WEBVTT

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I\'m just a lonely boy

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Lonely and blue

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I\'m all alone

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I got nothing to do

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Well, I got everything

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You could think of

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But all I want

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Is someone to love

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Give me someone, yes, someone to love

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Someone to kiss

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Someone to hold

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At a moment like this

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I\'d like to hear

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Just somebody say

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\"I\'ll give you my love

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Each night and day\"

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[applause] [cheering]

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[music]

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We want Paul.

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We want Paul.

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We want Paul.

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We don\'t want no one hurting now.

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We want everyone to stay nice.

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We want Paul.

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Come on, what do you want to do?
Oh, God.

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Thank you.

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What\'s your name?
Lyn.

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Where are you from?
Trenton.

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You\'re from Trenton?

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It\'s raining from your eyes, isn\'t it?

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Huh?

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[?]

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He\'s so modest.

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Oh, I love him. He\'s a god.

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He\'s got his own [?].

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He\'s just so wonderful.

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Oh, I can\'t describe him.

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He\'s got such a wonderful personality.

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He\'s so sweet.

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He\'s so cute and I like him.

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I think he\'s cute.

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I like all his records.

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I\'m in his fan club,

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I got 555 pictures of Paul Anka
all over my room,

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and I got a Paul Anka sweater.

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He\'s perfectly charming, he\'s delightful,
and he sings beautifully.

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I just love the boy because he\'s so young,
he\'s so full of enthusiasm and so grand.

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[?] can\'t park.

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Hi, Paul.

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Hi, how are you?

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Some vision,
very strong in that hand writing.

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He has a sympathetic personality
and a very keen mind.

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Concise thinking,
he thinks in one straight line.

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Practical person, very good judgement.

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He\'s very versatile,
there\'s a great many things he can do.

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He\'s optimistic, always optimistic.

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He can be very stubborn at times

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if he makes up his mind
he\'s not going to do something.

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In five short years,
Paul Anka, a young Canadian,

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has risen from obscurity in Ottawa

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to stardom

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in America\'s multi-million dollar
entertainment industry.

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Many have wondered about the significance
of this present day phenomenon.

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The astonishing transformation
of an entertainer into an idol.

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Worshipped
by millions of fans around the world.

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This is a candid look at Paul Anka
from both sides of the floodlights.

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[?] Paul Anka program

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before going in for [?] next performance.

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All the other [?]
program before going in,

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anymore before going in?

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Get a Paul Anka [?] program.

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Anymore before going in [?]
next performance?

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Paul.
Who\'s that?

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[?] I told him to do more.

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There we go.
When did he go on?

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Oh, fellas, of all days to do this.

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When did he go on?
He went on exactly five minutes ago.

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-Flashes or stockings?

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Flashes or stockings?

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In here Bobby.

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If he went out five minutes ago,

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how come he\'s almost over?
Got maybe five shows today.

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Five shows? Five shows.

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He doesn\'t do anything new, is he?

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Give me my makeup
and a bottle of liquid sponge, black.

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Okay.

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[?]

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Packed on a Tuesday?
That\'s right.

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-That\'s impossible.

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Well, look at what a [?] it is.

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You mind wait?

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Just forget they\'re even there.

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Huh?
Just forget they\'re even there.

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Okay.

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Shoes.

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Gavel.

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Sponge.

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Sponge.

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Did they yell for him?

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We want Paul.

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Yes. [?]

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Sure.

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I do this too much.

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[?] from the [?]

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[?]

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-What do we got, one minute?

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We got one minute.
Yes. Get out there right now.

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Get out there, Bobby.
This is it.

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Key on the board.

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[music]

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That\'s it.

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Now, ladies and gentlemen,

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[?] star of the show,

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the international [?] Paul Anka.

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[applause]

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I took a little trip to my home town

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I only stopped just to look around

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And as I walked along the thorough-fare

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There was music playing everywhere

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The music came from within my heart

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How did it happen, how did it start

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I only know that I fell in love

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I guess the answer lies up above

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Oh, what a feeling

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My heart was reeling

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The bells were ringing

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The birds were singing

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So everybody do the cha-cha

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And so the music keep goes on and on

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When I was 15 years old,
let\'s say when I was in school,

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I was a fat kid.

