The Women's Studies Collection
The Women's Studies Collection brings together over 160 films that present the stories of women around the world. From the experience of single mothers in Korea; to teenage girls in prison staging a musical; to films exploring women's relationship to their bodies; crimes of honor, bride kidnapping, and sex trafficking; the makeover industry; mail order brides; women and Islam; domestic violence in Cambodia and Pakistan; girls and guns; philosophers, filmmakers and scientists; women organizing and taking charge of their lives -- The Women's Studies Collection is a broad assembly exploring almost every facet of women's lives.
The Women's Studies Collection collection includes the following titles:

62 DAYS is an urgent examination of a growing trend of laws that seek to control a pregnant woman's body.

93QUEEN chronicles the creation of the first all-female Hasidic ambulance corps in New York City.

From Executive Producer Sarah Polley, A BETTER MAN follows a series of intimate conversations between a woman and her former boyfriend when she confronts him about their history of domestic abuse.

Julie Wyman's compelling documentary chronicles Theo's transformation from a woman to a man over the course of six years.

A CRUSHING LOVE, Sylvia Morales’ sequel to her groundbreaking history of Chicana women, CHICANA (1979), honors the achievements of five activist Latinas—labor organizer/farm worker leader Dolores Huerta, author/educator Elizabeth “Betita” Martinez, writer/playwright/educator Cherrie Moraga, civil rights advocate Alicia Escalante, and historian/writer Martha Cotera - and considers how these single mothers managed to be parents and effect broad-based social change at the same time.

The story of the only woman cab driver in the Algerian city of Sidi Bel-Abbès.

Explores why less than 7% of head chefs and restaurant owners are women, when traditionally women have always held the central role in the kitchen.

From 1945-73, 1.5 million unmarried young American women, facing enormous social pressures, surrendered babies to adoption. Lacking sex education and easy access to birth control, they were forced into hiding while pregnant and then into “abandoning” their infants. In her latest film, Ann Fessler, Professor of Photography at Rhode Island School of Design, reprises the subject of her award-winning The Girls Who Went Away (National Book Critics Circle; Ballard Book Prize), which Ms. readers named an all-time best feminist book.

25 years after the end of apartheid, what do women in a South African township dream of?

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