In voiceover, filmmaker Laurie Lassalle questions her desire to be part of the "Gilets jaunes" (Yellow vests) protest movement in France.

After the death of her uncle, the director films her family courtyard in Burkina Faso as a dispute over the estate bursts out between advocates of traditional law and proponents of official law, inherited from European colonization.

In the village of Kolofata in Cameroon, Mohamed, Ibrahim and Falta — indirect victims of Boko Haram — attempt to create a new future for themselves.

They claimed to be “men of honour”; in reality, they were killers for the Cosa Nostra (Sicily). Here, three of them tell their stories.

Wu’s one year old son was kidnapped in the middle of the night and was most probably sold to another family. Ten years later, Wu still hopes to find him.

A look at the men and women performaing painstaking reconstruction work on the Notre-Dame cathedral in Paris, three years after its rooftops were destroyed by flames in front of the eyes of the whole world.

West African waters have been overexploited for more than 40 years, largely by foreign fleets from Europe, Russia and Asia. The collapse of fish stocks threatens fishermen and their families, an important part of Senegalese society.

For decades, it was believed that the beginnings of art had emerged in Europe, 20,000 years ago at Lascaux, then 36,000 years at Chauvet... Recent researches are shaking up our understanding of art.

Being thrown down a flight of stairs, hit by a car or beaten up is the everyday life for stuntwomen. We follow Virginie, Petra and Estelle during training sessions and on film sets in France and the US.

It has become obvious that we need to make significant changes in how we handle, manage and even talk about human waste. We need a “toilet revolution".