little bit
00:11:15.193 --> 00:11:17.860
of a silence on the
other end of the phone,
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and then they came back to me
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and said, "Okay, kid, bring it in."
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And I made the front page.
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(camera clicks)
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- That photograph in The New York Post,
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that was a breakthrough for Corky,
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and I think for us, in terms
of representing the issues.
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I think it was the first time
we showed city government
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that the community could
organize into a political force.
00:11:54.100 --> 00:11:56.863
- The Asian American Movement
started in late 1960s.
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At that time,
00:12:00.460 --> 00:12:05.323
there was really no quote
unquote Asian American identity.
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We were a bunch of different groups;
00:12:10.450 --> 00:12:13.390
Chinese, Japanese, Filipinos.
00:12:13.390 --> 00:12:18.340
But the fact that the bigger
society see us as one group
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and forcing us to realize that we have
00:12:20.860 --> 00:12:22.328
to group together to fight.
00:12:22.328 --> 00:12:27.328
(upbeat music)
(camera clicks)
00:12:31.270 --> 00:12:33.820
- Those were the Vietnam years.
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People were being drafted
00:12:36.190 --> 00:12:39.490
and Chinese kids, just
like everybody else,
00:12:39.490 --> 00:12:40.783
were sent to Vietnam.
00:12:43.450 --> 00:12:46.390
- I don't think anybody
want to get drafted. Okay?
00:12:46.390 --> 00:12:48.190
Because they're all
from immigrant families,
00:12:48.190 --> 00:12:50.500
they may have been the first generation
00:12:50.500 --> 00:12:51.793
to get into college.
00:12:53.140 --> 00:12:56.800
Some people who got
drafted wound up in Japan
00:12:56.800 --> 00:13:00.703
or Germany; other people, like my brother,
00:13:01.600 --> 00:13:03.730
got drafted and he wound up
00:13:03.730 --> 00:13:05.833
looking over the border into Cambodia.
00:13:08.500 --> 00:13:12.766
- My brother Jimmy, he was
the only Asian in his platoon.
00:13:12.766 --> 00:13:15.880
On the first day of
jungle warfare training,
00:13:15.880 --> 00:13:18.367
the drill sergeant says
"Lee! Front and center!"
00:13:19.540 --> 00:13:22.480
Jimmy jumps up, does a
snappy front and center,
00:13:22.480 --> 00:13:25.273
standing right next to the drill sergeant.
00:13:26.440 --> 00:13:29.593
The drill sergeant takes
one step to the side,
00:13:30.490 --> 00:13:33.280
points directly at my brother Jimmy
00:13:33.280 --> 00:13:35.867
and says, quote,
00:13:35.867 --> 00:13:39.127
"This is what the enemy looks like."
00:13:42.527 --> 00:13:45.027
(light music)
00:13:50.122 --> 00:13:53.455
(light music continues)
00:13:55.119 --> 00:13:58.330
- What the Asian American
Movement was built on was this
00:13:58.330 --> 00:14:01.360
critique of the war as imperialist
00:14:01.360 --> 00:14:04.753
and racist. That somehow Asian
American lives were cheap.
00:14:05.680 --> 00:14:08.080
A lot of Asian Americans were
actually very radicalized
00:14:08.080 --> 00:14:09.490
by this critique of the war
00:14:09.490 --> 00:14:12.643
and by looking at these images
of the atrocities in the war.
00:14:14.350 --> 00:14:16.180
- We didn't wanna go to Vietnam.
00:14:16.180 --> 00:14:18.910
We always felt that that was
a war that it should not,
00:14:18.910 --> 00:14:20.383
we should not be involved in.
00:14:22.270 --> 00:14:23.897
So a friend of ours,
00:14:23.897 --> 00:14:25.750
"You should meet this guy Corky Lee.
00:14:25.750 --> 00:14:27.910
He's a draft counselor."
00:14:27.910 --> 00:14:29.810
And that's the first time I met Corky.
00:14:31.630 --> 00:14:33.970
- [Corky] I was a conscientious objector.
00:14:33.970 --> 00:14:35.800
And then I basically started to try
00:14:35.800 --> 00:14:39.193
to help other Asians get draft deferment.
00:14:40.630 --> 00:14:45.253
- We were doing all kinds of
anti-war, civil rights action.
00:14:46.180 --> 00:14:48.340
And I remember always
seeing this guy coming
00:14:48.340 --> 00:14:50.560
around with a camera.
00:14:50.560 --> 00:14:53.200
At first we said, you know,
who the hell is this guy?
00:14:53.200 --> 00:14:55.750
Is he a cop taking pictures?
00:14:55.750 --> 00:14:57.700
But then after a while, we get used to him
00:14:57.700 --> 00:15:00.970
because we also know that how
important is media in terms
00:15:00.970 --> 00:15:02.890
of what we're doing.
00:15:02.890 --> 00:15:06.280
We understood if something is not recorded
00:15:06.280 --> 00:15:08.890
either by television, or
by Corky, or by anybody,
00:15:08.890 --> 00:15:11.317
then something never happened.
00:15:12.367 --> 00:15:14.950
(upbeat music)
00:15:19.859 --> 00:15:23.276
(upbeat music continues)
00:15:25.072 --> 00:15:25.952
♪ There's Corky! ♪
00:15:25.952 --> 00:15:27.072
♪ Where? ♪
00:15:27.072 --> 00:15:29.843
♪ They're closing a
Chinatown subway stop ♪
00:15:29.843 --> 00:15:30.730
♪ There's Corky! ♪
00:15:30.730 --> 00:15:31.979
♪ Where? ♪
00:15:31.979 --> 00:15:34.832
♪ There's anti-immigrant agit-prop ♪
00:15:34.832 --> 00:15:35.665
♪ There's Corky! ♪
00:15:35.665 --> 00:15:36.810
♪ Where? ♪
00:15:36.810 --> 00:15:39.490
♪ There with Governor Gary Locke ♪
00:15:39.490 --> 00:15:44.490
♪ There's anti-Asian
hate crime in Queens ♪
00:15:44.543 --> 00:15:49.543
♪ It's tough being Corky Lee ♪
00:15:53.893 --> 00:15:55.780
♪ How does he do it? ♪
00:15:55.780 --> 00:15:57.768
♪ Well I don't know ♪
00:15:57.768 --> 00:16:00.192
♪ But he's at every protest ♪
00:16:00.192 --> 00:16:03.461
♪ He's at every show ♪
00:16:03.461 --> 00:16:07.968
♪ Why, he's where the
Asian American action is ♪
00:16:07.968 --> 00:16:09.821
♪ Shooting politicians ♪
00:16:09.821 --> 00:16:13.032
♪ To performance artists ♪
00:16:13.032 --> 00:16:16.782
♪ It's tough being Corky Lee ♪
00:16:21.088 --> 00:16:24.505
(upbeat music continues)
00:16:27.875 --> 00:16:29.897
(upbeat music continues)
00:16:32.422 --> 00:16:35.172
(birds chirping)
00:16:40.150 --> 00:16:41.860
- Probably, my earliest memory is living
00:16:41.860 --> 00:16:44.023
on Hollis Avenue in Queens.
00:16:45.041 --> 00:16:45.943
It was 205.
00:16:48.070 --> 00:16:50.263
We lived in a hand-laundry.
00:16:52.870 --> 00:16:56.530
My father had come in 1929 from Toisan,
00:16:56.530 --> 00:17:00.340
about 90 miles southwest of Canton.
00:17:00.340 --> 00:17:03.163
During the Depression, he
had worked in laundries,
00:17:04.990 --> 00:17:07.450
but by the time the Second War broke out,
00:17:07.450 --> 00:17:09.730
he was working in the Camden Navy Yard
00:17:09.730 --> 00:17:12.463
and he learned how to weld aluminum.
00:17:13.900 --> 00:17:16.780
When he was drafted, there
was a segregated unit
00:17:16.780 --> 00:17:20.830
of Chinese Americans that
wound up on the Burma Road
00:17:20.830 --> 00:17:22.513
working behind the lines.
