00:04:29.330 --> 00:04:30.950
You’ve changed.

00:04:38.330 --> 00:04:42.200
You think I don’t know
you’re painting the whole neighborhood?

00:04:43.450 --> 00:04:45.000
Stop it, Mom.

00:04:46.000 --> 00:04:48.120
I don’t get in your business.

00:04:48.250 --> 00:04:51.080
You told me to get a job and I did.

00:04:51.250 --> 00:04:52.410
Give me a break.

00:05:37.450 --> 00:05:39.160
No, man!

00:05:40.200 --> 00:05:42.160
Dude, we can’t go on like this

00:05:42.290 --> 00:05:44.700
or we’ll find somebody else,
guaranteed.

00:05:45.200 --> 00:05:48.040
Guys!
This kid can't handle his wheelbarrow.

00:05:48.200 --> 00:05:50.580
Too much jerking off!

00:06:00.370 --> 00:06:03.250
Yummy!
I got beans with chicken fart today.

00:06:04.660 --> 00:06:05.660
Good tune, right?

00:06:05.870 --> 00:06:07.870
Yeah, it’s awesome.

00:06:10.200 --> 00:06:12.250
Dude, that kid's gonna get the boot.

00:06:12.410 --> 00:06:13.410
You think?

00:06:13.540 --> 00:06:15.540
They’ll say, “It’s been a pleasure.”

00:06:18.200 --> 00:06:20.830
- He's so awkward.
- He’s just like Victor.

00:06:21.000 --> 00:06:22.160
Worse than Victor, no?

00:06:26.700 --> 00:06:28.830
Guys,
first one here Monday is a fag!

00:06:29.000 --> 00:06:30.540
An ass-kisser!

00:06:43.790 --> 00:06:45.330
Afternoon, gentlemen.

00:06:45.500 --> 00:06:47.410
- Everything OK?
- Yes.

00:06:47.580 --> 00:06:50.410
- Where’s Jovan Alexis?
- Over there.

00:06:52.410 --> 00:06:53.950
Jovan Alexis!

00:06:54.500 --> 00:06:57.330
Come to my office
when you’re finished with lunch.

00:07:00.540 --> 00:07:03.000
Jovan Alexis, “Six feet under!”

00:07:07.910 --> 00:07:09.830
You know why you’re here, right?

00:07:10.200 --> 00:07:11.580
No, engineer.

00:07:12.290 --> 00:07:15.910
People are saying
that you’re taking paint every day.

00:07:16.330 --> 00:07:19.830
And it seems to be true.
I checked and it doesn’t tally.

00:07:21.160 --> 00:07:23.580
Tell me what I’m saying isn’t true.

00:07:26.870 --> 00:07:30.160
Well, that's it.
Pack up your things and get out.

00:07:34.160 --> 00:07:36.160
Hey, pal, how did it go?

00:09:18.410 --> 00:09:19.540
Hi, bro. It’s Ras.

00:09:19.700 --> 00:09:22.080
You’re not answering your phone.

00:09:22.250 --> 00:09:24.910
Call me when you get this.
Talk to you soon.

00:09:30.620 --> 00:09:31.620
Thank you.

00:09:46.910 --> 00:09:48.250
Mrs. Margaret?

00:09:53.540 --> 00:09:54.790
Mrs. Margaret?

00:10:25.870 --> 00:10:29.160
It was a beautiful film... wonderful.

00:10:29.290 --> 00:10:31.250
Did you like it, Ñañita?

00:10:31.370 --> 00:10:32.500
A lot.

00:10:32.660 --> 00:10:34.370
What did you like the most?

00:10:36.830 --> 00:10:40.250
A couple
was walking through a forest.

00:10:40.410 --> 00:10:44.160
They had a baby with them.
Then a vampire came out at them.

00:10:44.290 --> 00:10:46.120
What does a vampire do, Ñañita?

00:10:48.330 --> 00:10:49.790
You’re a laugh, Ñañita.

00:10:49.950 --> 00:10:51.250
Just like you.

00:11:06.540 --> 00:11:10.040
Pass me the mirror, please,
so I can check how I look.

00:11:16.660 --> 00:11:20.200
Do me a favor and pass me the lipstick.
The pink one.

00:11:25.330 --> 00:11:26.950
Open your mouth, Ñañita

00:11:44.500 --> 00:11:47.950
Your uncle's calling us,
with Grandma!

00:11:48.410 --> 00:11:49.410
Hello, Ñañita.

00:11:50.250 --> 00:11:51.790
Hi, how are you?

00:11:51.950 --> 00:11:55.040
Hi, Manuk! Hi, Mom! Hi, Nena!
How’s everything?

00:11:56.290 --> 00:11:58.620
- Look at your uncle and Ñañita!
- How are you?

00:11:59.450 --> 00:12:01.620
Isn't the baby gorgeous?
Look at him bite.

00:12:01.830 --> 00:12:03.250
Look at those curls!

00:12:03.370 --> 00:12:08.120
He’s fantastic, this little one!
He’s pretty indeed!

00:12:08.250 --> 00:12:10.290
Ñañita, how have you been?

00:12:10.450 --> 00:12:11.950
Fine!

00:12:12.120 --> 00:12:14.330
The pills have done me good.

00:12:14.500 --> 00:12:19.580
The rash isn’t that bad now,
and I’m not coughing anymore.

00:12:19.790 --> 00:12:21.160
I’m doing well.

00:12:21.290 --> 00:12:22.290
Right, Calvin?

00:12:22.450 --> 00:12:23.950
Yes, Ñañita.

00:12:25.120 --> 00:12:27.080
He's such a drummer.

00:12:28.290 --> 00:12:29.950
What a smack!

00:12:30.370 --> 00:12:32.540
- Ouch, Manuk!
- You hit it here!

00:12:33.040 --> 00:12:34.870
On the drum, baby.
Hit the drum.

00:12:38.200 --> 00:12:39.250
There he goes again!

00:12:39.410 --> 00:12:41.040
He surely has the beat!

00:12:41.200 --> 00:12:42.910
It’s the second round...

00:12:43.080 --> 00:12:45.330
Look at that. He's so strong!

00:12:45.500 --> 00:12:47.250
Look how he's laughing...

00:12:48.500 --> 00:12:50.950
Otherwise, he’s all quiet.

00:12:51.700 --> 00:12:52.700
Not on the head!

00:12:52.830 --> 00:12:55.370
Here, bang the drum...

00:12:55.540 --> 00:12:56.540
He hit both of them!

00:12:56.580 --> 00:13:00.370
The other day he hit me so hard,
I still have a bump.

00:13:00.540 --> 00:13:03.660
As long as he doesn’t hit Grandma,
we’re all good.

00:13:03.870 --> 00:13:08.450
Now he wants to hit grandma
but she won’t let him.

00:13:09.080 --> 00:13:10.290
Hello, baby!

00:13:10.830 --> 00:13:11.870
So cute!

00:13:17.120 --> 00:13:19.000
Look how he laughs.

00:13:20.120 --> 00:13:22.290
Show them what sound the cow makes.

00:13:23.500 --> 00:13:25.290
Cow, moo!

00:13:27.370 --> 00:13:29.870
Cow, moo!

00:13:35.000 --> 00:13:36.250
Here, Ñañita

00:13:36.910 --> 00:13:37.910
Thank you, love.

00:14:31.830 --> 00:14:35.200
Dude, the day after tomorrow
Mario Wize and other graffiti artists

00:14:35.330 --> 00:14:38.250
are planning some serious painting
on the Thousand Days Bridge.

00:14:38.410 --> 00:14:39.620
We should go, right?

00:14:40.290 --> 00:14:43.370
Cool, I want to meet those guys.

00:14:49.620 --> 00:14:51.660
I’ve got to show you a video
I found on the Internet

00:14:51.660 --> 00:14:53.450
It’s about the Arab Spring.

00:14:54.830 --> 00:14:56.120
Really amazing.

00:14:56.250 --> 00:14:58.160
Awesome! I’ll check it out later.

00:14:58.290 --> 00:14:59.290
Cool.

00:14:59.450 --> 00:15:03.580
We could paint
some hooded women for that.

00:15:06.080 --> 00:15:08.250
That’s a good idea, bro.

00:15:08.370 --> 00:15:10.950
Supporting feminism, and all that.

00:15:14.000 --> 00:15:15.660
What are you doing now?

00:15:15.870 --> 00:15:17.660
Well, bro, I’ve got this...

00:15:18.410 --> 00:15:19.660
Ah, how cool!

00:15:19.870 --> 00:15:23.500
You got the caps there as well,
or what?

00:15:23.660 --> 00:15:26.120
- Yeah, in the bag.
- All right! Let’s get busy!

00:15:26.250 --> 00:15:27.830
Let’s go man.

00:15:30.910 --> 00:15:33.660
Dude, this color
is freaking amazing, right?

00:15:34.250 --> 00:15:36.040
OK, make it a nice tag.

00:15:38.330 --> 00:15:40.500
This color is the shit.

00:15:41.910 --> 00:15:43.540
OK, hurry up!

00:16:10.080 --> 00:16:11.120
Hey.

00:16:12.620 --> 00:16:14.370
What’s up, Mario?

00:16:14.540 --> 00:16:16.290
Hey, Calvin, how you doing?

00:16:16.450 --> 00:16:19.660
- How’ve you been?
- Fine, bro. Good to see you.

00:16:19.870 --> 00:16:22.580
- This is my friend. Ras.
- Hi, Mario Wize.

00:16:22.790 --> 00:16:24.290
- Have a drink, OK?
- Sure!

00:16:24.450 --> 00:16:26.330
So we can relax a bit.

00:16:26.500 --> 00:16:27.500
Totally.

00:16:28.540 --> 00:16:29.660
Cheers!

00:16:31.250 --> 00:16:32.660
Are we painting or what?

00:16:32.870 --> 00:16:34.620
- Let’s do it!
- Right now.

00:16:34.830 --> 00:16:36.830
I’ve got the tools, you guys!

00:16:37.160 --> 00:16:38.830
- What should I do?
- This one...