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That\'s to put it blunt, I was 170 lbs.

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I had a part here, had a part here.

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This went down, this went up,
this came down.

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It looked as crazy as it sounds.

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I was a heavy kid

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and I didn\'t look
like I was meant for showbusiness at all

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but I had that bubbling inside of me
and I wanted to sing,

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and I did.

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After I got in the business,
I made up my mind

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that one of the things
that you got to have

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or you\'re not going to go,
you\'re going to go this far

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and you\'re going to stop like that
and you can\'t get over

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is you got to have appeal,

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and you got to look
like you\'re in showbusiness.

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Because if you don\'t,
you\'re not going to make it.

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I had to lose 35 lbs,

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so I went to the coast
when I was out there.

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I went to a gym, I got a guy

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and I said,
\"Knock it off, I don\'t care how.\"

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I didn\'t eat,

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I worked out in the gym four hours a day.

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I steam, running, pulling, everything,
had to fix my hair.

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It looked crazy,

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I kept putting it back, letting it grow,
I had to brush it,

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and I had to put stuff on it.

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I had to keep doing it, it took me
a year and a half to get it like that.

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Just do it yourself, tight song man

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Only hopes that you liked his show

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I hope that I can sing for you
five years from today

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Then I\'ll be in my 20s
with my hair turning gray

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Though I\'ll be old and weary

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Still, I\'ll cheerfully say

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Thanks for helping my career get underway

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Yes, thanks to you

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Anka\'s away

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[cheering]

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On the subject of girls,
you asked me about their reaction?

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Well,

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I\'ll tell you, this business that I\'m in,

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I would say 60% of it

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is on emotion

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and a world which we all know.

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I\'m not in accord to using

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but it\'s the only word
which can sum up what I have to say

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which is sex.

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As far as the girls
who turn out and scream

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which is what you mean

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and stand there and cry
and things like that,

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it\'s something that I wouldn\'t knock.

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It\'s something that I am not against.

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It\'s something that I don\'t disapprove of.

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It\'s something I\'m very happy of.

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I think that they feel
if I\'m singing a Lonely Boy,

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they like to feel, well,
they\'re the girl that I\'m singing about.

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Oh, I can\'t believe.

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Oh, look at him.

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Hello.

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How are you, honey?

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Where\'d your parents go?
Did you come here with them?

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No. I came by myself.

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You alone?

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From New York?

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No. Pennsylvania.

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Pennsylvania?

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[?]

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Yes.

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Look, I\'ll come out afterwards.

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Let me go in and see if I\'m late,
then we\'ll sign all your stuff after.

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Okay?
Wait right here.

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Oh, my god.

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You\'re going to see the show or what?

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We\'re going to see the show.
Are you kidding me?

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[?] make it in.

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[laughter]

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Oh, [?]

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Paul\'s features are excellent.

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His eyes are great.

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Has a great mouth.

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It is no secret, last year,

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we had a plastic surgery job on his nose.

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Irvin Feld, Paul Anka\'s personal manager.

213
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The picture\'s entirely different
than it was four years ago.

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If you were to look
at some of his pictures four years ago

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and then see Paul today,

216
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you wouldn\'t believe it\'s the same person.

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People even say this now,

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if they haven\'t seen
any of the new pictures

219
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and they then see him in person,

220
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this is the comment

221
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and I\'m sure
that you must have heard it around,

222
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\"Gee,
he doesn\'t look the same as his pictures,

223
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he\'s so handsome.\"

224
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Now, Paul will be 20 in July.

225
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It\'s very simple for me personally
to have kept him working

226
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and to keep all the other young stars
working on one-night tours

227
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but then when you\'re planning a career,
you say, well, where do they go from here.

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Of course, the way you\'re recognized most
in the United States

229
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is if you\'re accepted
in the big nightclubs.

