The story behind, and location of, Rodrigo's most famous work.
Burnt Toast
- Description
- Reviews
- Credits
- Cataloging
- Transcript
BURNT TOAST is comprised of a series of eight comedic mini-operas, each depicting a different stage of a romantic relationship set in contemporary settings. With original music and libretti, each vignette is a self-contained story, but together they work as a cohesive single piece. The relationships are of all types: the passionate, the fantasized, the bored and of course, the dead relationship.
An opera program that actually appeals to a wide general audience, BURNT TOAST is the brainchild of the same team that created 'Toothpaste', the five-minute domestic opera that has been screened throughout the world and showered with international prizes.
'The entire process of love, pain and the whole damn thing is uniquely played out in the mock-opera, Burnt Toast...TV is rarely this good...Weinstein's established visual style...is applied here...with striking effect.' The (Toronto) Globe and Mail
'Inspired...Composed by Alexina Louie, with a playfully ironic libretto from Dan Redican, the comedia opera features a virtual Who's Who of Canadian actors -- Paul Gross, Colm Feore, Colin Machirie, Leah Pinsent, Cathy Jones, Mark McKinney among others -- lip-synching their way through the melodie madness.' Toronto Star
'A laugh-filled treat...Not just for opera fans.' Now Magazine
'Burnt Toast is a somewhat unusual and brave release from Bullfrog Films...thrilling...Create[s] the interest to listen to more. What else could anyone ask of contemporary opera? A Highly Recommended purchase for all libraries.' Gerald Notaro, University of South Florida, Educational Media Reviews Online
Citation
Main credits
Weinstein, Larry (film director)
Weinstein, Larry (film producer)
Louie, Alexina (composer)
Redican, Dan (librettist)
Redican, Dan (performer)
Daniel, Jessica (film producer)
Hornburg, Matthew (film producer)
Fichman, Niv (film producer)
Franco, David (photographer)
Gross, Paul (actor)
Szabó, Krisztina (performer)
Houtman, Martin (performer)
McGillivray, Peter (performer)
Mercer, Shannon (performer)
Stilwell, Jean (performer)
Butterfield, Benjamin (performer)
Bayrakdarian, Isabel (performer)
Martin, Bob (actor)
Balaban, Liane (actor)
Colvin, Michael (performer)
Sadiq, Zorana (performer)
Braun, Russell (performer)
Monoyios, Ann (performer)
McNaughton, Doug (performer)
Hannigan, Barbara (performer)
Thompson, Scott (actor)
Akin, Philip (actor)
Feore, Colm (actor)
Pinsent, Leah (actor)
Alpay, David (actor)
Manninen, Sarah (actor)
Breslin, Mark (actor)
Lehman, Kristin (actor)
O'Sullivan, Paul (actor)
Mochrie, Colin (actor)
McGrath, Debra (actor)
Jones, Cathy (actor)
Wint, Maurice Dean (actor)
McKinney, Mark (actor)
Cullen, Seán (actor)
Pauk, Alex (conductor)
Other credits
Libretto by Dan Redican; composer, Alexina Louie; executive producer, Niv Fichman; costume designer, Anne Dixon; production designer, Marian Wihak; sound Design, David Rose, Lou Solakofski; director of photography, David Franco; visual effects, OPTIX; editor, David New.
Distributor subjects
Anthropology; Film Studies; Humanities; Humor; Music; Opera; Performing Arts; TheaterKeywords
opera, romance, comedy, Toothpaste,; Alexina Louie, Dan Redican, Paul Gross, Colm Feore, Colin Machirie, Leah Pinsent, Cathy Jones, Mark McKinney; "Burnt Toast"; Bullfrog Films
Dialogue List - Omnibus Edition
1 01:00:01:19 [tense music]
2 01:00:11:19 [music]
3 01:01:32:05
4 01:01:38:22 [music]
5 01:02:07:03
6 01:02:09:17 [soft music]
7 01:02:19:17 [music]
8 01:02:44:26 EVERY DAY I SEE YOU HERE.
9 01:02:55:03 CARING, SMILING- WHO ARE YOU?
10 01:03:06:13 EVERY DAY, DAY AFTER DAY?
11 01:03:19:11 ARE YOU LONELY TOO?
12 01:03:25:07 LONELY.
13 01:03:27:19 ARE YOU LONELY?
14 01:03:29:28 ARE YOU LONELY TOO?
