The Days of Dylan Thomas
- Description
- Reviews
- Citation
- Cataloging
- Transcript
Based on the photographs of Rollie McKenna with contributing photographs by other American and British photographers, it is an excellent companion to the pictorial biography, The Days of Dylan Thomas, by Bill Read and Rollie McKenna. McKenna’s film on the life and poetry of Dylan Thomas is made from photographs of deceptive serenity, skillfully woven with a lean narration which includes some of the Welsh poet’s own words. These elements are integrated with a music score of considerable distinction and discretion. The result is a moving cinematic experience which honors the poet with dignity and affection. An uncanny portrait of the poet comes off the screen—charming, gifted, beset by disquietude, driven to wild hilarity and clowning, burdened by the cares of living. Selections from his work, spoken by Dylan Thomas himself with his own Welsh magic, are alternately passionate, gentle, desperate, soaring. Together with the images of great beauty and revelation, the effect is a low-keyed unremitting tension. Dylan Thomas is quite simply unforgettable.
Citation
Main credits
Brinnin, John Malcolm (narrator)
Ferguson, Graeme (film director)
McKenna, Rosalie Thorne (film producer)
Other credits
Photography, Bunny Adler [and 7 others]; editing, Joseph Zysman; music, John Duffy.
Distributor subjects
Documentary films,Literature,Poetry,Authors,Authors and WritersKeywords
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[Dramatic music]
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Oh, as I was young and easy,
in the mercy of his means
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time held me
green and dying,
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though I sang in my
chains like the sea.
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[Dramatic music continues].
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The Welsh poet, Dylan Thomas
was extravagantly praised,
00:00:52.583 --> 00:00:55.417
and he was
unmercifully reviled.
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The greatest living
writer of English verse,
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fine, bold,
original, strong.
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A wild,
loud-mouth drunken Celt,
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doomed, damned.
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The second of two children,
Dylan was born in 1914
00:01:21.000 --> 00:01:26.167
at Number 5, Cwmdonkin Drive
in the seaport of Swansea.
00:01:26.167 --> 00:01:29.875
An ugly, lovely
town he called it.
00:01:30.750 --> 00:01:32.958
From his earliest days
he was obsessed
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with words and
with poetry.
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Years later, the sights
and sounds and smells of his
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boyhood world reappeared
in stories and poems known
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around the world.
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A frail boy, he was
often in delicate health,
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but like other boys, he
played on the green slopes
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of the park next door, had
fights in the bandstand,
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drank from the chained cup,
larked about the railway
00:02:06.667 --> 00:02:09.375
lines down by the
docks with other truants,
00:02:09.375 --> 00:02:13.708
and as he said, old men
from nowhere and watched the
00:02:13.708 --> 00:02:15.833
ships that
sailed to everywhere.
00:02:19.333 --> 00:02:22.000
He spent many childhood
summers in the country,
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best of all were visits to
his beloved Aunt Annie Jones.
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She lived on a
farm named Fernhill.
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It was here that he said he
spent his lamb white days
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while the calves sang to his
horn and the bells of the
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Sabbath rang
all morning long.
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[Gloomy music]
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[Uplifting music]
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When he was old enough
to learn about girls,
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cigarettes and beer, he
moved to London with two
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friends from
Swansea, both painters.
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They lived a life
as he described it,
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slightly crazed,
slightly dirty,
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slightly wicked.
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At this time he wrote
some of his best poems.
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If I were tickled
by the rub of love,
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a rooking girl who stole me
for her side broke through
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her straws, breaking
my bandaged string.
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If the red tickle, as the
cattle calve still set to
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scratch a laughter
from my lung,
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I would not fear the
apple nor the flood,
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nor the bad blood of spring.
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Dylan's lamb white days
were over by 1937
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when he took a wife.
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As he wrote to
an old friend,
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my own news is
very big and simple.
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I was married three days
ago to Caitlin Macnamara,
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in Penzance Registry
Office with no money,
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no prospect of money, no
attendant friends or relatives.
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And in complete happiness,
she looks like the princess
00:04:17.875 --> 00:04:19.875
on the top of a
Christmas tree.
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But for God's sake,
don't tell her that.
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We are quiet and small
and cigarette stained
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and very young.
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Catlin's command of words
and her extravagances nearly
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matched her husbands.
