The definitive history and visual record of the rise and fall of Joseph…
Black Africa White Marble
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- Reviews
- Citation
- Cataloging
- Transcript
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Brazzaville, in the Republic of Congo, is the only African capital to retain the name of a European: Pietro Savorgnan di Brazza, the Italian-born explorer who set out for Central Africa in 1875.
In spite of the fact that Brazza's efforts lead to the establishment of a French colony, he is still revered in Congo as a model of European-African relations that stands in contrast to Henry Stanley, who claimed a neighboring section of the Congo region for Belgium.
Using an innovative blend of animation, puppetry, archival material, and original documentary footage, BLACK AFRICA WHITE MARBLE traces Brazza's incredible original journey through the Congo, but the focus is a present-day David-and-Goliath story centered on Brazza's common European and African descendents.
A century after Brazza's suspicious death, Sassou Nguesso, the President of the Republic of Congo, plans to transfer the explorer's remains from his grave in Algiers to a multi-million dollar marble mausoleum in Congo's impoverished capital.
However, one woman stands in the way.
Idanna Pucci, Brazza's Italian descendent, was initially excited by this tribute to her ancestor. But when she visits Congo, Pucci discovers an insidious hidden agenda behind the plans. Touring the country, she witnesses first-hand how Congolese citizens suffer at the hands of the corrupt Nguesso government. Worse still, she uncovers that at the heart of Nguesso's plan is an attempt to marginalize King Makoko, spiritual leader of the Bateke people, with whom Brazza had been particularly close. Unable to ignore these injustices-and not wanting to see Brazza's legacy marred by association with Nguesso's worst excesses-Pucci unites her relatives in a plan to make the memorial benefit the Congolese people, and restore authority to King Makoko.
With this story, BLACK AFRICA, WHITE MARBLE sheds a harsh light on Central Africa's colonial past and its troubled present in all of their fascinating complexities.
'Brilliant! A riveting, powerful, beautifully made film. As history, as betrayal, as a family story with operatic twists and turns. This film has it all-and it is magical!' -Joanna Molloy, New York Daily News
'Terrific. A wonderful film.' -D.A. Pennebaker, filmmaker
'I loved it. An eclectic and wonderful film. And history I was happy to learn.' -Walter Murch, film editor and sound designer
Citation
Main credits
Bicocchi, Clemente (Director)
Ward, Terence (Producer)
Other credits
Camera, Clemente Bicocchi, Giancarlo Cammerini, Terence Ward; editing, Clemente Bicocchi, Terence Ward; music, People Gabon; La Choral Huerfanos; shadow and puppet theatre, Mariano Dolci with Maurizio Barcaglioni ... [et al.]; music improvisation, Nanni Canale; voices, Massimo Malucelli; animation, Paolo Moretti.
Distributor subjects
Africa; Biographies; Conflict Resolution; Cultural Studies; Ethics; History (World); Human Rights; Republic of CongoKeywords
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[music]
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[music]
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[music]
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[sil.]
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[music]
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[music]
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[music]
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[sil.]
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[sil.]
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[sil.]
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I was named Idanna after my grandmother.
Idanna Savorgnan de Brazza.
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Who was the nice of explorer?
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Pietro di Brazza is not well known in
Italy and almost forgotten in France
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which was his adopted country, but in
my family his memory is very much alive
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because his story has been passed down
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from generation to generation.
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His friendship with the great Makoko
Eloi the first, King of the Bateke
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is central not only to the
history of Congo but also Gabon,
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where many still refer to
Brazza as their white ancestor.
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In Africa ancestors are living spirits,
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more alive than the living.
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For me, it all began
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with a phone call from my uncle
Detalmo, the brother of my mother.
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He was telling me that a Congolese
journalist was about to arrive
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and he wanted me to be there. My
uncle had read a wonderful article
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on Brazza in the magazine
Depeche de Brazzaville,
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and he had written to the editor, presenting
himself as the heir of the explorer.
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So with my husband Terence,
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I immediately drove north to (inaudible),
to the villa where I was born.
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This 88 year old gentleman was thrilled
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to welcome the editor from
Congo, because he had grown up
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with the myth of the explorer.
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When the gorgeous Belinda arrived,
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it was love at first sight.
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She had come to invite him
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to visit King Makoko. The
great Spiritual leader
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of the Batéké people, how extraordinary
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a descendant of Brazza
meeting the current Makoko.