15 01:03:40:25
16 01:03:45:21 YOU ARE THE LAW, YOU ARE THE STRENGTH,
17 01:03:54:27 YOU ARE IN CHARGE OF ME.
18 01:04:05:06 LOOK OVER HERE, LOOK OVER HERE.
19 01:04:11:17 LOOK AT ME, LOOK AT ME.
20 01:04:20:17 IN THE SUN, IN THE RAIN,
21 01:04:26:28 YOU FEED THEM ALL UNDER YOUR BIG BLUE UMBRELLA.
22 01:04:38:25 SATISFY MY HUNGER FEED ME TOO!
23 01:04:46:07 FEED ME TOO!
24 01:04:52:02
25 01:04:54:26 YOU DON'T NEED KETCHUP OR RELISH OR MUSTARD.
26 01:04:59:23 YOU DON'T NEED ONIONS, HOT PEPPERS - HOT PEPPERS!
27 01:05:06:10 YOU DON'T NEED PICKLES, CAPERS, PIMENTOS,
28 01:05:09:23 KETCHUP, OLIVES, MUSTARD, ONIONS...
29 01:05:14:17 PEPPERS, PICKLES, RELISH, CAPERS, TOMATOES.
30 01:05:19:07 SAUERKRAUT.
31 01:05:25:00 YOU JUST NEED ME!
32 01:05:35:22 YOUR QUEEN IS UNPROTECTED,
33 01:05:44:00 I SACRIFICE MY PAWN.
34 01:05:49:04 YOUR KING IS IN THE CORNER,
35 01:05:55:05 ALL YOUR DEFENSE IS GONE.
36 01:05:59:21 MANEUVER ALL YOU WANT TO, YOU'RE STILL THREE MOVES,
37 01:06:07:04 YOU'RE STILL THREE MOVES BEHIND.
38 01:06:13:28 TODAY YOU ARE MINE.
39 01:06:22:23 LOOK UP!
40 01:06:26:07 LOOK UP!
41 01:06:29:11 LOOK OVER AT ME!
42 01:06:35:29 BEAUTIFUL MAN!
43 01:06:40:24 LOST IN YOUR BOOK
44 01:06:43:02 LIFT UP YOUR HEAD TAKE A LONG LOOK.
45 01:06:50:22 ARE YOU LONELY TOO?
46 01:06:55:28 YOU ARE IN CHARGE OF ME
47 01:06:57:20 CAN YOU FEED ME TOO
48 01:07:00:13 YOU JUST NEED ME
49 01:07:04:12 TODAY, TODAY YOU SHALL BE MINE!
50 01:07:04:12 I AM, I AM RIGHT HERE.
51 01:07:13:23 [singing overlaps]
52 01:07:27:01 ALL THAT YOU NEED
53 01:07:30:12 IS A LOVE OF YOUR OWN!
54 01:07:36:21 [music]
55 01:07:43:14
56 01:07:49:20 [music]
57 01:08:19:03
58 01:08:21:01 [horns honking]
59 01:08:22:22 [tense music]
60 01:08:27:25 TUESDAY, TUESDAY, TUESDAY, TUESDAY.
61 01:08:30:26 WHAT'S ON FOR TUESDAY, WHAT'S ON FOR TUESDAY,
62 01:08:34:23 TV DINNER, OPEN WIDE, FOR DESSERT THE TV GUIDE.
63 01:08:42:21 TUESDAY, TUESDAY, TUESDAY, TUESDAY.
64 01:08:47:19
65 01:08:49:17 THIGH MASTER, PHONE MOM, CHANGE THE KITTY LITTER.
66 01:08:54:11 THIGH MASTER, PHONE MOM, CHANGE THE KITTY LITTER.
67 01:08:58:29 THIGH MASTER, PHONE MOM, CHANGE THE KITTY LITTER...
68 01:09:03:18 [honking]
69 01:09:08:02 [music]
70 01:09:11:26 [screeching]
71 01:09:13:02
72 01:09:15:21 ARRGGH!
73 01:09:18:17 WHAT HAS MADE ME DESERVE THIS?
74 01:09:21:13 WHY?
75 01:09:24:09
76 01:09:28:14 IT ISN'T FAIR, IT ISN'T FAIR, IT'S JUST NOT FAIR!
77 01:09:36:18
78 01:09:44:08 [romantic music]
79 01:09:50:09 THAT FACE, THOSE LIPS THAT TOUSLED HAIR.