00:16:39.000 --> 00:16:41.160
The reddish one,
help me finish it off.

00:16:41.290 --> 00:16:45.540
And this white, for that vapor there,
for starters. OK?

00:16:48.370 --> 00:16:49.660
Thank you!

00:17:59.160 --> 00:18:01.540
Bro, I’ll check on my grandma.
Be right back.

00:18:01.700 --> 00:18:03.080
Yeah, no problem.

00:19:20.790 --> 00:19:22.450
Ñañita’s fast asleep, bro!

00:19:22.620 --> 00:19:24.910
Man, this video is really intense.

00:19:25.540 --> 00:19:26.830
Totally.

00:19:27.000 --> 00:19:29.250
It’s really shocking.

00:19:29.580 --> 00:19:31.790
Any ideas for the painting?

00:19:31.950 --> 00:19:35.790
Man, let's stick
to the hooded women idea, right?

00:19:36.950 --> 00:19:39.290
What do you think of including

00:19:39.450 --> 00:19:42.620
the woman in the video
with the megaphone?

00:19:43.160 --> 00:19:44.370
That’d be interesting.

00:19:44.540 --> 00:19:47.540
And add something extra,
like a phrase maybe.

00:19:47.700 --> 00:19:49.290
But what phrase should it be?

00:19:49.450 --> 00:19:53.450
Well, there’s one right there,
“We’ll never be silent again!”

00:19:53.620 --> 00:19:55.160
That’d be cool...

00:19:55.290 --> 00:19:57.250
I think it’d look very good.

00:19:57.580 --> 00:19:58.250
Maybe, yeah.

00:19:58.410 --> 00:20:00.950
Sorry, man,
can I check if Dominique wrote?

00:20:01.120 --> 00:20:02.200
Sure.

00:20:13.950 --> 00:20:15.330
Hey, couldn’t make it today.

00:20:15.500 --> 00:20:17.120
Stuff came up.

00:20:17.250 --> 00:20:19.580
I need to talk to you.
Coming to class tomorrow?

00:20:19.790 --> 00:20:20.580
What’s up with her?

00:20:20.790 --> 00:20:23.700
Nothing.
She says we need to talk tomorrow.

00:20:25.120 --> 00:20:27.000
That doesn’t sound good.

00:20:27.580 --> 00:20:28.830
Not at all...

00:20:29.410 --> 00:20:30.580
Calvin!

00:20:30.790 --> 00:20:33.500
All right, I’m gonna sleep now.

00:20:33.660 --> 00:20:35.410
Go ahead, man.

00:20:36.290 --> 00:20:38.870
When I finish the video,
I’ll crash on the sofa.

00:20:39.040 --> 00:20:41.500
Nah, sleep here.
I’m sleeping with Ñaña.

00:20:41.660 --> 00:20:43.250
- You sure?
- Totally.

00:20:43.410 --> 00:20:45.040
OK, fine.

00:20:53.370 --> 00:20:54.580
Calvin...

00:21:10.700 --> 00:21:13.580
Hello, Ñañita,
I’ve brought you a glass of water.

00:21:26.080 --> 00:21:29.790
Apart from the fact
that my chest hurts so much,

00:21:29.950 --> 00:21:31.830
I’m all itchy as well.

00:21:32.000 --> 00:21:35.080
Don’t scratch.
Let me give you a massage.

00:21:37.950 --> 00:21:39.040
Oh darling,

00:21:39.200 --> 00:21:42.250
I’m going to get you a job
as a scratcher.

00:21:42.370 --> 00:21:44.200
You’re so good at it!

00:21:44.330 --> 00:21:46.160
Keep calm, Ñañita.

00:21:52.910 --> 00:21:55.200
Have you been drinking?

00:21:55.330 --> 00:21:57.120
A bit, grandma.

00:21:57.250 --> 00:21:59.200
I’m going to give you a tip.

00:21:59.500 --> 00:22:05.910
The next time you go drinking,
have a glass of milk before you go out.

00:22:06.080 --> 00:22:08.790
Then have another one
when you get back.

00:22:08.950 --> 00:22:11.950
That way,
you won’t have such a bad hangover.

00:22:12.120 --> 00:22:13.500
Will do, Ñañita.

00:22:13.660 --> 00:22:16.120
And why are you so gloomy?

00:22:17.540 --> 00:22:19.660
Are you fighting with that girl?

00:22:20.450 --> 00:22:22.580
No, I didn’t even see her today.

00:22:22.790 --> 00:22:24.370
I’m just tired.

00:22:26.160 --> 00:22:30.410
Honey, don’t pay so much attention
to that girl.

00:22:30.580 --> 00:22:34.410
When we women are flattered like that,
we get all proud.

00:22:35.700 --> 00:22:38.200
OK, Ñañita. Let’s go to sleep now.

00:22:38.330 --> 00:22:43.580
Oh! Don’t forget to call your dad,
so he can help us.

00:22:44.080 --> 00:22:47.410
OK, I’ll call him in the morning,
I promise.

00:22:47.580 --> 00:22:50.200
On Tuesday, I’ve got chemotherapy.

00:22:50.580 --> 00:22:54.870
I’m so fed up
and my head itches so much.

00:22:55.450 --> 00:22:57.120
Keep calm, Ñañita.

00:22:57.250 --> 00:22:59.950
Think of Manuk
and everything will be fine.

00:23:01.250 --> 00:23:02.830
Take a deep breath.

00:23:03.700 --> 00:23:05.080
Breathe out.

00:23:06.370 --> 00:23:07.580
In.

00:23:09.200 --> 00:23:10.290
Out...

00:23:24.620 --> 00:23:30.370
... we’ll explain the system
for the upcoming elections.

00:23:30.540 --> 00:23:33.580
The simulation
was a resounding success...

00:23:33.790 --> 00:23:37.620
I noticed the simulation
used the actual candidates' names.

00:23:37.830 --> 00:23:44.790
So the results
are pretty much accurate...

00:23:57.830 --> 00:23:59.200
Hello?

00:23:59.790 --> 00:24:01.370
Hi, how are you?

00:24:02.000 --> 00:24:03.250
No, no, I was awake.

00:24:03.410 --> 00:24:06.660
I was going through some documents.

00:24:06.870 --> 00:24:09.000
And you? How are you, son?

00:24:11.370 --> 00:24:14.450
Sure, you can come. See you soon.

00:24:15.080 --> 00:24:16.500
All right!

00:24:16.660 --> 00:24:17.790
All right.

00:24:39.870 --> 00:24:47.250
Which is the city
that has guaranteed Álvaro Uribe?

00:24:51.620 --> 00:24:53.580
This access...

00:24:53.790 --> 00:24:59.370
is not a renunciation
of Colombia's sovereignty.

00:24:59.540 --> 00:25:03.330
We’re very worried...

00:25:03.500 --> 00:25:05.500
that these terrorist groups

00:25:05.660 --> 00:25:09.410
may hide in territories
outside Colombia.

00:25:09.580 --> 00:25:12.660
You are very kind.

00:25:13.660 --> 00:25:18.500
In your prayers, ask the Lord
to make sure we don’t fail Colombia.

00:25:19.500 --> 00:25:23.080
It’s all true, Colombia is passion.

00:25:23.620 --> 00:25:26.160
Let's protect free enterprise.

00:26:25.200 --> 00:26:28.660
Let me sing to you...

00:26:28.870 --> 00:26:31.410
too!

00:26:31.910 --> 00:26:38.200
Let me sing to you, too!

00:27:41.660 --> 00:27:44.080
- Hi, son! How are things?
- Hi, Dad.

00:27:44.250 --> 00:27:46.000
- Sorry, I was dressing.
- My friend...

00:27:46.160 --> 00:27:48.540
I’m Gustav Rois.
Come on in.

00:27:49.410 --> 00:27:51.950
- How have you been doing?
- Fine.

00:27:58.290 --> 00:27:59.290
Please, come in.

00:27:59.330 --> 00:28:00.870
I’ll be right with you.

00:28:01.040 --> 00:28:03.080
Make yourselves at home.
Go on in.

00:28:12.790 --> 00:28:13.950
So...

00:28:15.830 --> 00:28:17.040
How are we doing?

00:28:17.200 --> 00:28:18.870
Fine, Dad. And you?

00:28:19.040 --> 00:28:22.250
You know, the grind.
What are you up to now?

00:28:22.370 --> 00:28:24.620
The same as always, painting...

00:28:26.200 --> 00:28:29.870
Calvin. I’ve told you
I don’t like you being out in the street

00:28:30.040 --> 00:28:31.620
painting, messing around.

00:28:32.620 --> 00:28:33.950
Right, Dad...

00:28:34.120 --> 00:28:39.040
I need to ask you
if you can deposit some money for Mom

00:28:39.200 --> 00:28:42.410
and maybe help me in some way.

00:28:42.580 --> 00:28:45.500
Sure, tell her I’ll make a deposit
by tomorrow, OK?

00:28:45.660 --> 00:28:48.370
You know I always help out,

00:28:48.870 --> 00:28:51.580
whenever I can.

00:28:52.370 --> 00:28:54.200
And tell me, how’s Mrs. Norma?

00:28:54.330 --> 00:28:55.910
Fine, Ñaña’s fine.

00:28:56.080 --> 00:28:59.700
On Tuesday,
she has her last chemotherapy session,

00:29:01.120 --> 00:29:04.660
but she still itches a lot
and still has a mean cough.

00:29:05.540 --> 00:29:07.790
I see. Has she lost her hair?

00:29:07.950 --> 00:29:10.950
Dad, yeah, a while ago.
It’s growing back now.

00:29:11.120 --> 00:29:12.950
Give her my regards, anyway.

00:29:13.120 --> 00:29:14.120
I will.

00:29:14.410 --> 00:29:16.910
So, are you going to help me?

00:29:19.160 --> 00:29:21.950
Things are tough, you know.
Complicated.

00:29:22.120 --> 00:29:24.040
The courts are very slow.

00:29:24.200 --> 00:29:26.540
They don’t issue the certificates
on time.