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And their passionate
fights were as fierce
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as their love for
one another.
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Their first child
was a boy, Llewelyn.
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Dylan began to take on
the responsibilities
00:04:48.417 --> 00:04:49.708
of a family man.
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To earn money he
worked as script writer,
00:04:54.167 --> 00:04:57.042
reader, radio
actor, reviewer.
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When Dylan's second
book of poems appeared,
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Dame Edith Sitwell said, I
know of no young poet of our
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time whose poetic gifts
are on such great lines.
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Despite such praise,
Dylan found it harder
00:05:12.417 --> 00:05:13.750
and harder to work.
00:05:14.417 --> 00:05:17.542
He was beset by ill
health, heavy drinking,
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and too many debts.
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In search of a quieter
and more productive life,
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Dylan and Catlin settled in
the little fishing village
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of Laugharne where they had met
once before their marriage.
00:05:30.958 --> 00:05:39.417
[Gloomy music continues]
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In time, Dylan began to
work again on a radio play.
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His subject was the people
he knew in his own village.
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[Upbeat music]
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[Upbeat music continues]
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Dylan and Caitlin lived
in the boathouse of an
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abandoned ferry slip.
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Dylan's mother
came to visit often.
00:06:31.292 --> 00:06:33.500
Her favorite grandchild
was Aeronwy,
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the second born.
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Blonde Colm was
the youngest.
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Dolly was made of all work.
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Dog Mably was old
and slept a lot.
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While Caitlin and the
children walked in the
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sunshot woods nearby and
swam in the ever changing
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tides of the river Taf
below the boathouse.
00:06:52.542 --> 00:07:00.792
[Melancholic music]
00:07:00.792 --> 00:07:03.833
There were some happy times
and some brief periods of
00:07:03.833 --> 00:07:07.500
productivity for Dylan,
but as his family grew,
00:07:07.500 --> 00:07:11.458
so grew their needs
and Dylan's disquietude.
00:07:12.333 --> 00:07:15.917
"It is so difficult for me to
live and keep my family alive."
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He wrote a friend.
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There are many petty jobs,
which by their nature and by
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the time they claim,
stop me writing as
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I could wish to write.
00:07:24.625 --> 00:07:27.208
The problem keeps
me treadmilling
00:07:27.208 --> 00:07:28.792
all the waking night.
00:07:29.583 --> 00:07:32.917
When he could endure it no
longer he took the train to
00:07:32.917 --> 00:07:37.917
London to earn, to
drink, to forget.
00:07:45.250 --> 00:07:47.958
"I did all I could to make
him work at his own special
00:07:47.958 --> 00:07:51.667
work," wrote Caitlin, but
the back debts went on,
00:07:51.667 --> 00:07:55.667
pressing only harder, getting
steadily more voracious.
00:07:56.500 --> 00:07:58.333
And the future was
laden with threats
00:07:58.333 --> 00:08:00.458
and wangling tortures.
00:08:00.458 --> 00:08:04.625
Poor nervous Dylan who had
inherited his father's acid
00:08:04.625 --> 00:08:07.833
pessimism for all his
anticipating the worst,
00:08:07.833 --> 00:08:10.875
suffered sleepless
nights more than me.
00:08:12.333 --> 00:08:16.000
Dylan usually returned from
London trips with relief
00:08:16.000 --> 00:08:17.042
and renewed ambition.
00:08:17.875 --> 00:08:21.042
"I can get down to
those ogre words again,
00:08:21.042 --> 00:08:22.375
he once wrote.
00:08:22.375 --> 00:08:25.458
"Without nightmares
of doubt and debt,
00:08:25.458 --> 00:08:30.792
and my dear diabolic family
shall be protected for a time."
00:08:32.500 --> 00:08:34.875
He worked when he could
in a little green
00:08:34.875 --> 00:08:36.750
shack near his house.
00:08:36.750 --> 00:08:39.958
It was at once his
haven and his crucible.
00:08:41.250 --> 00:08:43.458
He wrote his
poetry amid cobwebs,
00:08:43.458 --> 00:08:47.208
old ink bottles, favorite
photographs
00:08:47.208 --> 00:08:50.458
and illustrations. Walt
Whitman,
00:08:50.458 --> 00:08:57.000
D.H. Lawrence, Marianne Moore,
Bruegel's dancing villages,
00:08:57.000 --> 00:08:59.417
a clown by Rouault.
