WEBVTT

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[sil.]

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[sil.]

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[sil.]

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[sil.]

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[non-English narration]

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[music]

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[sil.]

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Good evening, gentlemen, walked
into the American Society of Man.

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The American Society of Man was established
in Pittsburgh Pennsylvania in 1989,

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as an organization that
would protect and preserve

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the rights and privileges of men.

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Now these aren’t any ordinary
rights and privileges.

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These are God ordained.

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(inaudible) about the half of the
American society of men to train you,

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and how to gain and
retain respect as a man.

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[music]

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[sil.]

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I just want to say that this week, it’s
going to be such an exciting week.

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And I’m in sort of a joy
that you could all come.

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Eventually, it’s happening
and I’m (inaudible). And

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this workshop, I started
teaching in New York in 1989,

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and the workshop is not
about becoming a man

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instead of becoming a woman,

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it is really about becoming more.

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And… and therefore it will be empowering for
you because you will have more options.

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Okay, maybe some of you
are having difficulties

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thinking how is this going to happens,

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because we all look so female, no.

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But I would just like to say that the whole construction
of identity is something which is it’s created,

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it’s not something that happens
naturally, whatever naturally is. Umm…

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So just as we are constructed as women,

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we could also be constructed as men.

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[music]

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Do you have any quills(ph), do you
know what you’re going to be?

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Are you just, so just go
and try some things up.

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I like people to make their own decisions about
kind of male clothes that they want to choose

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because that triggers something
in their imagination

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about the possibility to be more.

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[sil.]

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[sil.]

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[sil.]

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[sil.]

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[sil.]

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I’m a fashion designer. I have done
menswear for quite a long time. And

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myself as a man is an idea that I have had
before, but I’ve never really practiced it.

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Some people think I’m very tough.

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Somehow… somehow they get
certain idea about me

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which has nothing to do with why. I mean, it always makes me
laugh because they see me, and they look like I can, yeah,

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if I’m in a tough looking day,
I can be very, very tough that

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I’m such a sissy.

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But some people reading between
the lines like my partner

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who looked into my eyes. And

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she got the answers from there.

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She was reading the advertisements. And she
said, \"Oh, this is so you. This is so you.\"

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And I thought to myself, there is something
about it that is really mean. I mean

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the times that I want to look very
feminine, I look like a drag queen.

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And… and I mean somehow
it’s like really extreme,

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very aesthetic as well. Umm…

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On the other hand, I have this morning’s that I
would like to look more masculine I like the…

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I think it’s really sexy somehow.

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It’s great. You need to think about…

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[sil.]

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[sil.]

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[sil.]

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I like the jacket. Try it on.

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[sil.]

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[sil.]

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[music]

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When you changed into the men’s clothes,

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you looked at yourself in the mirror.
And you think, \"Who am I?\"

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(inaudible). And then when
you go on the street,

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you look to see if you find this man,

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you can maybe recognize him in the way that he is
walking or the way he’s buying something in the shop,

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or the way he’s drinking a coffee or smoking a
cigarette, you can say, \"Oh, this is my man.\"

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This is your detective work really.
You all have to be detectives in…

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in finding your man and in how you take

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the character, take him onto
yourself and become him.

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[sil.]

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[sil.]

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[sil.]

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Man required an easy spectacle

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because they’re not used to being watched.
Uh… They’re used to being spectator.

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So if it’s there a good study, you
know, it’s… it’s easy to study men.

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[sil.]

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I love observing people, seeing
what gestures and movements

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that I can pick up and

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use in the creation of some new character.

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You know, I don’t use the stuff
disrespectfully, it’s just material

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just like somebody who’s a painter or who’ll
be looking at a color or looking at a shape

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that they could include in a painting,

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just as being a woman is about a
performance, being a man is a performance.

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Gender is something, it’s just
a repeated series of gestures.

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[sil.]

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[music]

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It’s good? Yeah.

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Okay, so now is the arts and crafts
part of the workshop, when we

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all get to make our own penis and really you need
to decide how big your penis is going to be.

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There is a condom here which I have used,

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and then you fill this up with cotton wool,

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that’s the penis. Okay.

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[sil.]

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Okay, this is the little bump that you have

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which makes me a man. Okay, now I’ll
demonstrate the breast binding.

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You want to cover the…
the nipples first here.

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And if you could, maybe hold this for me.

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Then when you start going around,
and it should be quite tight,

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but not so tight that you can’t breathe.
Keep going.

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Voila!

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The breasts have disappeared, where
did they go? Right, oh, yeah.

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[sil.]

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[sil.]

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My God!

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[sil.]

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[sil.]

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I just wanna to tell you, we all look really good. There are some
very basic things you need to learn before you go homeless man,

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because people will look at you like who is this
person. So you need to learn some behaviors.