00:29:26.910 --> 00:29:30.370
The entire justice system
is just slow in Colombia.

00:29:31.450 --> 00:29:33.000
However,

00:29:35.000 --> 00:29:37.580
let’s go downtown
and see what I can do.

00:29:38.500 --> 00:29:39.330
OK?

00:29:39.500 --> 00:29:40.580
Yes, sir.

00:29:41.250 --> 00:29:44.160
And what about you?
Are you at university as well?

00:29:44.290 --> 00:29:46.250
No, I’m a skater.

00:29:47.000 --> 00:29:49.700
"Staycer"?
What is the meaning of "staycer"?

00:29:49.910 --> 00:29:52.580
Jeez, Dad! We better get going.

00:29:52.790 --> 00:29:54.040
Just a moment, man.

00:29:55.830 --> 00:29:58.250
Staycer, do you know

00:29:58.620 --> 00:30:01.870
what the cherry said
when she saw herself in the mirror?

00:30:03.160 --> 00:30:05.910
“Will I be cheery,
or will I not be cheery?”

00:30:08.660 --> 00:30:10.540
Dad, we have to go now!

00:30:20.580 --> 00:30:24.620
Hey! They’re playing my version
of the Borincan Lament on the radio!

00:30:24.830 --> 00:30:26.290
- Really?
- Yeah!

00:30:26.450 --> 00:30:28.500
Hey! Turn up the volume, crank it.

00:30:29.870 --> 00:30:32.910
A bit more, man!
There’s so much noise we can’t hear!

00:30:33.620 --> 00:30:35.410
Sir, it won't go louder.
Sorry.

00:30:35.580 --> 00:30:37.120
It’s loud enough, Dad.

00:30:37.250 --> 00:30:38.250
Nah, man!

00:30:38.370 --> 00:30:39.700
Dad, you’ll make us crash.

00:30:40.410 --> 00:30:44.290
Fine. But turn it up anyway.
Make it sound better, man!

00:30:44.450 --> 00:30:46.000
Yes, sir.

00:30:46.160 --> 00:30:48.450
Ah! Listen to that! Beautiful, eh?

00:30:48.620 --> 00:30:52.040
It’s one of the best takes
on the Borincan Lament.

00:30:52.200 --> 00:30:55.120
They only play classics
of popular music on that station.

00:30:55.250 --> 00:30:56.540
Gorgeous!

00:31:04.450 --> 00:31:06.500
Good, it sounds really great.

00:31:32.160 --> 00:31:34.040
Hi, Vanessa. How have you been?

00:31:34.200 --> 00:31:35.200
Hello, sir.

00:31:35.290 --> 00:31:36.790
Everything OK?

00:31:36.950 --> 00:31:38.250
- Fine.
- Good...

00:31:38.410 --> 00:31:40.540
- As beautiful as ever.
- Thank you.

00:31:40.700 --> 00:31:42.290
Vanessa, I have an emergency.

00:31:42.450 --> 00:31:44.620
Could you lend me 100
until tomorrow?

00:31:44.830 --> 00:31:46.450
No, sir, I can’t.

00:31:47.370 --> 00:31:50.200
I have to settle my tabs
with the manager today.

00:31:50.330 --> 00:31:54.540
Come on! I always pay up.
You know I always pay up.

00:31:54.700 --> 00:31:58.620
Actually, there’s still
a little something outstanding.

00:32:00.000 --> 00:32:00.620
OK then.

00:32:00.830 --> 00:32:04.700
Give me two sodas anyway, for the kids.
I’ll pay you later, OK?

00:32:04.910 --> 00:32:06.620
Sure, I’ll send them over.

00:32:06.830 --> 00:32:07.910
Come on.

00:32:10.330 --> 00:32:11.410
Colleagues!

00:32:12.040 --> 00:32:12.660
Hello, Gustavo.

00:32:12.870 --> 00:32:15.370
Jorge, how are you?
Heraclio, how've you been?

00:32:15.540 --> 00:32:16.790
Wilfredo, how’s things?

00:32:16.950 --> 00:32:17.950
Paul...

00:32:18.120 --> 00:32:19.540
My son and a friend.

00:32:19.700 --> 00:32:21.660
Hello, pleased to meet you.

00:32:21.870 --> 00:32:24.790
- What's new, man?
- Thank God you’re here.

00:32:25.330 --> 00:32:27.370
This jackass is defending Albarracín.

00:32:27.540 --> 00:32:29.620
Don’t start.
I told you about him.

00:32:29.830 --> 00:32:32.250
Albarracín?
Give me a break, Wilfredo...

00:32:32.410 --> 00:32:34.000
The guy is just great.

00:32:34.160 --> 00:32:35.870
He’s under forty,

00:32:36.040 --> 00:32:38.580
he's been Health Secretary
and City Councilor.

00:32:38.790 --> 00:32:41.950
He’s got two degrees.
He’s an engineer and a doctor.

00:32:42.120 --> 00:32:46.000
Excellent for the Health Department
and the city’s infrastructure.

00:32:46.160 --> 00:32:48.410
There simply isn’t another candidate.

00:32:48.580 --> 00:32:52.120
The sad thing is that in the end,
no matter who wins,

00:32:52.250 --> 00:32:54.290
they’ve both got
bosses behind them.

00:32:54.450 --> 00:32:56.540
Medina will have to increase
bureaucracy,

00:32:56.700 --> 00:32:59.200
and lots of it because he’s got to pay.

00:32:59.330 --> 00:33:02.830
And Albarracín
has a boss that we already know,

00:33:03.000 --> 00:33:04.500
not to mention the contractors

00:33:04.660 --> 00:33:06.870
who get deals with the city.

00:33:07.040 --> 00:33:08.250
That’s why they sponsor him.

00:33:08.410 --> 00:33:14.120
Society is tired
of those supposedly genius candidates

00:33:14.250 --> 00:33:20.580
who suddenly want political power
but have no experience,

00:33:20.790 --> 00:33:24.080
unlike the great politicians of the past

00:33:24.250 --> 00:33:29.120
who built up their resumes
through a long struggle.

00:33:29.250 --> 00:33:32.540
You shouldn’t forget
that Senator Álvarez,

00:33:32.700 --> 00:33:37.040
who’s in prison for his links

00:33:37.200 --> 00:33:39.450
with the paramilitary, backs Albarracín.

00:33:39.620 --> 00:33:42.080
It’s all hearsay, slander.

00:33:42.620 --> 00:33:44.200
It’s all well known.

00:33:44.330 --> 00:33:48.120
But almost everyone in Congress
is tainted.

00:33:48.250 --> 00:33:51.040
Wilfredo, there will be a solution
to the conflict,

00:33:51.200 --> 00:33:54.580
and in the post conflict
we’ll need...

00:33:55.580 --> 00:33:57.000
leaders

00:33:58.040 --> 00:34:00.620
who aren’t tainted by the drug trade.

00:34:00.830 --> 00:34:04.330
It’s precisely drug trafficking
that’s fueled this war.

00:34:04.500 --> 00:34:08.000
No, Gustavo, you’re wrong.
I’ve got to refute your argument.

00:34:08.160 --> 00:34:09.290
Where are those candidates?

00:34:09.450 --> 00:34:12.410
We can’t support candidates

00:34:12.580 --> 00:34:14.700
who foster autocracy,

00:34:14.910 --> 00:34:16.950
who promote fascism.

00:34:17.120 --> 00:34:23.160
Because it’s democracy
that has to prevail in this country.

00:34:23.290 --> 00:34:27.660
When the time comes and the masses
take part in the democratic process,

00:34:28.200 --> 00:34:32.250
as Marx said,
“Everything with the masses,

00:34:32.410 --> 00:34:35.410
everything for the masses
and no adventures.”

00:34:35.580 --> 00:34:38.450
That day,
there’ll be democracy in this country

00:34:38.620 --> 00:34:40.330
and we can all move forward...

00:34:57.330 --> 00:35:00.540
SCHOOL OF FINE ARTS

00:35:33.620 --> 00:35:34.450
The body

00:35:34.620 --> 00:35:36.200
and movement...

00:35:37.410 --> 00:35:40.120
If we’re going to trap movement

00:35:41.000 --> 00:35:44.370
and express it in our work,

00:35:44.870 --> 00:35:48.790
we need to look at movement,

00:35:49.910 --> 00:35:52.160
but also know how to see it.

00:35:54.700 --> 00:35:59.620
To do so, we also have
our capacity for abstraction.

00:36:00.410 --> 00:36:01.410
The eyes see,

00:36:02.080 --> 00:36:03.580
the hand does...

00:36:04.950 --> 00:36:06.790
- What’s up?
- Not much.

00:36:06.950 --> 00:36:09.000
You didn’t come to class, did you?

00:36:09.160 --> 00:36:11.040
No, I couldn’t make it.

00:36:12.450 --> 00:36:14.410
What happened yesterday?
You didn’t come.

00:36:14.580 --> 00:36:17.250
Nothing. In fact,
I wanted to talk about that...

00:36:17.410 --> 00:36:18.410
I'm listening.

00:36:18.450 --> 00:36:19.450
Look...

00:36:20.080 --> 00:36:23.160
I'm sorry if you feel left out.

00:36:23.290 --> 00:36:26.870
You keep calling, sending messages...

00:36:27.450 --> 00:36:29.160
Is that wrong?

00:36:29.290 --> 00:36:33.290
I only called yesterday
because we agreed to meet at Jovita’s.

00:36:33.830 --> 00:36:35.250
Right, but...

00:36:35.370 --> 00:36:39.000
I told you that this semester
I was going to be very busy.

00:36:39.160 --> 00:36:40.330
And I am.

00:36:41.000 --> 00:36:42.120
Of course.

00:36:45.160 --> 00:36:46.620
But don’t take it like that!

00:36:46.830 --> 00:36:48.500
Like what? I’m OK.

00:36:50.120 --> 00:36:53.500
I like spending time together,
sharing things.

00:36:53.660 --> 00:36:55.830
But sometimes
I just don’t have time.

00:36:56.000 --> 00:36:57.000
OK.

