A couple starts their own newspaper in rural Russia... which lands them…
The Battle for the Arab Viewer
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- Transcript
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In early 2011, people around the world tuned into Al Jazeera to watch the Egyptian revolution in real time. Meanwhile, rival broadcaster Al Arabiya was also offering near continuous coverage, with cameras on a balcony overlooking the 6th October Bridge, where protesters and police clashed.
How was the content of those broadcasts - and the networks' subsequent coverage - influenced by their political allegiances?
Featuring interviews with current and former journalists from both networks, and analysis from independent pundits, The Battle for the Arab Viewer highlights the philosophical differences between the two pan-Arab networks.
Al Jazeera was created by the Emir of Qatar after he deposed his father in a coup. The station typically champions the poor and social movements - such as the Muslim Brotherhood - that are hostile to the Saudi regime. The station has grown highly influential. In the film, a passerby stops Al Jazeera's chief Cairo correspondent on the street to thank him and the government of Qatar for supporting the anti-Mubarak forces, saying the network is '90%' responsible for the revolution.
With Al Jazeera supporting elements hostile to Saudi Arabia, the Saudis set up their own network as a counterpoint: the more conservative Al Arabiya, owned by a close friend of the royal family.
While The Battle for the Arab Viewer offers insight and analysis, it also shows how the battle between the two networks plays out on the ground in Cairo. We go behind the scenes with Al Arabiya journalist Randa Abul Azm and Al Jazeera's Abdelfattah Fayed as they follow stories, break news, and cover events such as Hosni Mubarak's trial. (Azm is allowed into the courtroom, but Fayed is not.)
Azm and Fayed each mirror their networks' respective demographics. Al Arabiya appeals to well-off, middle-class viewers who value security and stability. Enter Amz, who lives in a building built by her engineer father, on a street named for her grandfather. Fayed, representing the network that purports to stand for the downtrodden, shows us a photo of his father, who worked in agriculture.
Both deny that their work is influenced by the political agendas of their networks' owners. But former employees of both networks tell a different story. Particularly striking is the case of Hafez al Mirazi, who was taken off Al Arabiya's airwaves after promising to put Saudi Arabia under the microscope on his show.
Media bias is nothing new - as Mirazi says, viewers of Fox News and MSNBC each know what they are going to get. What is different in the Arab world is that the networks are directly owned by states. He says, 'They keep shifting according to the countries they are sponsored by, and that affects the stories their citizens get on a daily basis.'
Ultimately, the problem may resolve itself. As democracy spreads through the region, will truly independent media follow?
HIGHLY RECOMMENDED. 'Lasfar is able to astutely position the Egyptian Revolution as a prism through which viewers of the film are able to see the ideological slants/biases of the two networks play out in real time, while they also shape and in some cases directly influence events on the ground...These examples in tandem with significantly improved relations between Saudi Arabia and Qatar serve to underscore the film's larger point that these tremendously important, influential Pan-Arabic media outlets sit precariously on top of an ever shifting firmament of delicate regional alliances and fragile political relationships susceptible to drastic change that is then reflected in the tone and tenor of the networks coverage and information dissemination. Lasfar's film highlights the negative impact such sudden, jarring shifts in editorial perspective can have on public discourse in the Middle East, while underlining the need for authentic independent media outlets.The Battle for the Arab Viewer would be an excellent addition to all media studies, journalism, communication and Middle Eastern studies collections.' -Educational Media Reviews Online
'Presents an excellent overview of the political dynamics that shape the editorial practices and perspective of both networks.' -Al Jadid: A Review and Record of Arab Culture and Arts
'A very timely and instructive video, showing that media and politics are not only each lively on their own but necessarily and unavoidably intertwined.' -Anthropology Review Database
Citation
Main credits
Lasfar, Nordin (film director)
Goossens, Helen (film producer)
Schutgens, Marie (film producer)
Other credits
Photography, Hans Bouma, Marlou van den Berge; editor, Bart van den Broek.