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And Terence immediately said
that he should not embark
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on such a journey alone at his age
and he would gladly join him.
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The beautiful journalist
spoke as if she was casting
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a pebble into a still lake
and my uncle confessed
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that this had always been his dream.
We listened,
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absolutely fascinated because they idea
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of Brazza\'s return to Congo had
such deep symbolic meaning.
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When Belinda left,
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everything had been arranged.
Detalmo would travel to Congo,
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invited by her magazine and
Terrence would go with him.
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Detalmo arrived in the
presidential helicopter,
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while Terrance road
across the Batéké Plateau
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in a jeep. When my uncle step down,
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Terrance could not believe his eyes.
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Detalmo was dressed just like
Brazza in that famous portrait
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made by Nadar in Paris.
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He identified with Brazza so much that now
perhaps he was trying to emulate him.
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[music]
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The reason for this trip
was to meet Makoko,
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Gaston Ngouayoulou, who was a
much loved and respected king.
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[non-English narration]
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Makoko had conceived the visionary
idea of Brazza\'s burial
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next to his blood brother, King Eloi I,
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in the forest of Bembe. He had imagined
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that all the people along the Ogouẻ
River would join his spirit home
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in a grand procession
following his historic path.
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A white man called back
essentially by a black king,
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a bridge between cultures and races,
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a moment of reconciliation
between the west and Africa.
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His majesty was really
pleased to meet my uncle
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because he needed the family\'s consent
in order to implement his dream
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and to be faced now with Brazza\'s nephew
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was for Makoko like talking
directly to Brazza\'s spirit.
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My uncle then met with President
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Sassou Nguesso, who received him
in his Rococo sitting room.
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It was there, that the Detalmo
uttered the pregnant words.
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[non-English narration],
it would be wonderful
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in Brazza could return to Congo. And
the president immediately said,
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it will be done, as if he was
granting him a personal favor.
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[sil.]
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When I went to fetch Detalmo and
Terrance at Venice airport,
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I saw two people completely enthusiastic,
they recounted all their stories,
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the trip had to been an
incredible experience,
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but in reality the situation
was quite different.
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A few months before my
uncle\'s visit to Congo,
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Belinda had gone to stay for a few days
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with Makoko Gaston and the royal family.
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It was then that the king told her his dream
about the burial of Brazza in the forest.
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She had listened carefully
giving him a full support.
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But in her mind she had
imagined Brazza return
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in a completely different way, not
at all in the forest of Bembe,
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but in the capital Brazzaville.
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The dream of Makoko had been
taken over by the government
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for entirely different reasons,
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that\'s why Belinda had gone to seek
my uncle all the way to Italy.
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When she got his letter, where he had written
that he was the only heir of Brazza,
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she immediately thought,
voila, we have our man,
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because she knew that the remains of
any ancestor belonged to the family.
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[music]
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[sil.]
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Of course, I thought an
exhibition on Brazza in Rome
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would be a marvels way for Italians
to rediscover their explorer.
00:25:05.000 --> 00:25:09.999
So I made a proposal to the Mayor or Rome,
00:25:10.000 --> 00:25:14.999
this is a long story because in
Italy the stories are always long,
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but finally it was decided that this
show would take place at the auditorium.
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I chose this place because it really
mirrored for me the modernity
00:25:25.000 --> 00:25:29.999
of Brazza\'s political ideas.
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But the exhibition space had an immense
wall that begged to be covered,
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and that made me think of the poto-poto
school of painting in Brazzaville.
00:25:40.000 --> 00:25:44.999
I knew that the mandate of this arts center
focused on local culture and traditions.
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After various trials and tribulations,
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I managed to speak over the
phone with one of the artists.
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And I asked him if they could
make a painting 60 feet long.
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He was very excited, when he
replied, of course, Madame,
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as if my question was coming from the sky.
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The magic password was to say
that I was a descended of Brazza.
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So Terrance
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and I decided to go to Congo
to meet these artists,
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but the main reason in fact was to
attend the ceremony of Brazza\'s return
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which was planned for the 3rd
of October, exactly 100 years
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after his death, 1905-2005.
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And uh… just a few days before leaving,
00:26:45.000 --> 00:26:49.999
we were in Rome for our visas, when
we went to say hello to a friend
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at the foreign ministry.
During our conversation
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a friend suddenly said, but don\'t you know
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that Brazza\'s return has been canceled?