230
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These are the plush clubs
throughout the country,

231
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the biggest places

232
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where it cost you a lot of money
to sit down

233
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and play to the sophisticated people

234
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and I felt
that if Paul could make it in this area,

235
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that I could capture every other area.

236
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This is the way I groomed him

237
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so that he was the youngest performer ever

238
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to appear
in the big clubs that he appeared in.

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[music]

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Now ladies and gentlemen,
the Copacabana proudly presents Paul Anka.

241
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[applause]

242
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What a feeling

243
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What a glow

244
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What a thrill

245
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For me to say hello

246
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It\'s a-

247
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You want the waiters
to move around a little bit?

248
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Let them go about their work.

249
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All right.

250
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Bruno,

251
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tell the waiters to move around,
got action, you know what I mean?

252
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I don\'t understand it.

253
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Jules Podell,
owner of the world-famous Copacabana.

254
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I heard about Paul Anka
about two years ago.

255
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How\'d you hear about him?

256
00:13:24.946 --> 00:13:28.629
I\'ve heard about him
through the trade papers.

257
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I happened to buy one of his records,
the first one he made.

258
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He has a terrific personality.

259
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The public just takes to him,
they like him.

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Soon as he steps out on the floor,

261
00:13:46.872 --> 00:13:49.872
he has no problem of entertaining them
in any shape or form.

262
00:13:51.125 --> 00:13:53.729
You like the scotch?
Oh, yes. Please.

263
00:13:54.717 --> 00:13:55.717
No cover charge.

264
00:13:55.798 --> 00:13:57.812
[laughter]

265
00:14:06.274 --> 00:14:09.524
Everybody in their lifetime writes a song.

266
00:14:10.338 --> 00:14:12.075
I think 98% of the people

267
00:14:12.156 --> 00:14:15.106
at one time in their life
feel that they got an idea for a song.

268
00:14:15.187 --> 00:14:16.187
It\'s a bug.

269
00:14:17.137 --> 00:14:20.447
I feel that I have been given
a talent and a gift.

270
00:14:21.289 --> 00:14:23.285
I made it my point to find out myself.

271
00:14:23.540 --> 00:14:25.685
Take an inventory of myself, which I did.

272
00:14:26.428 --> 00:14:30.580
I\'ve been given a gift for writing,
for singing, and for entertaining.

273
00:14:31.962 --> 00:14:33.023
When I write a song,

274
00:14:33.104 --> 00:14:35.491
I can sit down and say,
\"Well, I need a new record

275
00:14:35.572 --> 00:14:37.326
and I\'m going to write a hit record.\"

276
00:14:37.407 --> 00:14:40.200
When I start that song, I know it\'s good.

277
00:14:40.590 --> 00:14:42.910
It\'s not egotistical, it\'s confidence.

278
00:14:42.991 --> 00:14:45.033
It\'s something
that I have to produce for the people

279
00:14:45.114 --> 00:14:46.582
and I have to know that it\'s good.

280
00:14:46.663 --> 00:14:47.888
I can\'t take a chance.

281
00:14:48.405 --> 00:14:49.852
I sit down and I play it.

282
00:14:49.933 --> 00:14:52.489
The words that come out
when I come to the final words,

283
00:14:52.570 --> 00:14:53.942
I know those are the words,

284
00:14:54.023 --> 00:14:55.723
I know that the violins are right,

285
00:14:55.898 --> 00:14:58.848
I know the melody is right,
and I know the tricks are right.

286
00:14:58.929 --> 00:15:03.929
[applause]

287
00:15:04.239 --> 00:15:05.239
Hey.

288
00:15:05.320 --> 00:15:06.959
Hello, Paul. How are you?

289
00:15:07.040 --> 00:15:09.478
I\'m surprised uncle Jules.
How are you, buddy?

290
00:15:09.559 --> 00:15:10.559
How are you?

291
00:15:10.649 --> 00:15:11.899
-How are you, Paul?

