An Apollo Legend
- Description
- Reviews
- Citation
- Cataloging
- Transcript
If you are not affiliated with a college or university, and are interested in watching this film, please register as an individual and login to rent this film. Already registered? Login to rent this film. This film is also available on our home streaming platform, OVID.tv.
Decades before American Idol and America's Got Talent captured the attention of millons on TV, the world renowned Apollo Theater in Harlem started hosting its popular Amateur Night, which launched the careers of Ella Fitzgerald, James Brown, and Jimi Hendrix, among many other famous African American artists. Still as vibrant and popular today as it was in 1934, one night a week the stage becomes an amateur's battleground, where emotions run high and dreams are both made and broken.
Citation
Main credits
Sacha, Bob (film producer)
Other credits
Reporting & editing, Ricky Montalvo, Bernadette Tuazon, Evan Vucci.
Distributor subjects
African American Studies, American Studies, Creativity, Cultural Anthropology, Harlem, Music, New York City, Performace Artists, Sociology, Urban Studies; Expository; WOKeywords
WEBVTT
00:00:00.000 --> 00:00:02.000
Should so and so win?
00:00:02.001 --> 00:00:03.999
YEAH!
00:00:04.000 --> 00:00:05.020
Should so and so win?
00:00:05.021 --> 00:00:08.005
YEAH!
00:00:08.006 --> 00:00:10.015
And if they like you, they says,
00:00:10.016 --> 00:00:12.022
the winner Ken Harvey, yeah!!!
00:00:12.023 --> 00:00:15.021
Welcome to Harlem USA,
00:00:15.022 --> 00:00:20.004
and welcome to the world
famous Apollo Theater.
00:00:20.005 --> 00:00:22.002
The Apollo crowd is mean,
00:00:22.003 --> 00:00:23.015
they\'re very mean,
00:00:23.016 --> 00:00:25.009
it\'s just like a bunch of uh,
00:00:25.010 --> 00:00:28.015
pitbulls eating raw meat,
00:00:28.016 --> 00:00:29.999
but you know what
00:00:30.000 --> 00:00:32.012
I love it and you know
why I love the Apollo?
00:00:32.013 --> 00:00:34.019
Because the Apollo is honest.
00:00:34.020 --> 00:00:36.010
That crowd
00:00:36.011 --> 00:00:38.022
is one of the roughest crowds.
00:00:38.023 --> 00:00:40.999
If they don\'t like you
they will let you know
00:00:41.000 --> 00:00:42.018
and sometimes not in a nice way.
00:00:42.019 --> 00:00:44.009
They\'re gonna bring it to you,
00:00:44.010 --> 00:00:46.011
you know, but you gotta bring it to them.
00:00:47.002 --> 00:00:49.004
It\'s real rough,
00:00:49.005 --> 00:00:50.016
it\'s very rough
00:00:50.017 --> 00:00:52.014
cause people get crushed
when they get booed.
00:00:52.015 --> 00:00:55.012
Back in 1985
00:00:55.013 --> 00:00:56.020
I got booed.
00:00:56.021 --> 00:00:59.006
It was just like,
00:00:59.007 --> 00:01:02.001
someone peeling the skin off your arm.
00:01:02.002 --> 00:01:04.006
I was just so hurt.
00:01:08.005 --> 00:01:10.020
Gosh, am I prepared? I
don\'t plan on being booed,
00:01:10.021 --> 00:01:12.016
but if it happens, it happens.
00:01:12.017 --> 00:01:15.013
I\'m not afraid of the Apollo audience,
00:01:15.014 --> 00:01:18.012
it just gives me more strength to grow.
00:01:18.013 --> 00:01:22.016
One thing in life you
have to be a daredevil.
00:01:22.017 --> 00:01:27.011
The Apollo Theater is just
like a whole bunch of fire,
00:01:27.012 --> 00:01:30.005
you got Evel Knievel on a bike right?
00:01:30.006 --> 00:01:32.005
Getting ready to jump through the fire.