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And umm… the first thing I’d say is that

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you need to learn not to smile. Men generally
they don’t smile unless as a need to smile. I…

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I know how this man smiles.
You know, he’s a semi smiler.

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[sil.]

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Oh, okay, very good session.

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I think when they go out in the
street for the first time as men,

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it’s in that situation that they find out what they don’t
know if you like and what they need to figure out.

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[sil.]

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[sil.]

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[sil.]

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[music]

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I was playing around with ideas of
gender throughout the ‘80s. And in 1989,

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I was invited by Annie Sprinkle who wanted to use
images of me transforming from female to male

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in a photo shoot that she was doing.

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I had an appointment to
go to the Whitney Museum

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to the opening of the biennial, and the
photo shoot just took so long that

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I had to leave in drag and
go to the museum and drag.

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And that’s when I discovered that the world
really does treat you differently as a man

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for the first time, I was amazed
at this very crowded room

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suddenly parted and allowed
me to walk through

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and that never happens as a woman.
You’re, you know,

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walking along the street of Manhattan, you’re
always stepping aside to let a man go past.

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But certainly for myself, I discovered

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that I could pass as a man.

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And it was through this experience that I realized it could be very
interesting if women had this possibility to see themselves as men.

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[sil.]

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[music]

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What kind of a man (inaudible)
you know, do you have an idea?

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Okay.

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That sounds good. Good
place to start anyway.

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[sil.]

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[sil.]

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[sil.]

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[sil.]

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[music]

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[sil.]

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So when you walk, you have a feeling that your
foot owns that piece of floor underneath it.

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This is uh… this idea of ownership

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is very much included in a male identity,

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a sense of ownership and umm…

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positioning yourself having uh…

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I own this piece of floor for the
minute it rests. My foot rests there.

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Men tend to have a lot of their

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energy focused on the
upper part of the body.

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Often their hips are really tight and held,

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but the upper body is where
most of the strength is.

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Everything you do from now on is as a
man, okay? So if you move the chair,

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then you’re going to move the chair as a man
would move the chair. So I might imagine

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that my whole shoulder girdle
has all kinds of little

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sacks of sand in them.

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It’s a sense of owning this chair.
I own the chair

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and that will give a sense
weightedness in the upper

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body that I don’t normally have.

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[sil.]

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His gestures, clear,
defined, specific, forceful.

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He meant what he said, a man of power.

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[sil.]

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And when he moved his eyes, his
eyes only moved with his head.

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So when he looked to the left,
his eyes moved with his head.

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[sil.]

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And when he look to the right,
his eyes moved with his head.

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And when he looked up,

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his eyes moved with his head.

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And when he looked down, his
eyes moved with his head.

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Never move your eyes independently with that,
you just need to know shifting is a character

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and will not confer you
with respect that you

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as men is wrong.

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I perform Danny King who is a composite

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of male stereotypes.

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It’s not like I want to be that man, but I, you
know, I think that you can subvert their authority

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because I’m not really him. (inaudible).

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You know I’m a woman,
and I’m performing him.

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Danny King specially runs the
workshop because he represents

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a man who believes in the
innate superiority of men.

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And therefore his behavior and
his body language reflects that,

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and this gives…

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Because he’s so extreme, because that when we who do the
workshop a sense that even this extreme is possible.

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He’s an anachronism, but at the same
time he’s still with us, you know.

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Look around any company

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where you have man in charge,
you’ll find Danny King.

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[music]

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[sil.]

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Hi, I’m Danny King, very good
to see you guys here today.

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I’m coming from Pittsburgh, Pennsylvania.
I’m married. I’ve got three kids.

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My wife pretty much takes care of the kids.
And I… I look after them, you know,

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Saturday, I might take
the kids to the park.

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My wife, she gets a break, you know,
she gets to sleep in. I’ll make them

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some pancakes for breakfast.

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Uh… My name is Marco, I’m 35.
I came to Berlin

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because the Israel was always
too small somehow. And

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I’m homosexual, not in a
relationship, I enjoy life.

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[sil.]

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[sil.]

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[sil.]

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We’re gonna send our voices to the center of
the Earth, that’s the idea as we do this.

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Uh…

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Uh… Uh… Uh…

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I think the women really need to practice this. They need
to practice having a loud voice and stop being ashamed.

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[sil.]

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It’s something that they had no
problem with when they were babies

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to have a loud voice. And
then now that they’re adults

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uh… they whimper.

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[sil.]

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This is really a great martial art
for women in this system because

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you… you… if you have a loud voice, you can catch
you’re opponent, somebody who’s attacking you.

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You can catch them off guard.
I think that if…

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if you’re going to play
this guy Ramos, then

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give yourself the chance to have somebody with
that loud voice so that you can… Practice that.

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Arsehole.

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[sil.]

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This idea of self-defense
of how to how to umm…

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how to protect myself was something
that I learned very early on to be

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very observant of male behavior.