00:09:01.083 --> 00:09:04.167
He worked and
reworked phrase by phrase,
00:09:04.167 --> 00:09:07.375
writing,
rewriting, writing again.
00:09:08.333 --> 00:09:11.333
A poem often went through as
many as a hundred revisions
00:09:11.333 --> 00:09:13.000
before it was published.
00:09:14.917 --> 00:09:17.750
From time to time when
words would come no longer,
00:09:17.750 --> 00:09:20.208
he would wander
into the village.
00:09:20.208 --> 00:09:54.208
[Upbeat music]
00:09:54.208 --> 00:09:57.542
But the nagging thoughts
always returned.
00:09:58.292 --> 00:10:01.542
"For a whole year, I have
been able to write nothing.
00:10:01.542 --> 00:10:05.667
Nothing at all, but one
tangled sentimental poem."
00:10:06.500 --> 00:10:10.083
He needed tuition
money for his oldest son.
00:10:10.083 --> 00:10:13.375
He must write more,
earn more, save more.
00:10:14.500 --> 00:10:17.083
He wanted to go to America
where there would be money
00:10:17.083 --> 00:10:19.208
and vast
appreciative audiences.
00:10:19.208 --> 00:10:21.542
A chance for a new start.
00:10:22.458 --> 00:10:27.125
And so delighted,
frightened, he went.
00:10:28.042 --> 00:10:33.042
He wrote to an editor, "I
flew over America like a damp
00:10:33.042 --> 00:10:38.250
ranting bird, boomed and fiddled
while home was burning,
00:10:38.250 --> 00:10:42.458
carried with me all the time
my unfinished letters,
00:10:42.458 --> 00:10:46.542
my dying explanations
and self accusations,
00:10:47.333 --> 00:10:51.292
the lonely half
of a loony may be play in
00:10:51.292 --> 00:10:54.000
a heavy, hurtful bunch."
00:10:55.083 --> 00:10:58.250
On whirlwind tours
from coast to coast,
00:10:58.250 --> 00:11:01.375
clowning
outrageously, lionized,
00:11:01.375 --> 00:11:05.875
triumphant, yet
miserable, he lectured,
00:11:05.875 --> 00:11:08.375
partied, drank and read.
00:11:09.667 --> 00:11:13.958
Now I am a man
no more, no more.
00:11:13.958 --> 00:11:18.792
And a black reward
for a roaring life.
00:11:18.792 --> 00:11:25.625
Side the old ram rod
dying of strangers,
00:11:25.625 --> 00:11:30.750
tidy and cursed in
my dove cooed room,
00:11:30.750 --> 00:11:38.458
I lie down thin and
hear the good bells jaw.
00:11:38.458 --> 00:11:45.417
For, oh, my soul found a
Sunday wife in the cold
00:11:45.417 --> 00:11:50.958
black sky and
she bore angels.
00:11:50.958 --> 00:11:55.375
Harpies around me
out of her womb.
00:11:55.375 --> 00:12:00.958
Chastity prays for
me, piety sings,
00:12:00.958 --> 00:12:06.417
innocence sweetens
my last black breath.
00:12:06.417 --> 00:12:16.125
Modesty hides my thighs in
her wings and all the deadly
00:12:16.125 --> 00:12:21.708
virtues plague my death.
00:12:21.708 --> 00:12:26.208
[Applause]
00:12:26.208 --> 00:12:28.167
His public success
was great,
00:12:28.167 --> 00:12:31.542
but somehow he took
little pleasure in it.
00:12:31.542 --> 00:12:34.292
What Dylan most enjoyed
was the anonymous
00:12:34.292 --> 00:12:36.458
freedom of a man in a bar.
00:12:36.458 --> 00:12:51.667
[Upbeat music]
00:12:51.667 --> 00:12:53.833
When he left New York,
he had spent nearly
00:12:53.833 --> 00:12:55.250
all the money he had made.
00:12:56.833 --> 00:12:59.458
Returning home to
Caitlin and his children,
00:12:59.458 --> 00:13:02.583
he found that his
father was mortally ill.
00:13:03.208 --> 00:13:05.125
In devotion to
the dying man,
00:13:05.125 --> 00:13:08.250
he wrote one of his
most celebrated poems.