00:27:05.000 --> 00:27:09.999
Canceled? The news really shocked me
00:27:10.000 --> 00:27:14.999
and so I quickly called my uncle Detalmo,
wondering why he hadn\'t told me this
00:27:15.000 --> 00:27:19.999
and he was very calm about
it and he said yes… yes
00:27:20.000 --> 00:27:24.999
uh… they had to postpone it, because
the mausoleum is not ready yet.
00:27:25.000 --> 00:27:29.999
Which mausoleum? Where?
On the bank of the Congo
00:27:30.000 --> 00:27:35.000
in Brazzaville he said. We
decided to leave anyway.
00:27:45.000 --> 00:27:50.000
Our life in Congo turned
around the poto-poto school.
00:28:00.000 --> 00:28:04.999
Which was the best way I thought to
explore the heart of Brazzaville
00:28:05.000 --> 00:28:10.000
and of the country itself, through these
artists who quickly became friends.
00:31:20.000 --> 00:31:28.000
[sil.]
00:32:25.000 --> 00:32:29.999
We did our own thing and preferred
00:32:30.000 --> 00:32:34.999
to keep our distance from the authorities.
But then Belinda got in touch with me.
00:32:35.000 --> 00:32:39.999
She knew everything about
us, when we had arrived,
00:32:40.000 --> 00:32:44.999
the hotel we were staying at
and she invited us for lunch.
00:32:45.000 --> 00:32:49.999
I remember going to this (inaudible) restaurant
where she handed me the glossy folder
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of the Savorgnan de Brazza
Foundation that had been created
00:32:55.000 --> 00:32:59.999
to raise funds for the mausoleum,
sitting with us around the table
00:33:00.000 --> 00:33:04.999
was also the architected, who
was very pleased to meet me.
00:33:05.000 --> 00:33:09.999
He gave me his card and
invited me to his office
00:33:10.000 --> 00:33:14.999
to see the drawings of the mausoleum.
00:33:15.000 --> 00:33:23.000
[music]
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News traveled fast through the city
that I was a descendent of Brazza,
00:33:30.000 --> 00:33:34.999
and journalist kept stopping me
everywhere, but their questions
00:33:35.000 --> 00:33:39.999
were all about the mausoleum. Madame,
what do you think of the mausoleum?
00:33:40.000 --> 00:33:44.999
And I was a bit embarrassed because
I didn\'t know anything about it.
00:33:45.000 --> 00:33:53.000
[music]
00:33:55.000 --> 00:33:59.999
So I went to meet the
architected his studio,
00:34:00.000 --> 00:34:04.999
when I saw the drawings of this monument,
00:34:05.000 --> 00:34:09.999
I felt sick to my stomach
and I was even more shocked
00:34:10.000 --> 00:34:14.999
when I heard him say proudly.
Madame, it will be all made of
00:34:15.000 --> 00:34:19.999
white Carrara marble, marble of Carrara.
How can this be out there,
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the population has not even drinking
water, women have to walk miles
00:34:25.000 --> 00:34:29.999
to fill in their Jerry cans?
00:34:30.000 --> 00:34:38.000
[sil.]
00:34:40.000 --> 00:34:44.999
I felt of the mausoleum
was an incredible slap
00:34:45.000 --> 00:34:49.999
in the face of poverty.
00:34:50.000 --> 00:34:54.999
And my indignation grew when I walked
into the Lycee Savorgnan de Brazza,
00:34:55.000 --> 00:34:59.999
which has over 4000 students.
00:35:00.000 --> 00:35:04.999
This high school had once been famous
00:35:05.000 --> 00:35:09.999
all across Africa.
00:35:10.000 --> 00:35:18.000
[sil.]
00:35:25.000 --> 00:35:29.999
The truth was that the
ceremony of Brazza\'s return
00:35:30.000 --> 00:35:34.999
was scheduled to take place in
the presence of several African
00:35:35.000 --> 00:35:39.999
heads of state and of course,
00:35:40.000 --> 00:35:44.999
of President Sassou in a grandiose public
relations event to transform the image
00:35:45.000 --> 00:35:49.999
of one of Africa\'s most corrupt
rulers into a man of peace,
00:35:50.000 --> 00:35:54.999
and all this in the name of Brazza,
with the blessing of France
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and the Batéké.
