An exploration of how we all live and die, and dealing with end-of-life…
Facing Death
- Description
- Reviews
- Citation
- Cataloging
- Transcript
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Elisabeth Kubler-Ross devoted her life to death and dying and achieved world fame in the process. Through her strong commitment to the subject, she has done much to de-stigmatize dying and to draw attention to the treatment of the terminally ill. This remarkably intimate film was produced in 2002, when Kublerr-Ross lived secluded in the desert, and was awaiting - as she says - her own death, on the verge of the transition she researched so passionately.
Her story is a remarkable one. Born in Zurich in 1926 as a 2-pound triplet, she studied medicine in defiance of her parents' wishes and struggled for recognition as a psychiatrist in the United States. In 1969 she achieved international fame through her work with terminally ill patients in Chicago and her book On Death and Dying. This initial success was followed by countless workshops and lecture tours around the world, and the establishment of a healing center in Virginia, which was destroyed by arsonists in 1994. In the late Nineties, Elisabeth Kubler-Ross suffered a series of strokes, and finally succumbed on August 24th, 2004.
Conversations with Elisabeth Kubler-Ross in Arizona form the core of the film. She looks back on her life, describes her childhood and her work, and explains how she herself faces aging and impending death. Interviews with her sisters, friends and colleagues, as well as extensive archival material provide a comprehensive look into the life and work of this extraordinary woman.
'An excellent resource [and] valuable document.'-The Bulletin of the History of Medicine
'Elisabeth Kubler-Ross has been widely recognized as one of the foremost authorities in the field of death, dying and transition for over 20 years. It might well be said that she invented this field as an area of legitimate discourse in the medical community. Her now-classic first book, 'On Death and Dying,' is today considered the master text on the subject, and is required reading in most major medical and nursing schools and graduate schools of psychiatry and theology.'- Health World Online
'Recommended! FACING DEATH serves as both a concise biography and a compelling forum for Ross's discussion of her work, bolstered by numerous interviews with close friends, colleagues, and... siblings. Never morbid or depressing... this is a powerful and thoughtful film.'- Video Librarian
'A wonderfully done film. Everything blends together to make a beautiful video and a remarkable story of a true pioneer in our field. It is a film that should be seen by all students in the field of Thanatology, all hospice volunteers and professions, medical personnel, and all those who care about the end of life. [FACING DEATH is] a work of true quality... How could he go wrong with such a remarkable subject?'- Dana G. Cable, Professor of Psychology and Thanatology, Hood College, for the Journal of Hospice and Palliative Care
'A marvelous look at the forces that shaped Elisabeth Kubler-Ross and her life's work... The strength of this film lies in its honesty. The viewer is privy to the admirers as well as the detractors, the strengths of Dr. Ross as well as her foibles, and with a balanced presentation is then left to draw her own conclusions about this important teacher in the arena of death and dying.'- Journal of Psychosocial Oncology
'Highly Recommended!'- Kleine Zeitung (Austria)
Citation
Main credits
Haupt, Stefan (film director)
Faust-Kübler, Erika (on-screen participant)
Bacher-Kübler, Eva (on-screen participant)
Imara, Mwalimu (on-screen participant)
Gordon, Audrey K. (on-screen participant)
Luethy, Frances. (on-screen participant)
Other credits
Camera, Christian Davi, John Erne, Patrick Lindemaker; editor, Stefan Kälin; music, Klaus Wiese, Peter Landis.
Distributor subjects
Aging; Bioethics; Biographies; Death and Dying; Ethics; Family Relations; Health Care Issues; History of Science; Medicine; Psychology; Women's StudiesKeywords
WEBVTT
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[sil.] [music]
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Don\'t think about death
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or you might die before your time.
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Don\'t talk about it or you could tempt it.
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If you stay silent,
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death will spare you. [music]
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At the end of the 1960\'s,
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a book is published in the United States.
It will become a best seller
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around the world, over 1 million
copies sold, with translations into
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26 languages. On Death and Dying, a book
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about the great mystery,
a taboo subject, not to
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be discussed. [music]
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A baptism, a wedding banquet, a
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a wake.
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We act as if we were here forever
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but one beat of time\'s wings
and all is no more. The whole
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crowd vanished.
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Or will we sit on the branches of
the tree of life, dangling our
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feet,
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watching the people scurrying
below and smiling? [music]
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The woman who wrote the
book about death and dying
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now lives in the Arizona desert,
withdrawn from the world and alone,
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on the verge of that final journey she
researched so passionately. [sil.]
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I\'m very choosy about
who should wait for me
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on the other side. I want to meet Gandhi. I
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want to meet Carl Gustav Jung. A handful
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of people. Pestalozzi. When I was little,
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people called me Pestalozzi.
Wish I could have met him.
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Jung and Gandhi are my favorites.
I didn\'t meet them.
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I\'ll meet them when I die. That\'s
something to look forward to.
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But it was a good life.
It was fantastic. [sil.]
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[sil.]
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When a new life begins, we fear
for it\'s safety. Thus from the
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very beginning of life, we already sense
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death and our
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awareness of death transforms our
perceptions of life. Life is now.
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It cannot be postponed.
It\'s happening now. [music]
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I find that exhausting. [sil.]
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[sil.]
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When Elisabeth asks me about her
funeral these days or when she starts
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talking about her death, the way I take it is
that she is really feeling very much down.
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She\'s really feeling quite down
because, um, she\'s an enormously
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active person and wants to be active
and wants to do things and she simply
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can\'t. She, she has
partial paralysis on, on
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one side and, uh, it just restricts, her
movement is so restricted. For someone who is
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basically a, an athlete,
she moved and lived like
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an athlete and, uh, this has got to be a
terrible, uh, experience for her. [sil.]
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[music]
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Zurich in the early 20th
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century, a peaceful and lively
city in the middle of Europe.
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Everything that is fine and incomparable
about this town beguiles the
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heart, writes the Zurich poet Albin
Zolinger (ph) at that time. A new cinema,
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a coffee house, the skating rink, the
chiming of the trams, the Sunday church
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bells, the asphalt covered in
autumn leaves, the smell of
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the trains, all that is Zurich.
Here Elisabeth Kubler is born
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on July 8th, 1926.
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My life began as a triplet.
A two-pound triplet.
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Weighing 31 ounces. With very
little chance of survival.
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I arrived first.
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The second came 15 minutes later.
Another two-pound triplet.
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My mother kept saying, \"There\'s more.