00:01:32.006 --> 00:01:35.007
That\'s how I visioned the Apollo Theater
00:01:35.008 --> 00:01:37.019
just like a whole bunch
of fire going Whoosh!
00:01:37.020 --> 00:01:41.012
Whisking at me, whisking
and about to burn me.
00:01:41.013 --> 00:01:43.002
I\'m going to be that Evel Knievel,
00:01:43.003 --> 00:01:45.016
I\'m going to jump hurdles
right over those people.
00:01:45.017 --> 00:01:50.006
If it wasn\'t for places like
the Apollo we wouldn\'t have
00:01:50.007 --> 00:01:53.021
big icons like James Brown.
00:01:53.022 --> 00:01:55.013
James Brown was actually boo\'d
00:01:55.014 --> 00:01:58.007
by the audience when he
first did amateur night.
00:01:58.008 --> 00:02:00.019
Before there was American Idol,
00:02:00.020 --> 00:02:02.019
before there was Star Search,
00:02:02.020 --> 00:02:04.015
even before there was Ted Mac\'s
00:02:04.016 --> 00:02:05.016
Original Amateur Hour
00:02:05.017 --> 00:02:07.009
on black and white tv,
00:02:07.010 --> 00:02:09.019
there was Amateur Night at the Apollo.
00:02:09.020 --> 00:02:12.014
I heard this story Luther
Vandross was booed maybe like
00:02:12.015 --> 00:02:14.007
four or five times,
00:02:14.008 --> 00:02:16.005
at the Apollo, but look where he is now.
00:02:16.006 --> 00:02:18.020
Lauryn Hill the same way, she was booed
00:02:18.021 --> 00:02:21.005
but it didn\'t stop her from performing.
00:02:21.006 --> 00:02:24.009
All the performers I looked up to,
00:02:24.010 --> 00:02:26.002
came from the Apollo Theater.
00:02:26.003 --> 00:02:29.009
Billie Holiday was an
amateur night contestant.
00:02:29.010 --> 00:02:30.019
The Motown review
00:02:30.020 --> 00:02:31.021
Fat Joe
00:02:31.022 --> 00:02:33.021
Mike Jackson was the best
00:02:33.022 --> 00:02:34.015
Beyonce,
00:02:34.015 --> 00:02:35.008
Jay-Z
00:02:35.009 --> 00:02:36.018
Aretha Franklin,
00:02:36.019 --> 00:02:38.018
Smokey Robinson
00:02:38.019 --> 00:02:41.015
Ella Fitzgerald was the very first female
00:02:41.016 --> 00:02:44.021
to win the amateur night show
in the history of the Apollo
00:02:44.022 --> 00:02:46.003
Cisqo
00:02:46.004 --> 00:02:47.000
the Supremes
00:02:47.001 --> 00:02:48.008
Ashanti
00:02:48.009 --> 00:02:51.016
And the list goes on and on
of people who performed here,
00:02:51.017 --> 00:02:54.999
blacks, white, asian, Indian,
00:02:55.000 --> 00:02:56.017
every culture has been expressed here.
00:02:56.018 --> 00:03:00.006
I was like hey, if these guys can do it,
00:03:00.007 --> 00:03:01.999
I can do it.
00:03:02.000 --> 00:03:06.004
My father, he said \"Son go
get some singing lessons\",
00:03:06.005 --> 00:03:08.014
I was insulted.
00:03:08.015 --> 00:03:09.020
I was like what is he talking about
00:03:09.021 --> 00:03:11.002
I don\'t need no singing lessons.
00:03:11.003 --> 00:03:13.022
I...investigate what he said,
00:03:13.023 --> 00:03:15.005
and I was like, you know what,
00:03:15.006 --> 00:03:18.008
let me just do what pop says to do,
00:03:18.009 --> 00:03:21.006
and it worked.
00:03:21.007 --> 00:03:23.009
As a struggling artist,
00:03:23.010 --> 00:03:28.009
you think that sometimes things
are not going to be complicated.