00:13:08.958 --> 00:13:12.792
Do not go gentle
into that good night.
00:13:12.792 --> 00:13:18.000
Old age should burn and
rave at close of day.
00:13:18.000 --> 00:13:22.583
Rage, rage against
the dying of the light.
00:13:23.625 --> 00:13:27.958
Though wise men at their
end know dark is right,
00:13:27.958 --> 00:13:31.375
because their words
had forked no lightning.
00:13:31.375 --> 00:13:36.083
They do not go gentle
into that good night.
00:13:37.875 --> 00:13:43.250
And you, my father
there on the sad height,
00:13:43.250 --> 00:13:49.833
curse, bless me now with
your fierce tears, I pray.
00:13:50.583 --> 00:13:54.708
Do not go gentle
into that good night.
00:13:54.708 --> 00:14:00.833
Rage, rage against
the dying of the light.
00:14:03.083 --> 00:14:06.458
Once he had said that his
poems were written for the
00:14:06.458 --> 00:14:07.958
love of man and
in praise of God,
00:14:07.958 --> 00:14:10.625
and I'd be damn a
fool if they weren't.
00:14:11.833 --> 00:14:16.292
But now to Dylan, both man
and God were failing him.
00:14:16.292 --> 00:14:19.583
Deeper and deeper
in debt and despair,
00:14:20.125 --> 00:14:23.750
he decided against his own
better judgment against the
00:14:23.750 --> 00:14:28.292
pleas of his friends and of
Caitlin to go again to America.
00:14:28.542 --> 00:14:38.583
[Upbeat music]
00:14:38.583 --> 00:14:42.250
In anguish and uncertainty,
he did finish his
00:14:42.250 --> 00:14:44.167
play Under Milk Wood.
00:14:44.167 --> 00:14:46.750
And because he was a
perfectionist when dealing
00:14:46.750 --> 00:14:49.875
with his own craft, he
coached and coaxed the
00:14:49.875 --> 00:14:52.458
actors into the moods
and meanings he wanted.
00:14:53.458 --> 00:14:56.083
They found his theater
knowledge formidable
00:14:56.083 --> 00:14:58.750
and his authority as a
director inspiring.
00:14:59.208 --> 00:15:06.458
[Upbeat music]
00:15:06.458 --> 00:15:08.708
"Love the words,"
he told them.
00:15:08.708 --> 00:15:11.083
"Love the words."
00:15:13.250 --> 00:15:16.292
With five actors and himself
taking the parts of 31
00:15:16.292 --> 00:15:19.125
characters, he presented
what he called his
00:15:19.125 --> 00:15:22.292
"looney maybe play" to a
New York audience.
00:15:22.292 --> 00:15:25.542
Mr. Pugh in the
School House opposite,
00:15:25.542 --> 00:15:28.000
takes up the
morning tea to Mrs. Pugh,
00:15:28.000 --> 00:15:32.125
and whispers on the stairs;
Here's your arsenic, dear.
00:15:32.125 --> 00:15:34.542
[Laughter]
00:15:34.542 --> 00:15:37.208
And your
weedkiller biscuit.
00:15:38.292 --> 00:15:40.750
I've throttled
your parakeet.
00:15:40.750 --> 00:15:43.250
I've spat in the vases.
00:15:43.250 --> 00:15:46.167
I've put cheese
in the mousehole.
00:15:47.250 --> 00:15:48.292
Here's your...
00:15:49.208 --> 00:15:50.667
nice tea, dear.
00:15:50.667 --> 00:15:52.042
Too much sugar.
00:15:52.042 --> 00:15:54.292
You haven't
tasted it yet, dear.
00:15:54.292 --> 00:15:55.500
Too much milk then.
00:15:55.500 --> 00:15:57.667
[Laughter]
00:15:57.667 --> 00:15:59.292
Down in
the dusking town,
00:15:59.292 --> 00:16:02.667
Mae Rose Cottage,
still lying in clover,
00:16:02.667 --> 00:16:04.958
and listening to
the nanny goats chew,
00:16:04.958 --> 00:16:07.625
draws circles of
lipstick round her nipples.
00:16:08.208 --> 00:16:09.875
I'm fast.