00:17:23.500 --> 00:17:28.360
By '46, as a result of the War Brides Act,
00:17:28.360 --> 00:17:30.310
my father was able to bring my mom
00:17:30.310 --> 00:17:32.593
over with my older sister.
00:17:33.970 --> 00:17:35.953
So I was born a year later,
00:17:37.090 --> 00:17:39.223
and then I had three brothers after that.
00:17:43.220 --> 00:17:44.770
After the war, my dad wanted
00:17:44.770 --> 00:17:49.213
to really pursue arc welding,
but nobody would hire him.
00:17:51.220 --> 00:17:53.023
He had four kids to feed,
00:17:53.950 --> 00:17:56.103
so he went back in the laundry business.
00:17:56.103 --> 00:17:58.010
That was something that he knew
00:17:59.230 --> 00:18:02.833
and he settled down and
basically had a family.
00:18:07.000 --> 00:18:08.470
Growing up, I wouldn't say that
00:18:08.470 --> 00:18:10.273
I had a really happy childhood.
00:18:12.940 --> 00:18:16.300
I had responsibilities that I didn't want,
00:18:16.300 --> 00:18:18.150
maybe it's because I'm the first son,
00:18:19.314 --> 00:18:23.290
that I had to do all the
household chores like cooking,
00:18:23.290 --> 00:18:24.553
which I hated doing.
00:18:26.380 --> 00:18:29.320
Then I had to work in
the laundry business.
00:18:29.320 --> 00:18:31.750
For my dad in the laundry
business, it was like,
00:18:31.750 --> 00:18:34.870
I always kept asking him,
why do I have to do this?
00:18:34.870 --> 00:18:36.570
I don't see anybody else doing it.
00:18:42.773 --> 00:18:47.773
My dad, he was pretty
authoritative, non-communicative.
00:18:47.890 --> 00:18:49.930
He always expected the best of you
00:18:49.930 --> 00:18:52.033
and would demand nothing less.
00:18:55.240 --> 00:18:59.233
Over the years, I tried to
understand him a little better.
00:19:01.000 --> 00:19:03.160
Like a lot of immigrants,
00:19:03.160 --> 00:19:05.530
they were frustrated because this culture,
00:19:05.530 --> 00:19:07.450
American culture was really new to them
00:19:07.450 --> 00:19:09.940
and they were trying to
preserve their culture
00:19:09.940 --> 00:19:11.890
and heritage and so forth.
00:19:11.890 --> 00:19:15.073
And it ran counter to what
their children were doing.
00:19:18.700 --> 00:19:21.190
He had hoped that I would
be a doctor or something,
00:19:21.190 --> 00:19:26.190
or a lawyer, but I wanted
to be something artistic.
00:19:26.663 --> 00:19:29.163
(light music)
00:19:30.370 --> 00:19:32.890
I was actually the last
one to see my dad alive.
00:19:32.890 --> 00:19:35.743
He passed away in 1982.
00:19:37.120 --> 00:19:39.820
He was in the VA hospital at the time.
00:19:39.820 --> 00:19:41.200
The doctor was telling me, "Oh,
00:19:41.200 --> 00:19:43.480
I didn't know you were that famous."
00:19:43.480 --> 00:19:44.897
I said, "What are you talking about?"
00:19:44.897 --> 00:19:46.390
"Oh, this is what your dad said."
00:19:46.390 --> 00:19:49.060
He said, "Yeah, you're really famous.
00:19:49.060 --> 00:19:50.887
I'm happy to know you."
00:19:51.910 --> 00:19:54.110
I said, "Oh, my dad
said all that about me?"
00:19:55.859 --> 00:19:59.192
(light music continues)
00:20:01.121 --> 00:20:04.001
(birds chirping)
00:20:04.001 --> 00:20:08.001
(all speaking Toisanese)
00:20:09.841 --> 00:20:13.000
- Hey, how do you turn on Mom's DVD?
00:20:13.000 --> 00:20:14.980
- Let's try it this way.
00:20:14.980 --> 00:20:16.360
- [Corky] This is my mom and dad
00:20:16.360 --> 00:20:17.760
when they first got married.
00:20:18.910 --> 00:20:21.430
- Gotta be 1934 or '33.
00:20:21.430 --> 00:20:26.430
Yeah, my father's father and his mother.
00:20:27.050 --> 00:20:28.990
(mother speaking Toisanese)
00:20:28.990 --> 00:20:30.250
- I made it!
00:20:30.250 --> 00:20:32.710
- Mom wants to say that
she made these handmade
00:20:32.710 --> 00:20:33.643
flowers over here.
00:20:34.570 --> 00:20:36.481
She's got other flowers over here.
00:20:36.481 --> 00:20:37.862
- [Mother] I made it!
00:20:37.862 --> 00:20:40.085
- That's where Corky gets it from.
00:20:40.085 --> 00:20:40.960
From our mother's side.
00:20:40.960 --> 00:20:44.080
- I think Corky had a
way of pushing himself
00:20:44.080 --> 00:20:45.728
even when he was little.
00:20:45.728 --> 00:20:46.561
- [Corky] That's me.
00:20:46.561 --> 00:20:48.700
- [Sister] He always wanted to lead,
00:20:48.700 --> 00:20:51.175
and always want to be the best.
00:20:51.175 --> 00:20:53.316
(mother speaking Toisanese)
00:21:04.398 --> 00:21:05.557
- [Sister] There was a Chinese--
00:21:05.557 --> 00:21:06.390
- [Brother] The newspaper.
00:21:06.390 --> 00:21:08.080
- [Sister] The World Journal.
00:21:08.080 --> 00:21:09.760
- In 2001, she read in the papers
00:21:09.760 --> 00:21:12.100
that I had this exhibit at the Museum
00:21:12.100 --> 00:21:13.690
of Chinese in the Americas.
00:21:13.690 --> 00:21:15.700
So she gathered up some of her friends,
00:21:15.700 --> 00:21:17.860
they huffed and puffed
up to the second floor,
00:21:17.860 --> 00:21:19.990
and they were just about closing.
00:21:19.990 --> 00:21:23.230
So she said that, "I'm Corky Lee's mom.
00:21:23.230 --> 00:21:26.077
What do you mean I can't
come in to see the exhibit?"
00:21:26.917 --> 00:21:30.250
They said, "Oh, a thousand
pardons Mrs. Lee!"
00:21:30.250 --> 00:21:32.440
They opened the door and they let Mom
00:21:32.440 --> 00:21:34.543
and her friends go in to see the exhibit.
00:21:34.543 --> 00:21:37.126
(all laughing)
00:21:45.295 --> 00:21:48.212
(plastic rustling)
00:21:51.190 --> 00:21:53.800
See, this is basically my filing system.
00:21:53.800 --> 00:21:56.980
My contact sheets are
kept with the negatives
00:21:56.980 --> 00:21:59.260
and I have one print from the entire roll,
00:21:59.260 --> 00:22:00.790
which will be this one.
00:22:00.790 --> 00:22:04.753
So this will help me locate
it a little bit faster.
00:22:09.700 --> 00:22:12.280
I've always said that I'm
a self-taught photographer.
00:22:12.280 --> 00:22:14.680
I learned from trial and error.
00:22:14.680 --> 00:22:17.563
Every photograph is something
a little bit different.
00:22:18.670 --> 00:22:20.590
So this photograph of Lily Chow,
00:22:20.590 --> 00:22:22.750
the original negative was kind of flat,
00:22:22.750 --> 00:22:25.042
so I made it a little more contrastier.
00:22:27.220 --> 00:22:29.200
This one's from Columbia University.
00:22:29.200 --> 00:22:31.720
They had taken over Hamilton Hall
00:22:31.720 --> 00:22:35.590
to initiate Ethnic Studies.
00:22:35.590 --> 00:22:37.843
I think it was '95 or '97.