00:36:00.000 --> 00:36:04.999
Everything was now clear. And I
ask myself, but how can Brazza
00:36:05.000 --> 00:36:09.999
return to this country?
00:36:10.000 --> 00:36:14.999
Then a woman in the market stopped me.
00:36:15.000 --> 00:36:19.999
What do you think of the two kings,
she said! Two Kings? Which two Kings?
00:36:20.000 --> 00:36:24.999
There are two Makoko, but
how is this possible?
00:36:25.000 --> 00:36:29.999
Yes, because after the murder of his
majesty Makoko Gaston Ngouayoulou
00:36:30.000 --> 00:36:34.999
and she said these words in a
whisper, a new king has been chosen
00:36:35.000 --> 00:36:39.999
by the Batéké, the new King
whose name was (inaudible)
00:36:40.000 --> 00:36:44.999
had been elected according
to strict traditions
00:36:45.000 --> 00:36:50.000
and naturally he resided in
Bembe, the ancient royal seat.
00:36:55.000 --> 00:36:59.999
But the new king had been
betrayed by the president,
00:37:00.000 --> 00:37:04.999
who had appointed his personal
(inaudible) as Makoko.
00:37:05.000 --> 00:37:09.999
This not only
00:37:10.000 --> 00:37:14.999
insulted the century\'s old
traditions of the Batéké,
00:37:15.000 --> 00:37:20.000
but also the memory of Brazza.
00:37:25.000 --> 00:37:29.999
The truth was that the
government was preparing
00:37:30.000 --> 00:37:34.999
for new presidential elections two
years later and wanted to divide
00:37:35.000 --> 00:37:39.999
the Batéké, because they formed
about 60% of the population.
00:37:40.000 --> 00:37:44.999
But the Batéké didn\'t seem
to be divided by this,
00:37:45.000 --> 00:37:49.999
nearly all stood united behind
their legitimate spiritual leader.
00:37:50.000 --> 00:37:58.000
[non-English narration]
00:38:15.000 --> 00:38:23.000
[sil.]
00:38:25.000 --> 00:38:29.999
As days passed I had a voice
growing louder inside me,
00:38:30.000 --> 00:38:34.999
telling me that I still had to learn more.
00:38:35.000 --> 00:38:39.999
When Makoko Gaston realized that his
dream of Brazza burial in the forest
00:38:40.000 --> 00:38:44.999
had been replaced by the
mausoleum in Brazzaville,
00:38:45.000 --> 00:38:49.999
he rebelled. The king
had a strong influence
00:38:50.000 --> 00:38:54.999
over the people and everyone spoke of his
sudden death as murder by the regime.
00:38:55.000 --> 00:39:00.000
[music]
00:39:05.000 --> 00:39:13.000
[music]
00:39:20.000 --> 00:39:24.999
Only three days were left
00:39:25.000 --> 00:39:29.999
before our flight back to
Italy, but at that point,
00:39:30.000 --> 00:39:34.999
I felt absolutely compelled to
go and meet the new Makoko.
00:39:35.000 --> 00:39:39.999
But how to do that? To travel to Bembe
00:39:40.000 --> 00:39:44.999
about 100 miles north of
Brazzaville was not an easy thing.
00:39:45.000 --> 00:39:49.999
I needed a four wheel drive and it
was impossible to rent such a car.
00:39:50.000 --> 00:39:54.999
There is no tourism in Congo.
Only big business,
00:39:55.000 --> 00:39:59.999
oil, wood, diamonds, but then
something strange happened.
00:40:00.000 --> 00:40:04.999
I was sitting at dawn in the
hotel lobby trying to find
00:40:05.000 --> 00:40:09.999
a way to go to Bembe, and I was even thinking,
\"Do I have the strength to go by foot?\"
00:40:10.000 --> 00:40:14.999
When a Congolese gentleman came up
to me with a surprising question.
00:40:15.000 --> 00:40:19.999
Have you been to Bembe he asked! No,
00:40:20.000 --> 00:40:24.999
it\'s a big problem for me. Excuse me,
00:40:25.000 --> 00:40:29.999
but why haven\'t you gone there?
I can\'t find proper transport
00:40:30.000 --> 00:40:35.000
and I have very little time.
00:40:45.000 --> 00:40:49.999
And now, a later, a white impeccable
four wheel drive arrived,
00:40:50.000 --> 00:40:54.999
the driver was dressed in red, the color
of the Batéké and he said proudly,
00:40:55.000 --> 00:40:59.999
I am a Batéké. So he
knew the road very well.
