A thought-provoking documentary by Barbara Hammer that explores the lives…
Tender Fictions
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Innovative, funny, and historic, TENDER FICTIONS is an autobiographical exploration of the search for and meaning of gay community. From a childhood spent being groomed as the next Shirley Temple to her current work as an activist and maker of over 70 films and videos, groundbreaking filmmaker Barbara Hammer casts a wry eye on her life and changing world.
In a rich montage of home movies, experimental films, news footage, and personal photographs, Hammer charts her growth from 1950's child star "wannabe" to 1960's straight earth mother to 1990's lesbian artist and activist. Documenting how Hammer's personal and artistic development grew out of and became a part of the feminist, gay, and AIDS activist movements, TENDER FICTIONS is both the story of an extraordinary filmmaker and a compelling portrait of the changes wrought by a generation of women.
Citation
Main credits
Hammer, Barbara (filmmaker)
Hammer, Barbara (on-screen participant)
Other credits
Music by Catherine Jauniaux, Monika, Pamela Z; still photography by Joyce Culver, Pat Fields.
Distributor subjects
Cinema Studies; Film History; LGBTQIKeywords
00:09.529 --> 00:16.360
Construct an autobiography before someone does
it for you.
00:16.360 --> 00:19.420
Shuffle, step, step, shuffle, step, step,
heel toe, step, step, shuffle, step, step,
00:19.569 --> 00:23.360
shuffle, step, shuffle, step,
heel toes.
00:23.370 --> 00:24.739
Step shuffle shuffle to shuffle.
00:24.950 --> 00:30.319
Shuffle, shuffle, to shuffle.
00:30.319 --> 00:37.250
I was born at a time when Shirley
Temple was making more money
00:37.549 --> 00:40.369
than any other female in the United States.
00:41.569 --> 00:45.090
I was taught early to perform, and perform I did.
00:45.819 --> 00:50.790
In Tangiers, I robbed an American Express with
my Swiss Army knife.
00:51.659 --> 00:57.060
I modeled myself on Charlie Chaplin who, unlike
Temple, was a man of action.
00:58.060 --> 01:02.259
My cross-dressing barely disguised the amateur
performer.
01:10.709 --> 01:16.379
I invented myself as an artist by reading
autobiographies and biographies of famous
01:16.379 --> 01:18.540
artists, poets, painters.
01:19.440 --> 01:23.639
Little did I know or think that these could be
fictive accounts.
01:24.379 --> 01:30.699
The qualities I sought out, risk taking,
discipline, challenging the
01:30.699 --> 01:35.449
bourgeoisie, reinforce my commitment to become
an artist.
01:36.709 --> 01:42.879
None of these books that became my guide on how
to be an artist were by or about
01:42.879 --> 01:43.879
lesbians.
01:50.010 --> 01:55.610
My grandmother was slipped out of her Ukrainian
village by an overburdened mother with too many
01:55.610 --> 02:00.330
children.
She was 13 and hid under straw in a horse-drawn
02:00.330 --> 02:04.360
carriage all the way to a German port town on
the North Sea,
02:04.569 --> 02:08.449
where she was put on a freighter to Ellis
Island, New York.
02:09.419 --> 02:11.339
She said she was 16.
02:13.500 --> 02:19.460
From Peoria to Hollywood, this is the story of
a second-generation Ukrainian daughter.
02:27.080 --> 02:31.110
Do I fit?
Do I fit?
02:33.690 --> 02:34.729
Do I fit, Shirley?
02:36.949 --> 02:41.110
Went looking for your home, Shirley, only found
a star.
02:43.589 --> 02:49.770
The emergence of the star system involved a
strict regulation of the type of knowledge
02:49.770 --> 02:51.690
produced about the actor.
02:52.740 --> 02:59.000
The picture personality was the result of a
particular production and
02:59.000 --> 03:01.389
circulation of knowledge.
03:03.289 --> 03:09.399
In the 1930s, millions of workers, millions of workers,
mom had hopes for me.
03:10.029 --> 03:11.649
I had all the lessons.
03:12.039 --> 03:18.809
In the mid-1930s, when 20 million people were on
relief, tap dance,
03:18.910 --> 03:24.240
I took elocution, and then one day I took
elocution swim.
03:24.470 --> 03:30.070
She led in box office grosses.
Millions of workers had more products named
03:30.070 --> 03:32.740
after her than any other star.
03:33.300 --> 03:34.740
reduced work hours.
03:35.229 --> 03:40.350
Speed up. Shirley awoke in the morning singing a
song entitled Early Bird.
03:41.380 --> 03:47.860
Bertie, with a yellow bill, sat upon my window
sill, cocked his
03:47.860 --> 03:53.929
shiny head, and said, "Ain't you shamed, you
sleepy head?"
03:56.639 --> 04:03.369
Looking for a lesbian, looking for a lesbian,
looking for coochie.
04:03.800 --> 04:05.869
Where is Shirley?
04:06.759 --> 04:08.529
Where is Shirley?
04:09.779 --> 04:11.660
Where is Shirley?
04:12.940 --> 04:14.289
Uh, sure.
04:15.429 --> 04:19.309
Where is she?
Oh, sure.
04:20.618 --> 04:22.088
Where is Shirley?
04:23.209 --> 04:25.019
Where is Shirley?
04:28.190 --> 04:31.459
Step on a crack and break your mother's back.
04:32.619 --> 04:38.809
One hundred mothers stood in a line with their prim and
anxious daughters waiting for the interview.
04:39.640 --> 04:44.179
A man in a suit sat behind an imposing wooden
desk and asked,
04:44.429 --> 04:46.609
Has she had acting lessons?
04:46.950 --> 04:50.630
Only in a neighborhood class, my mother said,
but she's had tap,
04:50.760 --> 04:53.980
ballet, modern, elocution, horseback riding.
04:54.799 --> 04:59.859
I'm sorry, ma'am, he said, but we're only
interested in those children who have been
04:59.859 --> 05:01.850
professionally trained in acting.
05:02.339 --> 05:03.420
Come back then.
05:04.850 --> 05:10.920
Autobiography does not develop endemically in
cultures where the individual does not oppose
05:10.920 --> 05:17.239
herself to all others, where she does not feel
herself to exist outside of others,
05:17.359 --> 05:24.190
but still less against others, but very much
with others in an interdependent existence
05:24.559 --> 05:27.829
that asserts its rhythms everywhere in the
community.
05:29.410 --> 05:36.140
Where lives are so thoroughly entangled that
each of them has its center everywhere and its
05:36.140 --> 05:38.200
circumference nowhere.
05:39.390 --> 05:44.369
The important unit is thus never the isolated
being.
05:45.570 --> 05:47.250
George Gusdorf.
05:48.929 --> 05:55.459
Do I fit?
Do I feel? The stairs loomed
05:55.459 --> 05:59.480
large.
My bangs were cut in an uneven, nearly straight
05:59.480 --> 06:01.190
line across my forehead.
06:01.540 --> 06:06.839
My French braids pinched my scalp, my patent
leather Mary Janes,
06:06.980 --> 06:12.500
a plaid and pleated skirt, and a starched white
blouse completed my attire.