292
00:15:11.980 --> 00:15:13.130
This is our last night.

293
00:15:13.211 --> 00:15:14.993
What do you got?
I was upstairs in the room,

294
00:15:15.074 --> 00:15:16.584
I got something for you.
No kidding.

295
00:15:16.665 --> 00:15:19.015
I\'ve been wrapping it.
I\'m going to like this.

296
00:15:19.394 --> 00:15:20.544
I\'m wrapping gifts now.

297
00:15:23.885 --> 00:15:25.384
Oh, that\'s beautiful, Paul.

298
00:15:25.655 --> 00:15:26.655
You see that?

299
00:15:26.736 --> 00:15:27.736
You see this, Irvin?

300
00:15:28.301 --> 00:15:29.301
Very, very, nice.

301
00:15:29.382 --> 00:15:31.282
Oh, that\'s beautiful.
Goes with your ring.

302
00:15:31.363 --> 00:15:32.723
It sure does.
We picked it to go with your ring,

303
00:15:32.804 --> 00:15:33.882
you see?
Goes with this ring-

304
00:15:33.963 --> 00:15:34.963
Right?
beautiful.

305
00:15:35.044 --> 00:15:36.757
[?]

306
00:15:36.845 --> 00:15:38.013
Yes, beautiful.

307
00:15:38.186 --> 00:15:40.323
I promised you something for your office.

308
00:15:42.132 --> 00:15:44.973
It\'s a picture of me,
so it\'s nothing exciting.

309
00:15:45.061 --> 00:15:47.363
[laughs]

310
00:15:49.202 --> 00:15:50.252
Oh, that\'s beautiful.

311
00:15:50.333 --> 00:15:51.333
Look at this, Irvin.

312
00:15:51.431 --> 00:15:52.431
Isn\'t that nice?

313
00:15:53.591 --> 00:15:54.591
See that there?

314
00:15:54.672 --> 00:15:56.448
Isn\'t that beautiful?
Very, very beautiful.

315
00:15:56.529 --> 00:15:58.162
Now, we were going to frame it

316
00:15:58.243 --> 00:15:59.553
but we didn\'t know
what kind of frame you wanted

317
00:15:59.634 --> 00:16:01.380
or where you want to put it,
what do we go with.

318
00:16:01.461 --> 00:16:02.461
Yes.

319
00:16:02.592 --> 00:16:03.592
Well, I\'ll frame it.

320
00:16:03.709 --> 00:16:04.709
I\'ll frame it.

321
00:16:04.863 --> 00:16:07.179
That\'s beautiful.

322
00:16:07.393 --> 00:16:08.393
Thanks, buddy.

323
00:16:08.950 --> 00:16:09.950
Right here.

324
00:16:10.673 --> 00:16:11.773
I\'ll put it over here.

325
00:16:12.035 --> 00:16:13.385
Will you do the kiss again?

326
00:16:13.931 --> 00:16:15.319
[laughter]

327
00:16:15.400 --> 00:16:16.400
What is that?

328
00:16:18.955 --> 00:16:20.985
Will you do the kiss again, please?

329
00:16:21.643 --> 00:16:23.243
They want to get the kiss again.

330
00:16:23.340 --> 00:16:26.090
I\'ll tell you what happened,
the camera was just moving.

331
00:16:27.023 --> 00:16:28.359
That\'s beautiful.
I think

332
00:16:28.447 --> 00:16:29.995
you just want us to retake that

333
00:16:30.084 --> 00:16:31.773
because you got it.
I think they both enjoyed it,

334
00:16:31.854 --> 00:16:32.979
so we got to do that again.

335
00:16:33.060 --> 00:16:34.060
It\'s something.

336
00:16:34.324 --> 00:16:35.474
Thank you, uncle Julie.

337
00:16:38.080 --> 00:16:39.130
Do you want it again?

338
00:16:39.679 --> 00:16:40.679
Keep talking.

339
00:16:40.881 --> 00:16:42.481
Whatever you were talking about.