00:22:38.680 --> 00:22:40.480
This was the Edward Moody case,
00:22:40.480 --> 00:22:42.580
who was Indian American.
00:22:42.580 --> 00:22:44.350
This is in Arlington Cemetery,
00:22:44.350 --> 00:22:48.520
and it was a memorial
service there for the opening
00:22:48.520 --> 00:22:50.140
of the Smithsonian Exhibit
00:22:50.140 --> 00:22:52.630
on Japanese American concentration camps.
00:22:52.630 --> 00:22:55.150
I generally use a wide
angle lens and I move close.
00:22:55.150 --> 00:22:59.080
So you get the whole
landscape of what I am seeing.
00:22:59.080 --> 00:23:00.793
For me, that's my style.
00:23:02.560 --> 00:23:04.840
I used to come in
00:23:04.840 --> 00:23:08.597
after work pretty much on a weekly basis
00:23:08.597 --> 00:23:12.100
and I would print for several hours.
00:23:12.100 --> 00:23:13.900
Back then the darkrooms were cheap.
00:23:13.900 --> 00:23:17.980
They were like maybe $6
an hour, so I can print
00:23:17.980 --> 00:23:21.223
to my heart's content and not
spend a whole lot of money.
00:23:24.940 --> 00:23:27.100
I have a much broader definition
00:23:27.100 --> 00:23:28.573
of the Asian American Movement.
00:23:29.560 --> 00:23:31.840
Nathan's Hotdog Contest.
00:23:31.840 --> 00:23:34.720
There happened to be two Asian women.
00:23:34.720 --> 00:23:35.980
They both weigh about 105.
00:23:35.980 --> 00:23:38.890
They're 40 and 41 years old.
00:23:38.890 --> 00:23:41.230
In 10 minutes, between both of them,
00:23:41.230 --> 00:23:43.303
they finished 75 hot dogs.
00:23:44.290 --> 00:23:48.760
This is the first time that
an Asian American woman won.
00:23:48.760 --> 00:23:51.520
Could be a dubious note
in Asian American history,
00:23:51.520 --> 00:23:53.110
but it's also very American.
00:23:53.110 --> 00:23:53.983
All right?
00:23:54.970 --> 00:23:57.720
Consuming as many hotdogs as
you can on the 4th of July!
00:23:58.870 --> 00:24:01.300
That's bringing, in my mind,
00:24:01.300 --> 00:24:05.653
an Asian American presence
into the American landscape.
00:24:06.610 --> 00:24:09.820
The more that this happens, it solidifies
00:24:09.820 --> 00:24:11.737
our space in this country.
00:24:15.380 --> 00:24:20.380
(traffic humming)
(indistinct talking)
00:24:24.670 --> 00:24:27.430
Being freelance is really hard to kind
00:24:27.430 --> 00:24:29.533
of gauge your finances.
00:24:31.450 --> 00:24:36.220
But I don't know if I could
work well in a journalistic
00:24:36.220 --> 00:24:39.970
organization because if
they wanted me to go out
00:24:39.970 --> 00:24:42.910
to photograph an Azalea
Festival, and I happened to know
00:24:42.910 --> 00:24:45.760
that there's something else
that I think is better.
00:24:45.760 --> 00:24:47.320
I would probably challenge the editor
00:24:47.320 --> 00:24:48.340
and say, "Well listen,
I don't think that's
00:24:48.340 --> 00:24:49.537
really that important."
00:24:51.130 --> 00:24:53.800
A lot of my photographs
I do get published,
00:24:53.800 --> 00:24:55.840
were in the ethnic press
00:24:55.840 --> 00:24:58.693
'cause mainstream press
really wasn't interested.
00:25:00.220 --> 00:25:02.380
I had to sell myself,
be it Associated Press
00:25:02.380 --> 00:25:05.080
or any of the newspapers,
trying to get people
00:25:05.080 --> 00:25:08.713
to accept a photograph that was important.
00:25:10.540 --> 00:25:13.420
I got dubbed by the people
in Associated Press,
00:25:13.420 --> 00:25:15.970
the Asian Demo Photographer
00:25:15.970 --> 00:25:17.777
They would kind of under their breath,
00:25:17.777 --> 00:25:20.348
"It's Corky Lee, he's got
another protest." You know?
00:25:22.413 --> 00:25:25.033
And as often as I was successful,
00:25:25.033 --> 00:25:27.481
there were many times
I was not successful.
00:25:27.481 --> 00:25:28.314
- [Interviewer] What kind
of images are you looking
00:25:28.314 --> 00:25:30.490
for when you take photographs?
00:25:30.490 --> 00:25:31.723
- What kind of images?
00:25:32.950 --> 00:25:36.850
Something that'll stop
someone dead in their tracks
00:25:36.850 --> 00:25:40.690
and take a second look or
something that's curious,
00:25:40.690 --> 00:25:43.907
something out of the
ordinary, not on the menu.
00:25:43.907 --> 00:25:46.000
- [Reporter] "Not on the
Menu" featuring photographs
00:25:46.000 --> 00:25:47.230
taken by Corky Lee
00:25:47.230 --> 00:25:50.440
and Leland Wong of New York
and San Francisco Chinatowns
00:25:50.440 --> 00:25:52.120
was recently on exhibit at the
00:25:52.120 --> 00:25:53.710
Chinese Culture Center.
00:25:53.710 --> 00:25:55.330
And what kind of advice do they have
00:25:55.330 --> 00:25:56.773
for future photographers?
00:25:57.730 --> 00:25:59.860
- Good photo journalists, I
think have to have a feeling
00:25:59.860 --> 00:26:02.290
for people, situations.
00:26:02.290 --> 00:26:06.100
But don't get hooked on photography
00:26:06.100 --> 00:26:09.700
unless you're willing to
make tremendous sacrifices
00:26:09.700 --> 00:26:11.293
in your personal life.
00:26:12.310 --> 00:26:17.292
And also your financial circumstance.
00:26:18.222 --> 00:26:23.222
(car horns honking)
(traffic humming)
00:26:24.460 --> 00:26:27.110
- How do you balance career
and your personal life?
00:26:28.630 --> 00:26:30.573
I don't think you can really have it all.
00:26:32.770 --> 00:26:34.930
I probably should have paid more attention
00:26:34.930 --> 00:26:36.970
to my personal life.
00:26:36.970 --> 00:26:39.580
People have said to me,
my wedding with Margie
00:26:39.580 --> 00:26:41.200
was like the best kept secret
00:26:41.200 --> 00:26:42.750
in the Asian American Movement.
00:26:43.836 --> 00:26:48.430
(light music)
(camera clicks)
00:26:48.430 --> 00:26:49.840
We had gotten out of college
00:26:49.840 --> 00:26:52.720
and we'd been going
out for about six years
00:26:52.720 --> 00:26:54.970
and it was when she threatened to leave me
00:26:54.970 --> 00:26:56.770
that I decided I'd better marry her.
00:27:00.021 --> 00:27:05.021
I was 27 when I got married,
so she was 25 at the time.
00:27:05.133 --> 00:27:07.513
She was Toisanese like myself.
00:27:08.350 --> 00:27:10.723
Her parents had a laundry - two laundries!
00:27:12.160 --> 00:27:14.053
There was a lot of similarity.
00:27:15.190 --> 00:27:17.983
Margie, she was an ABC like me.
00:27:22.810 --> 00:27:25.963
Our wedding was in Chinatown.
00:27:26.800 --> 00:27:28.933
My father made all the arrangements.
00:27:30.610 --> 00:27:34.180
My dad never really said, "Hey,
you can have like one table
00:27:34.180 --> 00:27:38.020
or two tables, that would be
like 10 or 20 of your friends."
00:27:38.020 --> 00:27:38.860
Right?
00:27:38.860 --> 00:27:40.960
So I couldn't invite my friends
00:27:40.960 --> 00:27:43.430
and I sort of regretted that
00:27:44.830 --> 00:27:47.053
because when people heard:
00:27:48.797 --> 00:27:49.720
"Corky's married?