Distributor subjects
Communications; Egypt; Journalism; Media Studies; Middle East; Politics; Social MovementsKeywords
WEBVTT
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[music]
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[music]
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[music]
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[sil.]
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Call it biased or call
it uh… unprofessional
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but uh… then the Aljazeera,
what, much more war,
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much more enthusiastic about
covering the revolution.
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They were more revolutionary
if you wish than the uh…
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than the uh… Arabia people. When it comes
to our Arabia, it was a mixed view.
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And uh… for some people
consider that this is wonderful
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because you have a balance
in the coverage of Arabiya,
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but it could be for other people. They
saw it this way. They saw Al Arabia
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has always been the favorite and
they preferred the, uh… channel
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uh… for Mubarak regime.
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This is just the…
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lobby or you can say the reception.
And umm… here is,
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you know, the main studio inside.
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[sil.]
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Okay. This… this is the… the… the… the main
studio where we are making our, you know,
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uh… one to one live interviews,
their details from that area.
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This is our, you know, uh…
background or outside view of
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Aljazeera, uh… Cairo. From
that place we cover the,
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you know, I mean, part of the
Egyptian revolution. This is umm…
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6th October uh… bridge where
you know that clashes between
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the revolutionaries and the
uh… Egyptian police, here.
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We… we… we covered even this just
down stairs, down of the office here.
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That is why we closed the office.
They… they, you know, they get us
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outside the office and they closed
this office. Sorry for that actually,
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umm… because that… that my colleagues,
you know, uh… many days we… we…
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we have to stay in the office all the night.
Uh… Yeah, I… I… I slept many days here
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during the office, of course. On this mattress?
Yeah, on that mattress, on the same mattress.
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You covered the revolution on this mattress? Yes…
yes… yes… yes. At one night after, you know,
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after Camel Battle, they arrest me directly.
And it was a very… very terrible,
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you know, uh… I blinded and, uh… you know,
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uh… handicapping and
investigations during the night.
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Why you didn’t leave Aljazeera? You should leave
Aljazeera because it’s… it’s enemy of your country,
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all of that, because you are covering
events and you’re trying to tell the truth.
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[sil.]
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So welcome to Arabia, an mbc group.
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[sil.]
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Actually this is the studio
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and they’re preparing now for
the uh… the 6 o’clock bulletin.
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So I… I wanna show you also the other place
where we were standing during the revolution
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and we were putting our camera here.
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[sil.]
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Our camera was put here. Of
course that it be directed
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to the bridge and so many
fights has been going on here.
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And if you remember the tankers peeking uh…
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running on people was here on that bridge.
I remember seeing with my cameraman,
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he was standing here in this balcony, trying to fix
the camera. And then he saw what was happening,
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how the demonstrators were beaten,
how the… And then I found
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he was crying very hard. And that was very
emotional for me, I started crying as well
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because it’s… At times, you, you know,
Egypt is so safe and we’re not used to…
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to unrest unlike other umm… Arab countries,
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in Iraq, or in Lebanon. I mean, some people, they…
they pretend to get used, but for us in Egypt,
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it’s very peaceful, very peaceful people.
To see all of this
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was bit shocking and… and I never show
emotions but I… I mean, I lost the choice.
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Yeah.
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[non-English narration]
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[sil.]
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We always working in a bit difficult
situation actually. Especially, uh… in
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uh… during this court, you know, we’re
not allowed to go inside. They allow uh…
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Mubarak supporters to go inside with
posters, with posters of Mubarak,
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with photos of Mubarak, they… they
are putting it inside the court.
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And this is not… not logic.
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I’ll try to get in, today. So I’ll try
to do, uh… to report my own impressions
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of this uh… of this court session.
And I will try to come out again
00:16:10.000 --> 00:16:14.999
during the… the recess, if I am able
in order to uh… to come out live.