340
00:16:42.585 --> 00:16:44.740
This was certainly a fast three weeks,
Mr. Podell.

341
00:16:44.821 --> 00:16:47.416
Oh my gosh. I don\'t know how fast it went.

342
00:16:47.497 --> 00:16:48.997
I don\'t know where it went to.

343
00:16:49.078 --> 00:16:51.256
You always hate to see closing night?
Yes.

344
00:16:51.687 --> 00:16:53.137
I have a reservation for you.

345
00:16:53.226 --> 00:16:55.527
I have your airplane tickets
on a six-something plane

346
00:16:55.608 --> 00:16:57.375
out of LaGuardia to Buffalo.

347
00:16:57.653 --> 00:16:59.903
I didn\'t know
if you made reservations or not.

348
00:16:59.984 --> 00:17:01.469
Have you made reservations? All right,
No reservations.

349
00:17:01.550 --> 00:17:02.884
I made reservations for both of you

350
00:17:02.965 --> 00:17:06.034
in single rooms
at the Sheraton Hotel in Buffalo

351
00:17:06.509 --> 00:17:08.175
at I think a $7.50 rate.

352
00:17:08.256 --> 00:17:09.652
Is that all right?
That\'s [?]

353
00:17:09.835 --> 00:17:11.474
Okay.
I got a new song.

354
00:17:12.464 --> 00:17:13.464
Let\'s hear it.

355
00:17:14.039 --> 00:17:15.039
[?]

356
00:17:15.810 --> 00:17:16.810
I like this one.

357
00:17:24.787 --> 00:17:29.368
The wee small hours of the morning

358
00:17:32.927 --> 00:17:36.574
When all the world is still

359
00:17:37.800 --> 00:17:42.331
I have never had the admiration or respect
for any artist,

360
00:17:42.592 --> 00:17:44.953
you can take from the top-down,

361
00:17:45.211 --> 00:17:48.011
as I\'ve had for Paul
because Paul knows what he\'s doing.

362
00:17:49.608 --> 00:17:52.803
Great, creative person.

363
00:17:53.705 --> 00:17:55.362
Writes very, very well.

364
00:17:55.861 --> 00:17:59.739
Writes both the lyrics and the melody.

365
00:18:01.715 --> 00:18:04.634
I can see from the time he was 15
up to the present day

366
00:18:04.715 --> 00:18:06.449
how in each song that he writes,

367
00:18:06.592 --> 00:18:07.592
he matures.

368
00:18:08.036 --> 00:18:11.348
The lyrics get different,
the melodies have always been great.

369
00:18:12.596 --> 00:18:14.212
To love again

370
00:18:15.175 --> 00:18:16.675
And I\'ll cry

371
00:18:18.666 --> 00:18:20.827
Yes, I\'ll cry

372
00:18:22.852 --> 00:18:27.092
Over you

373
00:18:27.173 --> 00:18:28.323
Many nights we sat down

374
00:18:28.404 --> 00:18:31.504
and we\'ve discussed this thing
to the wee hours of the morning.

375
00:18:31.585 --> 00:18:34.563
I\'ve told him, I said, \"Paul,
you no longer belong to yourself.

376
00:18:34.644 --> 00:18:35.844
You belong to the world.

377
00:18:37.023 --> 00:18:38.123
God gave you something

378
00:18:38.204 --> 00:18:42.788
that I don\'t think he\'s given to anyone
in the past 500 years,

379
00:18:44.288 --> 00:18:45.538
but he\'s given it to you.

380
00:18:46.273 --> 00:18:47.392
He\'s given it to you

381
00:18:47.473 --> 00:18:50.229
to make other people throughout the world
happy.\"

382
00:18:50.793 --> 00:18:52.918
I truthfully believe

383
00:18:53.736 --> 00:18:55.986
and so far, I\'ve been lucky,
I\'ve been right.

384
00:18:56.963 --> 00:18:58.322
I truthfully believe

385
00:18:58.670 --> 00:19:01.275
that Paul will be the biggest star

386
00:19:02.553 --> 00:19:05.203
with an overall career
that this world has ever known.