00:27:49.720 --> 00:27:52.137
Come on, are you kidding me?"
00:27:56.606 --> 00:27:59.456
(machinery running)
00:27:59.456 --> 00:28:00.850
This is where I work at Expedi Printing.
00:28:00.850 --> 00:28:03.430
I've been here for 27 years.
00:28:03.430 --> 00:28:05.650
I do estimating.
00:28:05.650 --> 00:28:06.880
I do customer service.
00:28:06.880 --> 00:28:10.570
I do the final billing and
then I'm the bill collector,
00:28:10.570 --> 00:28:12.280
when you come down to it.
00:28:12.280 --> 00:28:14.650
I think I'm fortunate at Expedi,
00:28:14.650 --> 00:28:16.777
I was flexible enough that I could go out
00:28:16.777 --> 00:28:18.400
and photograph things.
00:28:18.400 --> 00:28:20.957
The owner had asked me at one point,
00:28:20.957 --> 00:28:22.180
"Where do you find the time?"
00:28:22.180 --> 00:28:24.370
I said, "Well, I can do it before work.
00:28:24.370 --> 00:28:25.810
I can do it on my lunch hour.
00:28:25.810 --> 00:28:27.370
I can do it after work."
00:28:27.370 --> 00:28:28.900
So he said, "Well, okay, fine.
00:28:28.900 --> 00:28:30.370
As long as you get your work done,
00:28:30.370 --> 00:28:31.770
you can do the photography."
00:28:32.643 --> 00:28:35.643
(subway clattering)
00:28:40.570 --> 00:28:44.233
Marriage has a lot to do with finances.
00:28:45.430 --> 00:28:48.460
For a long time, I didn't
bring any income in
00:28:48.460 --> 00:28:50.593
from what I photographed.
00:28:53.110 --> 00:28:54.760
It probably irked my wife -
00:28:54.760 --> 00:28:56.050
that if I was really good at it,
00:28:56.050 --> 00:28:58.510
I could make a living out of it.
00:28:58.510 --> 00:29:01.510
She wanted more time of me.
00:29:01.510 --> 00:29:03.127
She said, "Well, why do you have to go
00:29:03.127 --> 00:29:04.627
and take the photographs?"
00:29:06.310 --> 00:29:08.407
I said, "Well, if I don't, who will?"
00:29:13.047 --> 00:29:15.714
(keys jingling)
00:29:21.263 --> 00:29:22.633
I come down here when I need
00:29:22.633 --> 00:29:26.054
to get matted photographs for an exhibit.
00:29:26.054 --> 00:29:30.413
This is where I keep all
my framed photographs.
00:29:31.990 --> 00:29:33.730
I think people started to care about
00:29:33.730 --> 00:29:36.130
the photographs I took at least 10 years
00:29:36.130 --> 00:29:38.113
after an event took place.
00:29:38.980 --> 00:29:42.820
I got a call from San Francisco in 1992.
00:29:42.820 --> 00:29:45.820
The newspaper at that time, I
think it was called East West,
00:29:45.820 --> 00:29:48.370
and the guy said, "Well,
we were doing a 10th year
00:29:48.370 --> 00:29:51.280
anniversary article about Vincent Chin
00:29:51.280 --> 00:29:55.150
and Helen Zia says that you
were in Detroit at that time,
00:29:55.150 --> 00:29:57.098
so do you have any photographs?"
00:29:57.098 --> 00:29:59.590
(gentle music)
00:29:59.590 --> 00:30:00.940
I went from New York to Detroit
00:30:00.940 --> 00:30:03.610
to film the Vincent Chin protests.
00:30:03.610 --> 00:30:06.340
There were Koreans, Japanese, Filipinos,
00:30:06.340 --> 00:30:10.180
and a few African
Americans at the rally too.
00:30:10.180 --> 00:30:13.090
People feel that this was
the beginning of a coalition
00:30:13.090 --> 00:30:15.283
of Asian Pacific American Movement.
00:30:18.190 --> 00:30:20.290
If it wasn't for Helen Zia, I don't think
00:30:20.290 --> 00:30:23.290
that the Vincent Chin
issue would've gained
00:30:23.290 --> 00:30:25.693
the type of attention that it deserved.
00:30:27.400 --> 00:30:30.160
Vincent Chin, a Chinese
American was killed in Detroit
00:30:30.160 --> 00:30:31.423
days before his wedding.
00:30:32.890 --> 00:30:36.190
Back then, in '82, I
don't even think the term
00:30:36.190 --> 00:30:39.193
hate crime was in common usage.
00:30:40.780 --> 00:30:44.290
The two guys beat him to
death with a baseball bat,
00:30:44.290 --> 00:30:47.113
and they were white
unemployed auto workers.
00:30:47.980 --> 00:30:49.060
During that time period,
00:30:49.060 --> 00:30:52.810
the auto industry in Detroit
was doing very poorly
00:30:52.810 --> 00:30:56.533
because Japanese car makers
were doing very well.
00:30:57.880 --> 00:31:01.420
Asians were seen as scapegoats.
00:31:01.420 --> 00:31:05.260
They thought someone who
looked Japanese was responsible
00:31:05.260 --> 00:31:07.693
for their loss of employment.
00:31:12.100 --> 00:31:13.870
What really angered the
community was the fact
00:31:13.870 --> 00:31:16.213
that the two guys never did any jail time.
00:31:17.530 --> 00:31:21.850
They were released for I think $3,000
00:31:21.850 --> 00:31:23.503
and some court fees.
00:31:26.470 --> 00:31:29.470
Lily Chin, Vincent Chin's
mother, was still grieving
00:31:29.470 --> 00:31:31.990
to probably the day that she died
00:31:31.990 --> 00:31:35.025
about the injustice done to her son.
00:31:35.025 --> 00:31:38.591
(gentle music continues)
00:31:38.591 --> 00:31:40.824
(camera clicks)
00:31:40.824 --> 00:31:43.324
(light music)
00:31:48.927 --> 00:31:52.120
- [Reporter] Whereas Corky Lee
has actively participated in
00:31:52.120 --> 00:31:53.890
the struggle to improve the quality
00:31:53.890 --> 00:31:56.710
of life in the Chinatowns of this nation,
00:31:56.710 --> 00:32:01.120
Mayor David Dinkins declared
May 5th, 1988, "Corky Lee Day."
00:32:01.120 --> 00:32:04.150
- I was moved because
I had also known that
00:32:04.150 --> 00:32:08.410
David Dinkins had been
responsive to the needs
00:32:08.410 --> 00:32:10.910
and the concerns about
Asian American communities.
00:32:12.130 --> 00:32:16.090
1988, I was doing an
exhibit near City Hall
00:32:16.090 --> 00:32:20.800
and David Dinkins presented
me with a certificate.
00:32:20.800 --> 00:32:22.720
I was flabbergasted.
00:32:22.720 --> 00:32:26.560
I said, Corky Lee Day is like
Muhammad Ali getting the key
00:32:26.560 --> 00:32:29.500
to the city after the Thrilla in Manila
00:32:29.500 --> 00:32:31.537
but on a smaller level!
00:32:33.566 --> 00:32:35.320
(door clatters)
00:32:35.320 --> 00:32:38.320
My friends have always
been clamoring for me
00:32:38.320 --> 00:32:39.736
to do my own book.
00:32:42.160 --> 00:32:44.860
I guess I'm too busy to actually sit down
00:32:44.860 --> 00:32:49.213
for even a day to look at what I've done.
00:32:49.213 --> 00:32:50.320
- Hey, Corky. What's up, man?
00:32:50.320 --> 00:32:52.320
- Hey, glad you could see me.
00:32:52.320 --> 00:32:55.120
So this represents the cover.
00:32:55.120 --> 00:32:57.100
Chee has you down as guest editor.
00:32:57.100 --> 00:33:00.220
My original title is "Not on The Menu:
00:33:00.220 --> 00:33:02.320
More or less Chinese America"
00:33:02.320 --> 00:33:04.480
A lot of times when people
go into a restaurant
00:33:04.480 --> 00:33:07.660
and they order items
that are not on the menu,
00:33:07.660 --> 00:33:09.430
those are like the specials.