00:36:58.250 --> 00:37:00.080
Well, anyway, I’ve got to go.

00:37:00.250 --> 00:37:01.040
You’re leaving?

00:37:01.200 --> 00:37:04.040
Yes, there's the graffiti meeting
I mentioned.

00:37:04.200 --> 00:37:07.160
Oh, cool! Can I come with you?

00:37:07.290 --> 00:37:09.250
Dunno, it’s starting now.

00:37:09.410 --> 00:37:12.120
I can come later. Where is it?

00:37:12.250 --> 00:37:14.040
Where the labs were.

00:37:14.370 --> 00:37:17.250
Are you going to paint
with the graffiti artists?

00:37:17.370 --> 00:37:19.290
Well, that’s what Ras and I want.

00:37:20.250 --> 00:37:22.290
But we’ll see what they say.

00:37:22.910 --> 00:37:25.620
That’s awesome. Can I really go?

00:37:25.830 --> 00:37:27.450
Well, if you want to...

00:37:27.620 --> 00:37:28.870
I’ll see you later.

00:37:29.040 --> 00:37:32.040
What do you need?
To learn how to see.

00:37:32.200 --> 00:37:35.830
Again... knowing how to see.

00:37:37.660 --> 00:37:39.160
Listen now!

00:37:39.290 --> 00:37:40.660
The blow...

00:37:41.660 --> 00:37:44.000
Don’t get distracted...

00:37:45.830 --> 00:37:47.040
And here we have...

00:37:47.950 --> 00:37:50.250
another miracle of movement:

00:37:50.370 --> 00:37:52.870
the appearance of Mr. Calvin!

00:37:54.450 --> 00:37:58.080
Indeed a miraculous movement
in this class.

00:37:59.620 --> 00:38:03.200
I think "Underwater Revolt"
should be a sort of blank canvas

00:38:03.330 --> 00:38:06.250
for each of us
to really show what we’re about.

00:38:06.410 --> 00:38:12.450
It would also be great, for example,
at the side of the new base,

00:38:12.620 --> 00:38:16.120
it could be a sort of clash
of two currents. Right?

00:38:16.250 --> 00:38:18.200
So, we know this is...

00:38:20.160 --> 00:38:23.120
the bridge wall, the lower part.

00:38:24.580 --> 00:38:29.160
How many writers do we have?
Three, all right.

00:38:30.870 --> 00:38:35.160
So, the usual. Let's split it, OK?

00:38:35.540 --> 00:38:37.700
And here, street art, no?

00:38:38.660 --> 00:38:41.040
Since we’re here, I’d like to propose,

00:38:41.200 --> 00:38:46.410
that we commit ourselves to...
more than covering the wall with tags,

00:38:46.580 --> 00:38:50.410
but make the most of it,
not just scattered pieces,

00:38:51.200 --> 00:38:53.830
but rather go together
for something bigger,

00:38:54.000 --> 00:38:55.290
a truly collective piece.

00:38:55.910 --> 00:38:58.580
Why not explore beyond typography,

00:38:58.790 --> 00:39:01.330
add a bit more illustration to it?

00:39:01.500 --> 00:39:02.540
What do you say?

00:39:03.120 --> 00:39:04.250
I don’t think so, really.

00:39:04.410 --> 00:39:09.250
What you’re saying goes against
what life on the street is like.

00:39:09.410 --> 00:39:13.080
The street’s not just going along
and painting cartoons,

00:39:13.250 --> 00:39:15.620
but rather typography and graffiti.

00:39:15.830 --> 00:39:16.910
That’s what it’s all about.

00:39:17.410 --> 00:39:21.370
I thought of using typography
under the water,

00:39:21.540 --> 00:39:24.450
and behind there is a flooded city.

00:39:24.620 --> 00:39:28.830
With some plants, rocks and fishes...

00:39:29.160 --> 00:39:31.580
around the piece.

00:39:32.910 --> 00:39:35.200
Well... that’s my idea.

00:39:36.290 --> 00:39:41.250
Well, that’s what we’re here for.
So, how is it going to be?

00:39:42.000 --> 00:39:43.660
Guys, I want to say something.

00:39:43.870 --> 00:39:46.790
I consider myself
an anarchist soldier of Zion

00:39:46.950 --> 00:39:48.790
and we’re fighting against Babylon,

00:39:48.950 --> 00:39:51.540
and Babylon
is making our egos clash.

00:39:51.700 --> 00:39:54.450
We’re street people, street culture.

00:39:54.620 --> 00:39:58.410
Very important things are happening
with resistance in Latin America,

00:39:58.580 --> 00:40:01.540
in Egypt, in Chiapas,
in the Lacandona jungle,

00:40:01.700 --> 00:40:04.830
even here in Colombia.
Cali can’t be the exception.

00:40:05.000 --> 00:40:06.000
We’re street culture.

00:40:06.120 --> 00:40:10.500
We have power in colors,
in aerosols, vinyl, rollers.

00:40:10.950 --> 00:40:14.000
You’ve been selflessly doing this
for years:

00:40:14.160 --> 00:40:18.410
public art and culture for everyone,
for the whole galaxy.

00:40:18.580 --> 00:40:22.410
Let’s not argue. What are we?
What is it we’re going to do?

00:40:22.580 --> 00:40:24.000
Against Babylon, brothers!

00:40:27.370 --> 00:40:30.540
Getting back to Pulpa’s idea,
I thought about

00:40:31.160 --> 00:40:32.160
the two currents,

00:40:32.250 --> 00:40:35.370
because this will also show
in the chromatic part.

00:40:35.540 --> 00:40:38.330
The characters
could be sort of mutants.

00:40:38.500 --> 00:40:43.000
Because they’d be a sort of hybrid
between contamination and nature.

00:40:43.580 --> 00:40:45.580
I’d thought of something
like typography as well,

00:40:45.790 --> 00:40:47.410
a sort of quick piece style.

00:40:47.580 --> 00:40:51.040
A bit more than typography,
not so elaborate,

00:40:51.200 --> 00:40:55.910
but with that turtle skin texture.

00:40:57.120 --> 00:41:02.870
Guys, allow me to introduce
two soldiers,

00:41:03.040 --> 00:41:04.580
Calvin and Ras.

00:41:04.790 --> 00:41:07.870
They have been painting on their own
for a while.

00:41:08.040 --> 00:41:13.870
I want you to welcome them
and, hopefully,

00:41:14.040 --> 00:41:18.200
they can collaborate
on this project.

00:41:20.290 --> 00:41:23.040
First of all,
thanks for letting us join you.

00:41:23.200 --> 00:41:26.200
What we had in mind

00:41:26.660 --> 00:41:29.200
was very much like what you’re planning,

00:41:29.330 --> 00:41:32.290
so it’s easy for us
to adapt to the idea.

00:41:32.660 --> 00:41:38.660
Originally, what we wanted to paint
was about the Arab Spring.

00:41:39.660 --> 00:41:42.080
But after hearing
what you were saying

00:41:42.250 --> 00:41:43.910
about the mutant beings and all,

00:41:44.080 --> 00:41:46.700
I think we could blend in.
Don’t you, Ras?

00:41:47.080 --> 00:41:52.200
Well, we’d also thought
of adding a phrase,

00:41:52.330 --> 00:41:56.910
to support calligraphy
and to stop arguments.

00:41:57.080 --> 00:42:02.410
To bring the ideas
of drawing and typography

00:42:02.580 --> 00:42:07.250
into one single thing,
we’re thinking of using the phrase,

00:42:07.370 --> 00:42:10.660
“We’ll never keep silent again.”
That’s all.

00:42:13.250 --> 00:42:14.580
Cool! I like it.

00:42:16.370 --> 00:42:18.500
The concept is great.

00:42:22.450 --> 00:42:26.040
Hey, what’s the deal
with that wall you’re painting?

00:42:26.200 --> 00:42:28.870
We’ll have to do a lot of preparation
it’s so big.

00:42:29.040 --> 00:42:30.950
Draw lots of sketches.

00:42:31.580 --> 00:42:32.910
Can I help you?

00:42:33.080 --> 00:42:35.700
Of course, no problem!
Just tell me when.

00:42:35.910 --> 00:42:37.410
Why don’t you tell me?

00:42:39.950 --> 00:42:43.160
We can go to your place right now
and do some sketching.

00:42:43.910 --> 00:42:45.160
Yeah, right.

00:42:45.540 --> 00:42:48.250
Hey, pass it on.
It’s not a microphone.

00:42:52.450 --> 00:42:54.580
Ras, why are you so serious?

00:42:55.660 --> 00:42:57.870
It’s just that I’ve got to go.

00:42:58.040 --> 00:43:00.500
Why, dude? Stay a bit longer.

00:43:00.910 --> 00:43:04.160
No, I can’t. You know I can’t.

00:43:05.950 --> 00:43:09.160
I’ve been away from home
for two days. I have to go.

00:43:14.160 --> 00:43:15.830
Ras, stay and let’s hang out.

00:43:16.000 --> 00:43:17.500
Yeah, just a little while.

00:43:17.660 --> 00:43:19.620
No, bro. I’m out.

00:43:21.620 --> 00:43:22.700
Keep in touch.

00:43:22.910 --> 00:43:24.540
OK. Take care.

00:43:59.290 --> 00:44:01.290
Today, my people, we recall

00:44:01.450 --> 00:44:06.700
what it was like in my land
in the old days

00:44:07.290 --> 00:44:13.910
It was a productive place,
and we did not lack a thing

00:44:14.410 --> 00:44:21.790
Because people fished with baskets

00:44:21.950 --> 00:44:28.200
And with hooks, with their nets...

00:44:28.330 --> 00:44:29.700
Because plantains there...

00:44:29.910 --> 00:44:31.040
Grow!

00:44:31.200 --> 00:44:32.250
And bananas...

00:44:32.410 --> 00:44:33.450
Grow!

00:44:33.620 --> 00:44:34.620
Potatoes...

00:44:34.830 --> 00:44:36.000
Also grow...

00:44:36.160 --> 00:44:37.200
Shrimps...

