Distributor:  Bullfrog Films
Length:  93 minutes
Date:  2013
Genre:  Expository
Language:  English
Grade level: 10-12, College, Adults
Color/BW:  Color
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Shadows of Liberty

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Uses shocking examples of cover-ups and censorship by the US media to show how a few mega corporations exercise control over the content of our news.

Shadows of Liberty

SHADOWS OF LIBERTY examines how the US media are controlled by a handful of corporations exercising extraordinary political, social, and economic power. Having always allowed broadcasting to be controlled by commercial interests, the loosening of media ownership regulations, that began under Reagan and continued under Clinton, has led to the current situation where five mega corporations control the vast majority of the media in the United States. These companies not only don't prioritize investigative journalism, but can and do clamp down on it when their interests are threatened.

The film begins with three journalists whose careers were destroyed because of the stories they broke: Roberta Baskin, whose scoop about Nike sweatshops didn't sit well with CBS when Nike became a co-sponsor of the Olympics; Kristina Borjesson, another CBS reporter, whose job lasted precisely one week after the network spiked her investigation into the TWA Flight 800 disaster in 1996; and Gary Webb, whose story linking US support for Nicaraguan Contras and the epidemic in crack cocaine was trashed by The New York Times and the Washington Post. (His story was true, but Webb lost his job and eventually killed himself.)

With the help of interviewees including Daniel Ellsburg, Dan Rather, Julian Assange, Chris Hedges, Dick Gregory, Robert McChesney, John Nichols and Amy Goodman, the film explores in depth the monopolies and vested interests that filter the dissemination of information thus damaging the democratic process. One notorious example, featured in the film, of the anti-democratic nexus between the military-industrial complex and the news media was the latter's unquestioning acceptance of the former's trumped up justification for the Iraq War.

With profits taking priority over the truth and the powerful being taken at their word rather than taken to task, the film asks whether the Internet can withstand corporate pressure and remain free, or will it too fall into the hands of monopolistic corporations.

Ultimately has our commercial world caused us to lose one of the most precious commodities of all--unbiased information?

'Shadows of Liberty offers a brilliant, riveting and deeply disturbing insight into corporate control of American media and American public opinion. It is a clarion call to citizens to take back the First Amendment before it is lost to them forever.' Geoffrey R. Stone, Edward H. Levi Distinguished Service Professor of Law, University of Chicago, Author, Speaking Out! Reflections on Law, Liberty and Justice

'Shadows of Liberty offers a trenchant critique of our media system, effectively highlighting how and why corporate consolidation of media undermines democracy. Featuring the voices of our most wise and compelling media analysts, the film is a clarion call for media reform to create a media system that promotes citizenship and substantive journalism rather than corporate profits and infotainment.' William Hoynes, Professor of Sociology and Media Studies, Vassar College, Author, Public Television for Sale, Co-Author, The Business of Media: Corporate Media and the Public Interest

'After watching this film, you might think the greatest threat to free speech today is the media itself. Shadows of Liberty takes a critical look at the modern media landscape. Jean-Philippe Tremblay dissects the media's coverage of some of the biggest events in recent history. He tells the stories behind the big stories and contributes to a meaningful discussion of important public issues and the role of the media in this discussion.' Roy S. Gutterman, Director, Tully Center for Free Speech, Associate Professor, Communications Law and Journalism, Syracuse University

'The stakes for the free flow of information have never been higher, so this documentary - which is likely to raise blood pressure and spark heated discussions - is recommended.' Video Librarian

'A sober look at today's very precarious situation...Highly recommended especially for public and school library collections.' The Midwest Book Review

'Were it not for films like Shadows of Liberty, the public would be oblivious to who actually controls the mass media...An impressive cast of media analysts and activists illuminate the dangers of media monopolies and their impact on the press...Highly recommended for all libraries, Shadows of Liberty is thought-provoking resource for business, journalism, and social science courses.' Margaret M. Reed, Ouachita Baptist University, Educational Media Reviews Online

'The timing couldn't be better for a theatrical documentary about a corporate media monopoly in American journalism.' Etan Vlessing, Hollywood Reporter

'An excellent expose of the corporatisation of the American media, and perhaps the very best of the [Leed's International] festival in toto. Frightening, enlightening, anger-inducing, thrilling, this debut from writer/director Jean-Philippe Tremblay ticks the boxes for what every great political doc should be...Stories of corporate greed winning out over media values are hand-over-mouth shocking, told with clarity and focus.' Brogan Morris, Neil Young's Film Lounge