00:33:09.430 --> 00:33:12.880
So it's a metaphor for the best items
00:33:12.880 --> 00:33:15.881
that the restaurant has
are not on the menu.
00:33:15.881 --> 00:33:18.548
- Okay, so you have, "Not on The Menu."
00:33:19.972 --> 00:33:21.767
What was your original title?
00:33:21.767 --> 00:33:23.710
- [Corky] "More or Less."
00:33:23.710 --> 00:33:25.060
'Cause if you translate more or less
00:33:25.060 --> 00:33:26.080
it's (speaking Chinese)
00:33:26.080 --> 00:33:28.093
That's a very colloquial Chinese phrase.
00:33:29.800 --> 00:33:33.490
It's Chinese, but yet at the
same time it's very American.
00:33:33.490 --> 00:33:35.620
It's like one foot in both cultures.
00:33:35.620 --> 00:33:37.907
This is a labor protest.
00:33:37.907 --> 00:33:40.000
"Black, brown, yellow, white,
00:33:40.000 --> 00:33:42.550
all the working people must unite."
00:33:42.550 --> 00:33:45.610
And this is for bilingual
education - early 70s.
00:33:45.610 --> 00:33:47.800
- [Editor] Very nice.
- [Corky] Okay.
00:33:47.800 --> 00:33:49.293
- Looking at your pictures,
00:33:49.293 --> 00:33:52.783
I think the story behind
it is also very intriguing.
00:33:53.762 --> 00:33:54.595
- Very important, too.
00:33:54.595 --> 00:33:57.490
The photographs themselves
are overwhelming,
00:33:57.490 --> 00:34:02.490
so I need to cut down on the images.
00:34:02.650 --> 00:34:03.760
I'm gonna self-publish it
00:34:03.760 --> 00:34:05.320
because I'm just too tired of waiting
00:34:05.320 --> 00:34:07.270
to hear from publishers.
00:34:07.270 --> 00:34:10.570
I figured why spend all
the time and effort to look
00:34:10.570 --> 00:34:13.870
for a publisher and then convince them?
00:34:13.870 --> 00:34:15.103
I've convinced myself.
00:34:16.510 --> 00:34:19.420
It's part of leaving a legacy,
00:34:19.420 --> 00:34:22.333
a visual record of what I've done.
00:34:25.008 --> 00:34:27.591
(gentle music)
00:34:28.600 --> 00:34:31.330
I noticed that a lot of
people have traveled outside
00:34:31.330 --> 00:34:33.460
of this country to take photographs.
00:34:33.460 --> 00:34:35.140
You don't have to go outside the country.
00:34:35.140 --> 00:34:38.410
You could stay in this
country, save the money,
00:34:38.410 --> 00:34:40.933
photograph your Asian community.
00:34:41.860 --> 00:34:44.200
But I understand there are
like four photographers here?
00:34:44.200 --> 00:34:46.397
Four of the eight? Come on up.
00:34:46.397 --> 00:34:47.230
(hands clapping)
00:34:47.230 --> 00:34:49.440
I wanna give you a public platform.
00:34:49.440 --> 00:34:50.914
Tell them what you like
00:34:50.914 --> 00:34:52.600
or what you don't like
about their photographs.
00:34:52.600 --> 00:34:55.060
That goes a long way to convince them
00:34:55.060 --> 00:34:57.257
to continue what they're doing.
00:34:57.257 --> 00:34:58.090
Thank you.
00:34:58.090 --> 00:35:00.085
(crowd clapping)
- [Photographer] Thank you!
00:35:01.660 --> 00:35:05.290
- I never had role models
when I started in photography.
00:35:05.290 --> 00:35:10.120
I mean, if a white editor from
AP would tell me something,
00:35:10.120 --> 00:35:13.630
I'd listen, but he didn't
really take me aside
00:35:13.630 --> 00:35:16.125
and say, "Listen, can I
buy you a cup of coffee?"
00:35:16.125 --> 00:35:17.680
- Right, right, right.
- Right?
00:35:17.680 --> 00:35:21.490
What I used to do, was
that I would fold my arms.
00:35:21.490 --> 00:35:22.960
Okay, fold my arms. Right?
00:35:22.960 --> 00:35:24.340
Then you get it up.
- [Photographer] Yeah.
00:35:24.340 --> 00:35:26.350
- All right, so basically,
00:35:26.350 --> 00:35:27.940
but you have to learn how to do this.
00:35:27.940 --> 00:35:28.773
- [Photographer] Sure.
00:35:28.773 --> 00:35:29.890
- When you get to a certain age, you want
00:35:29.890 --> 00:35:31.990
to pass on some wisdom.
00:35:31.990 --> 00:35:35.500
In my case, it's passing
on photographs of a time
00:35:35.500 --> 00:35:38.323
and place that I got to witness firsthand.
00:35:39.883 --> 00:35:41.663
- I was wondering if you have a website?
00:35:41.663 --> 00:35:44.500
- A lot of young photographers
reach out to me on,
00:35:44.500 --> 00:35:45.970
basically on Facebook.
00:35:45.970 --> 00:35:48.040
Social media has been a way
00:35:48.040 --> 00:35:50.590
to communicate almost instantaneously
00:35:50.590 --> 00:35:52.303
with people all over the world.
00:35:53.590 --> 00:35:57.433
I'm probably on on pretty
much on a daily basis.
00:35:59.380 --> 00:36:00.970
Previously, I really didn't have a way
00:36:00.970 --> 00:36:04.210
to make my own comments
other than the simple caption
00:36:04.210 --> 00:36:06.340
of what the photograph was.
00:36:06.340 --> 00:36:09.430
Now I can write some material about
00:36:09.430 --> 00:36:11.473
what I photograph and what I feel.
00:36:16.120 --> 00:36:17.380
When they have machines out here,
00:36:17.380 --> 00:36:18.460
they're probably being sold
00:36:18.460 --> 00:36:20.887
and there's probably a company
that is going out of business
00:36:20.887 --> 00:36:23.050
and it is just really sad.
00:36:23.050 --> 00:36:27.215
Now, this building probably
had a garment factory here.
00:36:27.215 --> 00:36:32.215
Most Chinatown families, you
made sure that one person
00:36:32.272 --> 00:36:34.722
worked in a garment shop so they could get
00:36:34.722 --> 00:36:36.285
union benefits.
00:36:38.719 --> 00:36:40.300
(camera clicking)
00:36:40.300 --> 00:36:42.370
Since I've been unemployed,
00:36:42.370 --> 00:36:44.320
I find myself photographing a lot more.
00:36:46.720 --> 00:36:50.590
I got laid off in 2010.
00:36:50.590 --> 00:36:52.393
The whole company shut down.
00:36:54.640 --> 00:36:56.800
I'm trying to hold out a year
00:36:56.800 --> 00:36:58.690
and a half where I'll be able
00:36:58.690 --> 00:37:01.663
to collect all my social
security benefits.
00:37:02.770 --> 00:37:05.050
Well, like most people
that are unemployed,
00:37:05.050 --> 00:37:06.340
how are you gonna pay for your next bill?
00:37:06.340 --> 00:37:08.590
How are you gonna do this and so forth.
00:37:08.590 --> 00:37:11.140
I guess it just takes
some time getting used to
00:37:11.140 --> 00:37:13.933
a new environment or a new situation.
00:37:15.695 --> 00:37:16.750
(light music)
00:37:16.750 --> 00:37:21.010
There must be a reason
for why things happen,
00:37:21.010 --> 00:37:23.440
and the more time you
try to figure it out,
00:37:23.440 --> 00:37:27.190
the less time you have
addressing the problem at hand.
00:37:27.190 --> 00:37:30.220
So you put it to the side.
00:37:30.220 --> 00:37:31.053
Let it be.