80 01:10:03:06 THOSE EYES, THAT NOSE, THAT LONELY GAZE.
81 01:10:08:26 AT LAST.
82 01:10:10:27 AT LAST.
83 01:10:13:08 AT LONG LAST, IT IS HE!
84 01:10:23:04 AT LONG LAST, IT IS SHE!
85 01:10:26:13 YES!
86 01:10:29:14
87 01:10:32:17 I SEE THE TWO OF US TOGETHER
88 01:10:38:00 I SEE THE TWO OF US TOGETHER, TOGETHER
89 01:10:43:26 LIFTING ME FROM MY BORING LIFE.
90 01:10:49:17 HOLDING ME, YOUR MUSCLED ARMS ENFOLDING ME.
91 01:10:58:18 I SEE YOU GIVE YOURSELF TO ME.
92 01:11:02:13 YOU WRAP YOUR ARMS, YOUR LEGS AROUND ME,
93 01:11:07:26 AROUND ME.
94 01:11:13:02 WE ARE DRINKING WINE AT SUNSET
95 01:11:18:25 AS THE OCEAN BREEZES PLAY.
96 01:11:29:06 WE ARE NAKED AND ENTWINED,
97 01:11:33:23 ROLLING ON THE SHORE.
98 01:11:43:23
99 01:11:46:28 RUNNING THROUGH THE MEADOW,
100 01:11:52:09 THERE ARE FLOWERS IN MY HAIR.
101 01:11:57:25 BOTH OUR BODIES TANGLED STRIVING THRUSTING...
102 01:12:07:23 YOU ARE MINE!
103 01:12:10:19 YOUR EYES HOLD NO DECEIT OR GUILE.
104 01:12:14:18 YOU ARE MINE!
105 01:12:16:24 THAT SLY ENDEARING SMILE.
106 01:12:19:29 YOU ARE MINE, FOREVER BY MY SIDE.
107 01:12:27:08 MY LOVE, MY HEART, MY BRIDE
108 01:12:38:06 [both] TOGETHER WE ARE MORE THAN WE EVER WERE BEFORE
109 01:12:49:21 AND TOGETHER WE CAN STEP INTO INTO INTO
110 01:13:11:26 ETERNITY...
111 01:13:21:14 [horn]
112 01:13:25:10 [tense music] [traffic noises]
113 01:13:33:26 WHAT'S FOR DINNER? WHAT'S FOR DINNER?
114 01:13:37:27 BEEF OR CHICKEN, WHO'S THE WINNER?
115 01:13:42:28
116 01:13:43:29 THIGH MASTER, PHONE MOM, CHANGE THE KITTY LITTER.
117 01:13:48:08 THIGH MASTER, PHONE MOM, CHANGE THE KITTY LITTER.
118 01:13:52:18 THIGH MASTER, PHONE MOM, CHANGE THE KITTY LITTER.
119 01:13:57:16
120 01:13:59:26 [traffic noises]
121 01:14:10:05
122 01:14:16:29 [music]
123 01:14:36:12 [heartbeat]
124 01:14:38:23
125 01:14:46:02 [nature sounds] [soft music]
126 01:15:01:03
127 01:15:05:22 [music]
128 01:15:46:16 [sound of spraying water]
129 01:15:52:27
130 01:15:57:27 [nature sounds] [soft music]
131 01:16:05:10
132 01:16:09:14 [music]
133 01:16:54:08
134 01:16:55:14 [sound of loud punch]
135 01:16:57:19 [music]
136 01:17:10:26
137 01:17:16:00 [music]
138 01:17:37:03 [loud clang]
139 01:17:39:01 [crash]
140 01:17:44:14
141 01:17:45:23 [crickets chirping] [music]
142 01:17:51:11
143 01:17:56:24 [music]
144 01:18:54:28 [music building]
145 01:19:03:19 [music]
146 01:19:42:11
147 01:19:47:22 [music]
148 01:20:18:28 [blowing nose]
149 01:20:20:12 [music]
150 01:20:28:11
151 01:20:30:21 [cheerful romantic music]
152 01:20:38:18 [music]
153 01:20:56:05 MARRIAGE IS A CONTRACT NOT ENTERED INTO LIGHTLY
154 01:21:07:13 WE NOW ASK BOTH PARTIES TO SHARE THEIR SOLEMN VOWS,
155 01:21:16:02 THEIR SOLEMN VOWS.