06:13.440 --> 06:19.880
My small sweaty palm lay inside my mother's
large hands as she pulled me forward and said,
06:20.320 --> 06:24.829
Miss Gish, Miss Lillian Gish, I'd like you to
meet my daughter.
06:24.839 --> 06:30.239
Barbara Jean.
I remember meeting her and a man,
06:30.410 --> 06:34.519
D.W. Griffith, when my grandmother was a cook for
her.
06:35.950 --> 06:40.070
D.W. Griffith had gone into seclusion.
He took no phone calls,
06:40.230 --> 06:43.470
and his mailbox was crammed with unanswered
letters.
06:45.109 --> 06:50.459
Lillian Gish carried around with her a
statement he had made.
06:52.190 --> 06:56.500
Quote, today they have forgotten movement in
moving pictures.
06:57.130 --> 06:59.670
It's all still and stale.
07:00.920 --> 07:03.510
Too much today depends on the voice.
07:04.880 --> 07:09.339
Another pocket piece that Gish carried with
her read,
07:10.190 --> 07:12.859
What you get in movies is a living.
07:13.269 --> 07:15.190
What you give is life.
07:16.859 --> 07:20.850
She looks in the mirror and examines her large
broad face.
07:21.750 --> 07:27.170
Pitching her father's gray felt hat to a cocky
slant, she purses her lips.
07:27.820 --> 07:29.100
Something is missing.
07:30.029 --> 07:34.630
The charcoal on her cheek works well, giving
her a five o'clock shadow.
07:35.470 --> 07:40.200
The open blue collar of her dad's work shirt
falls from her child's shoulders.
07:41.649 --> 07:47.660
Pushing her strangling bangs from her eyes, she
takes a comb and parts her long brown hair in
07:47.660 --> 07:51.820
the middle.
Grabbing one side of the hair in her right hand,
07:51.910 --> 07:54.980
she pulls it toward her face and holds it below
her chin,
07:55.230 --> 08:00.510
and with her left hand, she pulls the hair on
the other side and holds both fronds in one
08:00.510 --> 08:03.149
hand, putting a rubber band around them.
08:04.380 --> 08:09.410
Below her chin held tightly now sprouts her new
brown beard.
08:10.600 --> 08:16.260
With my money tied in a hanky on a stick, my
Halloween costume is complete.
08:23.100 --> 08:27.279
I am eleven and cross-dressed for the first time.
08:30.329 --> 08:36.848
The female body, the male gaze, and the structure
of realism
08:37.419 --> 08:41.689
are only sex toys for the butch-femme couple.
08:42.818 --> 08:44.419
Sue Ellen case.
08:54.609 --> 09:00.780
The feminist subject is both inside and outside
of heterosexual ideology
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and is capable of change and changing the
conditions of her existence.
09:07.820 --> 09:09.679
Sue Ellen case.
09:13.520 --> 09:18.359
Penis, penis, who's got the penis?
09:19.809 --> 09:26.260
Penis-related posturings were always
acknowledged as roles,
09:26.570 --> 09:29.489
not biological birthrights.
09:31.099 --> 09:34.940
Sue Ellen case. Ah.
09:44.260 --> 09:46.469
I Paper tod
09:46.469 --> 10:00.030
00
10:00.030 --> 10:01.030
Ho ho ho, rip Sabo Adobo Adobo.
10:13.859 --> 10:17.650
My father and mother met on a blind date when
they were students at the University of
10:17.650 --> 10:22.229
Illinois.
One day, I found my mother's diary in the garage.
10:22.880 --> 10:24.919
It was tied with a skinny blue ribbon.
10:25.770 --> 10:27.599
I opened it and read.
10:28.669 --> 10:32.869
Johnny Hammer, tall, dark, and quite okay.
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Take 3.
Mom had hopes for me.
10:36.309 --> 10:42.099
Shirley Temple was a phenomenon of the first
magnitude for an audition.
10:42.349 --> 10:47.155
A big oak desk with a man
in a suit sitting behind it at the audition.
10:47.155 --> 10:51.784
Singlehandedly revived Fox. I went for an
audition.
10:52.044 --> 10:58.145
Tis a test, a green and yellow basket. I wrote a
letter to my mom,
10:58.155 --> 10:59.844
and on the way I dropped it.
11:00.539 --> 11:02.659
I am told I am bad.
11:02.929 --> 11:04.239
I wet my bed.
11:04.489 --> 11:09.520
I peel off the wallpaper next to the bed, and I
pick the neighbor's flowers.
11:10.500 --> 11:15.880
Mother makes me wear diapers over my pedal
pushers and pins a note on my shirt.
11:16.460 --> 11:20.690
Beware, I am a flower thief, it says.
11:20.929 --> 11:25.859
I wrote a letter to my mom, and on the way I
dropped it.
11:27.590 --> 11:32.489
I am scared to death, frightened to the core,
and I jump up and down,
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up and down.
I am on top of the bunk bed, and my baby sister
11:37.510 --> 11:40.080
is behind me, squeezed into the corner.
11:40.840 --> 11:46.179
I am trying to distract the babysitter, the
tall neighborhood boy with the greasy black
11:46.179 --> 11:50.690
hair.
If I keep jumping, he isn't able to touch me.
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If I keep jumping, I am safe.
11:55.960 --> 11:58.690
So we see it in the infants usually.
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Uh, the ability to, uh, willingness to
trust other people rather than to be
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mistrustful of other people.
12:08.450 --> 12:12.690
But I think if a parent would constantly bear
in mind that the child owes him or her nothing,
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and as soon as then they give the child
everything they can in the way of developing
12:16.559 --> 12:20.530
and helping the child grow. One day Marian took
Johnny home to meet her mother,
12:20.679 --> 12:24.940
Anna Kos.
Johnny was shocked that there was an outhouse
12:24.940 --> 12:29.919
in the backyard.
Later, whenever he bragged about installing a
12:29.919 --> 12:35.869
flush toilet for Marian, my mother protested
and said he was just making it up.
12:37.159 --> 12:40.109
My dad runs a Flying Red Horse gas station.
12:40.679 --> 12:43.799
My dad's pillow is black from the grease in his
hair.
12:45.030 --> 12:49.099
One time I heard him calling from his bed for a
gun to blow his brains out.
12:50.039 --> 12:51.630
He says he has a migraine.
12:53.419 --> 12:56.419
Mother empties bottles of beer down the kitchen
sink.
13:00.010 --> 13:06.320
I think we all have had experiences, and I
suppose most people do have experiences that
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they, they have, uh.
13:09.479 --> 13:12.789
In reality, they've not been able to trust
somebody.
13:12.909 --> 13:14.469
This person has let them down.
13:25.599 --> 13:26.599
He
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Yeah.
13:41.229 --> 13:46.710
I promise not to tell the truth, the whole
truth, and nothing but the truth.
13:47.440 --> 13:52.349
She was running around and around the red
wooden scooter which had fallen over,
13:52.679 --> 13:55.549
delighted by the little animal that darted out.
13:56.200 --> 13:58.080
She said, it's a miss.