00:37:33.012 --> 00:37:35.512
(light music)
00:37:36.790 --> 00:37:39.850
There are ups and downs
in everybody's life,
00:37:39.850 --> 00:37:44.383
but 2001, I lost my wife.
00:37:47.439 --> 00:37:49.813
(somber music)
00:37:49.813 --> 00:37:52.313
(Corky sighs)
00:37:57.580 --> 00:37:58.530
I think about it often.
00:38:00.147 --> 00:38:03.564
(somber music continues)
00:38:09.430 --> 00:38:13.063
She had a really short
bout with breast cancer,
00:38:15.370 --> 00:38:17.230
and then once she was diagnosed with that,
00:38:17.230 --> 00:38:20.803
she was very resistant to modern medicine.
00:38:22.360 --> 00:38:25.093
She actually passed away
in about six months.
00:38:26.260 --> 00:38:28.263
April, 2001.
00:38:29.609 --> 00:38:31.934
She was like 52.
00:38:38.579 --> 00:38:42.190
I did all my grieving in the darkroom.
00:38:42.190 --> 00:38:45.040
As long as I'm doing something,
I'm not gonna feel the grief
00:38:45.040 --> 00:38:48.013
or the grief will be minimized.
00:38:53.170 --> 00:38:56.740
I think my wife is up there somewhere,
00:38:56.740 --> 00:38:59.653
wants me to keep occupied
so that I don't miss her.
00:39:02.410 --> 00:39:06.490
The year Margie passed away, 2001,
00:39:06.490 --> 00:39:10.240
while I was grieving her
loss, September 11th happened
00:39:10.240 --> 00:39:13.123
and that shifted my focus.
00:39:17.830 --> 00:39:20.080
After 9/11, there's a whole new paradigm
00:39:20.080 --> 00:39:22.119
of things that have taken place.
00:39:23.170 --> 00:39:27.040
Filipinos being racially profiled
00:39:27.040 --> 00:39:29.653
because part of the population is Muslim.
00:39:31.000 --> 00:39:34.123
The South Asian community
has become much more active.
00:39:36.399 --> 00:39:38.380
To this very day, a lot of South Asians,
00:39:38.380 --> 00:39:42.340
in particular Sikhs who
are perceived to be Taliban
00:39:42.340 --> 00:39:46.303
or Al-Qaeda, display the
American flag much more often.
00:39:48.160 --> 00:39:51.940
You know, it's patriotic,
but it is also protection
00:39:51.940 --> 00:39:53.440
because right after 9/11
00:39:53.440 --> 00:39:55.450
there was an uptick in hate crimes towards
00:39:55.450 --> 00:39:57.913
that South Asian demographic.
00:39:59.620 --> 00:40:03.190
What is searing in my mind is the images
00:40:03.190 --> 00:40:06.700
that I took from the rooftop
of Battery Park City,
00:40:06.700 --> 00:40:09.100
looking down into the World Trade Center,
00:40:09.100 --> 00:40:11.950
which was basically a big hole
in the ground at the time.
00:40:16.120 --> 00:40:19.510
You always think of the first
responders in law enforcement
00:40:19.510 --> 00:40:20.773
as being white.
00:40:22.120 --> 00:40:25.750
That's why I photographed
the firefighter Benny Hom
00:40:25.750 --> 00:40:30.433
sitting on the fender of his
firetruck in Chinatown in 2002.
00:40:32.080 --> 00:40:34.480
It's important for a
much younger generation
00:40:34.480 --> 00:40:36.583
to see people that look like them.
00:40:37.480 --> 00:40:41.005
There are Asians in the same uniforms
00:40:41.005 --> 00:40:43.623
as much as white Americans.
00:40:44.904 --> 00:40:46.542
- [Solider] Left, left, right, left.
00:40:46.542 --> 00:40:49.042
Left, left, left, right, left.
00:40:50.430 --> 00:40:51.847
Color guard halt.
00:40:52.984 --> 00:40:54.367
One, two.
00:40:54.367 --> 00:40:55.200
- Corky you're here!
00:40:55.200 --> 00:40:57.430
- [Corky] Hey, how you doing?
- All right, guy.
00:40:57.430 --> 00:41:00.370
- I wanted to get you and
Phil with the American flag.
00:41:00.370 --> 00:41:02.530
- Every year, Corky's sending me photos
00:41:02.530 --> 00:41:04.690
of Chinese American veterans,
00:41:04.690 --> 00:41:07.000
the American Legion Post in Chinatown.
00:41:07.000 --> 00:41:09.730
He'd send the photos with
these handwritten Post-Its
00:41:09.730 --> 00:41:13.630
with all this information about
these World War II veterans,
00:41:13.630 --> 00:41:15.282
and they were great stories.
00:41:15.282 --> 00:41:18.013
- [Soldier] Right face.
00:41:18.013 --> 00:41:20.813
(indistinct shouting)
00:41:20.813 --> 00:41:23.320
- [Corky] I was approached
by an individual
00:41:23.320 --> 00:41:26.920
who wrote the legislation for
the Congressional Gold Medal
00:41:26.920 --> 00:41:29.440
for Chinese American veterans who served
00:41:29.440 --> 00:41:30.520
during the second World War.
00:41:31.403 --> 00:41:32.899
- [Soldier] Color guard, halt.
00:41:34.030 --> 00:41:39.010
- I was able to gather 130 individuals
00:41:39.010 --> 00:41:40.630
to come to the American Legion,
00:41:40.630 --> 00:41:44.800
and I asked them to bring
photographs of their grandfather,
00:41:44.800 --> 00:41:48.010
their father, uncle, cousin, whatever,
00:41:48.010 --> 00:41:49.600
that was a World War II veteran.
00:41:49.600 --> 00:41:51.223
And I took a group photograph.
00:41:52.570 --> 00:41:56.860
I went to Washington DC on my own dime,
00:41:56.860 --> 00:42:00.520
walked the halls of
Congress, spoke to aides,
00:42:00.520 --> 00:42:04.900
and my photograph was given
to members of Congress.
00:42:04.900 --> 00:42:09.130
It, I think, moved a lot of
congressmen at the last minute
00:42:09.130 --> 00:42:12.700
to vote for passage of the law.
00:42:12.700 --> 00:42:15.400
It made me feel like that I was not only
00:42:15.400 --> 00:42:18.250
serving the American Legion,
but I was serving my country.
00:42:18.250 --> 00:42:22.720
And it was an extension of my
civilian alternative service,
00:42:22.720 --> 00:42:26.166
going back to the 1970s.
00:42:26.166 --> 00:42:28.330
(traffic humming)
00:42:28.330 --> 00:42:30.220
- Good evening, everyone.
00:42:30.220 --> 00:42:34.390
We're about to start
our 9/11 commemorative
00:42:34.390 --> 00:42:36.700
candlelight ceremony.
00:42:36.700 --> 00:42:40.390
9/11 had a particularly hard
00:42:40.390 --> 00:42:42.700
and devastating impact upon our community,
00:42:42.700 --> 00:42:47.033
being just in the shadow
of the Twin Towers.
00:42:47.033 --> 00:42:49.990
- I was doing a lot of work post 9/11
00:42:49.990 --> 00:42:52.933
related to revitalizing Chinatown,
00:42:54.310 --> 00:42:58.780
and this was through a campaign
called Explore Chinatown,
00:42:58.780 --> 00:43:01.093
and I would see Corky everywhere.
00:43:02.980 --> 00:43:05.890
And I told him I had an
interest in photography,
00:43:05.890 --> 00:43:09.340
and so every weekend he
would send some event
00:43:09.340 --> 00:43:12.427
that's happening and
"Would you like to go?"
00:43:14.920 --> 00:43:17.173
That's kind of how we started.
00:43:18.896 --> 00:43:20.080
(gentle music)
00:43:20.080 --> 00:43:22.513
- Karen had a liking for photography.
00:43:24.310 --> 00:43:26.323
At some point, she actually Googled me.