156 01:21:22:04
157 01:21:26:14 TANYA, TANYA, TANYA,
158 01:21:34:12 THE SUNLIGHT IN MY GARDEN.
159 01:21:43:11 WHEN YOU'RE NEAR ME I OPEN,
160 01:21:47:16 WHEN YOU'RE FAR FROM ME I WITHER,
161 01:21:53:00 THIS I VOW TO YOU...
162 01:21:59:06 I WILL WORK AND BRING HOME THE MONEY.
163 01:22:06:07 I WILL HELP AROUND THE HOUSE...
164 01:22:12:28 AT FIRST. AT FIRST.
165 01:22:17:23 AND I WILL WATCH A LOT OF TV AS I GROW STEADILY FATTER.
166 01:22:29:15 I WILL BUY A LOT OF GADGETS
167 01:22:33:06 THAT WE BOTH KNOW WE DON'T NEED.
168 01:22:36:27 ONCE WE HAVE SOME LITTLE CHILDREN
169 01:22:40:21 I WILL GROW A LITTLE DULLER.
170 01:22:45:25 MY OPINIONS WILL BE STILTED.
171 01:22:50:26 I WILL MAKE THE SAME OLD JOKES.
172 01:22:57:19 AND I'LL LOOK JUST LIKE MY FATHER,
173 01:23:00:26 AND I'LL DRINK AND FART AND SNORE:
174 01:23:04:29 THIS I SOLEMNLY DO SWEAR.
175 01:23:11:16
176 01:23:14:06 WILLIAM.
177 01:23:16:12 YOU'RE MY STRENGTH, MY ASSURANCE.
178 01:23:22:00 I WILL HUNGER FOR YOUR LOVE AT FIRST.
179 01:23:26:09 THEN I'LL LOSE ALL INTEREST.
180 01:23:29:25 I'LL GROW MORE AND MORE UNHAPPY
181 01:23:33:02 I'LL IGNORE YOU AND FORGET YOU.
182 01:23:37:13 AS I GROW STEADILY FATTER.
183 01:23:40:11 WEARING STRETCH PANTS AND OLD SWEATSHIRTS.
184 01:23:44:11 OLD TATTERED SWEATSHIRTS.
185 01:23:52:03 I WILL CRITICIZE, GOSSIP AND COMPLAIN,
186 01:23:55:14 I WILL CONDESCEND TO YOU.
187 01:23:58:28 I WILL TURN THE KIDS AGAINST YOU.
188 01:24:04:02 AND SECRETLY I'LL DRINK.
189 01:24:11:16 DRINK.
190 01:24:16:05 A LOT, A LOT.
191 01:24:20:25 A HELL OF A LOT.
192 01:24:24:17 FOREVER AND EVER.
193 01:24:33:09 I NOW PRONOUNCE YOU MAN AND WIFE.
194 01:24:42:19 [music]
195 01:25:00:13
196 01:25:04:13 [music]
197 01:25:26:13
198 01:25:36:10 [sultry music]
199 01:25:50:19 [music]
200 01:25:54:08 RICHIE.
201 01:25:56:00 RICHIE JONES.
202 01:25:58:14 MY ENGINEER.
203 01:26:01:10 IT'S TIME TO COME TO BED!
204 01:26:04:28 [music]
205 01:26:13:01 [sound of train]
206 01:26:16:11
207 01:26:21:13 BEATER AT THE BACK, BEATER AT THE BACK,
208 01:26:23:00 BEATER AT THE BACK.
209 01:26:24:10 HIGHBALL ON A ROLL, HIGHBALL ON A ROLL
210 01:26:26:07 HIGHBALL ON A ROLL.
211 01:26:29:06 BEND THE IRON, BEND THE IRON, BEND THE IRON.
212 01:26:34:09 BUST UP A CUT AND BUCK THE BOARD.
213 01:26:37:10 BUST UP A CUT AND BUCK THE BOARD, BOARD,
214 01:26:42:00 BUCK THE BOARD.
215 01:26:44:12
216 01:26:48:03 PUT AWAY YOUR TOYS,
217 01:26:54:25 TONIGHT YOU WILL RIDE MORE THAN JUST THE RAILS,
218 01:27:06:16 ALMOST CHECKERED CHECKERED CHECKERED CHECKERED
219 01:27:09:06 THE CHARIOT, THE CHARIOT.