00:16:15.000 --> 00:16:23.000
[music]
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[music]
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Randa, Can you tell a little bit more
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about your social background because the
street where you live has your family name?
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Yes. Was your father or your grandfather,
someone, let’s say… Well, it’s my grandfather
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acted to my, it’s after my grandfather. But
this is the building that belongs to my father.
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His office is in the first floor. He’s
umm… an engineer. He was the Chairman of
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a ship building company that uh… was part of the Suez
Canal Authority. I was born in Ismailia actually.
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And my father was working
in the army, in the navy.
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Uh… He joined many wars, actually,
and he was contributing to the uh…
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socialization of the Suez Canal.
And… I’m very proud
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to… to be his daughter. This is our photo,
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to, all of us. Of course, I look bit
different. With my father, my brother,
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my sister-in-law, and my uh… nephew,
and myself. This was taken in
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the United States where my brother was
having his PhD in uh… engineering,
00:19:05.000 --> 00:19:09.999
Houston, Texas, and we were all visiting.
So that’s the family.
00:19:10.000 --> 00:19:18.000
[non-English narration]
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This black and white picture
from my father, actually.
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This my father uh… did in uh… 1993
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and working in… in… in
uh… in the farmers and…
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and I’m proud of that actually
because, you know, my father uh…
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although he… he… he didn’t get, you
know, uh… any kind of education
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but he was uh… you know,
have many of uh… Quran
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uh… You know, and know
how to read newspapers,
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know how to uh… discuss the…
the… the uh… public matters.
00:20:05.000 --> 00:20:09.999
And he was very careful to…
to uh… take all of us to
00:20:10.000 --> 00:20:14.999
the schools also. He didn’t have,
you know, so uh… such money and he…
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he was not, you know, he was very
simple man and the… the land was not,
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you know, so big. You know, in…
in Egypt, generally, the worst
00:20:25.000 --> 00:20:29.999
uh… sector is the agriculture sector.
You know, government ignore that sector
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uh… completely. Umm… uh… they…
00:20:35.000 --> 00:20:39.999
they didn’t help the… the people who work
as a sector. Umm… All was looking at
00:20:40.000 --> 00:20:44.999
the… they didn’t, they
didn’t have uh… influence
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or uh… power to… to have their rights.
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So they all were suffering,
diseases, suffering poverty.
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This I think, this free zone is
still with you all the life.
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[music]
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[sil.]
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I started my work in at
very… very big and famous
00:22:10.000 --> 00:22:14.999
opposite newspaper. It was the…
the main opposition is paper
00:22:15.000 --> 00:22:19.999
to Mubarak regime. So I’m uh… I’m… I’m, this is
a very familiar environment for me, actually.
00:22:20.000 --> 00:22:24.999
I’m doing uh… not only,
not just a job actually,
00:22:25.000 --> 00:22:29.999
for me personally. I already, I
have to do something to my country.
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And uh… I’ll do this job until, to die.
00:22:35.000 --> 00:22:40.000
How and where I don’t know.
00:22:45.000 --> 00:22:49.999
[non-English narration]
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This is like working out
00:22:55.000 --> 00:22:59.999
and working also here
and following the news.
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Such a stressful job with me, you need to get time
for yourself. This is the only time that I get,
00:23:05.000 --> 00:23:09.999
really personally for
myself, to go walking.
00:23:10.000 --> 00:23:14.999
[sil.]
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I’m divorced uh… since 1995. And Sara(ph) she
was very young, uh… she was four years old?
00:23:20.000 --> 00:23:24.999
And she… she was start getting… And I thought \"Well, I have
to start working and I wanted something totally different.\"
00:23:25.000 --> 00:23:29.999
And it was a challenge, it was a
big challenge being a single mom
00:23:30.000 --> 00:23:34.999
and working with no experience in the field.
So it was a big… big challenge to do.