00:41:00.000 --> 00:41:04.999
I quickly got in the car and in the
back there was a photographer.
00:41:05.000 --> 00:41:09.999
I felt there was something
strange behind all this,
00:41:10.000 --> 00:41:15.000
but I kept quiet and asked no
questions and we drove off.
00:41:20.000 --> 00:41:24.999
At the sign of Bembe we turned right and almost
immediately we found ourselves on a track of sand
00:41:25.000 --> 00:41:29.999
already devastated by the first rain,
00:41:30.000 --> 00:41:34.999
without that driver the journey would
have been absolutely impossible.
00:41:35.000 --> 00:41:39.999
I felt, I was truly following
Brazza\'s footsteps
00:41:40.000 --> 00:41:44.999
because he himself had walked the
trail across the Batéké Plateau.
00:41:45.000 --> 00:41:53.000
[music]
00:42:45.000 --> 00:42:49.999
In our conversation the issues like the force
king and the mausoleum were not mentioned,
00:42:50.000 --> 00:42:54.999
as if we both knew that it wasn\'t
necessary. I felt completely
00:42:55.000 --> 00:43:00.000
at ease part of the family and understood
that whatever I said pleased him.
00:43:30.000 --> 00:43:38.000
[music]
00:43:40.000 --> 00:43:44.999
We were about to leave,
when we heard shouting,
00:43:45.000 --> 00:43:49.999
Madame… Madame, come back
00:43:50.000 --> 00:43:54.999
the king wants to plant
the flower with you.
00:43:55.000 --> 00:43:59.999
[non-English narration]
00:44:00.000 --> 00:44:04.999
We rushed out of the car but there was so much
confusion that I had no idea what was happening,
00:44:05.000 --> 00:44:09.999
and then I saw the Makoko
appeared like a vision,
00:44:10.000 --> 00:44:14.999
and everyone was amazed because
the king traditionally comes out
00:44:15.000 --> 00:44:20.000
only on very important occasions.
00:44:25.000 --> 00:44:29.999
Makoko made a gesture towards me
00:44:30.000 --> 00:44:34.999
and I sensed he wanted to dance.
00:44:35.000 --> 00:44:43.000
[music]
00:44:45.000 --> 00:44:49.999
I lowered my eyes and saw that he was
reaching with the point of his right foot
00:44:50.000 --> 00:44:54.999
to touch my right foot and we
danced without toes touching
00:44:55.000 --> 00:44:59.999
for 30 seconds, a minute at the most,
00:45:00.000 --> 00:45:04.999
but for me it felt like an eternity.
00:45:05.000 --> 00:45:09.999
This was a sacred ritual for
the transmission of the power,
00:45:10.000 --> 00:45:14.999
the consecration of the King occurs,
00:45:15.000 --> 00:45:19.999
when the queen and king dance
with their toes touching,
00:45:20.000 --> 00:45:24.999
that\'s how the queen transfers has
a spiritual power to the new king,
00:45:25.000 --> 00:45:29.999
but the queen is not his actual consult,
but rather the supreme priestess,
00:45:30.000 --> 00:45:34.999
who embodies the divine force
of nature called (inaudible).
00:45:35.000 --> 00:45:43.000
[sil.]
00:45:50.000 --> 00:45:54.999
I couldn\'t stop thinking of the trust that
Makoko Loi I(ph) had placed in Brazza,
00:45:55.000 --> 00:45:59.999
thanks to which France had
obtained its colonial empire
00:46:00.000 --> 00:46:04.999
in equatorial Africa.
What was happening now
00:46:05.000 --> 00:46:09.999
with the complicity of France was
a disgraceful abuse of history.
00:46:10.000 --> 00:46:14.999
[sil.]
00:46:15.000 --> 00:46:19.999
When I got back home to Florence,
I called my uncle Detalmo
00:46:20.000 --> 00:46:24.999
of course and told him everything,
you\'re the only one I said,
00:46:25.000 --> 00:46:29.999
who can do something, how can
you allow the burial of Brazza
00:46:30.000 --> 00:46:34.999
in such a mausoleum and in the
presence of false Makoko?
00:46:35.000 --> 00:46:39.999
You\'re still in time to cancel
your consent for the transfer,
00:46:40.000 --> 00:46:44.999
but sadly he didn\'t let
me finish and hung up.