00:44:37.330 --> 00:44:38.790
Can also be caught

00:44:38.950 --> 00:44:40.950
Everything grows...

00:44:41.120 --> 00:44:42.910
Everything grows...

00:44:47.500 --> 00:44:52.790
Back where we grew up,
we didn’t lack a thing

00:44:52.950 --> 00:44:59.250
Those who had the least
had their own garden...

00:45:01.120 --> 00:45:07.000
Our elders had
their own way of running things,

00:45:07.160 --> 00:45:08.790
And even when there were disputes

00:45:08.950 --> 00:45:13.450
there was never a place
for revenge...

00:45:13.620 --> 00:45:16.250
They drove me from my land

00:45:16.370 --> 00:45:19.120
They drove me from my land

00:45:19.250 --> 00:45:21.660
Because of the goddamned violence

00:45:21.870 --> 00:45:23.910
Because of the goddamned violence

00:45:24.080 --> 00:45:26.370
To experience other cultures

00:45:26.540 --> 00:45:29.000
To experience other cultures

00:45:29.160 --> 00:45:31.410
Cultures that I don’t know

00:45:31.580 --> 00:45:33.790
Cultures that I don’t know

00:45:33.950 --> 00:45:36.120
Leaving all my people behind

00:45:36.250 --> 00:45:38.250
Leaving all my people

00:45:38.410 --> 00:45:40.540
In the beautiful land

00:45:40.700 --> 00:45:42.950
In the beautiful land

00:45:43.120 --> 00:45:45.250
In that magnificent land

00:45:45.370 --> 00:45:47.580
In that magnificent land

00:45:47.790 --> 00:45:49.910
That the Creator gave us

00:45:50.080 --> 00:45:52.250
That the Creator gave us

00:45:52.410 --> 00:45:54.540
Leaving behind my people

00:45:54.700 --> 00:45:56.950
Leaving behind my people

00:45:57.120 --> 00:45:59.160
In this beautiful land

00:45:59.290 --> 00:46:01.500
In this beautiful land

00:46:01.660 --> 00:46:03.830
That the Creator gave us

00:46:04.000 --> 00:46:06.200
That the Creator gave us

00:46:06.330 --> 00:46:08.620
That the Creator gave us

00:46:24.660 --> 00:46:27.120
Sister, we must go.
See you tomorrow.

00:46:27.250 --> 00:46:29.290
See you tomorrow, sister.

00:46:59.250 --> 00:47:04.700
Our Father which art in Heaven,
hallowed be Thy name.

00:47:04.910 --> 00:47:10.120
Thy kingdom come, Thy will be done,
on Earth as it is in Heaven...

00:47:11.950 --> 00:47:13.830
I set you free,

00:47:15.540 --> 00:47:17.870
in the name of the Father,

00:47:18.450 --> 00:47:20.250
the Son

00:47:20.830 --> 00:47:23.120
and the Holy Spirit.

00:47:26.410 --> 00:47:28.870
Deliver you from evil.

00:47:29.410 --> 00:47:31.290
Let good enter,

00:47:32.160 --> 00:47:35.950
as Jesus entered
the house of Jerusalem...

00:47:39.910 --> 00:47:41.830
Deliver you from evil.

00:47:42.410 --> 00:47:44.200
Let good enter,

00:47:44.660 --> 00:47:49.290
as Jesus entered the house of Jerusalem...

00:48:39.290 --> 00:48:42.790
ALBARRACÍN, A REAL FORCE

00:48:48.700 --> 00:48:51.660
- Go on, sing!
- Naw...

00:49:14.040 --> 00:49:15.950
Dominique!

00:49:16.120 --> 00:49:19.160
Girls! Dominique’s here!

00:49:20.950 --> 00:49:21.950
Yay, party!

00:50:03.620 --> 00:50:06.290
The drunkest one!

00:50:09.160 --> 00:50:10.950
Leyton!
Just a quick look...

00:50:13.450 --> 00:50:15.700
Juli, a smile... That’s it!

00:50:15.910 --> 00:50:18.000
The locomotion...

00:50:18.160 --> 00:50:21.250
That’s it, the sexiest face...
Gimme your sexiest face.

00:50:22.580 --> 00:50:23.790
Where's the drunk one?

00:50:23.950 --> 00:50:25.290
Fuck off.

00:50:27.910 --> 00:50:30.540
There! Bust a move, Leyton!

00:50:46.160 --> 00:50:48.450
Put it in, honey! Put it in!

00:50:48.620 --> 00:50:50.250
Put it in, honey!

00:52:57.200 --> 00:52:58.250
Wait, wait.

00:52:58.370 --> 00:52:59.370
What’s wrong?

00:52:59.450 --> 00:53:01.330
Wait, don’t put it inside...

00:53:45.000 --> 00:53:46.660
Oh! That’s great!

00:53:57.410 --> 00:54:00.120
I think you’ll have to finish
on your own.

00:54:00.250 --> 00:54:01.910
I’m too drunk.

00:54:49.160 --> 00:54:50.830
Jovan Alexis.

00:54:51.000 --> 00:54:53.160
Get dressed.
We’ve got company.

00:54:53.290 --> 00:54:54.040
Company?

00:54:54.200 --> 00:54:55.700
Please.

00:54:59.540 --> 00:55:02.500
Put your life
in the hands of the Lord,

00:55:02.660 --> 00:55:06.870
trust Him
and He’ll come to help you.

00:55:07.040 --> 00:55:09.790
He will make your righteousness
and fairness shine,

00:55:09.950 --> 00:55:12.200
as the sun shines at noon.

00:55:12.330 --> 00:55:14.870
Be quiet before the Lord.

00:55:15.040 --> 00:55:19.410
Wait patiently for Him to help you.

00:55:20.040 --> 00:55:23.290
Jovan,
why do you say you don’t like it?

00:55:23.450 --> 00:55:25.250
Have you actually been there?

00:55:25.580 --> 00:55:30.540
Look, to go and congregate in our church
brings you enormous blessings.

00:55:30.700 --> 00:55:33.040
Because you can scrutinize
His Word,

00:55:33.200 --> 00:55:36.950
because you’ll get to know a God
who is alive,

00:55:37.120 --> 00:55:39.660
full of love and kindness.

00:55:39.870 --> 00:55:43.660
Listen, God says in His Word
that he has the best plans for us,

00:55:43.870 --> 00:55:46.120
projects for us to prosper,
not to harm us.

00:55:46.250 --> 00:55:48.250
He wants to give us hope
for our future.

00:55:48.410 --> 00:55:50.250
For your future, Jovan.

00:55:50.370 --> 00:55:52.540
Come join us at the church.

00:55:52.700 --> 00:55:55.580
We might even take the opportunity

00:55:55.790 --> 00:55:58.000
the day after tomorrow

00:55:58.160 --> 00:56:03.120
when mayoral candidate Mr. Albarracín
will be visiting us -

00:56:03.250 --> 00:56:07.580
to introduce you,
so he can recommend you for a good job.

00:56:07.790 --> 00:56:09.370
God has plans for you.

00:56:09.540 --> 00:56:11.870
He says in Jeremiah 29:11,

00:56:12.290 --> 00:56:13.950
“For I know the plans
I have for you,

00:56:14.120 --> 00:56:17.370
plans to make you prosper
and not to harm you,

00:56:17.540 --> 00:56:20.370
plans to give you hope for a future.”
That’s His plan.

00:56:20.540 --> 00:56:23.080
You mustn’t lose hope.

00:56:25.250 --> 00:56:26.620
Jovan?

00:56:26.830 --> 00:56:28.120
Jovan Alexis.

00:56:29.080 --> 00:56:30.250
Jovan!

00:56:32.000 --> 00:56:35.830
Son, are you going to the meeting
with the candidate?

00:56:36.370 --> 00:56:39.120
Son, are you going to the meeting?

00:56:40.450 --> 00:56:42.370
I have to go now.

00:56:46.250 --> 00:56:47.290
Are you going or not?

00:56:48.160 --> 00:56:50.830
I don’t know, Mom.
I’ll think about it.

00:57:55.410 --> 00:57:56.450
What’s up, Erle?

00:57:56.620 --> 00:57:58.700
Hey, man. How you doing?

00:58:00.250 --> 00:58:01.120
What’s up, boys?

00:58:01.250 --> 00:58:03.040
- Hey, man.
- Everything OK?

00:58:03.200 --> 00:58:05.830
- Ras. How are you?
- Taking it easy, man

00:58:06.000 --> 00:58:07.000
So?

00:58:07.120 --> 00:58:08.910
Nice! Background's almost finished?

00:58:09.080 --> 00:58:10.500
Yup! We’re almost there.

00:58:10.660 --> 00:58:13.200
Well, gents, this is the idea...

00:58:13.500 --> 00:58:16.080
Fuzil and me
do the marine animals, right?

00:58:16.250 --> 00:58:18.200
So, from over there to here,

00:58:18.330 --> 00:58:20.500
we’ll do a jaguar-cachalot.

00:58:20.870 --> 00:58:24.870
Then we’ll paint a nautilus,
and then a submarine,

00:58:25.040 --> 00:58:27.910
and Fuzil's gonna do a seahorse
with a mask, right?

00:58:28.450 --> 00:58:31.700
So you could use this space
over here. Is that cool?

00:59:16.120 --> 00:59:17.160
Hello, Cali-Calentura!

00:59:17.290 --> 00:59:20.540
Live from Thousand Days Bridge,
Zudaca Experimental Radio,

00:59:20.700 --> 00:59:22.450
street-wise and alternative.

00:59:22.620 --> 00:59:26.950
Broadcasting chromatic fury,
aerosol against the Babylon system.

00:59:27.120 --> 00:59:29.000
This is Cali’s true heat...

00:59:29.160 --> 00:59:31.910
Underwater Revolt,
smack in the middle of Cali-Calentura.

00:59:32.080 --> 00:59:35.700
Linking free radio stations
all over the global village.

00:59:35.910 --> 00:59:39.250
The Underwater Revolt,
here on Cali-Calentura!