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There\'s more coming.\" [music]
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When the triplets are 4 years old, the
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family leaves the cramped city apartment
and moves to the country, to Myland (ph),
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a village known for it\'s wine growing
tradition, located a half hour\'s train
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ride away from the city. Our
kindergarten teacher had
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unconditional love for the three of us. She
was the only person who could tell us apart,
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Erika, Eva, and Elisabeth.
The others called us the
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triplets or the Kublers but
never by our first names.
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One night, the four year old Elisabeth is rushed
to the Children\'s Hospital in Zurich with
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high fever. The diagnosis,
pneumonia, possibly fatal.
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She spends long weeks in a glass cage,
isolated from her surroundings, deprived
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of human contact, the worried faces of
her parents on the other side of the
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glass. It\'s an experience Elisabeth
will remember all her life.
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Recovery is slow, but she
finally begins to get better
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at home on the balcony, with the view
over the landscape and the lake.
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In a school essay a few
years later, she writes:
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I want to study life. I want
to study human nature. More
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than anything else in the
world, I want to be a doctor.
00:18:15.000 --> 00:18:23.000
Around that time, a neighboring farmer
suffers a serious accident. [music]
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[music]
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[music]
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[sil.]
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[sil.]
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[sil.]
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A lively childhood
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spent close to nature, in
loving, sheltered surroundings.
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A sharp contrast to the
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second World War raging just across the
border. Her father brings home the family\'s
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first radio. The news is full of reports
about refugees, the persecution of
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the Jews, and the advancing Nazis. Many
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refugees make it over the border into
neutral Switzerland. Others, many others,
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are denied entry. For the
teenage Elisabeth, one this is
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clear. She wants to help,
wherever and however she can.
00:26:30.000 --> 00:26:34.999
At the mountain cabin in Amden, Elisabeth
gets to know a group of young people who
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are members of Service Civil
International, the International Voluntary
00:26:40.000 --> 00:26:44.999
Service for Peace. She learns about
volunteer projects, work camps,
00:26:45.000 --> 00:26:49.999
pacifism, and promoting international
understanding. Shortly after the end of the war,
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she volunteers for a work camp in France,
rebuilding the village of (inaudible)
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, which has been almost
completely destroyed.
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Her parents are worried about their 19
year old daughter. There are many dangers:
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unexploded ammunition,
landmines, buildings likely to
00:27:10.000 --> 00:27:14.999
collapse, contagious diseases, but
Elisabeth will not change her mind.
00:27:15.000 --> 00:27:19.999
She wants to help.
00:27:20.000 --> 00:27:24.999
She volunteers for further
work camps in Belgium, Italy,
00:27:25.000 --> 00:27:33.000
Sweden, and Poland, where she
helps set up an infirmary.
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From now on,
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nothing can stop her, not even her father,
who has forbidden her from pursuing a
00:29:05.000 --> 00:29:09.999
university education. As a
result of their conflict,
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she\'s forced to leave her parent\'s home.
She moves into a tiny attic
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room in Zurich\'s safe held quarter. During
the day, she works as a lab technician
00:29:20.000 --> 00:29:24.999
at the University Hospital. Nights are
spent studying at her desk. Her goal
00:29:25.000 --> 00:29:33.000
is to become a doctor.
00:32:25.000 --> 00:32:29.999
1958. Elisabeth graduates from
medical school in Zurich and marries
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Emmanuel Ross. The young
couple moves to New York.
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For one year, they both work as interns
at the same hospital. Their meager wages
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are barely enough to pay for rent and food.
To her sister Erika on the other side
00:32:45.000 --> 00:32:49.999
of the Atlantic, she writes: The
cocktail party is the most barbaric
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of American rituals. You find
yourself pushed into the corner of a
00:32:55.000 --> 00:32:59.999
crowded room, where you\'re expected to
sip a perfectly foul drink and eat tiny
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artificially flavored sausages off
toothpicks while having to listen to a
00:33:05.000 --> 00:33:09.999
neurotic woman tell you how she\'s fallen
in love with her therapist. It\'s a world I
00:33:10.000 --> 00:33:14.999
don\'t know.
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The first years in the United
States are difficult. Elisabeth is
00:33:20.000 --> 00:33:24.999
offered a position in pediatrics but then is not
permitted to take the job because she has become
00:33:25.000 --> 00:33:29.999
pregnant. Desperate to earn a living
somehow, she accepts a job in the psychiatry
00:33:30.000 --> 00:33:34.999
department of Manhattan State Hospital
and then she suffers a miscarriage.
00:33:35.000 --> 00:33:39.999
A year later, she misses out on
the pediatrics job a second time.
00:33:40.000 --> 00:33:44.999
Once again, she\'s pregnant
and again she loses the baby
00:33:45.000 --> 00:33:49.999
but finally in the summer of 1960,
she gives birth to a healthy child,
00:33:50.000 --> 00:33:54.999
a son Kenneth. Soon after,
she receives news that her
00:33:55.000 --> 00:33:59.999
father is dying. She takes the baby and
flies to Zurich, brings her father
00:34:00.000 --> 00:34:04.999
home from the hospital and
nurses him until his death.
00:34:05.000 --> 00:34:09.999
Three years later, her daughter
Barbara is born. [sil.]
00:34:10.000 --> 00:34:18.000
[music]
00:36:25.000 --> 00:36:33.000
In the summer
00:36:40.000 --> 00:36:44.999
of 1965, the family moves to Chicago.
00:36:45.000 --> 00:36:49.999
Elisabeth writes to her mother: I\'m
really beginning to feel more at home
00:36:50.000 --> 00:36:54.999
in America. For instance, I now
actually enjoy supermarkets,
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hamburgers, hot dogs, and
processed breakfast food.
00:37:00.000 --> 00:37:04.999
Don\'t be too shocked to hear that I wear pants
as often as I wear a skirt, even when I
00:37:05.000 --> 00:37:09.999
go out visiting. The one thing I
don\'t think I\'ll ever get used to
00:37:10.000 --> 00:37:14.999
is the importance given here to money.
America
00:37:15.000 --> 00:37:19.999
is sort of a dollarocracy. If people
have money, they\'re considered
00:37:20.000 --> 00:37:24.999
important and successful.
If they don\'t, they\'re not.