00:46:45.000 --> 00:46:49.999
Alone, I could not possibly succeed
00:46:50.000 --> 00:46:54.999
and so with my brother (inaudible),
00:46:55.000 --> 00:46:59.999
we tracked down all of Brazza\'s decedents and we
invited them to Florence for a family counsel.
00:47:00.000 --> 00:47:04.999
The many relatives
00:47:05.000 --> 00:47:09.999
who showed up were surprised by
the news of Brazza\'s returned
00:47:10.000 --> 00:47:14.999
to the Congo, Detalmo had
not informed anyone.
00:47:15.000 --> 00:47:19.999
So we came to the decision
that if a number of us agreed,
00:47:20.000 --> 00:47:24.999
we would write a letter to
Sassou Nguesso and to Chirac.
00:47:25.000 --> 00:47:29.999
In the end, 15 of us signed the letters
that were sent off by courier.
00:47:30.000 --> 00:47:34.999
[sil.]
00:47:35.000 --> 00:47:39.999
Twenty days letter we received the
sad news of my uncle\'s death.
00:47:40.000 --> 00:47:44.999
[sil.]
00:47:45.000 --> 00:47:49.999
Our letters remind without reply.
00:47:50.000 --> 00:47:54.999
And suddenly on the Internet,
00:47:55.000 --> 00:47:59.999
we saw that the construction
of the mausoleum and resumed.
00:48:00.000 --> 00:48:04.999
This meant that the oil
companies had given more money,
00:48:05.000 --> 00:48:09.999
while the walls of the mausoleum were arising,
we began to notice for the first time
00:48:10.000 --> 00:48:14.999
merciless blogs against Brazza,
00:48:15.000 --> 00:48:19.999
as if he had wanted that mausoleum.
00:48:20.000 --> 00:48:24.999
Brazza was now been linked
to the scandalous monument
00:48:25.000 --> 00:48:29.999
and to the dictator who was creating it.
00:48:30.000 --> 00:48:35.000
Brazza was slowly losing his integrity.
00:49:15.000 --> 00:49:23.000
[sil.]
00:52:15.000 --> 00:52:23.000
[music]
00:56:30.000 --> 00:56:38.000
[sil.]
00:56:45.000 --> 00:56:49.999
It was summer and in the torrid
heat Florence was empty.
00:56:50.000 --> 00:56:54.999
It was then that I suddenly received
a call from a French friend
00:56:55.000 --> 00:56:59.999
I hadn\'t seen in 30 years.
00:57:00.000 --> 00:57:04.999
[non-English narration], he had become
a big lawyer and now he was on holiday
00:57:05.000 --> 00:57:09.999
and so we had dinner together. He
mentioned Sassou Nguesso and told me,
00:57:10.000 --> 00:57:14.999
that he had filed a major lawsuit against
him. I couldn\'t believe my ears.
00:57:15.000 --> 00:57:19.999
What an amazing coincidence. And I proceeded
to tell him in detail what was happening.
00:57:20.000 --> 00:57:24.999
Two days later,
00:57:25.000 --> 00:57:29.999
Erik rank me, when there
are no direct descendants
00:57:30.000 --> 00:57:34.999
and that\'s the case with Brazza,
then all the descendants are equal,
00:57:35.000 --> 00:57:39.999
even one of them can contest
the transfer of Brazza
00:57:40.000 --> 00:57:44.999
from his grave in Algiers to Brazzaville.
In that moment,
00:57:45.000 --> 00:57:49.999
I saw a glowing light, rise on the horizon
00:57:50.000 --> 00:57:54.999
and I asked him, if you would
represent us and Erik said, yes.
00:57:55.000 --> 00:58:00.000
Once back in Paris Ravinetti(ph) descent to communicate
to various authorities in France and Congo.
00:58:05.000 --> 00:58:09.999
I had not heard from
Belinda in almost a year.
00:58:10.000 --> 00:58:14.999
I have an idea she said.
00:58:15.000 --> 00:58:19.999
All the board members of the Brazza
foundation are coming to the opening in Rome.
00:58:20.000 --> 00:58:24.999
I thought of doing… we could have a
meeting with you and your cousins
00:58:25.000 --> 00:58:29.999
and I\'m sure that together
we will find a solution.
00:58:30.000 --> 00:58:34.999
I understood at that moment
how important to us,
00:58:35.000 --> 00:58:40.000
for the government of Congo to save face.