13:58.359 --> 13:59.429
It's a miss.
14:00.309 --> 14:06.840
This story would be told again and again in the
family until it became as much a part of her
14:06.840 --> 14:08.679
story as her name.
14:11.559 --> 14:18.489
Her speech, even when theoretical or political,
is never simple
14:18.780 --> 14:24.099
or linear.
She draws her story into history.
14:24.929 --> 14:26.409
Helene Czu.
14:29.549 --> 14:36.530
It's a niece. In the backyard was an old
nectarine tree that the children liked to play
14:36.530 --> 14:40.429
beneath.
In the spring, after the warm rains,
14:40.599 --> 14:44.440
they would dig holes and bury their favorite
small toys.
14:44.640 --> 14:47.159
Then, in the winter, they would dig them up again.
14:48.059 --> 14:51.919
It was a memory game, and if one could not find
a toy,
14:52.090 --> 14:57.080
the other might, and so history could be told
and retold.
14:58.500 --> 15:05.219
Today, when I eat an overripe nectarine in the
heat of summer, I remember a toy I
15:05.219 --> 15:12.109
never found.
The garage is a
15:12.109 --> 15:13.900
fantasy place for me.
15:14.309 --> 15:18.909
It is dark and mysterious, and everything can
change its order.
15:20.349 --> 15:25.549
After the chickens are all gone, I make a
haunted house in the old chicken coop.
15:26.530 --> 15:30.979
I shred burlap bags and hang strings from the
roof to the floor.
15:31.700 --> 15:34.630
I break a mur and pour ketchup on it.
15:35.510 --> 15:38.119
In a bowl, I have peeled grapes.
15:39.250 --> 15:43.789
A rubber glove is filled with ice cubes and
hung neck high.
15:45.140 --> 15:52.140
The best event is a series of rubber tubes I've
taken and strung together so that the visitor
15:52.140 --> 15:54.489
must crawl through on hands and knees.
15:55.719 --> 15:57.119
The coop is dark.
15:58.500 --> 16:01.090
Scary sounds come from a record player.
16:02.119 --> 16:04.700
And I collect dimes at the door.
16:07.080 --> 16:14.049
In 1973, I traveled around the world on a motor
scooter with a fresh boy out of Oklahoma
16:14.049 --> 16:16.909
who promised to travel with me if I married him.
16:17.830 --> 16:23.559
The smell of diesel fuel brings back the early
mornings driving the Lambretta through Turkey,
16:23.849 --> 16:30.719
Syria, Iraq before he fell from the machine
weakened by jaundice hepatitis picked up from
16:30.719 --> 16:34.960
the aluminum poles of the tent he bought
secondhand in Florence.
16:36.549 --> 16:40.919
I wrote every 2 weeks from all 18 of the
countries we visited.
16:41.940 --> 16:44.260
All the letters are from me to her.
16:45.320 --> 16:50.200
She saved every letter.
The only letter I have from her is after I
16:50.200 --> 16:53.840
left my marriage and was living with two
friends in Berkeley.
16:55.700 --> 16:57.010
How are you, honey?
16:57.429 --> 17:00.650
I want you to know that I love you and you're
very dear to me.
17:01.219 --> 17:03.539
You did worry me a great deal, and you do.
17:04.359 --> 17:07.180
I can't help but be concerned about your
welfare.
17:07.880 --> 17:13.599
I'm glad, very glad, that you decided that real
life isn't dealt with drugs.
17:14.130 --> 17:15.199
Keep it up, honey.
17:15.689 --> 17:20.239
I know that in some sections of your society it
will be very hard to say no.
17:22.219 --> 17:26.930
She calls me Barbs and signs her letters your
old mother.
17:28.060 --> 17:29.540
I love her handwriting.
17:30.359 --> 17:36.910
I am standing on my head in the bed trying to
hold the semen in for the longest
17:36.910 --> 17:39.939
time.
His sperm count is low.
17:40.670 --> 17:41.790
He cries.
17:42.619 --> 17:44.530
But I am relieved.
17:46.170 --> 17:49.089
I realize I want to stay home and paint.
17:50.310 --> 17:51.500
Not be a mother.
17:53.890 --> 18:00.479
Let's go then to our panel to find out what it
is that they think they expect in marriage.
18:09.099 --> 18:13.420
She walked into the living room of the house
they had built in the woods.
18:14.449 --> 18:21.439
There, by the wood burning stove, was the 8 by 10
enlarged photo of her in the wedding dress.
18:22.540 --> 18:27.119
The photo had been taken from its frame and
mounted on a dartboard.
18:28.199 --> 18:34.270
Over a dozen knives stuck in the photo as a
result of target practice.
18:35.369 --> 18:40.339
She had gone back to ask for her half of the
communal property.
18:41.800 --> 18:46.030
She doesn't know that there are many uneasy women,
many women who,
18:46.400 --> 18:51.130
uh, are, I would say, as unsatisfied as they
are dissatisfied,
18:51.709 --> 18:56.770
uh, and this has even been suggested as a
possible reason for some of those alarming
18:56.770 --> 18:58.280
divorce statistics.
19:12.680 --> 19:12.869
Picassos and we'd like to think of ourselves as
somewhere in between,
19:12.880 --> 19:13.880
perhaps not a
19:12.910 --> 19:27.739
a goddess
19:27.739 --> 19:29.140
but certainly not a doormat.
19:29.959 --> 19:36.280
But other people commenting about women have
said that we are doers rather than thinkers,
19:36.280 --> 19:42.119
that we tend to respond to a situation and not
to innovate, and yet the concept of personal
19:42.119 --> 19:47.839
growth has within it, I think, the element of
deciding for myself what shall happen.
19:48.040 --> 19:54.030
Not recognizing themselves in the reflections
of cultural representation,
19:54.439 --> 19:57.400
women develop a dual consciousness.
19:57.810 --> 20:04.439
The self as culturally defined and the self as
different from cultural
20:04.439 --> 20:05.589
prescription.
20:06.199 --> 20:07.199
Susan Friedman.
20:07.979 --> 20:07.989
Oh.
20:20.239 --> 20:25.630
Uh, not much can be expected from the marriage.
20:28.329 --> 20:31.239
a husband, or you have a husband.
20:32.989 --> 20:35.540
Humpty Dumpty sat on a wall.
20:35.790 --> 20:38.500
Humpty Dumpty had a big fall.
20:38.750 --> 20:44.619
All the king's horses and all the king's men
couldn't put Humpty together again.
20:45.569 --> 20:49.640
Um, bachelorhood and spinsterhood extended
beyond a given
20:49.880 --> 20:56.849
age blocks many people from
certain kinds of participation in the
20:56.849 --> 21:02.290
community, and it becomes more
difficult for them to feel as if they could be
21:02.290 --> 21:03.880
productively part of the community.
21:05.260 --> 21:12.089
Autobiography is not a timeless process but is
embedded in ongoing history in the
21:12.089 --> 21:17.729
search for identity of the individual and the
communities in which she lives.
21:21.069 --> 21:27.849
It is 1968 and I joined the students and
faculty protesting the minimal wage increase
21:27.849 --> 21:31.750
that Hayakawa has imposed at San Francisco
State College.