00:23:35.000 --> 00:23:39.999
I began, started my job with MBC,
Middle-East Broadcasting Center
00:23:40.000 --> 00:23:44.999
as a producer and a reporter and then soon
enough I was the reporter. Of course,
00:23:45.000 --> 00:23:49.999
I learned, I learned in the field. Uh…
I had the… Well, I was lucky enough
00:23:50.000 --> 00:23:54.999
to work in MBC because they are highly,
they were highly professional actually in…
00:23:55.000 --> 00:23:59.999
in comparison to all other news
channel, all… all the channels,
00:24:00.000 --> 00:24:04.999
they were the first pioneers, their
headquarters was in London. Uh… They applied
00:24:05.000 --> 00:24:09.999
all the professionalism that they found there.
So I was lucky enough to find good tutors
00:24:10.000 --> 00:24:14.999
and a good directing in the right
sense and umm… I was lucky,
00:24:15.000 --> 00:24:19.999
I mean, to have this as a start.
00:24:20.000 --> 00:24:24.999
I think I have like a mission
or to make things better.
00:24:25.000 --> 00:24:29.999
That’s… that’s how I
pinpoint the difficulties
00:24:30.000 --> 00:24:34.999
or the problems in this country and
try to put attention to… to the,
00:24:35.000 --> 00:24:39.999
to the officials in order to change, in order to make
things better for the people, for the Egyptians.
00:24:40.000 --> 00:24:44.999
No matter the difficulties that we face every day,
it’s our job to educate the people of this country,
00:24:45.000 --> 00:24:50.000
it’s our job to make things better, not
to leave this country and go elsewhere.
00:25:50.000 --> 00:25:55.000
[non-English narration]
00:26:00.000 --> 00:26:04.999
This is the interview that (inaudible) now
00:26:05.000 --> 00:26:09.999
with the minister of information. The
timing, it’s crucial today after the events
00:26:10.000 --> 00:26:14.999
that took place regarding the uh… the barging
of the, the barging in the Israeli embassy.
00:26:15.000 --> 00:26:19.999
I see that the officials
00:26:20.000 --> 00:26:24.999
are more willing to… to speak to Alarabiya.
This is a balanced
00:26:25.000 --> 00:26:29.999
uh… station. Yeah. So they choose the… the…
00:26:30.000 --> 00:26:34.999
the channel that is most balanced,
highly watched, highly viewed,
00:26:35.000 --> 00:26:39.999
and thank God it’s respected as well.
What… what… what… what you expect
00:26:40.000 --> 00:26:44.999
to (inaudible) official… official
uh… go in Egypt during the…
00:26:45.000 --> 00:26:49.999
the uh… embassy events? What do you expect?
00:26:50.000 --> 00:26:54.999
Do you expect… Do you expect
him to tell the truth
00:26:55.000 --> 00:26:59.999
that uh… there is (inaudible) administrating
outside the outside the embassy,
00:27:00.000 --> 00:27:04.999
they are destroying the… the… the…
the walls. They’re trying to go…
00:27:05.000 --> 00:27:09.999
He will not say that,
but the camera says it.
00:27:10.000 --> 00:27:14.999
I think it…
00:27:15.000 --> 00:27:19.999
it is not wrong to do, to be a voice
of the streets. Finally, you…
00:27:20.000 --> 00:27:24.999
you want to uh… to tell the
truth and the truth I think…
00:27:25.000 --> 00:27:29.999
and already in them. On
the hand of the people,
00:27:30.000 --> 00:27:34.999
not the government, always, you know. Especially in the Arab world,
that the government is the, they didn’t use to tell the truth.
00:27:35.000 --> 00:27:39.999
Aljazeera is not
00:27:40.000 --> 00:27:44.999
a tool of revolution. We don’t
have to create revolutions.
00:27:45.000 --> 00:27:49.999
However, when something of
that magnitude happened,
00:27:50.000 --> 00:27:54.999
we are at the center of the coverage.
For 18 days, our cameras were
00:27:55.000 --> 00:27:59.999
broadcasting live, the voices
of the people on Tahrir Square.