220 01:27:13:00 DIDN'T WANT 'EM CHEWING DIDN'T WANT 'EM CHEWING
221 01:27:16:03 CHEWING CHEWING CINDERS
222 01:27:18:14 IN THE TOW IN THE TOW IN THE TOW PATH.
223 01:27:22:03
224 01:27:25:23 COME HERE TO ME, PUT YOUR ENGINE IN MY HANDS.
225 01:27:35:19 I'LL REV UP YOUR TRANSFORMER...
226 01:27:43:23 [sound of train]
227 01:27:51:19 COOL YOUR SPINDLE, COOL YOUR SPINDLE.
228 01:27:54:04 SO THE CAR'S ARE CORNERED.
229 01:27:55:25 EASE UP, EASE UP EASE UP CAUSE I'M PULLING A CUT.
230 01:28:01:18
231 01:28:05:03 I'LL REV IT UP.
232 01:28:08:18 COME ON, COME ON, LAY SOME TRACK IN THE RAIL BED,
233 01:28:16:13 IN MY RAIL BED.
234 01:28:21:15 GOT A DEAD MAN'S THROTTLE ON MY GRASSHOPPER.
235 01:28:27:04 DRAG AND DROP.
236 01:28:30:06 FORGET THE LOCOMOTIVES.
237 01:28:33:19 MAKE AN UNSCHEDULED STOP.
238 01:28:36:16 WHAT DOES IT TAKE TO PUT SOME BUBBLES IN YOUR BOILER?
239 01:28:41:09 NO, NO YOU CAN'T WIDEN ON HER
240 01:28:44:06 WITH A WET MULE IN THE FIREBOX.
241 01:28:47:18 THERE'S A WHITE RIBBON
242 01:28:49:19 AND THERE'S NO TIME TO WHISTLE OUT A FLAG.
243 01:28:53:16 COME TO ME NOW!
244 01:28:56:15 [crash]
245 01:29:00:11 GET OUT, GET OUT!
246 01:29:03:17
247 01:29:07:24 BUT, I JUST WANTED TO...
248 01:29:15:17 GET OUT!
249 01:29:19:14
250 01:29:22:06 [music]
251 01:29:35:06 AN H.O. 4-6-4
252 01:29:44:20 HUDSON BOSTON AND ALBANY.
253 01:29:51:26 [music]
254 01:30:02:14 YOU'RE SUCH A ROUGHNECK.
255 01:30:05:24 WANT TO SHAKE THE SHUNT ONTO A SIDING
256 01:30:08:29 FOR THE SHORT TIME CREW?
257 01:30:11:21 AGAIN?
258 01:30:13:10 SO SOON?
259 01:30:15:11 YOU ANIMAL!
260 01:30:21:06 YOU ANIMAL!
261 01:30:24:05 [sound of train whistle]
262 01:30:26:01
263 01:30:29:24 [music]
264 01:30:47:27 [coughing]
265 01:30:54:12
266 01:30:58:11 [music]
267 01:31:01:08 [sound of mower]
268 01:31:05:22 DOUGALD, MAY I SPEAK TO YOU FOR A MINUTE, PLEASE?
269 01:31:08:24 [sound of mower]
270 01:31:10:29 DOUGALD?
271 01:31:13:05 WHEN YOU'RE FINISHED OUT THERE I WANT TO TALK TO YOU.
272 01:31:20:09
273 01:31:25:05 SHE WANTS TO TALK TO ME?
274 01:31:29:10 SHE WANTS TO TALK TO ME?
275 01:31:33:18 HER MAJESTY DEMANDS AN AUDIENCE!
276 01:31:38:27 I MUST DROP EVERYTHING SO SHE CAN TALK TO ME,
277 01:31:42:09 TALK TO ME?
278 01:31:43:24 WHAT CAN IT BE?
279 01:31:45:11 WHAT DOES SHE WANT?
280 01:31:46:25 WHAT CAN IT BE, WHAT WILL SHE SAY?
281 01:31:50:05
282 01:31:51:12 "YOU SPEND YOUR WHOLE DAMN LIFE IGNORING ME,
283 01:31:55:00 YOU DO YOUR CHORES AND KEEP IGNORING ME!"
284 01:31:59:08 BUT THAT'S NOT TRUE!
285 01:32:01:07 BUT THAT'S NOT TRUE!
286 01:32:02:27 THAT'S NOT TRUE!
287 01:32:06:02 WHY JUST LAST WEEK I TOOK YOU TO THE MOVIES!