01:00:35.700 --> 01:00:37.370
- Hey, man.
- What’s up?

01:00:37.540 --> 01:00:38.700
- How's it going?
- Fine.

01:00:38.910 --> 01:00:41.540
- Little interview for Zudaca Radio?
- Sure.

01:00:41.700 --> 01:00:44.790
- What neighborhood are you from?
- Ulpiano Lloreda.

01:00:44.950 --> 01:00:46.410
- What’s your name?
- Daniel.

01:00:46.580 --> 01:00:48.250
Daniel, I see you like hip-hop.

01:00:48.370 --> 01:00:50.700
Of course, it’s my life, my passion.

01:00:50.910 --> 01:00:53.250
What do you think
of the 4th element of hip-hop: graffiti?

01:00:53.410 --> 01:00:55.700
The mural
these guys are working on...

01:00:55.910 --> 01:00:57.200
I think it’s awesome.

01:00:57.330 --> 01:01:02.580
It reflects the way humanity
destroys nature,

01:01:02.790 --> 01:01:04.830
throwing garbage into the water.

01:01:05.000 --> 01:01:06.700
Hence the name:
Underwater Revolt.

01:01:06.910 --> 01:01:09.410
Street level art.
Street fighting, you know?

01:01:09.580 --> 01:01:11.160
- Against Babylon.
- Right...

01:01:11.290 --> 01:01:14.450
You know Babylon is killing us.

01:02:26.410 --> 01:02:31.080
We continue here with great music,
experimental Street Radio Zudaca.

01:02:31.250 --> 01:02:34.040
We’ve just received a message
from Saturn.

01:02:34.200 --> 01:02:35.290
Saturn graffiti heads

01:02:35.450 --> 01:02:37.500
would like to say hi
to the artists in Cali.

01:02:37.660 --> 01:02:39.540
The representatives of street art.

01:02:39.700 --> 01:02:41.700
The Underwater Revolt is a hit!

01:02:41.910 --> 01:02:43.580
They’re following us
on other planets.

01:02:43.790 --> 01:02:47.040
Radio Zudaca continues to broadcast
to the entire galaxy.

01:02:47.200 --> 01:02:50.250
One more day of freedom
in the face of Babylon,

01:02:50.370 --> 01:02:52.500
an unjust and corrupt system.

01:02:52.660 --> 01:02:56.200
Street art, aerosol,
an example of strength in unity,

01:02:56.330 --> 01:02:58.620
in diversity and difference.

01:02:58.830 --> 01:03:01.450
This is experimental
Street Radio Zudaca.

01:03:01.620 --> 01:03:03.080
Greetings, Saturn!

01:03:03.250 --> 01:03:06.330
Good vibes! We continue
our interplanetary conspiracy.

01:03:06.500 --> 01:03:09.250
Free radio stations...

01:03:16.580 --> 01:03:18.160
Good evening, gentlemen.

01:03:19.160 --> 01:03:20.200
Good evening.

01:03:20.330 --> 01:03:21.370
Good evening.

01:03:21.540 --> 01:03:24.950
Do you have a permit to do this?

01:03:25.450 --> 01:03:28.120
No, sir.
We don’t have any permission.

01:03:28.250 --> 01:03:31.330
That’s too bad
because this belongs to the city.

01:03:31.700 --> 01:03:36.290
Yes, but,
we usually paint this wall

01:03:36.950 --> 01:03:40.330
and try to leave the space
with some art for the community.

01:03:41.040 --> 01:03:42.290
Art?

01:03:43.200 --> 01:03:45.040
I don’t know, man...

01:03:46.120 --> 01:03:46.790
Start packing up.

01:03:46.950 --> 01:03:50.790
We’ll be back in an hour,
and I don’t want anyone here.

01:03:51.120 --> 01:03:52.370
So start packing up!

01:03:53.160 --> 01:03:54.450
Yes, sir.

01:03:54.830 --> 01:03:55.830
Thank you.

01:04:01.290 --> 01:04:07.000
WE WILL NEVER BE SILENT AGAIN

01:04:51.370 --> 01:04:52.660
What’s going on?

01:04:53.500 --> 01:04:54.500
Fucking pigs!

01:04:57.500 --> 01:04:59.700
Attention!
Alternative media around the world!

01:04:59.910 --> 01:05:03.290
We’re under attack
by forces of the Colombian government.

01:05:03.450 --> 01:05:06.000
Once again, the authoritarian
government assaults us,

01:05:06.160 --> 01:05:08.370
but Radio Zudaca
continues to resist.

01:05:08.540 --> 01:05:11.040
We may lose our gear,
but it doesn’t matter!

01:05:11.370 --> 01:05:12.950
Ras, take the bike!

01:05:13.540 --> 01:05:15.540
We’ll continue to fight forever!

01:05:27.450 --> 01:05:30.250
You idiot!
How could you leave the bike, bro?

01:05:30.410 --> 01:05:33.540
Didn’t you see de cops
coming after me?

01:05:33.700 --> 01:05:35.910
Get your daddy
to buy you another one

01:05:36.080 --> 01:05:37.600
and stop crying
over that heap of junk.

01:05:37.790 --> 01:05:40.290
Who do you think you’re talking to,
asshole?

01:05:40.450 --> 01:05:42.790
Asshole? What do you mean "asshole"?

01:05:42.950 --> 01:05:43.870
You think I’m afraid of you?

01:05:44.040 --> 01:05:45.540
You think I’m afraid of you?

01:05:46.040 --> 01:05:47.790
Show me what you got!

01:06:03.950 --> 01:06:05.450
Hey, honey!

01:06:06.660 --> 01:06:07.500
Hey, darky.

01:06:07.660 --> 01:06:10.830
You look sweet!
Like a Brazilian David Beckham.

01:06:11.000 --> 01:06:12.410
Wow! Cuties!

01:06:12.580 --> 01:06:15.790
Let me be your nurse.
Just look what I have for you.

01:06:15.950 --> 01:06:17.700
They’re so hot, aren't they?

01:06:17.910 --> 01:06:19.160
Oh yeah!

01:06:28.330 --> 01:06:29.870
You OK?

01:06:30.410 --> 01:06:31.830
I guess so.

01:06:33.040 --> 01:06:35.660
I punched you in the mouth
to make you humble.

01:06:36.120 --> 01:06:38.580
Liar.
I had you pinned to the ground.

01:06:39.250 --> 01:06:41.910
What? You’re the liar.
I was just letting you.

01:06:43.410 --> 01:06:45.250
What?

01:06:45.910 --> 01:06:47.200
Cut the crap.

01:06:48.040 --> 01:06:50.160
Man, I’m beat.

01:06:51.040 --> 01:06:53.000
So where do we go now?

01:06:53.540 --> 01:06:55.370
Let’s go to my grandma’s.

01:06:56.700 --> 01:06:58.080
- Where else?
- I guess.

01:06:58.250 --> 01:07:00.290
You know I don’t have any money.

01:07:01.250 --> 01:07:05.080
Well, we’ve got a long fucking way
to walk, bro.

01:07:05.500 --> 01:07:08.660
No worries,
you know I have my skateboard.

01:07:09.250 --> 01:07:12.120
What a dick.
It’s your fault my bike is gone.

01:07:12.250 --> 01:07:15.250
Again, crybaby?
Want another beating, you douche?

01:07:15.410 --> 01:07:18.660
Whatever you want.
I’m ready for anything.

01:07:18.870 --> 01:07:21.330
Just stop whining about it.

01:07:22.080 --> 01:07:24.250
Let’s walk, it’s getting late.

01:07:24.410 --> 01:07:26.410
Wait, do you have a joint?

01:07:26.580 --> 01:07:27.870
Naw, dummy. Nothing.

01:07:28.040 --> 01:07:29.500
Let’s go, then.

01:07:29.660 --> 01:07:30.870
OK.

01:07:32.290 --> 01:07:33.700
What was with those trannies?

01:07:33.910 --> 01:07:36.700
They were hot for you,
weren’t they?

01:07:36.910 --> 01:07:39.580
- You’re kind of gay, right?
- What’s with that?

01:07:39.790 --> 01:07:41.250
You know you are!

01:07:41.950 --> 01:07:45.160
They were all over
their darky piece of ass!

01:07:45.290 --> 01:07:48.040
Admit you’d love to fuck
the one in the middle.

01:08:05.620 --> 01:08:07.290
What happened to you two?

01:08:07.450 --> 01:08:08.450
Nothing, Ñañita...

01:08:08.540 --> 01:08:12.330
We got mugged by some guys,
that’s all.

01:08:12.500 --> 01:08:14.200
What did they take?

01:08:14.330 --> 01:08:20.200
I lost my keys and my bike.

01:08:22.250 --> 01:08:24.620
You're bleeding.

01:08:24.830 --> 01:08:26.700
You think I’m stupid?

01:08:27.620 --> 01:08:29.580
You've been fighting...

01:08:30.290 --> 01:08:32.000
and you’re friends.

01:08:32.160 --> 01:08:33.790
That’s not right.

01:08:33.950 --> 01:08:36.120
It shouldn’t happen.

01:09:05.160 --> 01:09:06.540
Thank you, Ñañita.

01:09:09.250 --> 01:09:11.790
So besides punching each other
in the face,

01:09:11.950 --> 01:09:14.700
what else did you do?
Did you paint?

01:09:14.910 --> 01:09:16.620
Well, we couldn’t finish.

01:09:17.000 --> 01:09:18.200
Why not?

01:09:18.330 --> 01:09:20.000
We had a lot of problems, Ñañita.

01:09:21.000 --> 01:09:23.200
Remember this:

01:09:23.330 --> 01:09:26.120
The early bird catches the worm

01:09:26.870 --> 01:09:30.330
and you’d have more time
to hang around doing nothing.

01:09:30.500 --> 01:09:31.330
I try

01:09:31.500 --> 01:09:34.500
to get up early every day but...

01:09:34.660 --> 01:09:36.790
some things
you can only do at night.

01:09:36.950 --> 01:09:40.370
Remember nighttime is dangerous.