00:28:00.000 --> 00:28:04.999
I remember one night when someone phoned
me on my cell phone, ordinary person,
00:28:05.000 --> 00:28:09.999
who I don’t know, from Tahrir Square. He told me,
\"We appealed to you not to switch off the cameras.
00:28:10.000 --> 00:28:14.999
If you switch off the cameras
tonight, there will be a genocide.
00:28:15.000 --> 00:28:19.999
You are protecting us by showing what is
happening at the, at the Tahrir Square.\"
00:28:20.000 --> 00:28:24.999
I feel the responsibility to phone our correspondents
there and to phone our newsroom and to tell them,
00:28:25.000 --> 00:28:29.999
\"Make your best not to switch
of the cameras at night because
00:28:30.000 --> 00:28:34.999
the guys there really feel confident
when someone is reporting their story
00:28:35.000 --> 00:28:39.999
and they feel protected as
well.\" So we have a chance
00:28:40.000 --> 00:28:44.999
to create a new future in the,
in that part of the world.
00:28:45.000 --> 00:28:53.000
[music]
00:30:25.000 --> 00:30:30.000
[music]
00:32:15.000 --> 00:32:23.000
[music]
00:32:25.000 --> 00:32:29.999
The… the rule is uh… everywhere
in this uh… in this region is,
00:32:30.000 --> 00:32:34.999
well, perhaps, say
whatever you want to say,
00:32:35.000 --> 00:32:39.999
uh… and we’ll do whatever we want to do.
But say what you want to say to a certain,
00:32:40.000 --> 00:32:44.999
definitely to a certain limit.
And the limit is the regime.
00:32:45.000 --> 00:32:49.999
The limit is the… head of state. Of course, I mean,
uh… the head of state don’t want to be criticized
00:32:50.000 --> 00:32:54.999
whatsoever in any uh… media…
00:32:55.000 --> 00:32:59.999
medium in the (inaudible). I’ve
never uh… had any criticism of
00:33:00.000 --> 00:33:04.999
the Qatari government in Aljazeera.
And neither uh… and nor in Alarabiya,
00:33:05.000 --> 00:33:09.999
I haven’t heard whatsoever criticism
of the Saudi, of the Saudi government
00:33:10.000 --> 00:33:14.999
or the Saudi policy.
After Egypt is freed now
00:33:15.000 --> 00:33:19.999
or its media is about to be free
uh… I think it’s about time for us
00:33:20.000 --> 00:33:24.999
to be able Aljazeera and Alarabiya
to speak about the government
00:33:25.000 --> 00:33:29.999
and the regime in Qatar and then Saudi.
The same way that
00:33:30.000 --> 00:33:34.999
we were talking about Egypt and it is not fair
now that we continue doing business as usual.
00:33:35.000 --> 00:33:40.000
And I say it, let me start by
myself and give an example.
00:34:30.000 --> 00:34:34.999
That’s how I ended my show on the
12th of February in Alarabiya.
00:34:35.000 --> 00:34:39.999
And then the next day they told me, \"Well, the show
is not going to be daily, it’s going to be weekly.\"
00:34:40.000 --> 00:34:44.999
And then when the week comes, they told
me, \"Well, it’s not going to be weekly.\"
00:34:45.000 --> 00:34:49.999
And I kept waiting, I told them, \"Does
it matter even if you decide to make it
00:34:50.000 --> 00:34:54.999
monthly or yearly. Uh… It doesn’t
matter, I’m gonna be wait and patient.\"
00:34:55.000 --> 00:34:59.999
I said, \"My next is going to be on Saudi Arabia\" and
I haven’t changed that. My next show on your network
00:35:00.000 --> 00:35:04.999
is going to be on… on
Saudi Arabia politics.