21:32.800 --> 21:37.270
The Black Panthers support the strike and
demand their civil rights.
21:38.209 --> 21:40.680
I hadn't heard of gay activism.
21:41.530 --> 21:44.010
I hadn't even heard of feminism.
21:45.739 --> 21:51.329
It is 1970 and I am joining the Santa Rosa
Women's Liberation Group.
21:52.130 --> 21:56.930
We meet in my apartment right across the street
from the junior college where I am teaching.
21:58.530 --> 22:01.650
One of the women says that she is a lesbian.
22:02.290 --> 22:06.319
I am 30 and it is the first time I hear this
word.
22:07.489 --> 22:09.329
What is that?
I ask.
22:09.619 --> 22:14.369
It's a woman who loves other women and, in
particular, one woman,
22:14.650 --> 22:18.699
she tells me.
I think it sounds real good.
22:21.209 --> 22:23.760
A woman had her leg against mine.
22:24.969 --> 22:29.640
We were sitting in the audience watching One
Flew Over the Cuckoo's Nest.
22:30.339 --> 22:32.099
It was 1970.
22:33.209 --> 22:37.560
When her knee pressed against my own, I felt an erotic rush.
22:38.329 --> 22:39.520
Was I a lesbian?
22:40.560 --> 22:41.739
It didn't matter.
22:41.949 --> 22:44.739
In 1970, life was in the rushing.
22:46.430 --> 22:50.979
Marie came home with me that night, and we were still up to see the dawn.
22:51.839 --> 22:53.170
I was a lesbian.
23:17.630 --> 23:18.630
I
23:34.150 --> 23:40.530
If the lesbian sees the woman, the woman may see the lesbian seeing her.
23:41.839 --> 23:43.010
Marilyn Fry.
23:43.479 --> 23:45.949
In my thirties, I am a dike adolescent.
23:46.319 --> 23:48.969
I follow my clit from lover to lover.
23:49.520 --> 23:54.390
A friend calls me a sex addict and says she feels sorry for me.
23:54.520 --> 23:58.150
The battery, the charge, right, put it in the eject mode.
23:59.219 --> 24:02.369
I don't know.
I mean, it's just things that have to be found
24:02.369 --> 24:08.589
out.
Um, apes, apes, apes, apes, uh huh,
24:08.709 --> 24:12.189
visually compatible tapes, uh huh, uh huh.
Oh, the lens.
24:12.199 --> 24:15.339
Oh, you're looking, but you really don't know because you're not looking through the lens.
24:15.430 --> 24:16.719
Historical distortion.
24:17.270 --> 24:20.910
Oh, when I get close to you, the lens, but you really don't know because you're not looking
24:20.910 --> 24:24.510
through the lens.
There's a curvature to the viewing distortion.
24:24.849 --> 24:31.500
Looking at this story, the shoes would be very strange,
very strange,
24:32.359 --> 24:37.739
about 6 inches, 3 feet away from me.
Now she's,
24:38.030 --> 24:41.010
about 6 inches.
She's utterly out of focus.
24:41.439 --> 24:44.119
Forward, forward.
I don't know where it has to be put forward to
24:44.119 --> 24:45.319
be activated.
I can't.
24:45.459 --> 24:50.089
Why it would let me take a look, but I mean, I want to place myself in a relationship with a
viewer.
24:50.089 --> 24:52.979
Oh, the lens.
24:53.130 --> 24:54.689
You're looking.
They love you already.
24:54.890 --> 24:58.040
Wave these cameras, wave these cameras, wave these cameras.
24:58.170 --> 25:05.089
The one who speaks is not the one who writes,
and the one who writes is not the one
25:05.089 --> 25:08.599
who is.
Roland Barthes.
25:09.050 --> 25:14.050
The smell of diesel fuel brings back early mornings driving the Lambretta through Turkey,
25:14.250 --> 25:19.050
Syria, Iraq, before she fell from the scooter weakened by a drought with jaundice,
25:19.050 --> 25:24.930
hepatitis picked up from the falls of the tent,
she bought secondhand.
25:25.005 --> 25:30.474
And presumably picked up from the aluminum poles of the tent I'd bought secondhand in
25:30.474 --> 25:34.625
Italy.
People on the street ask me if I'm Chinese.
25:34.915 --> 25:40.954
It works to unsettle rather than to
consolidate the boundaries around identity.
25:41.810 --> 25:48.640
Not to dissolve them altogether, but to open
them to fluidities and heterogeneities
25:48.969 --> 25:52.160
that make their renegotiations possible.
25:53.130 --> 25:54.329
Biddy Martin.
26:06.319 --> 26:08.770
I am a lesbian couple.
26:09.729 --> 26:12.430
I am a lesbian couple.
26:13.000 --> 26:15.310
I am a lesbian couple.
26:15.839 --> 26:17.839
I am a lesbian couple.
26:21.949 --> 26:25.719
You? Oh no.
26:30.420 --> 26:37.260
Oh, a frightened deer was jumping over logs
running away from the burning forest.
26:38.069 --> 26:42.969
The mother was nowhere to be found, perhaps
lost in the destructive flames.
26:44.349 --> 26:48.890
She turns to her mother and asks, who's turning
the pages?
26:50.410 --> 26:53.369
Bambi is the first film she sees.
26:56.140 --> 27:02.579
Lesbian relationships do tend to recreate
mother-daughter emotions and
27:02.579 --> 27:08.010
connections.
Nancy Chodorow: I am red flame, and she is
27:08.010 --> 27:09.130
wildfire.
27:09.500 --> 27:13.520
At recess, we gallop the school playground as if
it were our pasture.
27:14.209 --> 27:17.050
We are wild horses and not to be tamed.
27:17.500 --> 27:24.260
One day, another girl lassos me, and I lunge at
her mad with rage and bite her arm until she
27:24.260 --> 27:25.459
lets loose the rope.
27:25.750 --> 27:27.069
And I am free.
27:28.189 --> 27:30.479
She has to get a tetanus shot.
27:30.770 --> 27:34.319
Another recess.
I am Dale Evans and riding my mare,
27:34.530 --> 27:35.619
my girlfriend.
27:36.089 --> 27:40.310
I use the sashes from her dress as reins, and
when I yell 'ho,'
27:40.829 --> 27:42.199
she doesn't stop.
27:42.530 --> 27:47.739
I determinedly set my heels and hold on as the
sashes pull loose from the dress.
27:48.839 --> 27:53.180
The school principal sits behind her desk and
calls me in.
27:53.510 --> 27:58.660
She is sewing the dress with needle and thread,
and I am shamed.
28:00.520 --> 28:05.469
When I was a little girl, I made up a game
called the Truth Club.
28:06.160 --> 28:10.949
Once you were sworn into the club, as I did
with all my girlfriends,
28:11.079 --> 28:14.709
you had to answer any question put to you
truthfully.
28:16.430 --> 28:23.000
I think the intention of the game was to reveal
the secrets and falsehoods I experienced living
28:23.000 --> 28:25.500
in a middle-class American family.