00:03:28.010 --> 00:03:31.016
But things will be complicated
00:03:31.017 --> 00:03:33.005
at first.
00:03:33.006 --> 00:03:34.006
I grew up in the South Bronx
00:03:34.006 --> 00:03:35.004
Housing Projects.
00:03:35.005 --> 00:03:36.022
Unfortunately a lot of those
opportunities weren\'t
00:03:36.023 --> 00:03:38.010
there when I grew up.
00:03:38.011 --> 00:03:41.004
And that\'s when I decided to audition for
00:03:41.005 --> 00:03:43.010
the High School Music of Performing Arts
00:03:43.011 --> 00:03:45.015
where I went to the Fame school
00:03:45.016 --> 00:03:47.001
and was a vocal major there.
00:03:47.002 --> 00:03:49.001
I\'ll practice singing
00:03:49.002 --> 00:03:50.009
before I go to work.
00:03:50.010 --> 00:03:53.017
And I take the 4 train
to Grand Central Station
00:03:53.018 --> 00:03:55.020
and go off to the Traffic Audit Bureau
00:03:55.021 --> 00:03:57.013
where I\'m an administrative assistant.
00:03:57.014 --> 00:03:59.015
It\'s interesting, cause you
see people like you know,
00:03:59.016 --> 00:04:02.006
this is where their hopes
and dreams are, and
00:04:02.007 --> 00:04:03.021
it can either make you or break you.
00:04:03.022 --> 00:04:04.014
If you\'re in New York,
00:04:04.015 --> 00:04:05.022
if you can make it there
you can make it anywhere,
00:04:05.023 --> 00:04:08.009
I think that\'s what the Apollo represents.
00:04:08.010 --> 00:04:09.010
It\'s the place
00:04:09.011 --> 00:04:11.018
for any performer.
00:04:11.019 --> 00:04:14.002
You can plant your seeds at the Apollo
00:04:14.003 --> 00:04:16.020
and then you can grow into
a happy healthy tree,
00:04:16.021 --> 00:04:18.017
a performing tree,
00:04:18.018 --> 00:04:20.016
you have to believe in yourself.
00:04:26.011 --> 00:04:28.017
On the day of the audition,
00:04:28.018 --> 00:04:31.999
when I arrived at the Apollo Theater,
00:04:32.000 --> 00:04:34.011
there was a long line
going around the corner.
00:04:34.012 --> 00:04:37.019
You find a lot of people on the line,
00:04:37.020 --> 00:04:40.012
expressing their fears
00:04:40.013 --> 00:04:44.005
about getting up in front of the
judges of the Apollo Theater.
00:04:44.006 --> 00:04:47.013
Just relax, relax, just relax.
00:04:47.014 --> 00:04:52.000
They only taking 300 contestants.
00:04:55.015 --> 00:04:56.020
If you come after
00:04:56.021 --> 00:05:01.007
one o\'clock you might
miss out on the count.
00:05:03.001 --> 00:05:05.001
But when we got inside.
00:05:05.002 --> 00:05:06.022
Everyone wants to get picked.
00:05:06.023 --> 00:05:09.012
Everyone wants to be a star.
00:05:09.013 --> 00:05:13.008
It\'s very intimidating to
know that someone is there
00:05:13.009 --> 00:05:16.016
judging and you don\'t know
whether you are good or not.
00:05:16.017 --> 00:05:19.016
You are desperate to know
your results, your fate.
00:05:19.017 --> 00:05:22.000
You\'re going to say your
name and your number
00:05:22.001 --> 00:05:23.022
and then go ahead and
start your performance,
00:05:23.023 --> 00:05:25.022
okay? They\'ll let you know
when you are to stop.
00:05:25.023 --> 00:05:29.005
You\'re going to sing up to
or perform up to 90 seconds.
00:05:29.006 --> 00:05:31.018
You don\'t have time to wind it up.
00:05:31.019 --> 00:05:32.020
Get it to where you\'re going, okay?