288 01:32:10:07 "EVERY MOVIE'S JACKIE CHAN.
289 01:32:12:24 IT'S ALWAYS, ALWAYS JACKIE CHAN."
290 01:32:14:16
291 01:32:18:11 OKAY, FINE, I'LL LET YOU CHOOSE,
292 01:32:21:05 I'LL LET YOU CHOOSE SOME STUPID GIRLY MOVIE.
293 01:32:28:25 "YOU'RE ALWAYS FUSSING WITH YOUR LAWN.
294 01:32:31:28 YOU'VE NEVER ANY TIME FOR ME!"
295 01:32:36:18 HOW WOULD YOU LIKE IT IF I DIDN'T MOW THE LAWN?
296 01:32:39:27 AN OCEAN OF WEEDS, GRASS UP TO THE EAVES.
297 01:32:43:24 HOW WOULD YOU LIKE IT?
298 01:32:45:14 I'LL TELL YOU HOW YOU'D LIKE IT!
299 01:32:47:16 YOU WOULDN'T LIKE IT!
300 01:32:52:27
301 01:32:55:29 "YES, YOU MOW THE LAWN, BUT YOU NEVER CLEAN UP!
302 01:33:02:12 I DO EVERYTHING AROUND HERE."
303 01:33:07:07 HERE! HERE!
304 01:33:08:26 I'M CLEANING UP, YOU CAN'T SAY I DON'T CLEAN UP NOW!
305 01:33:13:12 CLEAN CLEAN CLEAN CLEAN CLEAN CLEAN CLEAN!
306 01:33:16:12
307 01:33:17:12 IT'S ALWAYS: "NOTHING THAT YOU DO IS GOOD ENOUGH!
308 01:33:22:13 NO! NO NOTHING!
309 01:33:25:20 NOTHING THAT YOU DO IS EVER GOOD ENOUGH!
310 01:33:31:25 I KNOW THERE'S NOTHING THAT YOU CAN SAY OR DO.
311 01:33:37:29 YOU'LL NEVER NEVER NEVER NEVER CHANGE.
312 01:33:40:23 I KNOW, I KNOW, I KNOW, I KNOW IT'S TRUE...
313 01:33:43:25 NYA NYA NYA NYA NYA NYA NYA
314 01:33:45:17 NYA NYA NYA NYA NYA NYA NYA
315 01:33:47:02 NYA NYA NYA NYA NYA NYA
316 01:33:48:15 NYA NYA NYA NYA NYA NYA...
317 01:33:49:27 YOU'LL NEVER NEVER CHANGE."
318 01:33:55:16
319 01:33:57:13 SWEETIE YOU'VE BEEN WORKING SO HARD.
320 01:34:03:02 YOU DESERVE A REWARD.
321 01:34:06:00 LET'S GO OUT FOR DINNER TONIGHT.
322 01:34:13:18
323 01:34:18:00 I KNEW YOU WERE GOING TO SAY THAT.
324 01:34:31:11
325 01:34:36:24 [music]
326 01:34:41:28 [explosions]
327 01:34:45:29 [music]
328 01:35:12:06
329 01:35:16:14 [music]
330 01:35:18:02 [gavel pounding]
331 01:35:19:21 [music]
332 01:35:35:17 ANNA MARIA MANNIAGHOTTI, YOU STAND ACCUSED,
333 01:35:43:22 YOU STAND ACCUSED, OF THE MURDER, THE MURDER,
334 01:35:51:12 OF YOUR HUSBAND.
335 01:35:55:28 HOW DO YOU PLEAD?
336 01:35:59:11 [music]
337 01:36:04:11 NOT GUILTY!
338 01:36:06:23 NOT GUILTY, NOT GUILTY, I LOVED I LOVED VINCENZO.
339 01:36:20:11 AND YET YOU ADMIT
340 01:36:24:28 SLICING OFF HIS HEAD WITH A CAKE KNIFE!
341 01:36:29:04 DISEMBOWELING HIM WITH A MELON BALLER
342 01:36:32:16 AND PUREEING HIM IN A CUISINART!
343 01:36:36:25
344 01:36:39:09 EXTENUATING- CIRCUMSTANCES-
345 01:36:46:12 EXTENUATING-
346 01:36:50:09 EXTENUATING- CIRCUMSTANCES.
347 01:36:54:21 EXTENUATING CIRCUMSTANCES.
348 01:36:59:07 WHAT EXTENUATING CIRCUMSTANCES?
