Mambar Pierrette

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Over the past decade, Cameroonian filmmaker Rosine Mbakam (Chez Jolie Coiffure, Delphine’s Prayers) has distinguished herself for her quietly observational documentary portraits of African women. With Mambar Pierrette, her feature narrative debut, Mbakam turns her documentarian’s eye to the eponymous Pierrette, a gifted seamstress who works to support her young children and mother.

The city of Douala, Cameroon is getting ready for the start of the school year. A long line of customers come to Pierrette to prepare their clothes for upcoming social events and ceremonies. More than a seamstress, she is the confidant of her customers and community. But when it starts pouring and the rain threatens to flood her workshop - one of many misfortunes - Pierrette will have to struggle to stay afloat. Marked by moments of beauty and quiet grace, Mbakam’s naturalistic approach favors a portrait of resilience in the face of adversity and socioeconomic hardship.

“An original filmmaker of exquisite sensibility; one of the foremost filmmakers of creative nonfiction working right now.” —Richard Brody, The New Yorker

“Critic’s Pick! Hits a remarkable balance.” —The New Tork Times

“As in Mbakam’s bravura nonfiction, the simplicity and directness of Mambar Pierrette belie a penetrating emotional and political vision.” —Devika Girish, Film Comment

“Packs a powerful punch!” —Cineaste

“A smartly spun tapestry of everyday life.” —Screen Daily

“Attuned to the rhythms of laboring women.” —Screen Slate

“Poignant. Mambar Pierrette is likely to resonate with audiences who are interested in stories of resilience and the human spirit. It offers a unique perspective on the lives of African women - one that is often overlooked in mainstream cinema.” —AKOROKO

“A striking and exceedingly realistic portrait of a woman, recreating her heroine’s daily life with sharpness and meaning, relying on her time at work, and on the entrée the sewing workshop’s open door provides to Pierrette’s world.” —Cinevox

“With extreme simplicity, and using the utmost discretion in her direction, Rosine Mbakam disappears behind the outlines of her character, who is crafted with fine strokes in a register that combines description with sharp social critique.” —Le Monde

“Both extremely personal and steeped in the bitterness of the real world.” —Télérama