28:27.550 --> 28:33.859
The fearful isolation, the fearful isolation,
the fearful isolation of homogeneous homes
28:33.859 --> 28:39.810
where manners were elaborate rituals for
getting at or avoiding the truth.
28:40.459 --> 28:42.010
Nab Serest.
28:52.750 --> 28:57.150
My sister and I got one of those folding
postcards from Nevada with a lot of desert
28:57.150 --> 29:02.180
scenes on it.
The next door neighbors ask where my dad is.
29:02.510 --> 29:04.829
I say he is away on a trip.
29:06.760 --> 29:12.069
Mom, Marcy, and I sit at the red mahogany kitchen
nook and cry.
29:12.989 --> 29:18.420
Another game I made up was called Tommy.
29:18.869 --> 29:22.589
I was Tommy, and all my girlfriends were in need
of protection.
29:23.390 --> 29:28.650
I got them to climb into a giant palm tree from
whose fronds I would swing,
29:28.780 --> 29:35.329
striking blows with my feet to fearful invaders
such as tigers and other
29:35.329 --> 29:36.770
imagined marauders.
29:42.650 --> 29:45.319
I made it up as a kid.
I made it up as a kid.
29:55.319 --> 29:59.599
I made up games as a kid, like you likewise,
likewise, you,
29:59.680 --> 30:06.400
you make up games. I like to, I like to, I like to
make up games.
30:08.739 --> 30:15.300
I came out in 1970, and I drove from San
Francisco to Portland on my motorcycle to
30:15.300 --> 30:17.670
celebrate International Women's Day.
30:18.540 --> 30:22.810
For the first time, women gather together
publicly in a city park.
30:23.260 --> 30:28.939
I am thrilled and excited and document the
event with my 8 millimeter movie camera.
30:30.020 --> 30:34.969
When I film a businessman in a suit, he shoves
the camera in my face.
30:35.790 --> 30:41.329
A photo of this rude and aggressive action
appears in the Oregon press the next day.
30:44.969 --> 30:46.959
But hey,
30:52.040 --> 30:53.040
la, how can they like you? How could they like
to?
31:00.920 --> 31:04.010
Papa black sheep, have you any wool?
31:04.339 --> 31:07.839
Yes sir, yes sir, three bags full.
31:08.310 --> 31:13.609
In talking about the past, we lie with every
breath we draw.
31:14.280 --> 31:19.079
William Maxwell.
After I come out, I have to do the same things
31:19.079 --> 31:23.910
that I did while I was straight, so I leave for
Africa with my first woman lover.
31:24.280 --> 31:30.829
We meet village women who work all day
winnowing broken grade C rice for no wages.
31:31.280 --> 31:35.000
They can only take home half the rice for their
pay.
31:36.239 --> 31:40.989
Each morning they walk miles to the rice fields,
work all day,
31:41.199 --> 31:42.770
and then return home.
31:43.520 --> 31:45.739
There is no water available.
31:46.030 --> 31:51.219
We take a gallon of water to share with them,
and they dance in return.
31:56.469 --> 32:03.010
Autobiography is the literary consequence of
the rise of individualism as an
32:03.010 --> 32:04.180
ideology.
32:05.300 --> 32:11.770
The cultural precondition for autobiography is
a pervasive concept of individual
32:11.770 --> 32:17.729
life, a self-consciousness that is the late
product of a specific
32:17.729 --> 32:21.439
civilization, George Gurdjieff.
32:22.130 --> 32:27.280
Each story is at once a fragment and a hole, a
hole within a whole.
32:27.650 --> 32:30.260
The same story has always been changing.
32:30.849 --> 32:34.760
Things which do not shift and grow cannot
continue to circulate.
32:35.469 --> 32:37.260
Trinte Min Hall.
32:37.469 --> 32:43.229
The first time I showed my Super 8 films was in
a lesbian coffeehouse in Oakland,
32:43.670 --> 32:47.589
California.
The women protested that the work was
32:47.589 --> 32:50.739
heterosexual and had too many shots of men.
32:52.030 --> 32:57.380
Most of them left; two women stayed, a
lesbian couple who were raising children.
32:58.579 --> 33:05.569
Nancy and Brett understood that I had just come
out and accepted the images as part of my past.
33:07.609 --> 33:13.680
Before she was homo, she was hetero, so when she
was homo, she was very,
33:13.729 --> 33:14.939
very homo.
33:16.380 --> 33:22.189
I am kneeling on the floor beside her bed
watching her put on her bra for the umpteenth
33:22.189 --> 33:25.560
time.
The large fullness of them.
33:26.180 --> 33:31.569
The erect dark brown nipples, the way they
looked like they could fit in a curve of your
33:31.569 --> 33:34.890
hand like an upside-down capital C.
33:35.599 --> 33:40.859
The way she leans over and they fall into the
bra cup like they are coming home.
33:41.810 --> 33:44.979
Fascinates me. I am 7.
33:45.229 --> 33:46.319
I am 9.
33:46.630 --> 33:47.819
I am 10.
33:48.189 --> 33:50.939
I am 12 and still watching.
33:54.260 --> 33:57.229
One time I tell her I think she might be a
witch.
33:57.969 --> 34:00.750
I am earnest and quite serious.
34:01.760 --> 34:04.060
I'm not sure, but maybe she's a witch.
34:05.020 --> 34:09.669
She is putting on makeup at her elaborate
dressing table with mirror,
34:09.750 --> 34:13.570
lace covering, and all kinds of bottles of
perfume and lotions.
34:15.120 --> 34:19.060
I gather up strength and blurt out, Are you a
witch?
34:20.229 --> 34:26.810
Oh Barbie, what's got into you?
She asks, half amazed and half alarmed.
34:29.439 --> 34:32.989
Years later, I am in a San Francisco
therapist's office.
34:33.789 --> 34:36.218
She tells me my mother is seductive.
34:36.959 --> 34:38.489
I can't believe it.
34:38.939 --> 34:44.010
Not my mom, not mother, not the witch with the
bra cups.
34:46.510 --> 34:47.659
Eyebrow raised.
34:47.949 --> 34:50.290
A lesbian is a double subject.
34:50.550 --> 35:11.550
kissing
35:11.550 --> 35:11.810
is a homo-biograph, a lesbian, flirt, breathe,
breathe.
35:11.840 --> 35:15.010
That means that I don't have any independence.
Eyebrows.
35:17.550 --> 35:23.060
I was Billie Joe's best friend until Judy Buss
moved into the neighborhood.
35:23.429 --> 35:30.110
I sat on her swing in the backyard, idly
pushing myself back and forth as Judy
35:30.110 --> 35:35.070
Buss knocked Billie Joe to the ground and
became my new girlfriend.
35:36.560 --> 35:42.959
Very often you have to make a definite
effort of will and insight
35:43.360 --> 35:49.379
to find out what you are. Oh.
35:51.000 --> 35:52.000
Oh.
36:03.689 --> 36:08.199
For oh.
36:11.719 --> 36:13.590
Am I a genetic lesbian?
36:14.459 --> 36:19.989
Get out the family tree and trace the single
woman, the divorcee.
36:22.879 --> 36:25.669
Look at movies taken before you were born.