00:58:45.000 --> 00:58:53.000
[music]
00:59:10.000 --> 00:59:14.999
On the left
00:59:15.000 --> 00:59:19.999
of this huge tables sat all
by relatives, face to face
00:59:20.000 --> 00:59:24.999
with the Congolese. Among whom, was
the male Brazzaville and Belinda.
00:59:25.000 --> 00:59:29.999
A giant of a man then stood up,
00:59:30.000 --> 00:59:34.999
Mr. Kamba the spokesman of the foundation.
He waved a sheet of paper
00:59:35.000 --> 00:59:39.999
and said rather solemnly, that it was
the invitation of Makoko campio,
00:59:40.000 --> 00:59:44.999
(ph) to attend the celebration for Brazza\'s
returned. He handed it over to me,
00:59:45.000 --> 00:59:49.999
and I read it, just four lines… Madame,
00:59:50.000 --> 00:59:54.999
does this meet your approval, He said!
In March,
00:59:55.000 --> 00:59:59.999
we sent our latter to your president, it
was never answered. Is this his reply?
01:00:00.000 --> 01:00:04.999
For me it\'s not enough, maybe
it is enough our lawyer.
01:00:05.000 --> 01:00:09.999
I handed it to Ravinetti,
who rose to speak.
01:00:10.000 --> 01:00:14.999
These lines mean absolutely nothing. All
we ask for is a press release stating one,
01:00:15.000 --> 01:00:19.999
\"The legitimacy of the
true Makoko, and too,
01:00:20.000 --> 01:00:24.999
confirming his presence with
the queen at the ceremony.\"
01:00:25.000 --> 01:00:29.999
The Congolese spoke in hushed tones with
each other, 4and then they all agreed.
01:00:30.000 --> 01:00:34.999
It was 2 o\'clock in the morning.
We wrote the text there and then,
01:00:35.000 --> 01:00:39.999
Kamba read it aloud and assured us, it would
be in the papers of Congo within three days,
01:00:40.000 --> 01:00:45.000
we all shook hands in perfect accord.
01:00:55.000 --> 01:00:59.999
[music]
01:01:00.000 --> 01:01:04.999
Days went by
01:01:05.000 --> 01:01:09.999
one, two, three, but our press
release was nowhere to be seen
01:01:10.000 --> 01:01:14.999
in truth. That\'s a real meeting
in Rome, had been staged
01:01:15.000 --> 01:01:19.999
by the Congolese only to borrow
time, we waited and waited,
01:01:20.000 --> 01:01:24.999
after nine days I called Ravinetti,
01:01:25.000 --> 01:01:29.999
(inaudible) time has come
to block the transfer,
01:01:30.000 --> 01:01:34.999
and immediately he sent out a communiqué
to all the authorities concerned.
01:01:35.000 --> 01:01:39.999
Two hours later, the phone rang,
01:01:40.000 --> 01:01:44.999
it was the male Brazzaville telling me,
01:01:45.000 --> 01:01:49.999
that the president wanted to meet
me, he\'s flying back from Bucharest
01:01:50.000 --> 01:01:55.000
and he\'s ready to stop over in Naples.
Can you be there tomorrow at noon?
01:02:05.000 --> 01:02:13.000
[sil.]
01:02:55.000 --> 01:02:59.999
The president was furious.
01:03:00.000 --> 01:03:04.999
I suddenly remembered the group photo Belinda
had taken in Rome with our lawyer Ravinetti.
01:03:05.000 --> 01:03:09.999
The president must have seen that
picture and recognized the lawyer,
01:03:10.000 --> 01:03:14.999
who was suing him in Paris.
He wasn\'t furious
01:03:15.000 --> 01:03:19.999
because we had hired a
lawyer, it was that lawyer.
01:03:20.000 --> 01:03:24.999
Then the door opened and two
giant bodyguards appeared,
01:03:25.000 --> 01:03:29.999
and I understood it was over. The
president did not say goodbye to me,
01:03:30.000 --> 01:03:34.999
and I left in a flash. What a relief!
If they took Brazza anyway,
01:03:35.000 --> 01:03:39.999
we would inform the press that
they were acting illegally
01:03:40.000 --> 01:03:44.999
without the family\'s consent.