349 01:37:04:17 HE LEFT THE TOILET SEAT UP.
350 01:37:10:02 HE LEFT THE TOILET SEAT UP.
351 01:37:13:26 WHAT?
352 01:37:15:06 EVERY TIME.
353 01:37:17:16 EVERY TIME.
354 01:37:18:29 FOR THAT YOU KILLED HIM?
355 01:37:20:07 OBJECTION! OBJECTION!
356 01:37:23:07 DIDN'T HE KNOW?
357 01:37:25:10 DIDN'T HE KNOW, DID HE NOT KNOW IT HAD A HINGE?
358 01:37:33:02 FOR THAT YOU KILLED HIM, FOR THAT YOU KILLED HIM!
359 01:37:37:05 SELF DEFENSE.
360 01:37:39:00 SHE HAD NO CHOICE.
361 01:37:43:03 BEFORE I SLIPPED, BEFORE I FELL,
362 01:37:50:26 BEFORE I SLIPPED, ONE MORE TIME,
363 01:37:57:25 BEFORE I TOOK THAT DREADFUL PLUNGE,
364 01:38:03:27 ONE MORE TIME - INTO THE ICY FLOW.
365 01:38:10:00 MURDERER! MURDERER!
366 01:38:13:02 OBJECTION!
367 01:38:14:12 HE IS BADGERING THE WITNESS!
368 01:38:16:17 WAKING IN THE NIGHT.
369 01:38:17:27 WAKING.
370 01:38:19:06 GROPING MY WAY, GROPING MY WAY, TO THE TOILET,
371 01:38:23:16 TO THE TOILET.
372 01:38:25:00 THE TOILET, THE TOILET.
373 01:38:28:12 AND THEN...IN THE DARKNESS...SPLASH!
374 01:38:37:08 SPLASH!
375 01:38:39:24 YOUR HONOUR.
376 01:38:42:03 I DEMAND A MISTRIAL!
377 01:38:46:19 I DEMAND A MISTRIAL.
378 01:38:51:28 ON WHAT GROUNDS? ON WHAT GROUNDS?
379 01:38:58:23 MY CLIENT, ANNA MARIA MANNIAGHOTTI, IS INSANE.
380 01:39:09:05 SHE KEEPS ON INSISTING
381 01:39:14:04 ON TELLING THE TRUTH.
382 01:39:23:26 SHE KILLED HER HUSBAND, AN INNOCENT MAN!
383 01:39:35:29 [music]
384 01:39:41:06 INNOCENT!
385 01:39:45:26 THE BATHROOM, IT WAS A MESS.
386 01:39:55:01 IF MY AIM WAS AS BAD AS HIS,
387 01:39:58:14 HE'D STILL BE ALIVE, HE'D STILL BE ALIVE TODAY!
388 01:40:12:05
389 01:40:15:02 YOUR HONOUR, SHE CLEARLY IS GUILTY.
390 01:40:23:12 THE PROSECUTION RESTS.
391 01:40:32:07 [music]
392 01:40:36:13 HAS THE JURY REACHED A VERDICT?
393 01:40:41:22 WE HAVE YOUR HONOUR!
394 01:40:45:02 WE FIND THE DEFENDANT, ANNA MARIA MANNIAGHOTTI
395 01:40:55:00 NOT GUILTY!
396 01:40:59:25 [cheering]
397 01:41:06:14 [gavel pounding]
398 01:41:13:18
399 01:41:19:04 [music]
400 01:41:51:07
401 01:41:55:19 [music]
402 01:42:03:09 PA: Attention shoppers: Special on toothpaste...
403 01:42:06:01 Aisle 3, special on toothpaste, aisle 3.
404 01:42:09:21 [music]
405 01:42:28:18 [sobbing]
406 01:42:32:05 WHAT, WHAT DO YOU WANT OF ME?
407 01:42:36:06 TREVOR!
408 01:42:37:19 CONSTANCE!
409 01:42:38:24 I'M SORRY.
410 01:42:41:13 I MADE A MISTAKE.
411 01:42:44:02 I'M SORRY...
412 01:42:45:17 AHA! I KNEW IT!
413 01:42:47:13 I KNEW IT!
414 01:42:47:13 FORGIVE ME!
415 01:42:50:17 FORGIVE YOU? HA!
416 01:42:53:15 I FORGIVE YOU.
417 01:42:55:17 YOU'LL TAKE ME BACK?