36:26.510 --> 36:29.699
Witness a world in which you did not exist.
36:31.050 --> 36:36.239
The nervous directors were sitting in the first
rows at the Spanish Theater during the 9th
36:36.239 --> 36:40.409
International Women's Director Festival when
the awards were announced.
36:41.310 --> 36:48.100
Marisa Pareda, star of Pedro Almodóvar's High
Heels, opens the envelope,
36:48.750 --> 36:55.219
and the audience award for the best documentary
goes to Nitrate Kisses.
36:56.159 --> 37:02.699
I put on my latex gloves, climbed the stairs
to the stage and received the check safely.
37:03.889 --> 37:08.560
Marisa doesn't get the pun, and my Spanish
isn't fluent enough to be clear.
37:09.610 --> 37:14.760
Later, when we celebrate and are toasting with
champagne, I tell her that gloves are one of
37:14.760 --> 37:19.350
the safe sex devices for lesbians who are
dating and having sex.
37:20.510 --> 37:22.219
She listens attentively.
37:23.169 --> 37:24.209
Hello, Sherry.
37:25.110 --> 37:26.110
Oh, hello.
37:54.000 --> 37:55.000
It's unusual for women to have fun in a cafe.
Oh no,
38:08.169 --> 38:14.060
you have this urge to make, which, uh, which
certainly is not restricted to the persons in
38:14.060 --> 38:20.979
our society called artists, this kind of
making, which pushes you out to other people and
38:20.979 --> 38:22.209
out to other things.
38:22.699 --> 38:24.679
Necessarily grows you.
38:26.570 --> 38:32.399
I discovered art in a book of reproductions of
famous paintings from the Metropolitan Museum.
38:33.689 --> 38:37.429
On one page was a description of the painting
and the artist.
38:37.879 --> 38:42.340
On the other page was the color reproductions
loosely glued to the middle of the sheet of
38:42.340 --> 38:47.189
paper.
As a child, the painting I liked best was
38:47.189 --> 38:48.699
Monet's Water Lilies.
38:49.620 --> 38:55.689
Maybe it was the way the reproduction floated
on the page like a lily floats on water.
38:58.409 --> 39:04.090
Clothed in her silk pink pajamas, turned away
from me on her living room couch that serves as
39:04.090 --> 39:07.699
a bed in this small LA studio apartment.
39:09.060 --> 39:13.139
She is dying, and she asked me to crawl in
beside her for comfort.
39:13.929 --> 39:15.580
I am terrified.
39:15.830 --> 39:17.949
That's incest, I think.
39:18.189 --> 39:21.719
I can't.
This remains a regret.
39:23.310 --> 39:28.179
When my mother died, she asked me to throw her
ashes out over the Santa Monica Bay.
39:28.389 --> 39:31.459
I was in the helicopter.
The sun was setting,
39:31.750 --> 39:36.889
and I threw out the box of ashes.
The wind blew them back in my face.
39:45.020 --> 39:50.899
Oh.
I abandoned the notion that to be white is
39:50.899 --> 39:52.449
to be unmarked by race.
39:53.909 --> 39:59.340
White feminists and lesbians should render
their own histories
39:59.709 --> 40:05.830
and subjectivities complex by
attending to their various
40:05.830 --> 40:12.790
implications in overlapping social, discursive
divisions and their
40:12.790 --> 40:19.669
histories.
Barbara Smith and Audre Lorde, speaking at the
40:19.669 --> 40:26.060
first lesbian conference at UCLA in 1973, said
what I will never forget.
40:27.100 --> 40:32.070
If you hear a racist comment, do not let it go
by.
40:32.959 --> 40:38.629
We had hiked a long way through the hills, and
the camp's swimming pool was a welcome relief
40:38.629 --> 40:44.020
from the heat when I overheard an anti-Semitic
remark by a boy child in the water.
40:44.870 --> 40:50.770
I was the closest to him, and I reacted almost
instantaneously with a direct reply.
40:51.120 --> 40:56.449
I'm Jewish, and what you have said is both
untrue and hurts me personally.
40:58.600 --> 41:04.919
The lesbian's definition of herself is part of
the larger movement by all oppressed people to
41:04.919 --> 41:08.139
define ourselves. Mabigrist.
41:16.760 --> 41:17.760
do
41:23.879 --> 41:24.659
or better.
41:31.969 --> 41:37.790
Be.
One of the things
41:39.949 --> 41:43.540
that I suspect many people might wonder is
whether or not,
41:43.620 --> 41:46.939
uh, many women cut down on their own sense of
personal growth,
41:46.979 --> 41:50.929
and I suppose men do this too because they
accept what is,
41:50.979 --> 41:56.689
uh, there's a kind of resignation about their
situation, um,
41:57.679 --> 42:00.780
what, what happens to the person who starts
testing, uh,
42:00.820 --> 42:02.530
what kind of movement is possible?
42:03.639 --> 42:05.590
Oh, baby, let's go down.
42:13.889 --> 42:14.330
And
42:23.840 --> 42:24.139
Slow, low,
42:37.469 --> 42:44.419
low, low, low, low, low, low, low.
You Mm.
42:48.959 --> 42:51.780
Yeah, yeah. Yeah.
42:57.780 --> 43:02.889
Lesbians who are in a relationship for a long time develop a fusion,
a movement of gesture and body that displays bonding.
43:03.179 --> 43:07.449
A movement of gesture and body that displays bonding.
43:08.250 --> 43:09.699
Barbara Hammer.
43:18.080 --> 43:22.709
I think that there is a complementarity in marriage that's important.
43:23.139 --> 43:28.120
Uh, someone has said we, we don't, we marry those we would not have as our best friends,
and I think that this is an important truth.
43:28.199 --> 43:30.550
And I think that this is an important truth.
43:30.919 --> 43:36.949
She adjusts the frame and focuses on the lesbian couple where a solitary figure once stood.
You know, when you were talking about how much
43:36.949 --> 43:40.280
stood. You know, when you were talking about how much
you wanted to have a sense of place, have a sense of order,
43:40.280 --> 43:44.550
you wanted to have a sense of place, have a sense of order,
and how much you wanted to have a relationship that carried through many things,
43:44.669 --> 43:49.179
and how much you wanted to have a relationship that carried through many things,
and then just after that you met Fleury, almost like a calling for that kind of commitment
43:49.639 --> 43:55.189
and then just after that you met Fleury, almost like a calling for that kind of commitment
because it was a calling, kind of an announcement saying you were ready.
43:55.189 --> 43:58.540
Because it was a calling, kind of an announcement saying you were ready.
More joint um.
43:59.280 --> 44:01.719
More joint um.
44:03.050 --> 44:09.929
Uh, preoccupation perhaps and those people who think they have to have a self-identity and
keep themselves separate.
44:09.929 --> 44:14.580
Keep themselves separate. OK, we're going to be domestic partners,
and this is the very last day that it's possible.
44:15.090 --> 44:18.169
And this is the very last day that it's possible.
There she is.
44:18.370 --> 44:22.250
There she is. We didn't have to take a blood test.
