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[speaking Italian]

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[emotional music]

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[laughing]

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[orchestral music]

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(♪) Psycho (theme)- Bernard Herrmann (♪)

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- I am trying to remember to understand

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they were some bodies on the floor.

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One of them is mine. Did I die?

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Was I murdered?

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If so, who killed me

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and why?

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What does it mean?

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Do you remember being
in the room? The attic.

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Oh, Mimi, you were carried from the room.

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Lifted up and taken out of there.

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Carried away from the
attic. Yes. In arabesque.

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In Arabesque. Yes, I
was. That\'s important.

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I was in Arabesque.

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Frozen in Arabesque, your tiny hand.

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But I am told that the story is this

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La Boheme, an opera in four acts set in Paris

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Latin quarter in 1830.

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Act one four male artist, Rodolfo,

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a poet, shard a musician,
Marcello, a painter,

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and Colin, a philosopher,
are in an attic studio

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fighting the cold, playing around

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three of them go out to a cafe

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leaving Rodolfo alone.

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There is a knock at the door.

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It is Mimi, a seamstress

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and flower maker whose candle has gone out

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on the way up to her room.

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She comes in, they fall in love.

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Act two. Later that evening, Mimi

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and Rodolfo joined the others in the cafe.

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Musetta, who used to be the
lover of Marcello, arrives

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with a escort, a rich and elderly man.

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Lively scenes develops,
which ends with Musetta

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being carried away.

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A lost by the artist

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Act 3, Rodolfo has abandoned Mimi.

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She finds out why

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It is because he cannot bear to see her ill

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standing in the snow.

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Together they are passionately reunited

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for a short while.

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Act four in the attic.

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The four artists are again playing around.

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Suddenly Musetta rushes in

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bringing Mimi with her who is dying.

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They lay her on the bed. They
do what they can for her.

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But Mimi dies.

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Rodolfo throw himself
weeping over the body.

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Can this be the fact i

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Is that what really happened

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Is this the story of my life

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Was that the story of my death

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Is a reason for the murder
to be found in her reflection

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sitting in front of the
mirror, she waits for a clue.

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(heartbeating)

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When she first looked, she
recognized herself as the other.

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She saw Mimi there, cold, tired and ill.

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She saw timidity and vulnerability.

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(music)

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And then, as my image turned away,

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I saw the other side.

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Was it me?

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(heartbeat stops)
I remember it was a cold wintery night.

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I was going up the stairs.
My candle went out.

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I was coughing.

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I knocked on the attic door

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and that is when it all began.

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(opera singing)

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(opera singing stops)

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I know something was
happening in this attic.

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They were making something
in their call studio.

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Was it work?

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(music stops, violin screeches)

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Could they have been the artist

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that one who was searching
for his inspiration?

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He must have been the hero.

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Rodolfo and the other man.

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Was he shard the musician
or Marcelo the painter?

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Was he the philosopher Colin?

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Certainly they were in it together.

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(music)

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I know something was
happening in this attic

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for centuries.

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She have been jumping into his arms over

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and over again and I am
trying to understand.

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In act one when her candle went out,

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she lost her key in the darkness.

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They both searched for it.

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He found it

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and kept it hidden from her so

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that he could prolong their
meeting while he ang to her,

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your tiny Andy frozen

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as the elder key.

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She fell in love

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(opera singing)

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(opera singing stops, coughing)

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- Why was she coughing?
Always shivering and in pain.

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and later so alarming

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sitting in front of the mirror,

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I wait for a clue.

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(music)

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(music fades out)

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(irregular heartbeats)

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(heartbeat stops)

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Behind me in the room,
the attic, they were seen

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of romantic love and ambiguity.

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The woman was one removed,
silent and absent.

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The man wanted her. He
must have been the hero.

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The artist. Yes,

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(music)

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(music fades out)
It\'s all coming back.

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(music)

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They were making something
in their cool studio,

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Perhaps even an opera.

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But somehow the cold and poverty
in due is different to mine

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or that I\'m sure.

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Do they really suffer to
create in the way I must suffer

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to produce.

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I watched them come and go.

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Would that take part in my death?

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(music stops, violin screeches)

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(music, screeching stops)

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(music abruptly stops)

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Was there a fight?

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Would I have preferred to be zero?

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(heartbeats)

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(laughing, heartbeat stops)

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Would I have preferred to be zero?

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(music)

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(music abruptly stops)

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What if I have been the subject
of this scenario instead

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of its subject?

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I\'m trying to remember.

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Perhaps I could have understood was a clue

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to my desk, written in their text.

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(music)

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(music fades)

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(speaks French)

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Nothing is easy as to by ways

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of abstraction

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and purely the verdict
included in the future.

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(speaks French)

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Marks...

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Ideas are not

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transformed in the language in such a way

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that their particularity
are found, dissolved

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or that their social character

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near them in the language

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as in the price near the merchandise.

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The ideas do not exist, spread

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from the language marks.

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She was searching for a theory
that would explain her life,

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that would explain her death.

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They had written the books by reading.

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She hoped to understand.

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Meanwhile, that other woman
was watching and listening,

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(speaks French)

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Was she?

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(opera singing)

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The eternal Gazette, the bad
girl, the one who didn\'t die.

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(opera fades)
How then is it that I can
remember her death sin?

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(music)

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Was she the victim also?

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Was she Mimi?

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(music fades out, coughing)

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(coughing stops)
Oh, Mimi. Your tiny hand

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(music)

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Up against the wall.

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(music stops)

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Think about what you were doing.

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Carried away from the attic.

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Yes.

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(music)

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How could you let yourself be removed?

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You were reading in French.

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I had come towards you.

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What were you thinking of?

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I was listening and I was absent.

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You were carried away., certainly.

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You were reading from a book.
You were immersed in the text.

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I turned away from language became silent

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and was carried from the attic frozen.

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What were you thinking of?

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I was searching for a theory
that would explain my life.

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Was it true to my death
retained in that text?

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(speaks French, music fades out)

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(door opens, footsteps)

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(door closes)

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(footsteps)

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(door opens)

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(door closes)

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(laughing)

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(laughing stops)

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No, wait. The clue!

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suddenly I understand.

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There was me in the opera and
there was me in the attic.

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(music)
Act one. There is a knock at the door.

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It is Mimi, a seamstress, a flower maker..

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sewing certain flower who didn\'t smell

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after all often until
the early hours working

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with a cold and a candle of companions.

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They produce storage to disguise

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how I must produce their goods.

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Act four. Suddenly muta rushes in

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bringing Mimi with a with dime.

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They lay on the bed, they
do what they can for her,

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but Mimi dies.

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And what if my husband died

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without my death?

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My love with Rufo might
have born children.

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I would\'ve become a mother.

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I would\'ve had to work even
harder to give them food.

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But the erroring of such a
story doesn\'t just labor day

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and night to fill their children.

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And if they had let me leave,

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I would\'ve become an old woman.

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And an old seamstress would
not be considered the proper

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subject of a love story.

00:28:40.385 --> 00:28:43.354
(opera singing)

00:29:07.112 --> 00:29:09.380
I had to be young, single,

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and vulnerable with a death
that serve their desire

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to become heroes in the
display of their grief.

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The Paris resignation

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with which I accepted my life
was synonymous with my death.

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If Muta had died,

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it would not have been
considered a tragedy

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for she was an easy woman, a bad girl.

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We were set up as opposite
and complimentary characters

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and kept apart to serve our roles.

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(music abruptly stops)

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Yes, it was murder.

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We never got to know each other.

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Perhaps we could have loved each other.

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(heartbeats)