418 01:42:56:28 TAKE YOU?
419 01:42:56:28 YOU'LL TAKE ME BACK!
420 01:42:58:16 TAKE YOU BACK?
421 01:42:58:16 YOU'LL TAKE ME BACK.
422 01:43:00:02 TAKE YOU BACK?
423 01:43:03:11 WHAT ABOUT CHARLES?
424 01:43:04:27 CHARLES?
425 01:43:06:00 LET CHARLES TAKE YOU BACK.
426 01:43:08:08 CHARLES IS A BOY.
427 01:43:11:25 TAKE ME BACK! TAKE ME BACK! TAKE ME BACK!
428 01:43:15:10 NEVER!
429 01:43:15:10 IS IT TOO LATE?
430 01:43:17:07 TOO LATE?
431 01:43:21:14 IT'S TOO LATE!
432 01:43:23:26 [music]
433 01:43:34:09 AHHHHHHHH.
434 01:43:35:26 LET ME BY.
435 01:43:37:28 I AM A FOOL.
436 01:43:42:24 YOU ARE A FOOL.
437 01:43:44:21 LET ME BY. LET ME BY.
438 01:43:47:23 I AM A FOOL.
439 01:43:53:14 YOU MUST GO ON.
440 01:43:55:17 FIND SOMEONE ELSE. FIND SOMEONE ELSE.
441 01:43:59:22 PRETEND THAT YOU LOVE HIM!
442 01:44:05:08
443 01:44:07:05 [sobbing]
444 01:44:10:29 [music]
445 01:44:24:11 FOOLISH GIRL!
446 01:44:26:24 WHAT HAVE YOU DONE?
447 01:44:28:21 WITHOUT YOU I COULD NOT LIVE.
448 01:44:36:20
449 01:44:39:08 FOOLISH GIRL.
450 01:44:44:27 WITHOUT YOU I COULD NOT LIVE.
451 01:44:52:22 YOU DIDN'T DESERVE THIS!
452 01:44:56:08 I DIDN'T DESERVE YOU!
453 01:44:59:21 SO STILL.
454 01:45:02:22 SO COLD!
455 01:45:05:16 SUCH A WASTE.
456 01:45:08:03 SO COLD!
457 01:45:13:09 WITHOUT YOUR LOVE.
458 01:45:19:06 WITHOUT MY LOVE.
459 01:45:27:04 WITHOUT YOUR LOVE TREVOR.
460 01:45:40:05
461 01:45:42:01 TREVOR?
462 01:45:44:17 CONSTANCE!
463 01:45:47:00 [music]
464 01:45:54:03 YOU'RE LOOKING... WARM.
465 01:45:57:03
466 01:45:59:20 I SEE YOU'RE SHOPPING.
467 01:46:02:27 LIFE GOES ON!
468 01:46:04:21 NO POINT IN KILLING YOURSELF!
469 01:46:08:01 THAT'S WHAT CHARLES KEEPS SAYING.
470 01:46:11:26 CHARLES?
471 01:46:13:21 [music]
472 01:46:21:02 SPEAK OF THE DEVIL.
473 01:46:23:09 CONSTANCE, LOOK WHAT I FOUND!
474 01:46:26:11 OYSTERS!
475 01:46:27:25 AND REAL WHIPPED CREAM.
476 01:46:32:03 I SENT YOU FOR INSTANT MASHED POTATOES.
477 01:46:36:23 CHARLES, YOU REMEMBER TREVOR.
478 01:46:40:19
479 01:46:44:14 ISN'T SHE LOOKING GREAT?
480 01:46:47:27 YOU MUST COME TO THE HOUSE, THE HOUSE.
481 01:46:51:09 YES, YOU MUST!
482 01:46:53:25
483 01:46:57:03 DON'T YOU UNDERSTAND?
484 01:46:59:17 IT'S OVER!
485 01:47:01:17 IT'S OVER!
486 01:47:03:16 IT'S OVER!
487 01:47:05:09 IT'S OVER!
488 01:47:09:14 [music]
489 01:47:13:28 I PRETEND TO BE HAPPY
490 01:47:17:20 BUT SECRETLY I LONG FOR THE DAY
491 01:47:22:22 THAT YOU AND I WILL BE TOGETHER.
492 01:47:29:14
493 01:47:34:18 IN YOUR DREAMS CONSTANCE, IN YOUR DREAMS!
494 01:47:41:19