00:43:27.400 --> 00:43:31.843
I guess she was impressed by
what I do and what I represent.
00:43:36.820 --> 00:43:38.440
A lot of times she accompanies me
00:43:38.440 --> 00:43:42.790
and I guess being somewhat older,
00:43:42.790 --> 00:43:45.070
I think I've probably
influenced her in terms of
00:43:45.070 --> 00:43:46.813
what she likes to photograph.
00:43:48.580 --> 00:43:52.333
And she's become my second soulmate,
00:43:54.430 --> 00:43:58.003
and I think it's probably
made me a better person.
00:43:59.440 --> 00:44:03.373
She's given me a reason to
stop and smell the roses.
00:44:04.630 --> 00:44:06.070
Alright, before I would just look
00:44:06.070 --> 00:44:09.335
and maybe photograph
them and then move on.
00:44:09.335 --> 00:44:10.877
(Karen laughing)
00:44:12.730 --> 00:44:14.800
- [Reporter] The Queen's
Museum of Art is presenting
00:44:14.800 --> 00:44:18.070
an exhibit entitled "Asia
Pacifically New York:
00:44:18.070 --> 00:44:19.807
The Photography of Corky Lee."
00:44:23.962 --> 00:44:25.482
- I really appreciate your work.
00:44:25.482 --> 00:44:26.500
- Thank you.
00:44:26.500 --> 00:44:27.730
I would say in my later years,
00:44:27.730 --> 00:44:30.700
I think I probably have
a little more success.
00:44:30.700 --> 00:44:35.700
A lot of awards and accolades
sort of come in after 2001.
00:44:36.250 --> 00:44:39.493
There's been much more
exposure to what I've done.
00:44:40.600 --> 00:44:45.043
Within the next six weeks,
I am in four exhibits.
00:44:47.980 --> 00:44:50.500
I got an award for social justice
00:44:50.500 --> 00:44:52.930
from the Asian American
Journalists Association.
00:44:52.930 --> 00:44:56.410
I also got an award from
Organization of Chinese Americans,
00:44:56.410 --> 00:44:59.714
or better known as OCA.
00:44:59.714 --> 00:45:01.330
- [Announcer] Mr. Corky Lee.
00:45:01.330 --> 00:45:04.117
- City Hall, I got a proclamation
that I didn't expect.
00:45:04.117 --> 00:45:06.370
I never know I was gonna get an award.
00:45:06.370 --> 00:45:07.603
That was a surprise.
00:45:08.470 --> 00:45:10.903
The awards validate what I'm doing,
00:45:11.770 --> 00:45:15.313
and I guess it's some kind
of encouragement to continue.
00:45:17.672 --> 00:45:20.680
- In my "100 New York Photographers" book,
00:45:20.680 --> 00:45:22.540
I have Amy Arbus,
00:45:22.540 --> 00:45:26.950
I have Hugh Bell, Harry
Benson, Bruce Davidson,
00:45:26.950 --> 00:45:29.680
Lee Friedlander, Mary Ellen Mark,
00:45:29.680 --> 00:45:32.590
and of course Corky
belongs right with them.
00:45:32.590 --> 00:45:36.010
What resonated me with me
mostly about Corky was he said
00:45:36.010 --> 00:45:40.390
that his camera was like a
weapon that he used to shoot down
00:45:40.390 --> 00:45:42.130
the problems that he encountered.
00:45:42.130 --> 00:45:45.760
I think these three images
show an individual can make
00:45:45.760 --> 00:45:49.210
a difference, and that's the
important thing about Corky.
00:45:49.210 --> 00:45:52.330
The more you get into his head
and his eye and his camera,
00:45:52.330 --> 00:45:54.869
the more you begin to
think the way he thought.
00:45:54.869 --> 00:45:57.452
(light music)
00:46:01.120 --> 00:46:03.703
- Behind me is what is
called The Chinese Arch.
00:46:05.110 --> 00:46:08.893
This was where one of the
last Chinese labor camps was,
00:46:09.990 --> 00:46:12.430
and this is only four and a half miles
00:46:12.430 --> 00:46:14.320
from where the two locomotives met
00:46:14.320 --> 00:46:16.423
and had that historic photograph taken.
00:46:19.330 --> 00:46:23.740
When that famous photograph
was taken in 1869,
00:46:23.740 --> 00:46:26.200
that's where the Chinese were.
00:46:26.200 --> 00:46:29.803
They were not invited
to the closing party.
00:46:33.010 --> 00:46:36.524
I decided that I should
do something about it.
00:46:36.524 --> 00:46:39.024
(light music)
00:46:42.198 --> 00:46:45.281
(train bell dinging)
00:46:54.035 --> 00:46:56.875
(dinging continues)
00:46:56.875 --> 00:46:59.958
(train horn blowing)
00:47:01.690 --> 00:47:03.771
- [Announcer] Part of
the re-enactment cast
00:47:03.771 --> 00:47:05.146
over by the train!
00:47:05.146 --> 00:47:07.195
- Re-enactment!
00:47:07.195 --> 00:47:09.370
- The re-enactment cast.
00:47:09.370 --> 00:47:11.380
- This is the 145th anniversary
00:47:11.380 --> 00:47:13.110
since the completion of the railroad.
00:47:13.968 --> 00:47:17.051
- Chinese group up front!
00:47:18.070 --> 00:47:19.790
[Corky] We're Chinese Americans!
00:47:19.790 --> 00:47:21.772
We're Asian Pacific Americans!
00:47:21.772 --> 00:47:23.490
So lemme hear it!
00:47:23.490 --> 00:47:26.854
(people cheering)
00:47:26.854 --> 00:47:30.721
We came today to reclaim American history!
00:47:33.220 --> 00:47:36.190
There's a TV series about cold cases,
00:47:36.190 --> 00:47:37.627
they always go back in the past
00:47:37.627 --> 00:47:40.180
and they try to correct the wrongs.
00:47:40.180 --> 00:47:45.180
So, in this sense, the omission
of Chinese 145 years ago
00:47:45.880 --> 00:47:49.070
is resolved through photography
00:47:50.680 --> 00:47:54.158
and it's an act of photographic justice.
00:47:54.158 --> 00:47:56.475
(light music)
00:47:56.475 --> 00:48:01.475
♪ We are the cousins of
the freedom fighter ♪
00:48:01.521 --> 00:48:06.521
♪ Brothers and sisters
all aound the world. ♪
00:48:07.272 --> 00:48:12.272
♪ We are a part of the
third world people ♪
00:48:12.613 --> 00:48:17.613
♪ Who will leave their stamp on America ♪
00:48:17.689 --> 00:48:22.681
♪ America ♪
00:48:23.710 --> 00:48:26.170
- I think Asian Americans
have come a long way,
00:48:26.170 --> 00:48:29.080
but there's still a long way to go.
00:48:29.080 --> 00:48:32.260
In the pursuit of photographic justice,
00:48:32.260 --> 00:48:35.680
you have to keep going on
because there's so much
00:48:35.680 --> 00:48:36.780
that needs to be done.
00:48:39.850 --> 00:48:42.190
- I would like to begin
00:48:42.190 --> 00:48:44.200
by announcing some important developments
00:48:44.200 --> 00:48:47.597
in our war against the Chinese virus.
00:48:47.597 --> 00:48:48.790
(ominous music)
00:48:48.790 --> 00:48:49.623
Kung flu!
00:48:50.950 --> 00:48:52.390
It comes from China.
00:48:52.390 --> 00:48:55.720
The Chinese virus.
(people cheering)
00:48:55.720 --> 00:48:58.690
- Asians around the world
have reported discrimination
00:48:58.690 --> 00:49:00.370
linked to coronavirus.
00:49:00.370 --> 00:49:01.990
The FBI recently issued a warning
00:49:01.990 --> 00:49:04.240
about a potential spike in hate crimes.
00:49:04.240 --> 00:49:06.068
- [Reporter] I have never seen
the Asian American community
00:49:06.068 --> 00:49:08.256
this scared.
- Get out of our country!