01:09:41.830 --> 01:09:43.120
Yes, grandma.

01:09:43.410 --> 01:09:45.200
You’re asking for it.

01:09:45.330 --> 01:09:49.700
Besides, it’s election time
and they can put you in jail.

01:09:51.830 --> 01:09:53.870
Don’t worry, Ñañita,
we can't escape fate.

01:09:54.040 --> 01:09:55.580
How are you this morning?

01:09:55.790 --> 01:09:57.580
My head itches so much.

01:09:57.790 --> 01:09:59.580
Don’t, you’ll hurt yourself.

01:09:59.790 --> 01:10:02.250
Let me give you a massage instead.

01:10:11.040 --> 01:10:13.120
- Where does it itch, Ñañita?
- There.

01:10:13.250 --> 01:10:14.950
- Here?
- Yes.

01:10:16.910 --> 01:10:17.660
Feel better?

01:10:17.870 --> 01:10:19.580
Yes, much better.

01:10:20.620 --> 01:10:22.580
You’re not from around here,
are you?

01:10:22.790 --> 01:10:25.410
No, I’m from a little town
on the Pacific coast.

01:10:25.580 --> 01:10:26.950
I’ve been here six years

01:10:27.120 --> 01:10:29.540
with my mother
in the Aguablanca District.

01:10:29.700 --> 01:10:31.370
Really? What part of it?

01:10:31.540 --> 01:10:32.580
Mojica neighborhood.

01:10:33.540 --> 01:10:36.910
Mojica? I used to teach there,

01:10:37.080 --> 01:10:39.330
when the neighborhood
was just starting to grow.

01:10:39.500 --> 01:10:41.410
And in a lot of other places too.

01:10:41.580 --> 01:10:42.580
Really?

01:10:42.620 --> 01:10:43.620
Yes.

01:10:43.830 --> 01:10:46.000
Hold on, my love.
I want to show you something.

01:10:46.160 --> 01:10:47.580
OK, Ñañita.

01:11:27.000 --> 01:11:30.540
Calvin! Come here
and bring your friend!

01:11:35.160 --> 01:11:36.410
What’s up, Grandma?

01:11:36.580 --> 01:11:40.370
Sit down.
I want to tell you a story...

01:11:42.450 --> 01:11:45.160
A long time ago, at school,

01:11:45.290 --> 01:11:48.540
I had a very good student,
he was so well-behaved.

01:11:48.700 --> 01:11:51.700
But one day the pájaros came

01:11:51.910 --> 01:11:55.870
and raped and killed his mother
and his sisters,

01:11:56.040 --> 01:11:58.000
right in front of him.

01:11:58.160 --> 01:11:59.450
And that little boy became

01:11:59.620 --> 01:12:02.250
the most frightening criminal
in the area.

01:12:02.370 --> 01:12:05.830
He was a merciless killer...
just horrible.

01:12:06.000 --> 01:12:09.120
But he loved me very much
and always told me,

01:12:09.250 --> 01:12:12.250
“Teacher,
nothing will ever happen to you.”

01:12:12.410 --> 01:12:14.500
So what happened to him?

01:12:15.000 --> 01:12:17.830
He'd show up at night
and ask me to hide him.

01:12:18.000 --> 01:12:19.910
Just imagine!
What could I say?

01:12:20.080 --> 01:12:22.250
I had some dreadful nights.

01:12:22.410 --> 01:12:26.370
The army would come
and ask me if I’d seen him,

01:12:26.540 --> 01:12:31.540
and there he was,
hiding with his friends under my bed.

01:12:31.700 --> 01:12:34.580
The pájaros would also stop by
to threaten me...

01:12:34.790 --> 01:12:36.330
pounding on the doors

01:12:36.500 --> 01:12:39.540
and dragging their machetes
through the halls

01:12:40.000 --> 01:12:42.290
because I was a Liberal.

01:12:45.040 --> 01:12:46.450
This is me.

01:12:48.000 --> 01:12:50.000
Young and beautiful.

01:12:51.290 --> 01:12:53.250
This picture is very strange.

01:12:53.950 --> 01:12:56.330
She looks like an angel, dude.

01:12:56.910 --> 01:12:59.330
It's like she’s levitating.

01:13:00.830 --> 01:13:05.790
These are my maternal grandparents...

01:13:05.950 --> 01:13:11.660
Jesús María Salazar
and María José Hoyos...

01:13:11.870 --> 01:13:15.660
And this is Ana Rita...
We called her “mamacita”.

01:13:16.200 --> 01:13:19.700
And this is Cecilio,
we called him “papacito”.

01:13:19.910 --> 01:13:23.200
This is Uncle Julio César,
who was a priest.

01:13:24.500 --> 01:13:28.200
This is Sister Mariana...
she was a nun.

01:13:29.120 --> 01:13:30.830
They are my aunt and uncle.

01:13:31.250 --> 01:13:35.540
My older brother Silvio,
during his military service in Bogotá.

01:13:36.790 --> 01:13:40.080
These are Norma and Atala.

01:13:41.700 --> 01:13:42.950
Is this my grandfather?

01:13:43.120 --> 01:13:44.950
That’s right, that’s him.

01:13:45.120 --> 01:13:48.000
His name was Julio Edgar Navia.

01:13:49.000 --> 01:13:50.370
And who’s this?

01:13:50.540 --> 01:13:53.950
She is Gladys Cecilia,
Calvin’s mother,

01:13:54.120 --> 01:13:58.160
the day of her First Communion.
And that’s Ñaña.

01:13:59.080 --> 01:14:01.370
Wow, Calvin,
your mom was really beautiful.

01:16:44.250 --> 01:16:48.120
That was extraordinary, Maestro...
What a delightful voice!

01:16:48.250 --> 01:16:51.700
That’s right, Mauro.
Let me give you a kiss and a hug.

01:16:51.910 --> 01:16:54.330
- Did you like it?
- We most certainly did.

01:16:54.500 --> 01:16:56.500
And I know all the ladies watching

01:16:56.660 --> 01:16:58.700
are enchanted by Gustavo’s voice,
Mauro.

01:16:58.910 --> 01:17:01.870
Of course they are!
Gustavo is promoting

01:17:02.040 --> 01:17:06.580
his latest work, “Reminiscence,”

01:17:06.790 --> 01:17:10.040
and this beautiful record
called “Love Concerto.”

01:17:10.200 --> 01:17:13.120
I heard you’re also

01:17:13.250 --> 01:17:14.250
a comedian...

01:17:14.910 --> 01:17:17.120
And I really think you are.

01:17:17.250 --> 01:17:18.330
So, Gustavo,

01:17:18.500 --> 01:17:21.290
how about ending
today’s interview with a joke.

01:17:21.450 --> 01:17:22.700
What do you mean?

01:17:22.910 --> 01:17:27.120
Please!
A joke for all our viewers out there.

01:17:27.500 --> 01:17:29.000
The thing is...

01:17:30.120 --> 01:17:34.250
humor is not about just telling jokes...

01:17:46.120 --> 01:17:48.040
- So, how are you?
- Fine. You?

01:17:48.200 --> 01:17:49.500
Great.

01:17:56.080 --> 01:17:57.120
Good evening.

01:18:05.250 --> 01:18:07.080
- Evening.
- How’s it going?

01:18:07.250 --> 01:18:08.690
Everything OK?
Did you just get here?

01:18:08.830 --> 01:18:10.040
Fine. Yup, just got here.

01:18:10.200 --> 01:18:11.330
Great!

01:18:11.500 --> 01:18:13.000
This is Dominique.

01:18:13.160 --> 01:18:13.910
Nice to meet you. Fabián.

01:18:14.080 --> 01:18:14.700
And this is Ras.

01:18:14.910 --> 01:18:15.950
Hey, bro. Nice one.

01:18:16.120 --> 01:18:18.200
These are my buddies.
Guys!

01:18:18.330 --> 01:18:20.790
Let me introduce you to a true original...

01:18:20.950 --> 01:18:23.160
He’s a cool kid so...
Like one of us.

01:18:23.290 --> 01:18:24.700
We’ve got some gear...

01:18:24.910 --> 01:18:26.250
OK, I’ll stop by later.

01:18:26.370 --> 01:18:28.250
You think it’ll be a good show?

01:18:28.410 --> 01:18:29.500
Dunno, I think so.

01:18:29.660 --> 01:18:30.660
Go on then.

01:18:30.790 --> 01:18:32.330
Don’t be a stranger. See ya.

01:18:32.500 --> 01:18:35.160
The show last night was the shit.

01:18:35.290 --> 01:18:37.450
We’ll be in Buga next Saturday...

01:18:38.870 --> 01:18:41.240
Then the cop said, you know what?

01:18:41.250 --> 01:18:42.580
Right... free!

01:19:00.290 --> 01:19:03.080
Ladies and gentlemen...

01:19:03.250 --> 01:19:07.040
Boys and girls...

01:19:07.200 --> 01:19:10.250
Grandmas and grandpas.

01:19:11.040 --> 01:19:17.660
Here to share their wisdom with us:

01:19:17.870 --> 01:19:22.580
“The Coming of the Rat God!”

01:19:56.500 --> 01:19:57.910
Rats!

01:20:14.830 --> 01:20:17.540
No love, no pain

01:20:17.700 --> 01:20:20.160
No love, no pain

01:20:20.540 --> 01:20:23.580
No love, no pain
Just a melody, no song

01:20:55.620 --> 01:20:57.700
Yeah, baby!

01:21:24.290 --> 01:21:27.500
Free Africa!

01:21:27.660 --> 01:21:31.580
America Zudaca and Street-Wise!

01:21:31.790 --> 01:21:34.790
Free Africa!

01:21:34.950 --> 01:21:38.450
Free Africa!
America Zudaca and Street-Wise!

01:21:38.620 --> 01:21:44.200
Radio Zudaca,
on the scene in Cali-Calavera,

01:21:44.330 --> 01:21:47.450
represents, as always,

01:21:47.620 --> 01:21:53.120
the asphalt of subversive days.