00:16:09.875 --> 00:16:16.042
[Laughter]
00:16:16.042 --> 00:16:17.792
I'm a bad luck.
00:16:18.833 --> 00:16:20.458
God will strike me dead.
00:16:22.333 --> 00:16:25.958
I'm 17, I'll go to hell.
00:16:25.958 --> 00:16:26.875
[Laughter]
00:16:26.875 --> 00:16:28.667
She
tells the goats.
00:16:28.667 --> 00:16:30.042
You just wait.
00:16:31.083 --> 00:16:33.417
I'll sin till I blow up.
00:16:33.417 --> 00:16:37.750
[Laughter]
00:16:38.167 --> 00:16:40.667
It was
too late for success.
00:16:41.250 --> 00:16:45.875
He had had enough of public
performance and enough even
00:16:45.875 --> 00:16:47.250
of his own exhibitionism.
00:16:48.583 --> 00:16:52.750
And in despair, he said,
"I've come to the melancholy
00:16:52.750 --> 00:16:56.000
conclusion that my
health is totally gone.
00:16:56.583 --> 00:17:03.208
I can't eat, I can't drink,
I'm even too tired to sleep.
00:17:04.042 --> 00:17:07.333
I've seen the
gates of hell."
00:17:09.083 --> 00:17:12.083
Yet, even as his
lost hopes were fading,
00:17:12.750 --> 00:17:16.125
he could regather his wit
and regale his audience with
00:17:16.125 --> 00:17:18.375
ribald nonsense
and hilarity.
00:17:19.375 --> 00:17:24.125
I don't mind answering, but
I can't even to very simple
00:17:24.125 --> 00:17:27.625
questions such as, uh,
what is the relation,
00:17:27.625 --> 00:17:28.542
damn that book.
00:17:28.542 --> 00:17:31.042
[Laughter]
00:17:31.042 --> 00:17:34.125
What is the
relationship of a poet,
00:17:34.125 --> 00:17:38.417
uh, to society in
the, uh, in the,
00:17:38.417 --> 00:17:41.167
uh, pre hydrogenous age?
00:17:45.458 --> 00:17:47.875
If every hermaphrodite
were a schizophrene,
00:17:47.875 --> 00:17:49.042
which half would you take?
00:17:49.042 --> 00:17:52.458
[Laughter]
00:17:52.458 --> 00:17:56.000
[Applause]
00:17:58.583 --> 00:18:03.208
Or the influence of W.C.
Fields on Virginia Woolf.
00:18:03.208 --> 00:18:07.708
[Laughter]
00:18:13.000 --> 00:18:14.750
But in
New York, one evening,
00:18:14.750 --> 00:18:19.417
desperate beyond all recall,
he went to a bar where by
00:18:19.417 --> 00:18:23.833
his own account, he
downed 18 straight whiskeys.
00:18:24.750 --> 00:18:27.625
Four days later on
the 9th of November,
00:18:27.625 --> 00:18:32.500
1953 in a hospital
room he never saw,
00:18:32.792 --> 00:18:35.583
he died in his own darkness.
00:18:37.292 --> 00:18:40.208
Caitlin took his
body back to Laugharne.
00:18:44.750 --> 00:18:51.875
In my craft or sullen art,
exercised in the still night
00:18:51.875 --> 00:18:57.542
when only the moon rages
and the lovers lie abed.
00:18:57.542 --> 00:19:00.292
With all their
griefs in their arms.
00:19:01.208 --> 00:19:06.375
I labour by singing light,
not for ambition or bread,
00:19:06.375 --> 00:19:11.083
or the strut and trade of
charms on the ivory stages,
00:19:11.083 --> 00:19:17.833
but for the common wages
of their most secret heart.
00:19:18.542 --> 00:19:23.792
Not for the proud man apart,
from the raging moon I write
00:19:23.792 --> 00:19:29.000
on these spindrift pages,
nor for the towering dead
00:19:29.000 --> 00:19:32.875
with their
nightingales and psalms,
00:19:33.667 --> 00:19:37.958
but for the lovers, their
arms round the griefs
00:19:37.958 --> 00:19:43.500
of the ages, who pay no
praise or wages,
00:19:43.958 --> 00:19:48.875
nor heed my craft or art.
00:19:53.750 --> 00:20:34.542
[Uplifting music]