00:05:32.021 --> 00:05:36.006
Wooh, I was uh, I had a lot
of butterflies in my stomach,
00:05:36.007 --> 00:05:38.006
because I just wanted
to make sure like, ok,
00:05:38.007 --> 00:05:40.017
this, it\'s real,
00:05:40.018 --> 00:05:42.009
we\'re really doing this now.
00:05:42.010 --> 00:05:46.016
No playtime.
00:05:46.017 --> 00:05:49.002
I\'m ready. I feel like
I\'m ready to do this.
00:05:49.003 --> 00:05:51.000
I really feel like I\'m
ready to, to go in there
00:05:51.001 --> 00:05:52.016
and make my own history now.
00:05:52.017 --> 00:05:55.000
But of course you\'re, you\'re nervous.
00:06:01.010 --> 00:06:02.012
In order to do this job,
00:06:02.013 --> 00:06:03.013
you have to be able to see
00:06:03.014 --> 00:06:04.999
what a person can be,
00:06:05.000 --> 00:06:07.016
not exactly what is presented to you.
00:06:07.017 --> 00:06:11.011
If you are extremely confident
and have belief in yourself,
00:06:11.012 --> 00:06:14.999
then I believe you, and I
need you to convince me
00:06:15.000 --> 00:06:17.040
that you are good enough
to be on the Apollo stage.
00:06:32.016 --> 00:06:35.006
Is that the only gospel song that you sing?
00:06:35.007 --> 00:06:36.002
No ma\'am.
00:06:36.003 --> 00:06:38.017
Can I hear something else?
00:06:38.018 --> 00:06:42.022
(singing) I\'ve had some good days.
00:06:45.008 --> 00:06:52.007
I\'ve had some hills to climb.
00:06:52.008 --> 00:06:55.010
I\'ve had some weary days.
00:06:58.012 --> 00:07:05.010
Yeah! Some sleepless nights.
00:07:05.011 --> 00:07:07.017
Thank you, thank you very much.
00:07:07.018 --> 00:07:09.001
You need to sign, if you are underage,
00:07:09.002 --> 00:07:12.013
we need one person that will be with
00:07:12.014 --> 00:07:15.002
that person that\'s underage.
00:07:15.003 --> 00:07:17.009
Everyone else-supporters, fans,
00:07:17.010 --> 00:07:18.013
wanna-be fans,
00:07:18.014 --> 00:07:20.999
can go inside the theater
and have a seat and wait.
00:07:21.000 --> 00:07:24.008
Thank you.
00:07:24.009 --> 00:07:28.014
At the audition, the judges, they
are looking for originality,
00:07:28.015 --> 00:07:33.005
bravery. You keep it simple.
00:07:33.006 --> 00:07:39.007
You hold a steady note, and if
you can\'t hold a steady note,
00:07:39.008 --> 00:07:43.008
they\'ll let you know, don\'t
call us, we\'ll call you.
00:07:43.009 --> 00:07:46.004
You can\'t get no better than this.
00:07:46.005 --> 00:07:49.001
That\'s what I\'m talking about.
00:07:49.002 --> 00:07:52.016
No he doesn\'t, it\'s his first
time and I\'ve never seen him.
00:07:52.017 --> 00:07:56.008
And he got conviction.
00:08:02.023 --> 00:08:05.016
Oh yes, that\'s entertainment.
00:08:06.018 --> 00:08:08.005
That\'s the thing though.
00:08:08.006 --> 00:08:11.010
He would never, he wouldn\'t
get to this point.
00:08:11.011 --> 00:08:13.013
Are you kidding?
00:08:13.014 --> 00:08:14.014
He\'s still in it.
00:08:20.016 --> 00:08:23.016
You putting him on?
00:08:23.017 --> 00:08:25.999
I know a star when I see one, and
00:08:26.000 --> 00:08:28.240
it makes me feel good to know
that I saw that potential.
00:08:40.008 --> 00:08:42.012
He should go with the dancing.