00:35:05.000 --> 00:35:09.999
And uh… they decided after that time
that I’m no longer of service to them
00:35:10.000 --> 00:35:14.999
and we ended there, yeah. You can
never go on air and say something
00:35:15.000 --> 00:35:19.999
against the editorial uh… policy of
distinction. No one can tolerate,
00:35:20.000 --> 00:35:24.999
that is not about his discussion about Saudi
Arabia, actually uh… we have the freedom
00:35:25.000 --> 00:35:29.999
but you can never go on air and say something
against the… the… the policies of the air.
00:35:30.000 --> 00:35:34.999
There is air umm… conduct
that you have to abide by
00:35:35.000 --> 00:35:39.999
in any station, not just Alarabiya.
00:35:40.000 --> 00:35:44.999
I didn’t get any orders form any side. How…
how it works for… for Qatar or for any other.
00:35:45.000 --> 00:35:49.999
I didn’t get, no contacts
even with me from any side.
00:35:50.000 --> 00:35:54.999
I don’t have any contacts. I didn’t, I don’t
know any people, even in my organization,
00:35:55.000 --> 00:35:59.999
in my company, in my network, nobody
from the directors called me and saying,
00:36:00.000 --> 00:36:04.999
uh… cover this event or don’t
cover that event, or say,
00:36:05.000 --> 00:36:09.999
uh… something like this or don’t say.
This will not have…
00:36:10.000 --> 00:36:14.999
This didn’t happen anytime and
will not happen, of course.
00:36:15.000 --> 00:36:20.000
I… I… I do not accept any… any kind of
this, you know, orders or requests.
00:36:40.000 --> 00:36:45.000
[sil.]
00:37:35.000 --> 00:37:39.999
[sil.]
00:37:40.000 --> 00:37:44.999
As you, as you see, my friend, during the
live and this is not only… only during live
00:37:45.000 --> 00:37:49.999
but maybe some of them was
watching what we’re seeing, okay,
00:37:50.000 --> 00:37:54.999
during the uh… interview with the channel.
So they stopped the… the… the
00:37:55.000 --> 00:37:59.999
uh… signal on the Nile-sat, as you see,
as you see. That is Aljazeera screen.
00:38:00.000 --> 00:38:04.999
You know, uh… no, uh… no
signal on the screen.
00:38:05.000 --> 00:38:09.999
And this is not only today actually, this is,
we’re facing this problem maybe two weeks before.
00:38:10.000 --> 00:38:14.999
Yeah, when uh… Aljazeera
started, you know, uh… talking,
00:38:15.000 --> 00:38:19.999
we… we don’t say something from our, you know,
from our side. We are covering the demonstrators,
00:38:20.000 --> 00:38:24.999
the uh… court sessions. The
trial, Mubarak trails,
00:38:25.000 --> 00:38:29.999
we cover the events. Okay. So uh… maybe
from the beginning of the Mubarak trial
00:38:30.000 --> 00:38:34.999
we started to face that problem. Maybe
related, maybe. Who do you think did this?
00:38:35.000 --> 00:38:39.999
We don’t say, we… we don’t know about that.
There is some… somebody in Egypt doing that.
00:38:40.000 --> 00:38:48.000
[music]
00:38:50.000 --> 00:38:54.999
But other channels is working already
normal. Egyptian channels is working.
00:38:55.000 --> 00:38:59.999
[non-English narration]
00:39:00.000 --> 00:39:08.000
[music]
00:41:30.000 --> 00:41:34.999
Now Aljazeera has a new Director General
Sheikh Ahmed Bin Jassim Al Thani will replace.
00:41:35.000 --> 00:41:39.999
What a comfort the helm of the network? Well, Wadah
Khanfar has served at Aljazeera for the past eight years.
00:41:40.000 --> 00:41:44.999
Umm… I must ask you this first of all.
There’s a lot of questions
00:41:45.000 --> 00:41:49.999
uh… about your resignation, about the timing of your
resignation? Actually, I would love to say that.