44:23.000 --> 44:27.550
It's going incognito now, folks. She's even called up her place of employment
and told them that she'll be in late because she's, uh,
44:27.550 --> 44:31.179
and told them that she'll be in late because she's, uh,
going to city hall, sign the papers.
44:31.189 --> 44:34.300
Going to city hall, sign the papers.
44:35.070 --> 44:40.840
I am standing nude on a boulder in the middle of a stream with my date for the Women's music
festival.
44:40.840 --> 44:42.020
Festival.
44:42.270 --> 44:48.709
All around us are other women in the sun lying on gray rounded boulders with the water slowly
moving around them.
44:48.709 --> 44:49.820
Moving around them.
44:50.830 --> 44:57.219
Across from us on another larger boulder is the woman who is to become my life partner.
44:58.219 --> 45:05.110
She too is nude but tall and shy, and her big wide eyes stare and
catch me.
45:05.110 --> 45:09.169
Catch me. I have to get to work to support these benefits.
45:09.899 --> 45:15.149
This is it. This is what courtship is for.
45:15.399 --> 45:16.889
This is what dating means.
45:17.330 --> 45:20.489
Hi, we want to pay our money for a domestic partnership.
45:20.919 --> 45:23.590
What does it cost? 3.
45:26.280 --> 45:29.679
That is it. $5 change at a piece of paper.
45:29.879 --> 45:32.159
That's it. The rest of what we were brought up to think it
was gonna be no flowers, no, uh, no party that's a bouquet.
45:32.159 --> 45:38.350
Was gonna be no flowers, no, uh, no party that's a bouquet.
45:39.580 --> 45:40.580
Yeah.
45:46.229 --> 45:48.739
That's it.
You did it, didn't you?
45:48.810 --> 45:49.969
It's wonderful.
45:50.179 --> 45:53.679
And to run into somebody who's doing same-sex
adoption.
45:54.300 --> 45:55.790
What a day.
What a city.
45:55.939 --> 45:58.580
Oh, what a great place to live.
If we'd lived any longer,
45:58.620 --> 46:00.739
we could have worked on Kay.
We'll do it more next year.
46:00.860 --> 46:07.820
We will, we will. We in the West, I think, have
entirely different family relationships than
46:07.820 --> 46:09.780
the people on the East Coast because so many of
us.
46:09.935 --> 46:14.044
We have moved out here away from families and
people that were close to us in the East,
46:14.114 --> 46:17.955
and we don't have the same problems to cope
with here that the eastern people do have.
46:18.125 --> 46:22.445
We don't have a grandmother next door and an
aunt across the street and somebody else facing
46:22.445 --> 46:23.534
us from another direction.
46:23.804 --> 46:25.645
With the same person.
46:26.250 --> 46:32.590
All kinds of things that may not change very
much, but it's very exciting.
46:33.080 --> 46:34.500
We went into City Hall at 9.
46:35.000 --> 46:36.080
We're out at 9:30.
46:38.100 --> 46:42.379
Our lives have been completely changed because
we are legal folks.
46:42.419 --> 46:46.370
We are legal no matter what you think.
There's not a lot behind this yet,
46:46.540 --> 46:49.050
but there will be.
There's recognition.
46:49.300 --> 46:51.439
There are smiles, there's congratulations.
46:51.699 --> 46:56.459
There's acknowledgement, the fact that we can
walk in and stand up there together and do this.
46:57.699 --> 46:58.699
Right.
47:09.790 --> 47:11.919
I am a lesbian couple.
47:12.860 --> 47:15.070
I am a lesbian couple.
47:24.050 --> 47:30.199
The concept of the self derives from models
supplied by the ambient culture.
47:30.889 --> 47:33.429
Lesbians in advertising.
47:33.889 --> 47:38.530
Lesbians tend to clone one another, especially
in long relationships.
47:40.370 --> 47:45.489
Dykes are constructed on the street, in the
bars, and in the bookstores.
47:45.610 --> 47:48.399
The image reproduces the norm.
47:49.250 --> 47:51.719
But where did the clones come from?
47:54.399 --> 48:00.239
Joanne Lula found out, and I think, uh,
this is my impression too, that the majority of
48:00.239 --> 48:05.320
lesbians do not are butchered.
It seems to me we're both sort of more in the
48:05.320 --> 48:09.500
middle.
I am walking with a woman lover down Newberry
48:09.500 --> 48:13.590
Street in Boston when an angry man runs at us
with a knife.
48:14.320 --> 48:19.939
I am thrown out of an Irish restaurant in New
York City for kissing another lover at a table
48:19.939 --> 48:21.459
on Saint Patrick's Day.
48:22.270 --> 48:25.120
A man jeers at me from his car.
48:25.620 --> 48:27.659
I am a visible lesbian.
48:44.610 --> 48:48.679
Now, one of the signs of growth, I think, is
emotional maturity.
48:48.969 --> 48:53.060
It is the willingness to make decisions and
possible mistakes.
48:53.370 --> 48:57.530
And it is the willingness to be responsible for
whatever happens thereafter.
48:58.169 --> 49:03.219
So that the women who do not choose to grow,
who do not invest in personal growth,
49:03.610 --> 49:07.600
may perhaps feel that belonging is more
valuable, in fact.
49:07.729 --> 49:11.010
So valuable that they're unwilling to pay any
other price.
49:12.590 --> 49:16.550
But I remember this guy coming up and he was
standing next to you, and all of a sudden he got
49:16.550 --> 49:20.830
rude, like, 'Are you a boy or are you a girl?'
Like, it never dawned on me that he wouldn't
49:20.830 --> 49:24.949
know the difference, but he was really
confrontational and it scared me.
49:25.239 --> 49:28.199
I was really afraid of him, but you kind of
laughed.
49:28.320 --> 49:31.100
You laughed at him.
You defused them and you were able to,
49:31.399 --> 49:34.469
you weren't even threatened by the situation.
I was ready to jump.
49:36.719 --> 49:41.479
We were going to go to some women's dance or
something, and you weren't wearing clothes that
49:41.479 --> 49:43.280
you wanted to wear and we were in.
49:43.719 --> 49:47.639
We were going from the film festival.
You wanted to change into these other clothes,
49:47.649 --> 49:52.399
and we opened, we parked the car on some side
street over there in the Castro.
49:52.959 --> 49:56.760
You stood next to the door.
I stood on the other side, and you proceeded to
49:56.760 --> 49:59.429
take your clothes and put on these other
clothes.
49:59.520 --> 50:05.399
It was hilarious to me that people are
meaningful and valid when they have a role in
50:05.399 --> 50:06.959
society, a task to do.
50:07.750 --> 50:12.449
And we're struggling with this question of if
I'm not a wife and a mother,
50:12.610 --> 50:15.639
what is my identity?
If I'm not a businessman,
50:15.889 --> 50:20.270
what is my identity?
The sudden death after retirement, as if
50:20.270 --> 50:21.929
the individual collapsed.
50:31.729 --> 50:37.879
Um, does it seem to you at all possible that we
can learn to live with the fact that all of us
50:37.879 --> 50:44.000
as we get older will have to decide how to
maintain ourselves in our older years.