00:49:08.256 --> 00:49:09.520
Get out!
00:49:09.520 --> 00:49:11.170
- [Reporter] There's also
been apparent attacks
00:49:11.170 --> 00:49:12.670
in New York City.
00:49:12.670 --> 00:49:16.390
- I have friends who are
legitimately afraid to go outside
00:49:16.390 --> 00:49:18.493
because they fear for their safety.
00:49:20.590 --> 00:49:23.110
- Are we going to let
people like our president
00:49:23.110 --> 00:49:26.980
use dangerous language such
as the "Chinese virus,"
00:49:26.980 --> 00:49:30.158
knowing well that it
hurts Asian Americans?
00:49:30.158 --> 00:49:31.480
- [Protestors] Hell no!
00:49:31.480 --> 00:49:34.060
- [Speaker] Are we going to
let people tell us to go back
00:49:34.060 --> 00:49:36.490
to our country when this is our country?
00:49:36.490 --> 00:49:37.323
- [Protestors] Hell no!
00:49:38.500 --> 00:49:40.250
- [Speaker] Asians are not a virus!
00:49:41.784 --> 00:49:45.184
- [Protestors] Stop the
violence! Stop the hate!
00:49:45.184 --> 00:49:46.990
- [Protestors] Asians are not a virus!
00:49:46.990 --> 00:49:49.753
- In 2020, there's a worldwide pandemic.
00:49:51.760 --> 00:49:54.373
I think the entire country is in mourning,
00:49:55.690 --> 00:49:57.790
but anyone who looks Asian,
00:49:57.790 --> 00:50:00.463
we're perceived as being scapegoats.
00:50:02.230 --> 00:50:04.300
The restaurants in Chinatown close early
00:50:04.300 --> 00:50:06.340
because the later that they leave work,
00:50:06.340 --> 00:50:08.260
there's a higher possibility
00:50:08.260 --> 00:50:10.483
of them being a victim of a hate crime.
00:50:11.380 --> 00:50:15.433
So, if you're Asian, you're
afflicted with two viruses.
00:50:16.300 --> 00:50:17.740
One is COVID-19,
00:50:17.740 --> 00:50:20.353
and the other one is actually hate.
00:50:22.090 --> 00:50:24.010
The community's in a survival mode
00:50:24.010 --> 00:50:26.800
and not enough attention
is being paid either
00:50:26.800 --> 00:50:30.253
by mainstream media or elected officials.
00:50:36.070 --> 00:50:38.380
- The last time I saw Corky was a few days
00:50:38.380 --> 00:50:40.690
before New Year's, there
was a press conference
00:50:40.690 --> 00:50:42.100
by the Guardian Angels.
00:50:42.100 --> 00:50:44.320
They wanted to go into the subways
00:50:44.320 --> 00:50:47.650
to warn people about an
attack on a Chinese girl.
00:50:47.650 --> 00:50:50.565
And Corky went with them into the subways.
00:50:50.565 --> 00:50:53.590
(soft music)
00:50:53.590 --> 00:50:56.750
- He never slowed down.
He's gotta be out there
00:50:57.790 --> 00:51:00.340
because there's things that's happening
00:51:00.340 --> 00:51:03.193
and he wants to be present for it.
00:51:07.312 --> 00:51:10.562
(soft music continues)
00:51:12.760 --> 00:51:16.300
Wednesday, he went to
a Guardian Angel event.
00:51:16.300 --> 00:51:18.190
He said, "Don't worry, I'll be fine."
00:51:18.190 --> 00:51:20.107
He says, "I'm wearing a face mask."
00:51:21.220 --> 00:51:23.950
Thursday, he said he wasn't feeling well.
00:51:23.950 --> 00:51:27.433
He had cold symptoms and body aches.
00:51:28.870 --> 00:51:30.913
He got tested January 7th.
00:51:32.110 --> 00:51:33.880
His breathing was difficult
00:51:33.880 --> 00:51:37.000
and they checked his oxygen level
00:51:37.000 --> 00:51:41.833
and they suggested that he
needed to go to the hospital.
00:51:43.300 --> 00:51:44.263
He had COVID.
00:51:47.410 --> 00:51:52.410
The morning of January
27th, he passed away.
00:51:52.413 --> 00:51:53.812
(Karen crying)
00:51:53.812 --> 00:51:56.395
(somber music)
00:52:05.479 --> 00:52:10.479
(birds chirping)
(somber music continues)
00:52:18.807 --> 00:52:22.224
(somber music continues)
00:52:31.037 --> 00:52:34.454
(somber music continues)
00:52:37.595 --> 00:52:39.066
- [Bystander] Thank you Corky!
00:52:39.066 --> 00:52:40.813
- [Bystander #2] We love you Corky!
00:52:40.813 --> 00:52:41.646
- [Bystander #3] Thank you, Corky.
00:52:41.646 --> 00:52:44.594
We'll always remember you.
00:52:44.594 --> 00:52:47.677
We will continue fighting for
justice, photographic justice.
00:52:51.060 --> 00:52:54.477
(somber music continues)
00:53:02.200 --> 00:53:05.617
(somber music continues)
00:53:09.250 --> 00:53:12.670
- We want to remember
one of the 431,000 people
00:53:12.670 --> 00:53:15.100
who have died of COVID
in the US: Corky Lee.
00:53:15.100 --> 00:53:17.050
Corky Lee was a legendary
photographer known
00:53:17.050 --> 00:53:19.540
for documenting the
life of Asian Americans.
00:53:19.540 --> 00:53:20.890
He was born and raised-
- [Reporter] His mission in life
00:53:20.890 --> 00:53:24.400
to chronicle the often forgotten
members of his community.
00:53:24.400 --> 00:53:27.434
For five decades, Corky Lee
put a spotlight on every-
00:53:27.434 --> 00:53:28.963
- [Reporter #2] Bringing Asian
Americans to the forefront
00:53:28.963 --> 00:53:31.480
of history through his work.
00:53:31.480 --> 00:53:33.670
- [Reporter #3] He arguably
left behind the single largest
00:53:33.670 --> 00:53:36.610
repository of photographic
history of Asian Americans.
00:53:36.610 --> 00:53:38.290
- He was an icon in the community,
00:53:38.290 --> 00:53:40.330
using his camera to set things right.
00:53:40.330 --> 00:53:41.530
- [Reporter] It was his life purpose
00:53:41.530 --> 00:53:44.260
to tell the stories of
communities overlooked
00:53:44.260 --> 00:53:45.970
by mainstream media.
00:53:45.970 --> 00:53:47.140
- Through his photographs
00:53:47.140 --> 00:53:49.480
and the memories of the
countless people who knew
00:53:49.480 --> 00:53:51.910
and loved him, he'll
keep making a difference
00:53:51.910 --> 00:53:53.353
for generations to come.
00:53:54.258 --> 00:53:56.841
(somber music)
00:54:01.383 --> 00:54:02.470
- [Corky] The Asian American movement,
00:54:02.470 --> 00:54:03.913
I believe, is still alive.
00:54:05.590 --> 00:54:08.773
Whenever there's a crisis, more
people step up to the plate.
00:54:10.180 --> 00:54:12.040
You know, there'll be setbacks,
00:54:12.040 --> 00:54:14.770
there'll be times that
you'll feel depressed
00:54:14.770 --> 00:54:16.060
about what's going on.
00:54:16.060 --> 00:54:19.573
But you have to believe
that things will get better.
00:54:21.280 --> 00:54:23.280
If you're a photographer, keep shooting.
00:54:26.249 --> 00:54:29.666
(somber music continues)
00:54:38.310 --> 00:54:41.727
(somber music continues)
00:54:49.889 --> 00:54:53.306
(somber music continues)
00:55:01.327 --> 00:55:04.744
(somber music continues)
Distributor: GOOD DOCS
Length: 55 minutes
Date: 2022
Genre: Expository
Language: English
Grade: 10-12, College, Adults
Color/BW:
Closed Captioning: Available
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