'Deals with one of the most critical issues of today...A masterpiece of craftsmanship.' Jakub Patocka, Denik Referebdum

'A slick, masterful political essay on the degradation of contemporary journalism...Rises above its contemporary counterparts by concentrating on convincing and compelling evidence.' Ezra Winton, Art Threat

'A pull-no-punches kind of film.' Post City Magazine

'A documentary indictment of America's media echo chamber...Artistry, cinematic or otherwise, and clear-eyed political vision rarely come this close together. Shadows of Liberty as a film, and Jean Philippe Tremblay as auteur are both definitely newsworthy. Stay tuned.' Humberto DaSilva, Rabble.ca

'Meticulous and cutting...A tremendous cast of commentators illustrate the problem...Well made, beautifully filmed and fulfilled.' Adam Donaldson, Press Plus

'Scathing media takedown...Tremblay marshalls a wealth of evidence to demonstrate that government deregulation has paved the way for the perversion of the media's newsgathering function.' Julian Carrington, Torontoist

'Excellent...Provides a diverse selection of case studies to show just how deep the rabbit hole goes.' Left Lion

'Relevant stuff about the mass sell-off of journalistic integrity in our time.' Liz Braun, Toronto Sun

'Corporate Media - not the best thing on Earth...The film is extremely well made (great soundtrack), with seemingly unlimited resources to archival footage and impressive personalities.' The Panic Manuel

'Audiences have come to see it in droves...A well-told warning about the power of multinational media conglomerates.' Fraser Mills, Film Army

'All Americans should be concerned - if only the media would allow them to be...Shadows of Liberty seems destined to remain a film one must seek out. Those who do will be rewarded.' The Wig


Awards

IDFA, International Documentary Film Festival, Amsterdam
HotDocs, Canadian International Documentary Film Festival
Sheffield Doc/Fest
DokFilm
Open City Docs Fest
DocsDF
Bergen International Film Festival
Canberra International Film Festival
Leeds International Film Festival
London International Documentary Festival
Vancouver International Film Festival
Documentary Edge Festival

Citation

Main credits

Tremblay, Jean-Philippe (Director)
Tremblay, Jean-Philippe (Screenwriter)
Cantagallo, Dan (Producer)
Cantagallo, Dan (Screenwriter)
Robinson, William (Producer)
Shale, Kerry (Narrator)
Goodman, Amy (Interviewee)
Jackson, Janine (Interviewee)
Kumar, Deepa (Interviewee)
Assange, Julian (Interviewee)

Other credits

Film editor, Gregers Sall; composer, Tandis Jenhudson; director of photography, Arthur Jafa.


Distributor credits

Jean-Philippe Tremblay

Jean-Philippe Tremblay
Jean-Philippe Tremblay
Executive Producers: Docfactory
Co-Producer/Co-Writer: Dan Cantagallo
Director of Photography: Arthur Jafa
Editor: Gregers Sall
Music: Tandis Jenhudson

Docuseek2 subjects

Business Ethics
Capitalism
Privatization
Mass Media
Journalism and the Press
Media Literacy
U.S. History
U.S. Government and Politics
Social Psychology
Sociology
American Studies

Distributor subjects

American Democracy
American Studies
Asian Studies
Business Practices
Capitalism
Central America/The Caribbean
Child Labor
Ethics
Foreign Policy, US
Globalization
Government
History
Human Rights
Iraq
Journalism
Labor and Work Issues
Law
Media Literacy
National Security
Political Science
Social Justice
Sociology
Vietnam
War and Peace

Keywords

cover-ups, censorship, mega corporations, US media, corporate control of news content, loosening media ownership regulations, Reagan, Clinton, investigative journalism, Roberta Baskin, sweat shops, Vietnam, CBS News, Olympics sponsorship, Kristina Borjesson, TWA Flight 800, Gary Webb, Nicaraguan Contras, crack cocaine epidemic, Los Angeles, New York Times, Washington Post, Daniel Ellsberg, Dan Rather, Julian Assange, Chris Hedges, David Simon, Robert McChesney, John Nichols, Amy Goodman, Danny Glover, Dick Gregory, Janine Jackson, Norman Solomon, Bob Baer, Jeff Cohen, John McArthur, filtering information, damaging democratic process, military-industrial complex, justification for Iraq War, net neutrality, unbiased information, government, free speech, broadcast news, media conglomerate,"Shadows of Liberty",Bullfrog Films

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