00:08:42.013 --> 00:08:44.009
Ok, sir, have a seat to my right.
00:08:44.010 --> 00:08:48.007
Yeah!
00:08:48.008 --> 00:08:52.001
So I feel bad knowing that I\'m
not going to pick some of them,
00:08:52.002 --> 00:08:55.002
because, in my opinion they\'re not ready,
00:08:55.003 --> 00:08:56.020
doesn\'t mean that they\'ll never be ready,
00:08:56.021 --> 00:09:00.004
it just means that the day that
they chose to audition on,
00:09:00.005 --> 00:09:01.001
they weren\'t ready.
00:09:01.002 --> 00:09:03.016
So I know that they always
think that I\'m the mean lady.
00:09:03.017 --> 00:09:06.013
Yea she was like, alright,
come on over here,
00:09:06.014 --> 00:09:10.000
I was like, yes! Yeah! Yeah!
00:09:10.001 --> 00:09:13.020
I said thank you thank you I said
it\'s all for the ladies, ladies, yes,
00:09:13.021 --> 00:09:17.008
you know I was just, spazzing out.
00:09:17.009 --> 00:09:19.017
I was just spazzing out.
00:09:19.018 --> 00:09:22.004
I would like to reach the
womens in the audience
00:09:22.005 --> 00:09:23.016
more than anything.
00:09:23.017 --> 00:09:27.016
Anything that can inspire,
womans to come to me,
00:09:27.017 --> 00:09:31.017
cause when I think about that
song I think about roses.
00:09:31.018 --> 00:09:33.014
I think about pretty flowers.
00:09:33.015 --> 00:09:37.011
That\'s how much love I
got for women, period.
00:09:37.012 --> 00:09:39.020
If it was not for women,
00:09:39.021 --> 00:09:41.019
I would not be singing, I\'d quit tomorrow,
00:09:41.020 --> 00:09:44.015
you understand me, I\'d quit tomorrow.
00:09:44.016 --> 00:09:48.014
No pain, no gain.
00:09:48.015 --> 00:09:51.002
You go to a gym, and
00:09:51.003 --> 00:09:53.010
you half-step your workout,
00:09:53.011 --> 00:09:55.002
then you don\'t get built.
00:09:55.003 --> 00:09:56.014
But if you feel the pain,
00:09:56.015 --> 00:09:58.009
then you get paid.
00:09:58.010 --> 00:10:01.007
That is exactly what the Apollo is like,
00:10:01.008 --> 00:10:03.018
it\'s a hard workout but it\'s ok,
00:10:03.019 --> 00:10:06.002
everybody go through those phases.
00:10:06.003 --> 00:10:11.019
I would like to say to my mother
how I love her very much.
00:10:11.020 --> 00:10:14.008
And, I would like to have more friends,
00:10:14.009 --> 00:10:16.019
you know, I don\'t have very much friends.
00:10:16.020 --> 00:10:19.007
I\'m a loner, you know I stay to myself.
00:10:19.008 --> 00:10:21.012
I don\'t friend too many people, I\'m,
00:10:21.013 --> 00:10:23.021
I\'m like a singled out guy.
00:10:23.022 --> 00:10:25.007
I believe in just
00:10:25.008 --> 00:10:26.004
singing
00:10:26.005 --> 00:10:27.016
and being to myself,
00:10:27.017 --> 00:10:31.004
and hoping that one day I get discovered.
00:10:31.005 --> 00:10:33.001
I can get somewhere that I can
00:10:33.002 --> 00:10:34.012
help my family,
00:10:34.013 --> 00:10:35.016
my mother
00:10:35.017 --> 00:10:37.022
who I love so dearly.
00:10:37.023 --> 00:10:38.017
For me being on stage
00:10:38.018 --> 00:10:40.007
is like an out of body experience.
00:10:40.008 --> 00:10:42.002
I\'m aware, I\'m present,
00:10:42.003 --> 00:10:43.014
I know I\'m there,
00:10:43.015 --> 00:10:46.004
but something comes over me,
00:10:46.005 --> 00:10:49.000
I just love being on stage
and I love performing.