00:37:25.000 --> 00:37:29.999
Elisabeth
00:37:30.000 --> 00:37:34.999
finds work at the renowned Billings Hospital
as Assistant Professor in the psychiatric
00:37:35.000 --> 00:37:39.999
department. Here, she discovers
a field that will occupy
00:37:40.000 --> 00:37:44.999
her for the rest of her life, the
treatment of dying patients, dealing with
00:37:45.000 --> 00:37:53.000
death. One day,
00:38:15.000 --> 00:38:19.999
some students from the Chicago Theological
Seminary knock on her door. They\'re also working
00:38:20.000 --> 00:38:24.999
on the topic of death and dying and
ask the young professor for her
00:38:25.000 --> 00:38:29.999
help. The first seminars take place
in the form of weekly talks with
00:38:30.000 --> 00:38:38.000
dying patients. Never before has death been examined
in this way. Her first published article on the
00:39:00.000 --> 00:39:04.999
topic appears in 1966, The Dying
Patient as Teacher. Although
00:39:05.000 --> 00:39:09.999
she\'s not yet known outside of professional circles,
Elisabeth\'s work on this controversial topic
00:39:10.000 --> 00:39:14.999
has already begun to spark medical
and theological debates. Just
00:39:15.000 --> 00:39:19.999
mentioning death to somebody
who may be dying seems so
00:39:20.000 --> 00:39:24.999
bizarre then. It was considered to be bizarre,
ghoulish. To talk to somebody who was
00:39:25.000 --> 00:39:29.999
near death about their experience
was, was, was, uh, uh, related
00:39:30.000 --> 00:39:38.000
to a kind of voyeurism and so on. So it was, that was totally,
uh, rejected. While she was in the hospital, she polarized
00:40:15.000 --> 00:40:19.999
the faculty and the medical students.
That is, you were either for or again
00:40:20.000 --> 00:40:24.999
her. There was never a middle ground
with Elisabeth. But she was really
00:40:25.000 --> 00:40:29.999
loved, even in the very early
beginnings, um, by the
00:40:30.000 --> 00:40:34.999
ordinary people in the hospital.
Uh, the maids,
00:40:35.000 --> 00:40:39.999
uh, the nurses, the LPNs,
uh, the, the students, the
00:40:40.000 --> 00:40:44.999
clerks because she was so available.
Elisabeth
00:40:45.000 --> 00:40:49.999
was in the right place at the
right time, that she was
00:40:50.000 --> 00:40:54.999
part of a movement to bring autonomy to
00:40:55.000 --> 00:40:59.999
disenfranchised groups like women\'s
rights and gay rights and the
00:41:00.000 --> 00:41:04.999
great Panthers and Elisabeth was bringing
00:41:05.000 --> 00:41:09.999
autonomy and rights to the
person who was dying and she fit
00:41:10.000 --> 00:41:14.999
in to that whole movement
of the Vietnam War
00:41:15.000 --> 00:41:19.999
and the protests and the civil rights and all
of the things that were going on at the time.
00:41:20.000 --> 00:41:24.999
1968.
00:41:25.000 --> 00:41:29.999
A year of turmoil in the United States.
Martin Luther King is
00:41:30.000 --> 00:41:34.999
assassinated. Resistance to
the war in Vietnam increases.
00:41:35.000 --> 00:41:39.999
During the Democratic National Convention,
Chicago too becomes the scene of violence.
00:41:40.000 --> 00:41:44.999
Elisabeth, now Americanized, still
maintains close contact with home.
00:41:45.000 --> 00:41:49.999
Together with her young family, she flies
to Switzerland once a year. [music]
00:41:50.000 --> 00:41:58.000
A New York publisher invites Elisabeth
00:42:40.000 --> 00:42:44.999
to write about her experiences
with the seminars.
00:42:45.000 --> 00:42:49.999
Just three months later, she presents him with a
completed manuscript. In writing the book, her first
00:42:50.000 --> 00:42:54.999
priority is not to promote the prestige of
medical science. It is it further a humanistic
00:42:55.000 --> 00:42:59.999
sympathetic approach. Her goal, to
focus on an emotional understanding
00:43:00.000 --> 00:43:04.999
of the dying process, from the point of
view of patients as well as doctors.
00:43:05.000 --> 00:43:09.999
To work with a dying patient
requires a certain maturity.
00:43:10.000 --> 00:43:14.999
We have to take a good, hard look
at our own attitude toward death
00:43:15.000 --> 00:43:19.999
and dying before we can sit quietly
and without anxiety next to a
00:43:20.000 --> 00:43:24.999
terminally ill patient. This implies
our own ability to face terminal
00:43:25.000 --> 00:43:29.999
illness and death. If this is
a big problem in our own life
00:43:30.000 --> 00:43:34.999
and death is viewed as a frightening,
horrible taboo topic, we will never
00:43:35.000 --> 00:43:39.999
be able to face it calmly and
helpfully with a patient.
00:43:40.000 --> 00:43:44.999
In her book, she outlines
five stages that patients
00:43:45.000 --> 00:43:49.999
may go through when suffering
from a terminal illness: denial,
00:43:50.000 --> 00:43:54.999
anger, bargaining,
00:43:55.000 --> 00:43:59.999
depression,
00:44:00.000 --> 00:44:08.000
and acceptance.
00:44:50.000 --> 00:44:54.999
When the book is published
in the autumn of 1969,
00:44:55.000 --> 00:44:59.999
no one imagines the incredible
response it will receive.
00:45:00.000 --> 00:45:04.999
Just a few weeks later, LIFE
publishes an article on Elisabeth\'s
00:45:05.000 --> 00:45:09.999
interviews with dying patients.
Eva, 21 years old, a patient with
00:45:10.000 --> 00:45:14.999
incurable leukemia. The conversation
with the young woman is open and honest,
00:45:15.000 --> 00:45:19.999
seemingly free of all taboos. An
enormous number of readers are deeply
00:45:20.000 --> 00:45:24.999
moved. Elisabeth Kubler-Ross becomes an
00:45:25.000 --> 00:45:33.000
internationally recognized expert on
death and dying. But her work irritates
00:46:40.000 --> 00:46:44.999
many of her professional colleagues,
her sudden fame even more so. Some
00:46:45.000 --> 00:46:49.999
accuse her of exploiting her patients. They call
her book simplistic, her research unscientific
00:46:50.000 --> 00:46:54.999
and they complain that she\'s making the
hospital known as a place where people
00:46:55.000 --> 00:46:59.999
die, instead of a place
for recovery and cure.