01:21:53.250 --> 01:21:59.500
We denounce an assault
by police forces last night

01:21:59.660 --> 01:22:04.330
at the Thousand Days Bridge,
but we’re here to represent the street.

01:22:07.790 --> 01:22:11.330
Greetings to all our ancestors:

01:22:11.500 --> 01:22:16.700
Bob Marley, Peter Tosh, Nelson Mandela,

01:22:16.910 --> 01:22:21.290
Martin Luther King, Malcom X,
Benkos Biohó...

01:22:21.450 --> 01:22:25.620
Zalama Crew, Zalama Crew...

01:22:41.290 --> 01:22:43.790
This is made in Cali
From the ghetto to you!

01:22:43.950 --> 01:22:46.410
This is made in Cali
From the ghetto to you!

01:23:46.370 --> 01:23:48.410
Hey, what’s up?

01:23:49.700 --> 01:23:51.250
These are my friends...

01:26:02.120 --> 01:26:05.120
Hold on a sec... Stop.

01:27:51.700 --> 01:27:53.290
Yo...

01:27:53.910 --> 01:27:55.250
Did you see them?

01:27:55.830 --> 01:27:58.290
Naw, there’s nobody in there, bro.

01:27:58.950 --> 01:28:01.120
Those girls left a long time ago.

01:28:02.790 --> 01:28:05.160
Besides,
what do we do if we meet them?

01:28:05.290 --> 01:28:07.660
Those chicks already screwed us over.

01:28:08.250 --> 01:28:11.250
Man, that girl is like a slow death.

01:28:12.410 --> 01:28:16.120
Take a look at this,
instead of just sitting around.

01:28:17.250 --> 01:28:19.250
Wow! Our lucky day!

01:28:21.080 --> 01:28:25.450
Know what? I wanna finish the mural
I’ve been working on in my hood.

01:28:25.620 --> 01:28:27.000
Let’s do it.

01:28:27.870 --> 01:28:30.790
But let’s work on it until we drop, OK?

01:28:30.950 --> 01:28:32.450
Sure, until we die...

01:28:32.620 --> 01:28:34.200
I’m serious.

01:28:34.330 --> 01:28:36.160
So come on, stand up.

01:28:37.200 --> 01:28:38.500
Gimme a break...

01:28:38.660 --> 01:28:40.000
No, let’s go...

01:28:41.330 --> 01:28:42.330
Look...

01:28:42.830 --> 01:28:43.450
OK, OK...

01:28:43.620 --> 01:28:45.910
Not another word about those girls.

01:28:46.080 --> 01:28:48.250
Who wants to talk about them anyway?

01:28:48.370 --> 01:28:50.040
Nobody.

01:28:50.790 --> 01:28:52.410
Go on, I’ll carry this one.

01:29:24.000 --> 01:29:25.120
Ras!

01:29:25.830 --> 01:29:28.040
Hold it right there! Right there!

01:29:28.370 --> 01:29:29.580
Spread ‘em!

01:29:29.790 --> 01:29:31.450
Against the wall!

01:29:38.250 --> 01:29:40.410
I finally got you, right nigger?

01:29:40.950 --> 01:29:42.950
This is private property.

01:29:43.120 --> 01:29:44.120
Spread ‘em.

01:29:44.330 --> 01:29:45.580
We were just painting.

01:29:45.790 --> 01:29:46.450
Shut up.

01:29:46.620 --> 01:29:48.160
- Take it easy!
- Take it easy?

01:29:48.290 --> 01:29:49.700
- What’s with you?
- What's with me?

01:29:49.910 --> 01:29:51.830
We weren’t doing anything.

01:29:52.000 --> 01:29:53.870
You’re not from around here,
are you?

01:29:54.450 --> 01:29:55.450
What’s your problem?

01:29:55.580 --> 01:29:57.370
What do you mean,
"What’s your problem"?

01:29:58.250 --> 01:29:59.700
Take it easy!

01:30:01.870 --> 01:30:03.160
Easy, man!

01:30:10.330 --> 01:30:11.700
Hold still, you sissy.

01:30:19.120 --> 01:30:20.540
Hold still!

01:30:22.250 --> 01:30:25.200
I said hold still!
Problems with authority?

01:30:25.790 --> 01:30:26.830
Cuff these faggots.

01:31:49.330 --> 01:31:50.040
Who’s alive?

01:31:50.200 --> 01:31:51.000
Christ!

01:31:51.160 --> 01:31:52.160
What do we say?

01:31:52.200 --> 01:31:53.450
Glory to God!

01:31:53.620 --> 01:31:55.120
Glory to God, brothers and sisters!

01:31:55.250 --> 01:31:57.580
Today, I want to talk about “freedom.”

01:31:57.790 --> 01:32:01.540
A word we use since Man was captive
in the Garden of Eden.

01:32:01.700 --> 01:32:03.330
Let’s look at our bibles.

01:32:03.500 --> 01:32:06.290
Ecclesiastes 3:17 says,

01:32:06.450 --> 01:32:09.660
"I thought in my heart,

01:32:09.870 --> 01:32:14.200
'God will bring to judgment
both the righteous and the wicked,

01:32:14.330 --> 01:32:17.910
for there will be a time
for every purpose and deed.'"

01:32:18.080 --> 01:32:19.080
Praise His name!

01:32:19.160 --> 01:32:20.410
Glory!

01:32:20.580 --> 01:32:22.450
A round of applause for the Lord!

01:32:22.620 --> 01:32:24.000
Praise Him. He is alive!

01:32:24.160 --> 01:32:25.830
Praise His name!

01:32:26.000 --> 01:32:27.000
Glory to God!

01:32:27.160 --> 01:32:30.830
Glory to God, my brother!
We know He is powerful!

01:32:31.000 --> 01:32:34.910
Say it now, “He lives.”

01:32:35.080 --> 01:32:36.500
Praise His name!

01:32:36.660 --> 01:32:37.790
Glory to God!

01:32:37.950 --> 01:32:39.330
Glory to God, my brother!

01:32:39.500 --> 01:32:44.330
We know He is powerful!
We know He is great! He is wondrous!

01:32:44.500 --> 01:32:46.290
Praise Him! Praise Him!

01:32:46.450 --> 01:32:48.120
He’s alive! He is king!

01:32:48.250 --> 01:32:51.080
Tell the Lord, “Remember my son,”

01:32:51.790 --> 01:32:54.950
“Remember my daughter,”
“Remember my father!”

01:32:55.120 --> 01:32:57.500
Tell Him!
“Remember my mother!”

01:32:57.660 --> 01:33:02.250
Tell Him, “Remember my family, oh Lord!
They are all in Your hands.”

01:33:02.370 --> 01:33:04.790
Tell Him,
“Lord, we are in Your hands!”

01:33:05.160 --> 01:33:07.660
Tell Him, “Father, in Your hands

01:33:07.870 --> 01:33:10.790
I place my sons, my daughters,

01:33:10.950 --> 01:33:15.540
my father, my mother,
my husband, my wife...”

01:33:15.700 --> 01:33:19.250
Praise the Lord! He is great!
Praise Him for He lives!

01:33:21.040 --> 01:33:24.620
Praise His name! Don’t stop!
Praise Him for He is king!

01:33:24.830 --> 01:33:26.080
He reigns!

01:33:27.450 --> 01:33:28.500
Glory to God!

01:33:28.660 --> 01:33:33.370
The mayoral candidate,
Mr. Hector Albarracín, has just arrived.

01:33:34.200 --> 01:33:35.700
Let’s welcome him.

01:33:36.700 --> 01:33:37.910
Glory to God.

01:33:38.080 --> 01:33:39.830
Thank you very much.

01:33:41.370 --> 01:33:42.910
Welcome, sir.

01:33:43.500 --> 01:33:46.160
- Thank you. How are you?
- Fine. Thank the Lord.

01:33:46.290 --> 01:33:50.870
This is Mr. Albarracín
and he’s on his way to becoming mayor.

01:33:51.040 --> 01:33:54.540
He wants our support,
so I’ll let him introduce himself

01:33:54.700 --> 01:33:56.870
and tell you about his projects.

01:33:57.040 --> 01:33:58.120
Amen?

01:33:59.040 --> 01:34:00.370
Thank you all very much.

01:34:00.540 --> 01:34:02.790
Good afternoon to everyone.

01:34:03.660 --> 01:34:07.910
First of all, thank you for being here

01:34:08.080 --> 01:34:11.950
and for joining in our project
for a better future.

01:34:12.120 --> 01:34:15.120
This power will be with us all,
from here onwards.

01:34:20.040 --> 01:34:23.790
I want to thank you all
for your support today.

01:34:23.950 --> 01:34:29.080
Don’t forget about our project.
Read this, please. Be informed.

01:34:29.250 --> 01:34:32.250
And on your way out,
we have some gifts, OK? Don’t forget.

01:34:35.700 --> 01:34:36.790
Glory to God.

01:34:37.290 --> 01:34:40.040
Thank you very much.
Thank you all very much.

01:34:43.450 --> 01:34:46.700
I need to talk you, sir!

01:34:47.450 --> 01:34:49.410
He’s our man! He’s our man!

01:34:50.120 --> 01:34:51.250
God bless you!

01:34:51.410 --> 01:34:53.700
He’s our man!

01:34:55.500 --> 01:34:57.910
Thank you all very much.

01:34:58.580 --> 01:35:00.250
He’s the one!

01:35:08.000 --> 01:35:10.160
Stay right there! Hold still.

01:35:12.950 --> 01:35:14.450
Stay right where you are!

01:38:37.700 --> 01:38:40.540
When we get back,
I want to paint my grandmother.

01:38:41.580 --> 01:38:45.080
I want to finish
the mural we were working on.

01:38:46.910 --> 01:38:49.160
I think we already finished it.

01:38:52.290 --> 01:38:54.620
Then I’ll go paint my mother.

01:38:55.040 --> 01:38:57.500
I want to paint my mother too.

01:38:59.250 --> 01:39:01.160
The only problem is money...

01:39:01.500 --> 01:39:04.950
You’re right,
money is always the problem.