50:45.449 --> 50:47.340
Oh, oh.
50:50.330 --> 50:53.159
00.
50:54.800 --> 51:00.649
Oh, oh. Yeah.
51:02.429 --> 51:03.429
It's really valuable.
Autobiography is not a timeless process.
51:23.030 --> 51:28.360
But it is embedded in ongoing history and the
search for identity of the individual and the
51:28.360 --> 51:30.459
communities in which she lives.
51:40.040 --> 51:44.889
I just want to ask you what your favorite
lesbian memory of me is and your worst.
51:45.909 --> 51:51.459
You've always been a gal that
would catch another gal's eye.
51:53.399 --> 51:55.719
On first impression, would you say I'm butcher
femme?
52:00.629 --> 52:07.310
I thought it was extraordinary that you had so
much information in your eyes, as most
52:07.310 --> 52:08.379
lesbians do.
52:09.649 --> 52:12.149
I can't remember.
You must have been here or somewhere in the
52:12.149 --> 52:17.969
Ithaca or Binghamton area, and we were together
with a bunch of people, and you were pressing a
52:17.969 --> 52:22.600
discussion on what lesbians actually do in
terms of sex.
52:23.209 --> 52:27.699
And you know, I still ended up with someone's black bra
that day I found years later in my drawer.
52:27.699 --> 52:32.070
The most annoying thing about you as a lesbian,
is that you tried to put a move on me in a bar in
52:32.139 --> 52:35.810
Portland once.
You're an absolutely fabulous spirit in the world.
52:36.179 --> 52:39.540
You're an absolutely fabulous spirit in the world.
52:43.270 --> 52:47.979
Let's take a moment to listen again to the
statements made by our speakers and our panel.
52:49.189 --> 52:52.530
The first time I saw your films, I saw Double
Strength.
52:52.629 --> 52:56.739
It was the first gay film I had ever seen about
a relationship with another woman,
52:56.830 --> 53:00.239
and not only that, I thought the film was so
sexy because I thought I,
53:00.280 --> 53:06.560
I couldn't imagine another woman looking at
another woman and filming it in a way that that
53:06.560 --> 53:10.300
woman looked desirable on screen.
I'd only seen men do that.
53:11.530 --> 53:18.350
No. No, I
53:20.540 --> 53:20.560
OK
53:33.040 --> 53:35.600
Well, the negative is I remember telling you
that I didn't,
53:35.879 --> 53:39.590
that I didn't like your films, and you, you and
I had a kind of a fight about that.
53:39.739 --> 53:45.149
I remember there was a story going around the
community about you when you broke up with
53:45.149 --> 53:46.330
Terry Sengraf.
53:46.959 --> 53:52.360
Somebody asked you why you broke up with her,
and you said it was because she got more phone
53:52.360 --> 53:57.709
calls than you.
I thought you were treating me like I was a
53:57.709 --> 54:02.550
piece of furniture, like a chair you could sit on, and you
were treating me like an object.
54:03.310 --> 54:09.830
I think the times that are hardest for me are
when you're very wrapped up in trying to get
54:09.830 --> 54:13.750
the world to give you what you want.
It's like having a perspective on things that's
54:13.750 --> 54:15.699
more about how they can be useful.
54:16.189 --> 54:18.540
And kind of how they are in themselves.
54:18.919 --> 54:23.679
If I have a choice to make, I'll prepare now so
that when my older years approach,
54:23.760 --> 54:29.320
I need not be anything but purposeful and
meaningful in my community.
54:29.439 --> 54:31.510
I was working on Word is Out.
54:32.000 --> 54:37.445
You were one of the few.
Filmmakers whose name was mentioned as being.
54:37.445 --> 54:41.915
Out there in the world.
I mean, at this point in the mid-'70s,
54:42.094 --> 54:44.364
you know, we were all kind of working in a
vacuum.
54:44.844 --> 54:51.524
There was not the kind of network that exists
now of filmmakers and festivals and
54:51.524 --> 54:57.489
films.
So your name was legendary among the Mariposa
54:57.489 --> 55:04.300
film group.
I
55:04.300 --> 55:11.129
did not know then, as I know now, that people
are prone to build a statue
55:11.129 --> 55:15.250
of the kind of person that it pleases them to
be.
55:16.500 --> 55:18.719
Zora Neale Hurston.
55:41.209 --> 55:43.250
There is no Shakespeare.
55:51.389 --> 55:53.459
There is no Beethoven.
55:56.399 --> 56:01.100
Certainly, and emphatically, there is no God.
56:04.840 --> 56:07.139
We are the words.
56:07.520 --> 56:09.469
We are the music.
56:10.239 --> 56:13.070
We are the thing itself.
56:13.600 --> 56:15.250
Virginia Woolf.
56:19.360 --> 56:20.679
Test two, Flory.
56:21.159 --> 56:25.270
I'm, I'm wearing the mic, and it's very low lux
in here,
56:25.399 --> 56:26.830
probably about four.
56:27.679 --> 56:29.979
And I wonder if you're talking to me while I'm
wearing it,
56:29.989 --> 56:33.469
what it sounds like, you know, I think that
next time I fall in love,
56:33.550 --> 56:34.760
if I ever do.
56:35.919 --> 56:42.479
It'll be with—I can't think of anything.
56:46.129 --> 56:50.280
You're quite the sight with all these wires
draped from your lovely body.
56:50.370 --> 56:53.159
It's sort of like decorations on a Christmas
tree.
56:53.530 --> 56:54.530
Thank you.
I'm gonna pass you.
56:54.649 --> 56:56.000
Can I turn you on?
56:56.330 --> 56:57.969
Where is the mic?
That's it.
56:58.010 --> 57:00.209
It's a lavalier mic.
This little baby, yeah,
57:00.280 --> 57:01.729
it's made to hide in your clothes.
57:02.010 --> 57:04.469
Did it come with it?
No, it's something I bought.
57:04.939 --> 57:07.540
New York, because you're a CIA agent.
57:08.090 --> 57:12.320
Well, I've always had a fantasy of being able
to talk to people and record them without them
57:12.320 --> 57:14.560
knowing it.
That's not very nice.
57:14.770 --> 57:16.090
No, that's why I always tell them.
57:17.840 --> 57:20.270
Oh sweetheart, you have a headache?
Yes, I do.
57:20.520 --> 57:23.379
I, that's what I'm just trying to get things
organized.
57:23.439 --> 57:26.110
I know that's enough.
We've done this little test.
57:26.280 --> 57:30.260
So why am I still holding this if it's not
even plugged in?
57:30.860 --> 57:32.629
Thank you very much.
57:33.719 --> 57:37.020
Over and out without a lux.
57:51.679 --> 57:58.330
I, oh, oh.
58:16.729 --> 58:17.729
Uh.
58:46.530 --> 58:53.239
One night in a hotel in Charlotte where I
was judging a film
58:53.239 --> 58:56.030
festival, I dream of Marjorie Keller.
58:56.830 --> 59:01.540
I look into her eyes and see black and white
childhood photos.
59:02.100 --> 59:03.409
Then we take a walk.
01:00:04.939 --> 01:00:04.959
I.