00:10:49.001 --> 00:10:52.015
I know the world is waiting
to see Velvet Ross.
00:11:04.021 --> 00:11:07.019
Come on, help a sister out.
00:11:07.020 --> 00:11:11.000
Give me some of that Dreamgirls\' stuff,
00:11:11.001 --> 00:11:12.921
come on, give me some of
that Dreamgirls\' stuff.
00:11:18.019 --> 00:11:20.013
In the name of Jesus, amen.
00:11:20.014 --> 00:11:22.002
Amen. Okay, thank you sister.
00:11:22.003 --> 00:11:24.018
Alright, I\'ll be back to get ya\'ll, okay?
00:11:24.019 --> 00:11:29.019
Don\'t practice too much.
00:11:32.000 --> 00:11:35.008
Now, setting it off for the amateur
contestants, ladies and gentlemen,
00:11:35.009 --> 00:11:37.011
we have a male vocalist coming to the stage
00:11:37.012 --> 00:11:40.008
Please welcome Mr. Ken Harvey.
00:11:40.009 --> 00:11:45.007
Clap with me y\'all, Ken Harvey.
00:11:45.008 --> 00:11:49.011
You\'re my everything,
00:11:49.012 --> 00:11:51.999
the sun that shines above you
00:11:52.000 --> 00:11:55.016
make the bluebirds sing.
00:11:55.017 --> 00:12:01.009
The star that twinkles way up in the sky
00:12:01.010 --> 00:12:05.001
tells me I,
00:12:05.002 --> 00:12:11.014
I\'m in love.
00:12:11.015 --> 00:12:14.008
When I kiss your lips,
00:12:14.009 --> 00:12:19.021
I feel the rolling thunder
to my finger tips.
00:12:19.022 --> 00:12:22.003
And all the while
00:12:22.004 --> 00:12:26.022
my head is in a spin
00:12:26.023 --> 00:12:29.005
with those lips.
00:13:02.012 --> 00:13:06.004
You\'re my everything...
00:13:06.005 --> 00:13:10.001
I can\'t believe he wore all
that white to do that.
00:13:10.002 --> 00:13:13.001
Clap it up for him, he tried though.
00:13:13.002 --> 00:13:14.022
Can\'t come to the Apollo
start anything off with,
00:13:14.023 --> 00:13:17.016
la la la la la,
00:13:17.017 --> 00:13:21.011
better bring it, these
people mean it out here.
00:13:21.012 --> 00:13:23.018
Start making noise, let\'s give
it up, let\'s go, c\'mon let\'s go,
00:13:23.019 --> 00:13:25.012
let\'s go, ladies and gentlemen give it up
00:13:25.013 --> 00:13:29.012
for Velvet Ross! Clap it up y\'all.
Velvet Ross!
00:13:29.013 --> 00:13:31.018
Do your thing baby.
00:13:31.019 --> 00:13:34.014
C\'mon y\'all, you know this,
it\'s an oldie but goodie.
00:13:34.015 --> 00:13:42.015
Wooh! It\'s been such a long, long time.
00:13:46.015 --> 00:13:52.005
Wish I could get you off of my mind.
00:13:52.006 --> 00:13:55.008
But I can\'t,
00:13:55.009 --> 00:14:01.012
just a part of you, my love,
00:14:01.013 --> 00:14:06.011
turns my whole world misty blue.
00:14:09.005 --> 00:14:14.019
I, oh, baby,
00:14:14.020 --> 00:14:18.004
I should forget you.
00:14:18.005 --> 00:14:19.007
C\'mon y\'all.
00:14:19.008 --> 00:14:20.020
My whole world,
00:14:20.021 --> 00:14:23.020
turns misty blue.
00:14:26.003 --> 00:14:34.003
My
00:14:34.005 --> 00:14:37.004
Whole world turns
00:14:37.005 --> 00:14:45.005
misty blue.