00:47:00.000 --> 00:47:04.999
If you are raised in medical school to do
00:47:05.000 --> 00:47:09.999
exclusively nothing but to cure,
to treat, to prolong life,
00:47:10.000 --> 00:47:14.999
and to get absolutely no help,
how to be physician to patient
00:47:15.000 --> 00:47:19.999
whose going to die on you? You naturally
must feel like a failure. You naturally
00:47:20.000 --> 00:47:24.999
desperately trying to do something else.
If they begin to realize
00:47:25.000 --> 00:47:29.999
that they\'re not here to
prolong life, that we cure
00:47:30.000 --> 00:47:34.999
practically nobody but to help
them to live as fully as possible
00:47:35.000 --> 00:47:39.999
a meaningful life then they begin
to change their whole attitude
00:47:40.000 --> 00:47:44.999
about what it\'s like to be physician.
Conflicts with fellow doctors at the
00:47:45.000 --> 00:47:49.999
hospital administration escalate.
Elisabeth contract is terminated after
00:47:50.000 --> 00:47:54.999
three years. It wasn\'t the fame or the
anything that she was doing. It was
00:47:55.000 --> 00:47:59.999
the fact that she did no research
and the University of Chicago
00:48:00.000 --> 00:48:04.999
is a research oriented institution.
So, when her contract,
00:48:05.000 --> 00:48:09.999
which is a probationary contract,
came up, actually at the end of
00:48:10.000 --> 00:48:14.999
the second year is when
they let you know, um, they
00:48:15.000 --> 00:48:19.999
did not renew her contract. It was
because of her lack of scholarly
00:48:20.000 --> 00:48:24.999
work. She had clearly, in 19, by 19,
00:48:25.000 --> 00:48:29.999
uh, 69, outgrown this hospital
and with the publication of On
00:48:30.000 --> 00:48:34.999
Death and Dying, um, she, I
mean, she was in such demand
00:48:35.000 --> 00:48:39.999
that it, it just wouldn\'t work, uh,
for her to be here any, any more
00:48:40.000 --> 00:48:44.999
and it was so, too confining.
She had already,
00:48:45.000 --> 00:48:49.999
uh, proven her point, that people did
well, uh, lived much better lives,
00:48:50.000 --> 00:48:54.999
families became more, more
cohesive, when somebody
00:48:55.000 --> 00:48:59.999
was dying, to talk about it.
00:49:00.000 --> 00:49:04.999
Elisabeth receives invitations to speak all
00:49:05.000 --> 00:49:09.999
over the world. She travels about a
quarter of a million miles a year.
00:49:10.000 --> 00:49:14.999
One lecture follows another, along with interviews,
talk shows, other appearances on television
00:49:15.000 --> 00:49:19.999
but her priority is still
the care of dying patients.
00:49:20.000 --> 00:49:24.999
She initiates the hospice movement
in the United States, introduces
00:49:25.000 --> 00:49:29.999
self help groups for mourners, and she
continues to look after patients around
00:49:30.000 --> 00:49:34.999
the world. [music]
00:49:35.000 --> 00:49:43.000
The most frustrating thing for
you right now is that you
00:49:50.000 --> 00:49:52.999
can\'t speak well. (inaudible)
00:49:53.000 --> 00:50:01.000
. She knows that she\'s,
um, going to die but the
00:50:05.000 --> 00:50:09.999
process is taking a long time and what is it
that she\'s supposed to be learning through
00:50:10.000 --> 00:50:14.999
such a long process? If
you can regard this as
00:50:15.000 --> 00:50:19.999
a challenge and not as a
threat or a punishment or
00:50:20.000 --> 00:50:24.999
something negative, it is a real
challenge, like you\'re able to
00:50:25.000 --> 00:50:29.999
communicate with her all the time.
You can do communicate
00:50:30.000 --> 00:50:34.999
like this with your husband and
with your children and with
00:50:35.000 --> 00:50:39.999
me. The one thing mother wanted to ask you
and the thing that bothers her is that she
00:50:40.000 --> 00:50:44.999
feels that she\'s, since she\'s unable to
use her body, what purpose is she serving
00:50:45.000 --> 00:50:49.999
and she feels like for anybody to live, they
should have some purpose in life. And she can\'t
00:50:50.000 --> 00:50:54.999
see what her purpose is now. Yeah.
Do, do you think it\'s more important
00:50:55.000 --> 00:50:59.999
to run around the house using
the pool and cleaning windows?
00:51:00.000 --> 00:51:04.999
Or is there also a purpose
in learning how to
00:51:05.000 --> 00:51:09.999
receive and letting go. (inaudible)
00:51:10.000 --> 00:51:14.999
. You got her there. And letting
00:51:15.000 --> 00:51:19.999
your children mother you a little bit.
I mean, you have mothered
00:51:20.000 --> 00:51:24.999
them for so many years. Don\'t you think
it teaches them something? (inaudible)
00:51:25.000 --> 00:51:33.000
[sil.]
00:52:55.000 --> 00:52:59.999
They told me that I have a
disease and it was called,
00:53:00.000 --> 00:53:04.999
well, I knew what cancer was
and, and they said, uh,
00:53:05.000 --> 00:53:09.999
cancer and I didn\'t feel really that
00:53:10.000 --> 00:53:14.999
much bad because I never
knew what it did that bad.
00:53:15.000 --> 00:53:19.999
Well, did they tell it to you? Uh-huh.
After I did a couple of, um,
00:53:20.000 --> 00:53:24.999
treatments and I saw how bad
it could get, I felt real
00:53:25.000 --> 00:53:29.999
surely that I was gonna die.
What does death mean
00:53:30.000 --> 00:53:34.999
to you, Keith? Like death, what does
death mean to me? (crosstalk) Mm-hmm.
00:53:35.000 --> 00:53:39.999
Well, it just feels to me like
going out of one stage into
00:53:40.000 --> 00:53:44.999
another, better stage. Mm-hmm. And, well I,
00:53:45.000 --> 00:53:49.999
I knew if I would die, I\'d go up to
heaven, but, but I was thinking to
00:53:50.000 --> 00:53:54.999
myself I\'d miss my mom, miss my
dad, and miss all my friends, my
00:53:55.000 --> 00:53:59.999
brother. Did you learn
00:54:00.000 --> 00:54:04.999
anything out of this experience,
out of having cancer? Well,
00:54:05.000 --> 00:54:09.999
one thing I learned is, like you go
through life, that life is pretty
00:54:10.000 --> 00:54:14.999
tough. [music]
00:54:15.000 --> 00:54:23.000
[music]
00:57:20.000 --> 00:57:28.000
[sil.]
00:58:10.000 --> 00:58:18.000
[sil.]