01:03:45.000 --> 01:03:49.999
But just as I got home the phone
rang once again, and again,
01:03:50.000 --> 01:03:54.999
it was the voice of the male Brazzaville. I heard
that the president did not treat you well,
01:03:55.000 --> 01:03:59.999
I\'m really sorry he said!
But now he wants me
01:04:00.000 --> 01:04:04.999
to dissolve the problem. I\'m
arriving in Rome tomorrow,
01:04:05.000 --> 01:04:09.999
and I ask you to please join
me at the Embassy of Congo.
01:04:10.000 --> 01:04:14.999
I accepted. But at this point I thought
01:04:15.000 --> 01:04:19.999
it wasn\'t enough to demand only
the public recognition of Makoko.
01:04:20.000 --> 01:04:24.999
I felt we should draw
up an official protocol
01:04:25.000 --> 01:04:29.999
adding various conditions to
benefit the population such as
01:04:30.000 --> 01:04:34.999
a proper road to Bembe, the restoration
of Lycee Savorgnan de Brazza
01:04:35.000 --> 01:04:39.999
which was in total disrepair and
other conditions. Otherwise,
01:04:40.000 --> 01:04:45.000
the block of the transfer would remain.
01:04:50.000 --> 01:04:54.999
At the Embassy in Rome, I found myself
seated around yet another lodged table,
01:04:55.000 --> 01:04:59.999
with a dozen Congolese gentlemen, all
dressed like Wall Street bankers,
01:05:00.000 --> 01:05:04.999
some had flown in with the Mayor
01:05:05.000 --> 01:05:09.999
and each held a copy of the protocol.
01:05:10.000 --> 01:05:14.999
And then one of these men stood up and said, \"Our
president will sign as the honorary President
01:05:15.000 --> 01:05:19.999
of the Brazza Foundation.\"
01:05:20.000 --> 01:05:24.999
Naturally, I had to refuse.
01:05:25.000 --> 01:05:29.999
There was great bustling
about cell phones ringing,
01:05:30.000 --> 01:05:34.999
people coming and going. It was just over
midnight, when another gentleman stood up
01:05:35.000 --> 01:05:39.999
and very seriously said,
01:05:40.000 --> 01:05:44.999
Madame Idanna, you must
understand that our president
01:05:45.000 --> 01:05:49.999
can sign as a head of state, only with
the consent of the entire parliament
01:05:50.000 --> 01:05:54.999
and there is no time for that.
That sentence
01:05:55.000 --> 01:05:59.999
I could not accept, it made me hit
the roof and I lost it completely.
01:06:00.000 --> 01:06:04.999
I banged my fist on the
table and began to scream
01:06:05.000 --> 01:06:09.999
at the top of my lungs that their
government was disgusting,
01:06:10.000 --> 01:06:14.999
that with all there billions they should be
ashamed of themselves and I said everything
01:06:15.000 --> 01:06:19.999
I had kept bottled up for months.
01:06:20.000 --> 01:06:24.999
I was absolutely outraged
and then I got up and left,
01:06:25.000 --> 01:06:29.999
enough! It was over.
01:06:30.000 --> 01:06:38.000
[sil.]
01:06:40.000 --> 01:06:44.999
Good news, the president has signed.
01:06:45.000 --> 01:06:53.000
[music]
01:07:00.000 --> 01:07:08.000
[sil.]
01:08:00.000 --> 01:08:08.000
[non-English narration]
01:08:30.000 --> 01:08:38.000
[sil.]
01:08:50.000 --> 01:08:58.000
[sil.]
01:09:30.000 --> 01:09:38.000
[music]
01:10:00.000 --> 01:10:08.000
[sil.]
01:10:20.000 --> 01:10:24.999
[non-English narration]
01:10:25.000 --> 01:10:33.000
[music]
01:11:10.000 --> 01:11:14.999
[non-English narration]
01:11:15.000 --> 01:11:23.000
[sil.]
01:12:05.000 --> 01:12:09.999
[music]
01:12:10.000 --> 01:12:18.000
[sil.]
01:12:20.000 --> 01:12:28.000
[music]
01:12:55.000 --> 01:13:00.000
[sil.]
01:14:20.000 --> 01:14:28.000
[music]
01:17:50.000 --> 01:17:55.000
[sil.]
Distributor: Icarus Films
Length: 86 minutes
Date: 2010
Genre: Expository
Language: English; French; Italian / English subtitles
Grade: 10-12, College, Adult
Color/BW:
Closed Captioning: Available
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