00:14:48.019 --> 00:14:52.022
Thank you Apollo!
00:14:52.023 --> 00:14:55.015
C\'mon y\'all, give it to
her, give it to her.
00:14:55.016 --> 00:14:57.017
Give it to her.
00:14:57.018 --> 00:14:59.002
It\'s time for the judging.
00:14:59.003 --> 00:15:01.017
Now this part of the show, you do not boo.
00:15:01.018 --> 00:15:04.000
What we want you to do is
if you want them to win,
00:15:04.001 --> 00:15:06.015
scream your lungs out, make
as much noise as possible.
00:15:06.016 --> 00:15:09.004
Gentlemen, we\'ll go for first place first.
00:15:09.005 --> 00:15:11.006
First place, scream your lungs out.
00:15:11.007 --> 00:15:13.000
Will first place to go?
00:15:35.021 --> 00:15:38.015
Or will it be Velvet Ross?
00:15:47.007 --> 00:15:50.021
First place goes to Velvet Ross!
00:15:59.005 --> 00:16:04.018
Where\'s my mom and my dad I\'m
just waiting for them to come,
00:16:04.019 --> 00:16:12.005
hey brother, thank you, thank you so much.
00:16:12.006 --> 00:16:14.021
Congratulations.
00:16:14.022 --> 00:16:16.015
Oh gosh.
00:16:16.016 --> 00:16:21.000
I know! Yea!
00:16:21.001 --> 00:16:25.016
Hi! How are you? Congratulations!
00:16:25.017 --> 00:16:27.002
I thought you said you were first?
00:16:27.003 --> 00:16:29.013
I thought I was first.
00:16:29.014 --> 00:16:31.003
Did you see your daddy\'s
jumping up and down?
00:16:31.004 --> 00:16:33.002
Yes I did daddy I did!
00:16:33.003 --> 00:16:36.018
Thank you for coming.
00:16:36.019 --> 00:16:39.012
This place can either
make you or break you,
00:16:39.013 --> 00:16:41.016
no no no, it can make you
00:16:41.017 --> 00:16:44.000
and that\'s what it done tonight, made me.
00:16:44.001 --> 00:16:46.008
Because I know I done something
right, and I met this
00:16:46.009 --> 00:16:51.006
beautiful young lady by the name
of Nadja, this lady right here.
00:16:51.007 --> 00:16:55.021
Alright see you later baby, aright, aright.
00:16:55.022 --> 00:16:56.018
I\'ll call you.
00:16:56.019 --> 00:16:57.020
Aright do that.
00:16:57.021 --> 00:16:59.006
It\'s been a real pleasure.
00:16:59.007 --> 00:17:01.022
One day, there will be a door open
00:17:01.023 --> 00:17:04.006
and I will walk right through that door,
00:17:04.007 --> 00:17:05.012
ha ha ha.
00:17:05.013 --> 00:17:10.002
Just like, the Jefferson\'s
theme song, I\'m movin\' on up
00:17:10.003 --> 00:17:13.008
to that deluxe apartment in the sky,
00:17:13.009 --> 00:17:15.013
that\'s how I feel, I\'m movin\' on up.
00:17:15.014 --> 00:17:19.005
I am hoping that I can eventually fulfill
00:17:19.006 --> 00:17:21.013
my dreams, my destiny
00:17:21.014 --> 00:17:25.005
to becoming a big pop icon,
00:17:25.006 --> 00:17:27.006
to be a artist.
00:17:27.007 --> 00:17:30.017
But I want the people to
know who Ken Harvey is.
00:17:30.018 --> 00:17:32.010
Mother says, you know what
00:17:32.011 --> 00:17:34.019
you never forget where you came from
00:17:34.020 --> 00:17:38.999
and with the Apollo theatre, that\'s home,
00:17:39.000 --> 00:17:43.007
because all the legendary
singers came from there
00:17:43.008 --> 00:17:48.019
and I believe one day I will
become an Apollo legend.