01:00:50.000 --> 01:00:58.000
What can the dying teach us about living?
01:02:10.000 --> 01:02:14.999
Elisabeth\'s work begins to extend more
and more outside the hospital setting.
01:02:15.000 --> 01:02:19.999
Care of the dying becomes
help for the living.
01:02:20.000 --> 01:02:24.999
One of her central concerns is tackling
unfinished business, as she calls it, before
01:02:25.000 --> 01:02:33.000
death is near and it\'s almost too late.
01:02:45.000 --> 01:02:49.999
She beings organizing workshops,
01:02:50.000 --> 01:02:54.999
Life, Death, and Transition.
The participants
01:02:55.000 --> 01:02:59.999
include patients, their
relatives, nurses, clergy,
01:03:00.000 --> 01:03:08.000
and social workers. [sil.]
01:04:20.000 --> 01:04:28.000
[sil.]
01:05:35.000 --> 01:05:39.999
Response to the workshops is enormous.
In the 1970\'s,
01:05:40.000 --> 01:05:44.999
experiments with new forms of psychotherapy
are not limited to California.
01:05:45.000 --> 01:05:49.999
Elisabeth works in Alaska, South
Africa, Asia, and Europe.
01:05:50.000 --> 01:05:54.999
In the United States, she\'s named Woman
of the Year and receives dozens of awards
01:05:55.000 --> 01:05:59.999
and honorary doctorates. She
still lives with her husband and
01:06:00.000 --> 01:06:04.999
children in Chicago. During these
years, family ties are put to
01:06:05.000 --> 01:06:13.000
the test.
01:07:55.000 --> 01:07:59.999
Elisabeth leaves the family
and moves to California, to
01:08:00.000 --> 01:08:04.999
Escondido, not far from San Diego,
where she buys herself a house.
01:08:05.000 --> 01:08:09.999
Here, she fulfills a longstanding
wish for her own independent center,
01:08:10.000 --> 01:08:18.000
Shanti Nilaya.
01:08:35.000 --> 01:08:39.999
For years, Elisabeth has been searching intensely
for a clear definition of death. She collects
01:08:40.000 --> 01:08:44.999
testimonies of near death experiences. She\'s
interested in children, who just hours
01:08:45.000 --> 01:08:49.999
before their death, tell her of visitors
from the other side and she describes
01:08:50.000 --> 01:08:54.999
experiences of her own where she claims to have
had encounters with people who already have
01:08:55.000 --> 01:08:59.999
died. Her provocative statement
is that death does not exist.
01:09:00.000 --> 01:09:08.000
It\'s an illusion.
01:10:15.000 --> 01:10:19.999
She was looking for some way to experience,
01:10:20.000 --> 01:10:24.999
in a very material way, uh,
what happens after death.
01:10:25.000 --> 01:10:29.999
You\'ve got to remember that
Elisabeth is a, a, basically a
01:10:30.000 --> 01:10:34.999
scientist and a physician, a very well
trained one, but a prominent one and she
01:10:35.000 --> 01:10:39.999
tends to want the physical, seeable
evidence and that\'s the way she
01:10:40.000 --> 01:10:44.999
went and, but she
passionately knew that this
01:10:45.000 --> 01:10:49.999
existed. So in her struggle to find
the physical evidence, along comes
01:10:50.000 --> 01:10:54.999
someone who provided physical evidence
for her and she so passionately
01:10:55.000 --> 01:11:03.000
believed that she was very easy to dupe.
In a darkened room, channeling sessions
01:11:30.000 --> 01:11:34.999
take place. A so called spirit
guide acting as a medium
01:11:35.000 --> 01:11:39.999
calls up shadow figures, kindred
spirits from the other world who speak
01:11:40.000 --> 01:11:48.000
to the participants. The acting
01:12:00.000 --> 01:12:04.999
was well done but, um, the spirits
01:12:05.000 --> 01:12:09.999
don\'t show up like that and it
was, it was easy to see that
01:12:10.000 --> 01:12:14.999
this was a staged event. One would have
to be either drugged or very, um, I\'d
01:12:15.000 --> 01:12:23.000
say very persuaded to, to fall for it.
Manny struggled, uh,
01:13:20.000 --> 01:13:24.999
to, um, to try to dissuade her from
investing her time, uh, money, and
01:13:25.000 --> 01:13:29.999
energies in Shanti Nilaya
and she was so taken with
01:13:30.000 --> 01:13:34.999
the, the, her ideas and, and just
seeing her ideas fulfilled, uh,
01:13:35.000 --> 01:13:39.999
as they were fulfilled even though they were
bogus, that she really gave up. She, she
01:13:40.000 --> 01:13:48.000
just really insisted, if you can\'t, if you can\'t
go this step with me, then I\'m going. [sil.]
01:14:10.000 --> 01:14:18.000
The end of Escondido, disillusion, divorce,
01:14:20.000 --> 01:14:24.999
and the closing of Shanti Nilaya, a
dream has been shattered. [sil.]
01:14:25.000 --> 01:14:33.000
[sil.]
01:15:30.000 --> 01:15:38.000
[sil.]
01:15:40.000 --> 01:15:48.000
[sil.]
01:16:25.000 --> 01:16:33.000
[music]
01:16:45.000 --> 01:16:53.000
Elisabeth Kubler-Ross doesn\'t give up.
01:16:55.000 --> 01:16:59.999
Far away from urban centers, in an
area of the east coast different from
01:17:00.000 --> 01:17:04.999
California in every way,
she tackles a new project,
01:17:05.000 --> 01:17:09.999
even if nobody here has been
waiting for her. [sil.]
01:17:10.000 --> 01:17:18.000
When I first started working, it
01:17:20.000 --> 01:17:24.999
was open four hours a day. It
wasn\'t a whole lot to do and
01:17:25.000 --> 01:17:29.999
then Elisabeth Kubler-Ross moved here.
Volume increased quite a bit
01:17:30.000 --> 01:17:34.999
and hours went to eight hours a day.
She was my biggest
01:17:35.000 --> 01:17:39.999
customer at the time. That was kinda new
to me and then I had to learn a lot of the
01:17:40.000 --> 01:17:44.999
rules and stuff for foreign mail, because I had
never done that before. Um, I don\'t think anybody
01:17:45.000 --> 01:17:49.999
here had mailed much foreign
mail before. [music]
01:17:50.000 --> 01:17:58.000
In a remote spot in the Virginia
hills, she buys a farm with about
01:18:00.000 --> 01:18:04.999
300 acres of forest and pasture land.