387
00:19:14.699 --> 00:19:15.699
Freedomland,

388
00:19:16.078 --> 00:19:18.678
an amusement park
on the outskirts of New York City.

389
00:19:20.146 --> 00:19:23.671
This is the biggest mob we\'ve had here
since the park opened.

390
00:19:23.778 --> 00:19:25.870
Since opening day when we had 60,000.

391
00:19:26.109 --> 00:19:28.059
Were you afraid when they were pushing?

392
00:19:28.196 --> 00:19:29.348
No, not particularly.

393
00:19:29.518 --> 00:19:32.418
It\'s Paul Anka that has to be afraid.
They\'re not after me.

394
00:19:41.743 --> 00:19:42.793
Do a good job, girls.

395
00:19:42.874 --> 00:19:43.924
You know what I mean?

396
00:19:44.005 --> 00:19:46.297
I thought maybe they hit somebody.
You\'ll see Paul Anka.

397
00:19:46.401 --> 00:19:49.601
Take it easy now. You\'ll all see him.
Just take your time, relax.

398
00:19:51.182 --> 00:19:53.340
First time unit, no ground.

399
00:19:53.491 --> 00:19:55.878
Second time open, plenty of ground.

400
00:19:55.959 --> 00:19:56.959
Loud.

401
00:19:57.040 --> 00:20:00.690
You\'ll watch his back while you do it
because if he likes it we\'ll wiggle.

402
00:20:00.900 --> 00:20:03.549
If it gets a little bit
after I feel the audience,

403
00:20:03.630 --> 00:20:06.117
the first four times,
I might take something out,

404
00:20:06.467 --> 00:20:09.435
so be prepared to cut something
and go to the next song.

405
00:20:09.516 --> 00:20:10.811
It\'s a special material thing.

406
00:20:10.892 --> 00:20:13.342
If I see the girls won\'t keep quiet,
we\'ll cut it.

407
00:20:13.446 --> 00:20:18.446
[background noise]

408
00:20:21.320 --> 00:20:26.320
[music]

409
00:20:34.786 --> 00:20:36.603
Right now, ladies and gentlemen,

410
00:20:37.111 --> 00:20:42.111
[?] Paul Anka.

411
00:20:42.716 --> 00:20:47.716
[cheering]