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Growing up with a father who
then became an alcoholic,

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and he was also quite violent. He
would have these blackout periods

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where he would be lashing out at us, and then
later on he wouldn’t remember anything about it.

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And it was terrifying to
live with a man like that.

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And I could feel the glue

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whenever he was around. I
knew when he was home.

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Ultimately that experience was the

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beginning of an exploration if
you like that I’ve continued.

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[sil.]

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[sil.]

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My expectation was \"Oh, as a
man, and I’m free. I’m strong.\"

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And I experienced, \"Oh,
as this man I’m not.

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So did you, I mean continued
with your observations.

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Okay, well…

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To create another character, needs to (inaudible) observation
because otherwise you’re just a woman with men’s makeup on, and

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what purpose does that serve, you know?

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I don’t really want to stay in that character
so long because I find it very uh… exhausting.

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And they don’t really
like this guy so much.

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I don’t like man, I am either, but part of the process
of becoming a man is to get rid of all your female

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distinctions, your judgments
that you have as a woman

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and take on a male persona which often is… is… No, I
don’t the way that I’ve here is this guy Danny King,

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it’s not how I behave as a woman.

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And as a woman, I… I would probably not even spent any
time with this guy. But part of this process is to really

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separate yourself from who you are as a
woman and become somebody else completely.

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[sil.]

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[music]

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It’s not really about being
the best man if you like.

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It really is about being able
to get out of the women role.

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For a lot of women, this is very hard.

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I mean the reality is that
everything is visible.

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So if you have bracelets that are female
than people will notice that for instance.

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And if you have female fingernails
that becomes clear as well.

00:43:10.000 --> 00:43:14.999
Okay, keep going.

00:43:15.000 --> 00:43:20.000
[sil.]

00:43:35.000 --> 00:43:40.000
[sil.]

00:43:50.000 --> 00:43:55.000
I believed this character. I believe him.

00:44:00.000 --> 00:44:04.999
And… and this whole thing of uh… being so thankful to
everybody that we invited you and then speaking personally

00:44:05.000 --> 00:44:10.000
blah, blah, blah. It’s…
it’s idiotic somehow.

00:44:15.000 --> 00:44:19.999
You do some things like that men do which is
sort of lifting up the heels, letting them drop,

00:44:20.000 --> 00:44:24.999
and it sort of emphasizes. I’m
here, you know. I’m important.

00:44:25.000 --> 00:44:29.999
And that’s part of the male gender.

00:44:30.000 --> 00:44:34.999
Self-satisfied. Sure.

00:44:35.000 --> 00:44:39.999
It is about you inheriting
this idea of significance

00:44:40.000 --> 00:44:45.000
which as a woman is very
difficult to achieve.

00:44:50.000 --> 00:44:58.000
[sil.]

00:46:00.000 --> 00:46:05.000
[sil.]

00:46:30.000 --> 00:46:35.000
[sil.]

00:46:50.000 --> 00:46:58.000
[sil.]

00:47:10.000 --> 00:47:14.999
[sil.]

00:47:15.000 --> 00:47:23.000
[music]

00:47:40.000 --> 00:47:45.000
[non-English narration]

00:47:50.000 --> 00:47:58.000
[music]

00:48:05.000 --> 00:48:13.000
[music]

00:48:35.000 --> 00:48:43.000
[music]

00:48:50.000 --> 00:48:55.000
[music]

00:49:05.000 --> 00:49:10.000
[music]

00:49:55.000 --> 00:50:03.000
[sil.]

00:50:20.000 --> 00:50:28.000
[sil.]

00:50:35.000 --> 00:50:40.000
[sil.]

00:50:55.000 --> 00:51:03.000
[sil.]

00:51:15.000 --> 00:51:19.999
Hi. Hi.

00:51:20.000 --> 00:51:25.000
Hello.

00:52:40.000 --> 00:52:45.000
I’m embarrassing him.

00:52:50.000 --> 00:52:58.000
[sil.]

00:53:15.000 --> 00:53:20.000
[sil.]

00:53:55.000 --> 00:54:00.000
[sil.]

00:54:15.000 --> 00:54:23.000
[sil.]

00:54:35.000 --> 00:54:40.000
[music]

00:54:45.000 --> 00:54:50.000
[music]

00:54:55.000 --> 00:55:03.000
[music]

00:55:10.000 --> 00:55:18.000
[music]

00:55:35.000 --> 00:55:40.000
[music]

00:55:55.000 --> 00:56:00.000
[music]

00:56:05.000 --> 00:56:10.000
[music]

00:56:15.000 --> 00:56:23.000
[music]

00:56:35.000 --> 00:56:40.000
[music]

00:56:45.000 --> 00:56:50.000
[music]

00:57:00.000 --> 00:57:08.000
[music]

00:57:30.000 --> 00:57:34.999
[non-English narration]

00:57:35.000 --> 00:57:43.000
[music]