She moves there in 1984. Her
01:18:05.000 --> 01:18:09.999
plan is to start a new center for courses
and therapy and have a functioning
01:18:10.000 --> 01:18:14.999
farm to go with it. To the
existing farm buildings, she adds
01:18:15.000 --> 01:18:19.999
a big house to live in as well as three round
houses for her seminars and workshops. She
01:18:20.000 --> 01:18:24.999
asked me to help with secretary,
relieve, uh, relieve her of some
01:18:25.000 --> 01:18:29.999
of her duties. She was overburdened with her,
uh, with her secretarial work, trying to
01:18:30.000 --> 01:18:34.999
keep up with the mail. Because Elisabeth would come in and she
would sit up all hours of the night, typing with her two fingers,
01:18:35.000 --> 01:18:39.999
writing letters and dictating and to answering all these
letters she got and, uh, the telephone was ringing
01:18:40.000 --> 01:18:44.999
constantly. So she asked me to take over
the letters and the airline schedules. And
01:18:45.000 --> 01:18:49.999
so then she met me one evening and said I\'ve decided
on an office manager and I said oh good. Who?
01:18:50.000 --> 01:18:54.999
And she kicked me under the table
and said you. In those years, a new
01:18:55.000 --> 01:18:59.999
infectious disease appears, AIDS.
Through workshop
01:19:00.000 --> 01:19:04.999
participants, Elisabeth learns early on
of the tragic dimensions of the illness.
01:19:05.000 --> 01:19:09.999
She reacts quickly and develops an
ambitious project. Next to her farm,
01:19:10.000 --> 01:19:14.999
a hospice is to be built for
babies with AIDS. So when I became
01:19:15.000 --> 01:19:19.999
office manager, I decided to hire local
people and they did a good job here
01:19:20.000 --> 01:19:24.999
but, uh, they didn\'t like the AIDS hospice idea and
they wished that she would stop talking about even the
01:19:25.000 --> 01:19:29.999
idea of doing it. And one of the young ladies said
to me one day, \"I wish she would stop talking about,
01:19:30.000 --> 01:19:34.999
uh, this AIDS hospice, \'cuz somebody\'s gonna
kill her. Somebody\'s gonna shoot her.\" And, uh,
01:19:35.000 --> 01:19:39.999
she said, you know, this
is hunting area out here.
01:19:40.000 --> 01:19:44.999
The resistance of the local population reaches
massive proportions. Rumors and threats
01:19:45.000 --> 01:19:49.999
circulate. A public information event
about the planned baby hospice can take
01:19:50.000 --> 01:19:54.999
place only under police protection. As
soon as Elisabeth starts to speak, people
01:19:55.000 --> 01:19:59.999
whistle and call out, \"We can\'t understand
you because you\'re a foreigner.\"
01:20:00.000 --> 01:20:04.999
In spite of support from around the
world, the baby hospice cannot be built.
01:20:05.000 --> 01:20:09.999
Elisabeth is denied a
building permit, a bitter
01:20:10.000 --> 01:20:14.999
disappointment, but Elisabeth
won\'t let them drive her away.
01:20:15.000 --> 01:20:19.999
I was a member of the church (inaudible)
01:20:20.000 --> 01:20:24.999
chaplain and she and members of
her crew used to come down every
01:20:25.000 --> 01:20:29.999
Sunday that we had church and
I got to know her very well
01:20:30.000 --> 01:20:34.999
and I really liked her right
off from the beginning.
01:20:35.000 --> 01:20:39.999
And all members, they knew
when she walked in the church,
01:20:40.000 --> 01:20:44.999
there was such smiles and every once
in a while, she would even play the
01:20:45.000 --> 01:20:49.999
piano. But she was a great lady. [music]
01:20:50.000 --> 01:20:58.000
With the farm products grown at Healing
Waters, Elisabeth is almost completely
01:22:05.000 --> 01:22:09.999
self-sufficient. She raises
cows, horses, chickens, pigs,
01:22:10.000 --> 01:22:14.999
sheep, and a couple of llamas.
Virginia becomes her new home.
01:22:15.000 --> 01:22:19.999
Her sisters from Switzerland
visit regularly, especially Eva.
01:22:20.000 --> 01:22:24.999
They spend the summers working on the farm together
with friends and volunteers from around the world.
01:22:25.000 --> 01:22:29.999
Elisabeth has given up on the AIDS
hospice project but the tensions
01:22:30.000 --> 01:22:34.999
persist and the sharp tone she sometimes uses
when talking to her local employees doesn\'t
01:22:35.000 --> 01:22:39.999
help matters either. In, uh, October of
01:22:40.000 --> 01:22:44.999
1994, uh, this house that
was Elisabeth\'s burned.
01:22:45.000 --> 01:22:49.999
Elisabeth was due to come in that
evening and, uh, so the message
01:22:50.000 --> 01:22:54.999
got to Elisabeth when she was as far as
Baltimore at the airport there and a friend of
01:22:55.000 --> 01:22:59.999
hers tried to get her to stay overnight. She would not.
She had to come and see what happened here. So she
01:23:00.000 --> 01:23:04.999
walked up here from the farm house, uh, to see it
and it was probably 11, between 11 and midnight
01:23:05.000 --> 01:23:09.999
when she, uh, came up and saw it burning.
It was still burning when she got here.
01:23:10.000 --> 01:23:14.999
And, uh, it, everything was destroyed,
even the little truck that Elisabeth
01:23:15.000 --> 01:23:19.999
parked here, uh, that was hers. Everything was
destroyed except the chimney, uh, that was built
01:23:20.000 --> 01:23:24.999
by a local stonemason. Beautiful chimney
and, uh, with the fireplace that
01:23:25.000 --> 01:23:29.999
she so much loved and stove.
In the end, we think it was
01:23:30.000 --> 01:23:34.999
arson. There was no reason for it to be
burning. Elisabeth had been away on a lecture
01:23:35.000 --> 01:23:39.999
tour and she was receiving awards. She\'d been away for some
time and, uh, there was no reason for it to burn. No one
01:23:40.000 --> 01:23:44.999
had been in the house that we knew of,
uh, that no one knew of. And so, we, we
01:23:45.000 --> 01:23:49.999
deducted that it was arson. The, the fire department
and, and the sheriff and all came out and they
01:23:50.000 --> 01:23:54.999
did some investigation, not much. Uh, the
fire not only destroyed her manuscripts,
01:23:55.000 --> 01:23:59.999
it destroyed, uh, the manuscripts of, um,
01:24:00.000 --> 01:24:04.999
of writers and people in the field and
research projects that people had, had
01:24:05.000 --> 01:24:13.000
sent her. So the material was invaluable and cannot be reproduced, uh, again.