412
00:21:46.314 --> 00:21:48.203
Diana

413
00:21:51.080 --> 00:21:53.976
I\'m so young and you\'re so old

414
00:21:54.640 --> 00:21:57.295
This, my darling, I\'ve been told

415
00:21:57.734 --> 00:22:00.593
I don\'t care just what they say

416
00:22:01.247 --> 00:22:03.974
\'Cause forever I will pray

417
00:22:04.336 --> 00:22:07.334
You and I, we will be as free

418
00:22:07.702 --> 00:22:10.897
As the birds up in the trees

419
00:22:11.117 --> 00:22:16.117
Oh, please stay by me

420
00:22:17.318 --> 00:22:19.444
Diana

421
00:22:20.538 --> 00:22:22.932
Love me, love me, love me so

422
00:22:24.067 --> 00:22:26.726
And never, never let me go

423
00:22:27.670 --> 00:22:29.853
Hold me, hold me, hold me right

424
00:22:31.211 --> 00:22:34.645
Tonight, tonight my love, tonight

425
00:22:35.081 --> 00:22:40.081
Forever, I will love you forever

426
00:22:42.205 --> 00:22:44.598
Dance, dance on little girl

427
00:22:46.028 --> 00:22:48.399
Tell me what I\'ve done wrong

428
00:22:49.529 --> 00:22:51.838
Why should he hold you tight

429
00:22:53.145 --> 00:22:55.979
While they\'re playing our song

430
00:22:56.417 --> 00:22:59.712
Oh, I am watching you

431
00:23:00.052 --> 00:23:04.126
Oh, oh, oh, it cannot be

432
00:23:04.926 --> 00:23:09.926
Put your head on my shoulder

433
00:23:13.432 --> 00:23:18.432
Hold me in your arms, baby

434
00:23:21.439 --> 00:23:26.439
Won\'t you squeeze me once, baby

435
00:23:29.548 --> 00:23:34.451
Tell me that you love me too

436
00:23:41.208 --> 00:23:46.208
People say love\'s a game

437
00:23:49.514 --> 00:23:54.514
A game you just can\'t win

438
00:23:56.359 --> 00:23:59.590
If there\'s a way

439
00:24:00.006 --> 00:24:03.597
I\'ll find it someday

440
00:24:04.080 --> 00:24:07.723
And then this fool will

441
00:24:08.065 --> 00:24:12.889
rush in

442
00:24:13.628 --> 00:24:15.165
Put your head

443
00:24:15.246 --> 00:24:20.246
on my shoulder

444
00:24:22.278 --> 00:24:25.471
Whisper in my ear,

445
00:24:25.575 --> 00:24:29.314
oh baby

446
00:24:30.362 --> 00:24:33.174
Words I want to hear,

447
00:24:34.450 --> 00:24:37.167
baby

448
00:24:38.477 --> 00:24:41.846
Put your head on

449
00:24:42.782 --> 00:24:47.782
my shoulder

450
00:24:55.975 --> 00:24:57.538
Paul- Any special names?

451
00:24:57.681 --> 00:24:59.805
for 1962, the fall of \'62,

452
00:24:59.886 --> 00:25:02.086
and I have to start working on it
right away.

453
00:25:02.167 --> 00:25:05.687
I want you to do a college concert tour
of the colleges only.

454
00:25:06.314 --> 00:25:08.264
That I have to put together pretty soon

455
00:25:08.345 --> 00:25:10.674
because they book [?] than a year
in front.

456
00:25:11.177 --> 00:25:12.317
[?]

457
00:25:12.562 --> 00:25:14.512
You know what I\'d like to do out there?

458
00:25:14.722 --> 00:25:16.572
I\'d like to take a big girl with him.

459
00:25:17.021 --> 00:25:18.021
A big girl?

460
00:25:18.433 --> 00:25:19.433
[laughs]

461
00:25:19.710 --> 00:25:24.710
Get a big band, Paul,
but use the band for various things.

462
00:25:24.905 --> 00:25:27.255
Pick out small units out of it,
everything else.

463
00:25:27.336 --> 00:25:29.954
A college concert for the fall of \'62.

464
00:25:31.503 --> 00:25:33.799
Paul Anka say,
\"Where\'s my wife and daughter?

465
00:25:33.974 --> 00:25:35.424
What am I doing down here?\"

466
00:25:36.723 --> 00:25:39.008
You know what you\'re doing here. I know.

467
00:25:40.070 --> 00:25:42.551
I\'m just a lonely boy

468
00:25:43.591 --> 00:25:45.135
Lonely and blue

469
00:25:46.540 --> 00:25:48.121
I\'m all alone

470
00:25:49.238 --> 00:25:51.447
I got nothing to do

471
00:25:52.422 --> 00:25:54.034
I got everything

472
00:25:55.747 --> 00:25:57.550
You could think of

473
00:25:58.860 --> 00:26:00.480
But all I want

474
00:26:01.678 --> 00:26:04.347
Is someone to love

475
00:26:04.592 --> 00:26:07.936
Give me someone, yes, someone to love

476
00:26:08.828 --> 00:26:10.914
Someone to kiss

477
00:26:12.096 --> 00:26:14.405
Someone to hold

478
00:26:14.992 --> 00:26:17.268
At a moment like this

479
00:26:18.464 --> 00:26:20.237
I\'d like to hear

480
00:26:21.117 --> 00:26:23.480
Just somebody say

481
00:26:24.496 --> 00:26:26.767
\"I\'ll give you my love

482
00:26:27.830 --> 00:26:31.908
Each night and day\"

483
00:26:31.989 --> 00:26:36.989
[cheering]