00:41:50.000 --> 00:41:54.999
My resignation has to do with the fact
that I have completed my eight years uh…
00:41:55.000 --> 00:41:59.999
at the uh… management of Aljazeera.
And I think that is enough
00:42:00.000 --> 00:42:04.999
for any leader and for any manager
to give his best. Let me ask umm…
00:42:05.000 --> 00:42:09.999
about the future for Aljazeera because you’re a part
replacement. Is a member of the country ruling family?
00:42:10.000 --> 00:42:14.999
Do you think that’s going to bring changes for
Aljazeera’s coverage, Aljazeera’s additional direction?
00:42:15.000 --> 00:42:20.000
We’re going to celebrate our
15th anniversary very soon.
00:43:10.000 --> 00:43:14.999
Uh… You can shift one day to the other.
So in… in… in the US,
00:43:15.000 --> 00:43:19.999
your Fox News to be presenting
the right and the Republican.
00:43:20.000 --> 00:43:24.999
So regardless, if the republicans
are in power or outside,
00:43:25.000 --> 00:43:29.999
you expect one story from… from Fox News.
00:43:30.000 --> 00:43:34.999
And (inaudible) MBC or CNN, you expect
a little bit lift to the center
00:43:35.000 --> 00:43:39.999
or center or something like that, regardless.
So if it happened that some Democrats
00:43:40.000 --> 00:43:44.999
is in the White House, you would
expect the CNN to have more access
00:43:45.000 --> 00:43:49.999
than Fox News and the other way around. But
they don’t change. The problem in their world,
00:43:50.000 --> 00:43:54.999
that they change form right to left
00:43:55.000 --> 00:43:59.999
according to who is in empower and
the politics of the one who is power
00:44:00.000 --> 00:44:04.999
and that is very important difference. We
know that media, they do have sometimes
00:44:05.000 --> 00:44:09.999
political background and perspective.
But if they keep shifting
00:44:10.000 --> 00:44:14.999
according to their relationship with,
00:44:15.000 --> 00:44:19.999
between the countries that they are
sponsored by and the other countries
00:44:20.000 --> 00:44:24.999
and that affect the story that their
citizens are getting on daily basis.
00:44:25.000 --> 00:44:30.000
That means that you don’t have semi
independent media that we have in the west.
00:45:25.000 --> 00:45:29.999
[music]
00:45:30.000 --> 00:45:34.999
The local people when
they behave independent
00:45:35.000 --> 00:45:39.999
or semi independent media and they trust
that they’re telling them the story,
00:45:40.000 --> 00:45:44.999
they don’t need to go to Pan Arabic
stations or external station,
00:45:45.000 --> 00:45:49.999
whether it’s a BBC or
Netherland or uh… CNN.
00:45:50.000 --> 00:45:54.999
They watch their own and that is the
future. Aljazeera is trying to do that,
00:45:55.000 --> 00:45:59.999
to be that event, that trend by
establishing their own Aljazeera Egypt
00:46:00.000 --> 00:46:04.999
to focus in Egypt. But the problem
that is going to face them is that
00:46:05.000 --> 00:46:09.999
there will be a contradiction.
How come you are financed by uh…
00:46:10.000 --> 00:46:14.999
government that is authoritarian
and trying to tell us
00:46:15.000 --> 00:46:19.999
how to do our business while we’re
democratic. So they might succeed to do that
00:46:20.000 --> 00:46:24.999
during the interim period but
once these Arab countries
00:46:25.000 --> 00:46:29.999
establish their own real democratic
regimes and their own independent media,
00:46:30.000 --> 00:46:35.000
such Pan Arabic stations are
going to be part of the history.
00:46:40.000 --> 00:46:45.000
[music]
00:47:05.000 --> 00:47:13.000
[music]
Distributor: Icarus Films
Length: 48 minutes
Date: 2011
Genre: Expository
Language: English; Arabic / English subtitles
Grade: 8-12, COLLEGE, ADULT
Color/BW:
Closed Captioning: Available
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