Kenneth wanted to get her out of here immediately. He was frightened for her
01:24:50.000 --> 01:24:54.999
so he went over to town immediately and,
um, into Stanton and went in and had
01:24:55.000 --> 01:24:59.999
to buy new clothes of course, because she didn\'t have anything except
what she had on her back and then the next day, he decided, uh, to take
01:25:00.000 --> 01:25:04.999
her back, take her away from here. She said I\'m
going to rebuild. I\'m going to rebuild right
01:25:05.000 --> 01:25:09.999
away and he said no mom, you\'re not. You\'re
gonna go back to, uh, with me. And, um, she
01:25:10.000 --> 01:25:14.999
went back to Arizona and it, stayed with Kenneth
a short while and then bought her a home
01:25:15.000 --> 01:25:19.999
right away, not too far from him.
About a half an hour away. [sil.]
01:25:20.000 --> 01:25:28.000
[sil.]
01:26:15.000 --> 01:26:23.000
After a series of minor strokes, she
suffers a major one on Mother\'s Day, 1995.
01:26:30.000 --> 01:26:34.999
This time, it\'s serious. The
result, several stays in hospital,
01:26:35.000 --> 01:26:39.999
paralysis on one side, and severe pain.
Elisabeth is
01:26:40.000 --> 01:26:44.999
despondent, despairing, and alone.
01:26:45.000 --> 01:26:49.999
Her son Kenneth drops by
from time to time. In
01:26:50.000 --> 01:26:54.999
the media, there are all kinds of reports
about the death and dying lady who can\'t
01:26:55.000 --> 01:27:03.000
seem to manage her own death. [music]
01:28:10.000 --> 01:28:18.000
On one of her
01:28:25.000 --> 01:28:29.999
endlessly long days, she receives a
phone call from a stranger, Joseph.
01:28:30.000 --> 01:28:34.999
Today, she calls him her healer.
He will become one of her most
01:28:35.000 --> 01:28:43.000
important companions of
these last few years.
01:30:15.000 --> 01:30:19.999
July 8th,
01:30:20.000 --> 01:30:24.999
2001. The three sisters
celebrate their 75th birthday
01:30:25.000 --> 01:30:29.999
together. To everyone\'s great surprise,
Elisabeth has made the trip from the United
01:30:30.000 --> 01:30:34.999
States. This will be the
last time the triplets are
01:30:35.000 --> 01:30:39.999
all together. Erika dies a
few months later. [sil.]
01:30:40.000 --> 01:30:48.000
[music]
01:31:30.000 --> 01:31:38.000
[music]
01:32:35.000 --> 01:32:43.000
Ladies and gentlemen, I\'m
01:35:05.000 --> 01:35:09.999
sure you\'d all like to know something
about the new entertainment miracle
01:35:10.000 --> 01:35:14.999
Program Cell Deck. Well, the
best way I can describe it
01:35:15.000 --> 01:35:19.999
to you is to tell you that, it makes
the screen absolutely real and
01:35:20.000 --> 01:35:24.999
alive. Of course, these illustrations
are only a pale suggestion of the
01:35:25.000 --> 01:35:29.999
real thing. It, it can\'t be described.
It\'s got to be seen and experienced.
01:35:30.000 --> 01:35:34.999
I tell you, from it\'s size and
it\'s appearance, some form of
01:35:35.000 --> 01:35:39.999
life in it. What do you want?
What are you doing?
01:35:40.000 --> 01:35:48.000
Let me see you as you really are.
What do you do when you\'re
01:36:30.000 --> 01:36:34.999
80 years old, lost in the woods, in
the company of strangers? (inaudible)
01:36:35.000 --> 01:36:42.999
. (inaudible)
01:36:43.000 --> 01:36:49.999
. Katherine,
01:36:50.000 --> 01:36:54.999
are you awake? Yes. I can\'t go to sleep.
01:36:55.000 --> 01:36:59.999
Did you hear that noise in the wood?
It\'s probably just
01:37:00.000 --> 01:37:04.999
somebody who belongs there, like a bear.
One, two, three.
01:37:05.000 --> 01:37:09.999
Hello. No, you gotta put
it up like this. [music]
01:37:10.000 --> 01:37:18.000
Oh please who? Please,
01:37:25.000 --> 01:37:29.999
my feet. You prayed to your... Dear
feet, get me through this horrible
01:37:30.000 --> 01:37:34.999
ordeal. Where\'d you learn how to do
this, Whammie (ph)? I was a belly
01:37:35.000 --> 01:37:39.999
dancer in my youth. I
think everybody\'s life is
01:37:40.000 --> 01:37:44.999
interesting. It\'s a drama.
You\'re knocking, Constance?
01:37:45.000 --> 01:37:53.000
Knocking. Oh dear. What have you got?
King, Jack, Jack.
01:37:55.000 --> 01:37:59.999
You knocked on that? (crosstalk) I got 29. If you met the right
guy today, would you fall in love with him now? I suppose. Why
01:38:00.000 --> 01:38:04.999
not? You\'re still alive. Yes. (inaudible)
01:38:05.000 --> 01:38:09.999
Is
01:38:10.000 --> 01:38:14.999
Anybody there?
01:38:15.000 --> 01:38:17.999
Here in the (inaudible)
01:38:18.000 --> 01:38:19.999
. [sil.]
01:38:20.000 --> 01:38:28.000
[music]
01:38:30.000 --> 01:38:34.999
I can\'t describe it to you
how New York and Harlem, at
01:38:35.000 --> 01:38:39.999
that point and time, was just really
swinging, you know? That\'s when Harlem was
01:38:40.000 --> 01:38:44.999
jumping. It was a place to be. That\'s where
people came from all over. They wouldn\'t dare
01:38:45.000 --> 01:38:49.999
hit that door if they weren\'t dressed from
head to toe. You didn\'t take a week off.
01:38:50.000 --> 01:38:54.999
If you wanted a job, you didn\'t take it off,
because when you come back, somebody else
01:38:55.000 --> 01:38:59.999
would be working in your place. And
this is my friend, Cab Calloway. Ella
01:39:00.000 --> 01:39:04.999
Fitzgerald. A young girl. Duke
Ellington, the gentleman. Louis
01:39:05.000 --> 01:39:09.999
Armstrong. I had a whole stack of letters
from him. Sixty years ago, we were
01:39:10.000 --> 01:39:14.999
doing what they\'re doing now.
