An intimate look at the Catonsville Nine who on May 17, 1968 walked into a Catonsville, Maryland draft board office, grabbed hundreds of selective service records and incinerated them with homemade napalm.

A portrait of a doctor who saw the worst of society and ran.

Paolo Javier’s text is a catalyst for the digital sculpting of an 8mm Kodachrome canvas.

In this provocative, hybrid documentary, the audience joins a present-day household of immigrants living together in a shift-bed apartment in the heart of Chinatown.

BLOWBACK is a dynamic exploration of the representation of the wars in Iraq (2003-2011) and Afghanistan (2001-2021) in world cinema which argues that films function as resonant cultural artifacts that shape how the conflicts come to be understood and remembered by audiences at the time, and those of generations to come.

The two South African artists speak frankly about their work, their studio practice, their inspirations, and the challenges of success.

Presents a balanced portrait of Cuban life today and a compelling argument for why the US should lift the devastating 60-year embargo.

Alan Magee: art is not a solace explores the artist’s subjects, locales, and the historical sources which have sustained his work for five decades. Through his paintings, sculpture, monotypes, music and short films, Magee asks viewers to consider the breadth of human behavior and experience.

In Papua New Guinea, local tribes are caught in a cycle of poverty due to oil companies looking for new fields and tourists in search of exoticism.

More than a surrealist travel diary, our film tells the story of the friendship between a group of painters, photographers and poets who are passionate about art.