And we were just as cute.
01:39:15.000 --> 01:39:19.999
We danced just as graceful. But think
about it. We\'re here now. A lot of these
01:39:20.000 --> 01:39:24.999
girls are too old to be dancing.
They\'re all in their 80\'s. [music]
01:39:25.000 --> 01:39:33.000
These are some of the original ladies
that danced in the Apollo Theater
01:39:40.000 --> 01:39:44.999
Chorus when it first opened
in the \'30\'s. [music]
01:39:45.000 --> 01:39:53.000
[sil.]
01:39:55.000 --> 01:40:03.000
[music]
01:40:05.000 --> 01:40:09.999
In 1964, World in Action made Seven
01:40:10.000 --> 01:40:14.999
Up and we\'ve been back to film
these children every seven years.
01:40:15.000 --> 01:40:19.999
They are now 49.
01:40:20.000 --> 01:40:24.999
Every seven years, a little pill
of poison is injected. I wanna be
01:40:25.000 --> 01:40:29.999
a jockey when I grow up. Yeah, I wanna be a jockey when I grow
up. What will you do if you don\'t make it as a jockey? Well,
01:40:30.000 --> 01:40:34.999
I don\'t know. At 21, Tony was
on the knowledge and by 28,
01:40:35.000 --> 01:40:39.999
he owned his own cab. Tony was taking
acting lessons. Now he supplements his
01:40:40.000 --> 01:40:44.999
income with occasional TV jobs.
01:40:45.000 --> 01:40:49.999
By 42, Tony and Debbie
had left the East End.
01:40:50.000 --> 01:40:54.999
Tell me, do you have any boyfriends Susie?
Yes. Have you got any boyfriends?
01:40:55.000 --> 01:40:59.999
I\'m very, very cynical about it.
What\'s happened to
01:41:00.000 --> 01:41:04.999
you over these last seven years? I suppose
01:41:05.000 --> 01:41:09.999
Rupert. All those memories of the
children growing up, it\'s like a closed
01:41:10.000 --> 01:41:14.999
chapter now. What is your attitude towards
01:41:15.000 --> 01:41:19.999
marriage? I don\'t want to answer that. I
don\'t answer questions like that. I don\'t
01:41:20.000 --> 01:41:24.999
answer questions like that. If your spouse died,
you could look back and think well, it was
01:41:25.000 --> 01:41:29.999
wonderful while it lasted but in a
divorce, you can\'t look back and say
01:41:30.000 --> 01:41:34.999
these are all happy memories.
01:41:35.000 --> 01:41:39.999
When I grow up, I want to be an astronaut.
Loved to be in politics. By 28,
01:41:40.000 --> 01:41:44.999
Neil was homeless, wandering around the
west coast of Scotland. I can think of all
01:41:45.000 --> 01:41:49.999
kinds of things I\'d like to be doing. The
real question is what would, how I, what am
01:41:50.000 --> 01:41:54.999
I likely to be doing. By 42,
Neil had moved to London
01:41:55.000 --> 01:41:56.000
and was a liberal democrat on (inaudible)
01:41:56.001 --> 01:41:59.999
council. [music]
01:42:00.000 --> 01:42:08.000
This is the last tobacco
01:42:30.000 --> 01:42:34.999
festival. It\'s gonna be Farmer\'s Day Parade
from now on is my understanding. You know,
01:42:35.000 --> 01:42:39.999
why have they changed it? Do you think
tobacco has a bad name? [music]
01:42:40.000 --> 01:42:44.999
Well, the first thing
01:42:45.000 --> 01:42:49.999
I should say is that if things had gone
differently, I\'d now be sitting on top an enormous
01:42:50.000 --> 01:42:54.999
family tobacco fortune.
Fifty-two rooms. [music]
01:42:55.000 --> 01:42:59.999
But of course,
01:43:00.000 --> 01:43:04.999
a tobacco fortune would have presented it\'s
own set of complications. Do you smoke?
01:43:05.000 --> 01:43:09.999
No, I don\'t. You\'re not supporting
the family business. Well
01:43:10.000 --> 01:43:14.999
I know. Uh, family sort of
got run out of business.
01:43:15.000 --> 01:43:19.999
My great grandfather, John Harvey
McElwee, invented the famous Bull Durham
01:43:20.000 --> 01:43:24.999
brand of tobacco, made a fortune,
but then somehow lost it
01:43:25.000 --> 01:43:29.999
all to his rival, James B. Duke.
They cheated my grandfather and
01:43:30.000 --> 01:43:34.999
I feel like it, the least they could have
done was given him some stock. [music]
01:43:35.000 --> 01:43:39.999
You know, there are many times where
01:43:40.000 --> 01:43:44.999
I would have rather had, uh, a cigarette
than a beautiful woman. Uh, that\'s not a
01:43:45.000 --> 01:43:49.999
joke. When we wake up
tomorrow morning, we\'re
01:43:50.000 --> 01:43:54.999
not smoking. We\'re non-smokers. And while
investigating the thorny questions
01:43:55.000 --> 01:43:59.999
surrounding my family\'s tobacco legacy, I
learned from my cousin that there\'s actually
01:44:00.000 --> 01:44:04.999
a Hollywood melodrama based on the
life of John Harvey McElwee. With our
01:44:05.000 --> 01:44:09.999
great grandfather being featured. Exactly.
Gary Cooper. Incredible. That\'s right. [music]
01:44:10.000 --> 01:44:14.999
Are there
01:44:15.000 --> 01:44:19.999
facts in the movie that
confirm, in your mind, that it
01:44:20.000 --> 01:44:24.999
was your grandpa? [music]
01:44:25.000 --> 01:44:29.999
So I traveled
01:44:30.000 --> 01:44:34.999
across my home state of North Carolina, met
lots of people who had their own tobacco
01:44:35.000 --> 01:44:39.999
stories to tell, and put them into a movie
I decided to call Bright Leaves. [music]
01:44:40.000 --> 01:44:48.000
Everybody\'s gonna die of something, so
01:44:50.000 --> 01:44:54.999
might as well die of something
that\'s gonna help out the, the
01:44:55.000 --> 01:44:59.999
what\'s the word? Here. The economy?
There you go.
01:45:00.000 --> 01:45:05.000
There you go. Having a rough morning.
[music]